French Model 1874 "Gras" Sword Bayonet

This bayonet, made by scarce maker L Deny Paris in 1880, was the last of the French "sword-type" bayonets. It was manufactured to fit the French Model 1874 "Gras" Infantry Rifle, basically a refinement of the Model 1866 Chassepot Infantry Rifle. The "Gras" was manufactured from 1874 to about 1885.
The French wars during the useful "life-span" of this bayonet were:
Sino-French War 1883-1885;
Madagascar Wars 1883-1885 and 1895;
1st Mandingo-French War 1883-1886;
1st Dahomeyan-French War 1889-1990;
2nd Dahomeyan-French War 1892-1894;
2nd Mandingo-French War 1894-1895;
Conquest of Chad 1897-1914;
3rd Mandingo-French War 1898;
Moroccan War 1907-1912;
World War I (early). Blade 20.5 inches overall 26 inches  read more

Code: 19122

A Good King George IIIrd Period Belgian Light Dragoon Type Percussion Holster Pistol

Based very comparably to the British 1756 Light Dragoon pattern holster pistol, but made circa 1822. A very strong an robust pistol bearing numerous Belgian proof and military inspection stamps, and a Liege 1811 barrel proof stamp, brass skull-crusher butt cap with lanyard ring. percussion action, finest walnut stock that its surface has been fully relief carved with a snakeskin pattern, a cross, a heart and a serpent, and has a fabulous natural patina. strong mainspring, overall 16 inches long, 9 inch barrel. Set to a hair-trigger action  read more

Code: 23641

A Stunning, Fearsome Yet Beautiful, Edo Period Shirohige Ressei-Menpo "Mask With Fierce Expression" Samurai Face Armour,, Probably Myochin School, 18th century

Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen, menpō, hanbō or hanpō, and happuri.

A resseimon cheek is a form of cheek below the eyes, and is a mask with a very fierce, angry, and threatening expression. He is characterized by wrinkles on his nose and cheeks, wide open mouth, moustache and gold teeth. This work is a typical ressei mask made of iron and covered with black lacquer over the entire surface, and is attached with a collar called a kuruwa, which was commonly used in the Edo period.

This is a wonderful piece of Japanese Samurai 'art' made for warfare, which features a kuchi hige (mustache), shiwa (facial wrinkles). Extremely collectable art that is most desirable in its own right, often stunningly used for interior decoration as an individual work of samurai art in its own right. A very good urushi lacqured embossed iron mask of 'Me no Shita Men' (half face) type. Mid Edo period 18th century. Typical Myochin school craftmanship with very sharp embossing. A multi coloured silk bound yodarekake, neck defence with hooked standing cord pegs for attaching with cords to the samurai. A doeskin top to the neck defences decorated in a black inked pattern of Shishi lion dogs on a leaf pattern background. The inner face is decorated with vermillion lacquer, and the neck lames are covered in black urushi lacquer under the cords. Face armour, menpo, is samurai armour, and this is called 'with a fierce expression' masks They were worn with the Samurai's armours to serve as a protection for the head and the face from sword cuts. Even if the mask in unsigned, the type, and its the features suggest this fabulous face armour menpo was made by a smith from the Myochin school.

There are 4 types of mask designs that came into general use in Japan: happuri (which covers the forehead and cheeks), hanbō (covers the lower face, from below the nose all the way to the chin), sōmen (covers the entire face) and the me-no-shita-men (covers the face from nose to chin). We can also classify those mask depending on their facial expressions, most of which derive from the theatre masks. It has an asenagashino ana a hole under the chin to drain off perspiration and orikugi two projecting studs above the chin to provide a secure fastening to the wearer. In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.
The era of warfare called the Sengoku period ended around 1600, Japan was united and entered a relatively peaceful Edo period. However, the Shoguns of the Tokugawa period were most adept at encouraging clan rivalries and conflicts and battles were engaged throughout the empire. This of course suited the Shogun very well, while all his subordinate daimyo fought each other they were unlikely to conspire against him. Samurai use continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for war, but still for battle. The most important branch of the Myochin school is probably that of the Ki region. Founded by Kunimichi, it became popular between 17th and 18th century for the works of Munesuke, who had the technical ability and the artistic capacity to create samurai armour of great beauty, In fact, this is the period when Japanese armor makers became aware that they were living in a peaceful time and their works begun looking back at the mediaval samurai armour as an inspiration: kabuto started again to be of circular shape and decorations became again large and rich, as in the old o-yoroi armor.

