Japanese

Simply Wonderful, Signed, 18th Century Samurai Horse Armour Abumi

This Kaga zougan abumi, is an armoured samurai stirrup, made in iron but of exceptional quality, and bears stunningly beautiful silver inlay of scrolling vines, leaves and berries. This is truly noteworthy museum grade work of art in its own right. An absolutely singular example, perfectly displaying the skill and technical craftsmanship of the highest order, for antique Japanese accoutrements, handmade for a samurai Daimyo [clan lord] or for a Seieibushi samurai the highest ranking of the samurai Made and used as part of his armour saddle fittings, but also for use as much when the samurai was in full armour or in regular daytime wear. The signature, inlaid in pure silver to match the d?cor translates to 'Made by Katsuo Nagatsugu residing in Kanezawa in Kaga province' a most highly rated and famous maker of finest abumi. Some examples of his work are in the Kanezawa Museum in Japan. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun is the most prestigious rank possible for a samurai. Shoguns are the leaders of their given district, or country, and are regarded as the most powerful samurai.Beautiful and sophisticated patterns in Kaga zougan have an outstanding, keen feel for designs and such fine expression is supported by the minute methods. The craftsman carves the pattern part on the metallic basis material with a burin (tagane in Japanese), making the bottom wider than the surface (this method is called "ari wo kiru" in Japanese) and inserts and drives in a different metal in the part.
Then, the metallic part for the pattern is pressed and spread inside and does not come off itself. This bonding technology was closely employed especially in Kaga to enable to express variously on the metal for expressive work and gained a high reputation as for the solid work.

Of all the techniques, "Abumi" (stirrup) has been a synonym for Kaga zougan and well known for the scrupulous technique making sure that the metallic parts of Kaga zougan never come off, in addition to its excellent novel designs and beauty.  read more

Code: 22106

A Most Scarce Samurai Commander's Saihai, A Samurai Army Signaller

Edo period. Lacquered wooden handle with metal mounts and a long yak hair fitting. For a commander to signal troop movements to his samurai army in battle. A Saihai usually consisted of a lacquered wood stick with metal ends. The butt had a hole for a cord for the saihai to be hung from the armour of the samurai commander when not being used. The head of the saihai had a hole with a cord attached to a tassel of strips of lacquered paper, leather, cloth or yak hair, rarest of all were metal strips. We show the lord Uesugi Kenshin hold his in an antique woodblock print in the gallery. The saihai first came into use during the 1570s and the 1590s between the Genki and Tensho year periods. Large troop movements and improved and varied tactics required commanders in the rear to be able to signal their troops during a battle Uesugi Kenshin (February 18, 1530 ? April 19, 1578) was a daimyo who was born as Nagao Kagetora, and after the adoption into the Uesugi clan, ruled Echigo Province in the Sengoku period of Japan. He was one of the most powerful daimyos of the Sengoku period. While chiefly remembered for his prowess on the battlefield, Kenshin is also regarded as an extremely skillful administrator who fostered the growth of local industries and trade; his rule saw a marked rise in the standard of living of Echigo.

Kenshin is famed for his honourable conduct, his military expertise, a long-standing rivalry with Takeda Shingen, his numerous campaigns to restore order in the Kanto region as the Kanto Kanrei, and his belief in the Buddhist god of war?Bishamonten. In fact, many of his followers and others believed him to be the Avatar of Bishamonten, and called Kenshin "God of War".  read more

Code: 21517

A Most Scarce Samurai Commander's Saihai, A Samurai Army Signaller

Edo period. For a commander to signal troop movements to his samurai army in battle. A Saihai usually consisted of a lacquered wood stick with metal ends. The butt had a hole for a cord for the saihai to be hung from the armour of the samurai commander when not being used. The head of the saihai had a hole with a cord attached to a tassel of strips of lacquered paper, leather, cloth or yak hair, rarest of all were metal strips. We show the lord Uesugi Kenshin hold his in an antique woodblock print in the gallery. The saihai first came into use during the 1570s and the 1590s between the Genki and Tensho year periods. Large troop movements and improved and varied tactics required commanders in the rear to be able to signal their troops during a battle Uesugi Kenshin (February 18, 1530 ? April 19, 1578) was a daimyo who was born as Nagao Kagetora, and after the adoption into the Uesugi clan, ruled Echigo Province in the Sengoku period of Japan. He was one of the most powerful daimy?s of the Sengoku period. While chiefly remembered for his prowess on the battlefield, Kenshin is also regarded as an extremely skillful administrator who fostered the growth of local industries and trade; his rule saw a marked rise in the standard of living of Echigo.

Kenshin is famed for his honourable conduct, his military expertise, a long-standing rivalry with Takeda Shingen, his numerous campaigns to restore order in the Kanto region as the Kanto Kanrei, and his belief in the Buddhist god of war?Bishamonten. In fact, many of his followers and others believed him to be the Avatar of Bishamonten, and called Kenshin "God of War".  read more

Code: 21511

A Most Interesting Late Edo Japanese Gilt Lacquer Wooden Sword and Samurai Artifact Folding Display Stand. Decorated with Hand Painted Cranes and Bamboo

A folding wood and hand painted lacquer sword rack display stand, for the display of three samurai swords and for the area beneath for the decoration of samurai artefacts such as sword fittngs, mempo, abumi, war fans, or, such as beautiful Japanese tea ceremony pieces, early iron water vessels, and tea bowls etc.

See a selection of items shown for illustrative purposes.