The best ability of Munesuke was the hammering technique (uchidashi): his menpo look almost exagerated in their shapes, with a very long chin, sharp and deep wrinkles on the cheeks and theatrical mouth. Moustaches are often inlaid in silver or gold, instead of being in fur as on Nara style menpo.

But the armor maker who really brough the uchidashi technique to the highest level is Muneakira, pupil and adopted son of Munesuke, which we can consider the best maker for samurai armour of modern times: his hammeried works are extraordinary, with precise and sharp lines of a quality that nobody else achieved.

The men-yoroi, which covered all or part of the face, provided a way to secure the top-heavy kabuto (helmet). The Shinobi-no-o (chin cord) of the kabuto would be tied under the chin. Small hooks called ori-kugi or posts called odome located on various places would help secure the chin cord. The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache, fierce teeth and a detachable nose. With the exception of the happuri, a men-yoroi had a small hole underneath the chin for sweat drainage.

Face armour in Japan begins with the happuri, which is depicted in Heian- and Kamakura-era yamato-e paintings and is thought to have appeared during the 10th or 11th centuries. It is depicted as being worn with or without a helmet by both mounted warriors and foot retainers. By the 14th century, the hōate appears, and according to Tom Conlan, this development is behind decreased facial wound statistics. However, others, such as Yamagishi Sumio, believe that the hōate was not widespread at that time, as it—and the later menpō—restricted the vision of the wearer. Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the 16th century
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Code: 25241

A Most Impressive & Stunningly Beautiful Bladed Antique Shinto period, Edo Era Samurai Horseman's Katana. Matsushiro Sinano School Koshirae

A simply amazing sword, of the 1700's, with a blade of breathtaking beauty, with a highly complex and attractive gunome hamon, with 'crabclaws', 'islands' and 'gems' of hardened temper. It gives the impression of a mountain range { somewhat like multiples of Mount Fuji} and crashing seas.

All original Edo period fittings, and a superb takebori iron sukashi tsuba. The fuchigashira and sayagaki and jiri are all matching brass decorated with fulsome designs and silver striping. Fully matching suite of sinchu and contrasting silver line mounts to the tsuka and saya, of the Edo Matsushiro Sinano school The saya has all its original period Edo lacquer impressed with a cloud patterning, and in dark bulls blood red. The menuki are horsemen's saddle stirrups, called abumi, and a horseman's yari pole. The blade has a superb and elaborate gunome hamon.

This is a katana made for a senior ranking samurai based on horseback in combat, certainly not a light and cursive katana, but a battle sword, made to complete an uncomprimising task of close combat and aggressive swordmanship.
Designed as much for cleaving armour and helmets in two, as much as defeating another samurai on horseback. Although samurai would not, one would say, be a cavalry based warrior, all senior samurai would be mounted and thus travel on horseback, and some cavalry type samurai could be deployed in battle, but with differing combat styles depending on what part of Japan they came from. The cavalry troops, being Samurai, had personal retainers that stayed closer to them in the Sonae, carried their weaponry and worked as support units, much like an European squire. They also joined the fight whenever possible (especially in the mounted infantry scenario) and were often responsible of taking heads for their lords.
These foot Samurai were also used as heavy infantry or archers to support the ashigaru lines.


Tactics
Given the fact that the Samurai could directly dismount and operate as infantry, there were some specific tactics for horsemen.
Cavalry in general was only used after the battle was already started, either to deliver a decisive victory or to trying to save the day.

Norikiri
This is a classic charge, where several small groups of five to ten horseman ride consequently (possibly with a wedge formation) into a small area against the enemy lines, to maximize the shock. It was mainly used by heavy cavalry in the East, but given the fact that the ideal target where "weavering" units with low morale or disorganized, even medium cavalry could perform this charge.
The main role of this charge was to create confusion; if it didn't succeed, the cavalry regroups and either retreat or deliver another charge.

Norikuzushi
This is a combined infantry and cavalry charge. The horseman charged first, and after creating mayhem, a second charge is delivered by infantries armed with polearms, which could keep on fighting. The main target for this tactics were ranged units detached by the army. After a Norikuzushi usually follows a Norikiri by the cavalry group. 28 inch blade tsuba to tip. The saya has some old wear marks, but very nice indeed and untouched.  read more

Code: 25240

Another 180 Books Arrived on Saturday! Plus Dozens of Swords, Pistols, Arms and Armour. To Our Regulars Our Weekly E.mail Sendouts Resumed Today

We have simply had too little time to list, catalogue and photograph all our new additions.

New items arriving including several original US Civil War revolvers and sabres, a jolly rare piece of WW2 Section XII SOE sabotage kit, an amazing presentation huge leather bound tome filled with paintings of French Ancient Regime and First Empire army uniforms and swords helmets etc. A stunning collection of sword sticks of the highest quality,

We are trying our best to resume our usual latest additions send-out early this coming week. Apologies to our disappointed regulars.  read more

Code: 25236

A Fine & Most Beautiful Japanese Katana, Signed Mitsuhiro Saku Late Koto to Shinto Period

A very attractive samurai katana, around 400 to 450 years old in a superb colour livery of blue-green tsuka-ito and a two colour saya of brown ishime {stone finish} and bright black urushi ribbed lacquer to the top quarter section, bound with white sageo, and a polished carved buffalo horn kurigata and sayajiri. The blade is signed, Mitsuhiro and shows a beautiful gunome hamon. The pair of menuki are a pair of caught Warasubo spine toothed fish, one with a mouse foraging on the top of its body. The mud flats of Japan’s Ariake Sea are home to a creature that is reportedly as delicious as it is disgusting-looking. Introducing the “Warasubo”, an eel-like xenomorph goby fish that for obvious reasons is known as the “Alien of Ariake Sea”, found in a large bay in Kyushu,

The fuchi kashira tsuka fittings are a pair of Edo period iron Higo school inset with silver droplets either representing a heavenly constellation, or snowflakes falling at night.

Made and used in the time of the greatest battle in samurai history. The Battle of Sekigahara Sekigahara no Tatakai) was a decisive battle on October 21, 1600 that preceded the establishment of the Tokugawa shogunate. Initially, Tokugawa's eastern army had 75,000 men, while Ishida's western army numbered 120,000. Tokugawa had also sneaked in a supply of arquebuses. Knowing that Tokugawa was heading towards Osaka, Ishida decided to abandon his positions and marched to Sekigahara. Even though the Western forces had tremendous tactical advantages, Tokugawa had already been in contact with many daimyo in the Western Army for months, promising them land and leniency after the battle should they switch sides.

Tokugawa's forces started the battle when Fukushima Masanori, the leader of the advance guard, charged north from Tokugawa's left flank along the Fuji River against the Western Army's right centre. The ground was still muddy from the previous day's rain, so the conflict there devolved into something more primal. Tokugawa then ordered attacks from his right and his centre against the Western Army's left in order to support Fukushima's attack.

This left the Western Army's centre unscathed, so Ishida ordered this unit under the command of Shimazu Yoshihiro to reinforce his right flank. Shimazu refused as daimyos of the day only listened to respected commanders, which Ishida was not.