Signed by the artist on both the obverse and reverse side. The hand painted cranes and bamboo are on fine gold leaf covered panels, and show considerable age wear, but this enhances its air of contrived antiquity for the display of early samurai swords, weaponry and artefacts

It has long been the tradition of areas of Japanese art to make for display late Edo pieces, in the much earlier ancient forms and styles. Such as, for example, russetted Higo style iron sword mounts. Actually made in the 18th century, but made to appear as they were ancient iron pieces from many centuries before. In many respects as an homage to much revered ancient Japanese art forms  read more

Code: 24455

A Good Antique Edo Period Round Signed Tetsu Wakazashi Tsuba Embossed Seashells

A delightful iron round tsuba takebori patterned with various shells over a water pattern background, with ana openings for kozuka and kogai. The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament 61 mm  read more

Code: 22455

An Edo O Sukashi Wakazashi or Tanto Tsuba In Iron

Circa 1650. The Tsuba, or Japanese sword guard, is a refined utilitarian object. It is essentially a sheath for the blade to fit through, protecting the hand of the warrior. The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament.  read more

Code: 20739

The Lanes Armoury & The Hawkins Family Established For Over 100 Years

In fact the family has been trading in Brighton for likely 200 years, but the first 100 Years was in the local fish and shellfish trade, becoming shopkeepers in antiques in the town in the last 100 years. Apparently the family moved from our seafaring roots in Plymouth, around 200 years ago, where we had been trading since the 1500’s, and during reign of The Tudors, Admiral Sir Francis Drake had been an adopted apprentice from the age of 15 of the Hawkins family in Plymouth..

The current partners, Mark and David have between them almost 95 years combined service to the company, serving the public and trade in ‘The Lanes’ of Brighton. In fact, we believe, out of approximately 2000 shops, and goodness knows how many businesses in the city, we are now the oldest, remaining, established family traders within the whole of Brighton and Hove.

BRIGHTON and Hove has been named the second-best area for independent shopping in the United Kingdom, only just pipped at the post by Cambridge. If you are going to be beaten by a town at least it was Cambridge [apologies to Oxford, but you ought to be used to it by now]

Taken from the Brighton and Hove.gov website; ‘The Lanes’ is listed first of the four main shopping areas; ‘ The Lanes - historic maze of alleyways with a mix of antiques, jewellery and fashion’
But sadly, we are the only antique and bookshop now still remaining in ‘The Lanes’  read more

Code: 24378

A Very Rare WW2 Japanese Shell Case From a Type 11 37mm Infantry Anti Tank Gun

Souvenir of an British officer gifted to him by an Australian officer, who served in the Pacific War in WW2. All Japanese munitions from WW2 are incredibly rare to see in the UK as so few returning soldiers bothered to collect them and bring them home, plus all WW2 arms of all kinds were destroyed in Japan from 1945. For them it was a determined effort to wipe out all mention and thought of WW2 and to eradicate any reminder of the shame. All marked items of that period were banned, and in fact a rule that is still enforced in Japan today. The shell schematics are; Calibre Diameter: 37mm
Case Length: 132mm
Rim: R
Round Index: Shell Type 95 AP
Projectile Index: Type 95 AP
Projectile Weight: 0,67000 kg
Filler Weight: 0,03500 kg
Usage: Type 11 37mm Infantry Gun, Type 94 37mm Anti-Tank Gun & Type 94 37mm Tank Gun

Armour piercing/high Explosive round for Type 11 Infantry Gun, early Type 94 AT & Tank Guns. Inert and safe not suitable for export.  read more

Code: 24280

We Are Thrilled To Congratulate Our Dear Friend Steve Ellis’ Release of His 10 CD Career Defining Boxed Set

After a friendship going back 30 years we heartily congratulate the iconic music legend, Steve Ellis, for his career spanning 6 decades, and launch of his 10 CD boxed set, and further thrilled to know his world classic single, Everlasting Love, by his group Love Affair, featured as the musical centrepiece of the incredible Academy Award winning film Belfast by Sir Kenneth Branagh. His forthcoming 10 CD boxed set will be the culmination of the career of one of England’s most iconic soul singers and a music legend.  read more

Code: 24215

An Antque Edo Period Men-Netsuke of a Noh Mask for Sagemono

Likely an inro netsuke. men-netsuke or "mask netsuke" - These were imitations of full-size noh masks and share characteristics in common with both katabori and manju/kagamibuta. Face of a Jo an old man with moustach and glass eyes. From the ancient Japanese tradition of mask drama that can trace its origins to the Bugaku Imperial Court dancing of the 9th century. Noh is the classical theatre of Japan which was codified in the 14th century under the father and son actors Kan'ami and Zeami under the patronage of the Shogun (supreme military leader) Ashikaga Yoshimitsu. The performances utilise masks and elaborate costume. Netsuke, like the inro and ojime, evolved over time from being strictly utilitarian into objects of great artistic merit and an expression of extraordinary craftsmanship. Such objects have a long history reflecting the important aspects of Japanese folklore and life. Netsuke production was most popular during the Edo period in Japan, around 1615-1868. Today, the art lives on, and some modern works can command high prices in the UK, Europe, the USA, Japan and elsewhere.

Okimono, small and purely decorative sculptures, were often made by the same artists who produced netsuke.
Probably 18th century. 2.25 x 1.75 inches. Its condition is not good, and quite worn, but it is thus priced accordingly, however, it is a very scarce example so still most collectable.  read more

Code: 20899