Recent scholarship by Professor Yoshiji Yamasaki of Toho University has indicated that the Mori faction had reached a secret agreement with the Tokugawa two weeks earlier, pledging neutrality at the decisive battle in exchange for a guarantee of territorial preservation, and was a strategic decision on Mori Terumoto's part that later backfired.

Fukushima's attack was slowly gaining ground, but this came at the cost of exposing their flank to attack from across the Fuji River by Otani Yoshitsugu, who took advantage of this opportunity. Just past Otani's forces were those of Kobayakawa Hideaki on Mount Matsuo.

Kobayakawa was one of the daimyos that had been courted by Tokugawa. Even though he had agreed to defect to Tokugawa's side, in the actual battle he was hesitant and remained neutral. As the battle grew more intense, Tokugawa finally ordered arquebuses to fire at Kobayakawa's position on Mount Matsuo to force Kobayakawa to make his choice. At that point Kobayakawa joined the battle as a member of the Eastern Army. His forces charged ?tani's position, which did not end well for Kobayakawa. Otani's forces had dry gunpowder, so they opened fire on the turncoats, making the charge of 16,000 men mostly ineffective. However, he was already engaging forces under the command of Todo Takatora, Kyogoku Takatsugu, and Oda Yuraku when Kobayakawa charged. At this point, the buffer Otani established was outnumbered. Seeing this, Western Army generals Wakisaka Yasuharu, Ogawa Suketada, Akaza Naoyasu, and Kutsuki Mototsuna switched sides, turning the tide of battle

The top section of the blade, near the kissaki has two very small areas of natural age pitting  read more

Code: 25237

A Koto to Early Shinto Sengoku Period Samurai Wakizashi Circa 1520's to 1590'

With a stunningly attractive blade with fine suguha hamon.
All original edo period fittings and black urushi lacquer saya. Beautiful Higo style fuchi kashira decorated with takebori ponies. O sukashi square section tsuba

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."
The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Onin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China.

Cherished for its infinite versatility, urushi lacquer is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!  read more

Code: 24218

Very Fine Regimental Officer's Sword WW1 of the 5th Prussian Jäger Battalion (1st Silesian). Imperial Prussian Eagle Guard With Crest of Kaiser Willhelm IInd. Commanded By Crown Prince Wilhelm of Prussia the Heir of Kaiser Wilhelm IInd. Sword No 1

Stamped on the guard for the first officer of the 5th Jäger Battalion, the 1st Company, Sword Number 1. Stamped on the hilt, 5.J.1.1, in it it’s matching numbered scabbard. Used in the 1914 Schlieffen Plan, the Battle of the Ardennes, and the Battle of Verdun and Marne. Overall the sword is in excellent condition, with its original multi wire bound sharkskin grip fully original and intact. Bronze guard, with the personal monogram of the Kaiser upon the grip, and guard depicting the Imperial Prussian Eagle, pieced and in relief. Double fullered blade and it’s original all steel combat scabbard. The blade bears the Kaiser Wilhelmi W Crown proof inspection mark
The 5th Prussian Jäger Battalion (1st Silesian)
AKA The Jäger-Batallion von Neumann (1.Schlesisches ) Nr.5 was formed in 1808 as the 1. Schützen-Abteilung (Schlesische). They fought Napoleon at the Battles of Leipzig and Waterloo, Revolutionaries in Baden in 1849, Austria- Hungary at Königgrätz in 1866 and France again at Wörth and Sedan in 1870. Since 1901 Archduke Ferdinand Carl of Austria-Hungary was honorary Colonel in Chief of the battalion.

In 1914 they were garrisoned at Hirschberg (modern Jelenia Góra, Poland) and formed part of the V Army Corps. During the First World War they served on the Western Front, notably at the Battles of the Marne and Verdun.

On mobilisation, V Corps was assigned to the 5th Army forming part of centre of the forces for the Schlieffen Plan offensive in August 1914 on the Western Front.

In August 1914 the command of 5th Army was assigned to Crown Prince Wilhelm of Germany, heir to the Hohenzollern throne, with General Schmidt von Knobelsdorf serving as his chief of staff, and would remain thus until late 1916. The opening hostilities on the Western Front saw the Crown Prince's 5th Army, along with the neighboring 4th Army (commanded by Albrecht, Duke of Württemberg), acting at the center of the Schlieffen plan attack into Belgium and France. On 21 August 1914, in what became known as the Battle of the Ardennes, the 4th and 5th Armies advanced into the Ardennes to counter a thrust by the French 3rd and 4th Armies. Over the next two days 5th Army played a major part in halting the opposing French forces. By 23 August, after taking heavy losses and being outmaneuvered strategically, the two French armies were driven into retreat. Following the German 5th Army's victory in the Battle of the Ardennes it moved to Verdun, where it would remain until 1918. In February 1916 the Crown Prince's 5th Army would launch Operation Gericht, the German offensive that began the Battle of Verdun, one of the bloodiest and longest battles in history. Late in 1916, after suffering terrible losses in its efforts at Verdun, General Max von Gallwitz assumed control of 5th Army. Before the close of the war 5th Army fought in several noteworthy actions, including the Battle of Saint-Mihiel, in September 1918, when it was defeated by the American Expeditionary Force under John J. Pershing. The Fifth Army continued to oppose the AEF's Meuse-Argonne Offensive until the Armistice of 11 November 1918. At the end of the war it was serving as part of Heeresgruppe Gallwitz

It was still in existence at the end of the war in Armee-Abteilung C, Heeresgruppe Gallwitz on the Western Front.

Wilhelm, German Crown Prince, Crown Prince of Prussia (Friedrich Wilhelm Victor August Ernst; 6 May 1882 – 20 July 1951) was the eldest child of the last Kaiser, Wilhelm II, German Emperor, and his consort Augusta Victoria of Schleswig-Holstein, and thus a great-grandson of Queen Victoria, and distant cousin to many British royals, such as Queen Elizabeth II. As Emperor Wilhelm's heir, he was the last Crown Prince of the German Empire and the Kingdom of Prussia, until the abolition of the monarchy.

Wilhelm became crown prince at the age of six in 1888, when his grandfather Frederick III died and his father became emperor. He was crown prince for 30 years until the fall of the empire on 9 November 1918. During World War I, he commanded the 5th Army from 1914 to 1916 and was commander of the Army Group German Crown Prince for the remainder of the war. After his return to Germany in 1923, he fought the Weimar Republic and campaigned for the reintroduction of the monarchy in Germany. After his plans to become president had been blocked by his father, Wilhelm supported Adolf Hitler's rise to power, but when Wilhelm realised that Hitler had no intention of restoring the monarchy, their relationship cooled. Wilhelm became head of the House of Hohenzollern on 4 June 1941 following the death of his father and held the position until his own death on 20 July 1951.

Small denting to the scabbard.  read more

Code: 25235

A Good 1796 Pattern Infantry Officer's Sword, With Near Mint Hilt of Almost All Its Original Mercurial Gilt and Silver Grip Wire.

Mercurial gilt hilt with double shell fold down guard and silver bound grip, and fully engraved blade with Royal cypher and crest, and some dark blue remaining. From the Napoleonic Wars, the Peninsular war, The War of 1812 in America, then in 1815 at Quatre Bras and Waterloo, and with around 95% of the gilt remaining on the hilt. A simply stunning sword in wonderful condition. British infantry officer's sword of the Napoleonic Wars. The Napoleonic Wars (1803–1815) were a series of major conflicts pitting the French Empire led by Emperor Napoleon I against an array of European powers formed into various coalitions. They revolutionised European armies and played out on an unprecedented scale, mainly owing to the application of modern mass conscription. The wars are traditionally seen as a continuation of the Revolutionary Wars, which broke out in 1792 during the French Revolution. Initially, French power rose quickly as the armies of Napoleon conquered much of Europe. In his military career, Napoleon fought about 60 battles and lost seven, mostly at the end. The great French dominion collapsed rapidly after the disastrous invasion of Russia in 1812. Napoleon was defeated in 1814, and then once more in 1815 at Waterloo after a brief return to power. The Allies then reversed all French gains since the Revolutionary Wars at the Congress of Vienna.

Before a final victory against Napoleon, five of seven coalitions saw defeat at the hands of France. France defeated the first and second coalitions during the French Revolutionary Wars, the third (notably at Austerlitz), the fourth (notably at Jena, Eylau, and Friedland) and the fifth coalition (notably at Wagram) under the leadership of Napoleon. These great victories gave the French Army a sense of invulnerability, especially when it approached Moscow. But after the retreat from Russia, in spite of incomplete victories, France was defeated by the sixth coalition at Leipzig, in the Peninsular War at Vitoria and at the hands of the seventh coalition at Waterloo.

The wars resulted in the dissolution of the Holy Roman Empire and sowed the seeds of nationalism that would lead to the consolidations of Germany and Italy later in the century. Meanwhile, the global Spanish Empire began to unravel as French occupation of Spain weakened Spain's hold over its colonies, providing an opening for nationalist revolutions in Spanish America. As a direct result of the Napoleonic wars, the British Empire became the foremost world power for the next century, thus beginning Pax Britannica.

No consensus exists about when the French Revolutionary Wars ended and the Napoleonic Wars began. An early candidate is 9 November 1799, the date of Bonaparte's coup seizing power in France. However, the most common date is 18 May 1803, when renewed war broke out between Britain and France, ending the one-year-old Peace of Amiens, the only period of general peace in Europe between 1792 and 1814. Most actual fighting ceased following Napoleon's final defeat at Waterloo on 18 June 1815, although skirmishing continued as late as 3 July 1815 at the Battle of Issy. The Second Treaty of Paris officially ended the wars on 20 November 1815. Overall this battle cum dress sword is in fabulous condition, from a large former museum collection of original Napoleonic Battle of Waterloo swords

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .

No scabbard.  read more

Code: 25233

An Original and Superb WW2 RAF Air Ministry Issue 'Scramble Bell', Cast Bronze With Turned Hardwood Handle On A Brass Socket Mount With Brass Ball Top. Interior Bears The AM Crown Mark of the Air Ministry Contract

An iconic centre piece of any collection from the most renowned and famed era of the British RAF. This would would make an amazing addition to any collection, or display, or a unique historic gift for any collector of aeronautica.

A most scarce, original, 'Battle of Britain' piece of original, RAF Air Ministry issue aeronautica, an original brass bracket mounted then hand-held 'scramble' bell, complete with its wooden handle, stamped AM Crown, marked with crown and initials AM, Used at an RAF air base. Made in the period when the RAF knew very well that war was imminent and very likely, and it was used throughout the entire war, right from the 'Battle of Britain' period. It’s diameter of the bell is 200 mm, and height 300 mm approx, it weighs, 3.15 kilos.

A very fine example, in super condition, of an original RAF scramble bell from a RAF base, such as RAF North Weald, as it likely came from that location area, another that came from RAF Debden, an airfield 3 miles south east of Saffron Waldon in Essex, was sold over six years ago for 2,500 at auction in New York.

This hand bell would have been rung when instructions came through from HQ of an imminent attack by the feared and deadly Luftwaffe Bombing Squadrons, in order to scramble the bravest of the brave, the frighteningly young, RAF, RAAF or RCAF pilots into the air. During the Battle of Britain and beyond the average age of the pilots was just 20 years old, of the 2,937 British and Allied aircrew. Britain aircrew were flying multiple sorties a day to intercept the relentless Luftwaffe raids over the British skies, Aircrew from sixteen nationalities flew and fought together against the Luftwaffe, who outnumbered the RAF in both aircraft and pilots.

Against all odds, the RAF defeated the Luftwaffe. Hitler was forced to abandon his plans to invade Britain.
544 aircrew were killed during the Battle of Britain. A further 422 aircrew were wounded. Almost a third of all the men that flew.

British Prime Minister, Winston Churchill, famously expressed the incredible debt owed to the Battle of Britain aircrew:

“Never in the field of human conflict has so much been owed by so many to so few.”

During WW2 the world's premier gallantry medals were granted to air Force personnel, 22 Victoria Crosses were awarded, and 2,001 Air Force Crosses were Awarded, 26 were awarded to the same recipient twice, and just 1 was awarded to the same man three times.

Throughout the summer of 1940, across England, on hundreds of grass makeshift runways, with young eager pilots that awaited in huts for the bell to be rung, then rushing ‘hell for leather’ to their fighter planes, in order to attack the German bomber and fighter formations descending on vulnerable Southern England. Such as RAF Debden, in Essex, that was built in April 1937, with the tarmac airstrip laid in 1940. It was a sector station for 11 Group RAF. Many British Hurricane and Spitfire squadrons were based at Debden, including number 17 squadron throughout the Battle of Britain. In September 1942, it was handed over to the USAAF, as part of British support for the American bombing campaign in Europe. The Battle of Britain (German: Luftschlacht um England, literally "The Air Battle for England") was a military campaign of the Second World War, in which the Royal Air Force (RAF) defended the United Kingdom (UK) against large-scale attacks by Nazi Germany's air force, the Luftwaffe. It has been described as the first major military campaign fought entirely by air forces. The British officially recognise the battle's duration as being from 10 July until 31 October 1940, which overlaps the period of large-scale night attacks known as the Blitz, that lasted from 7 September 1940 to 11 May 1941. German historians do not accept this subdivision and regard the battle as a single campaign lasting from July 1940 to June 1941, including the Blitz.

The primary objective of the German forces was to compel Britain to agree to a negotiated peace settlement. In July 1940 the air and sea blockade began, with the Luftwaffe mainly targeting coastal-shipping convoys, ports and shipping centres, such as Portsmouth. On 1 August, the Luftwaffe was directed to achieve air superiority over the RAF with the aim of incapacitating RAF Fighter Command; 12 days later, it shifted the attacks to RAF airfields and infrastructure. As the battle progressed, the Luftwaffe also targeted factories involved in aircraft production and strategic infrastructure. Eventually it employed terror bombing on areas of political significance and on civilians.

The Germans had rapidly overwhelmed France and the Low Countries, leaving Britain to face the threat of invasion by sea. The German high command knew the difficulties of a seaborne attack and its impracticality while the Royal Navy controlled the English Channel and the North Sea. On 16 July, Adolf Hitler ordered the preparation of Operation Sea Lion as a potential amphibious and airborne assault on Britain, to follow once the Luftwaffe had air superiority over the UK. In September, RAF Bomber Command night raids disrupted the German preparation of converted barges, and the Luftwaffe's failure to overwhelm the RAF forced Hitler to postpone and eventually cancel Operation Sea Lion. Germany proved unable to sustain daylight raids, but their continued night-bombing operations on Britain became known as the Blitz.

Historian Stephen Bungay cited Germany's failure to destroy Britain's air defences to force an armistice (or even outright surrender) as the first major German defeat in World War II and a crucial turning point in the conflict. The Battle of Britain takes its name from a speech by Winston Churchill to the House of Commons on 18 June: "What General Weygand has called The Battle of France is over. The Battle of Britain is about to begin." The scramble bell came three different forms, the larger mounted bell, with the same AM Air Ministry marks, but much heavier, so they had to be wall mounted, or on a free standing bracket, hanging outside of say, a hut, and this type the medium sized bracket mounted for hanging outside of a hut, but as this one with an added handle, which was naturally much somewhat portable, and ideal for emergency RAF bases and landing strips, created with makeshift or tented non-permanent buildings. And the smaller regular contract hand-bell was also ideal in those bases.  read more

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