Japanese

Very Rare Circa 1700’s Japanese Nagasaki Emigre Sword Maker. A ‘Sawasa’ Naval Hanger A Japanese Hangar in The European Style, For a Senior Officer of the Dutch East India Company ( the VOC). A VOC Naval Captain of A So Called ‘Black Ship’

Made by Japanese emigre samurai sword koshirae makers and artisans, after 1639, by exiled Japanese sword fitting craftsmen working in Batavia, for a VOA Naval Admiral or Captain, likely a permitted trading black ship voyaging to the trading post at the Nagasaki island Dejima.

The Black Ships (in Japanese: 黒船, romanized: kurofune, Edo period term) were the names given to Portuguese and Dutch merchant ships,

In 1543, Portuguese initiated the first contacts, establishing a trade route linking Goa to Nagasaki. The large carracks engaged in this trade had the hull painted black with pitch, and the term came to represent all Western vessels. In 1639, after suppressing a rebellion blamed on the influence of Christian thought, the ruling Tokugawa shogunate retreated into an isolationist policy, the Sakoku. During this "locked state", contact with Japan by Westerners was restricted to Dutch traders on Dejima island at Nagasaki.

European hanger swords were the weapon of choice for senior maritime officers employed by the Dutch East India Company VOC , in fact by all senior naval officers at the time, including notorious pirates such as Edward Teach, aka ‘Blackbeard’. The hilt and fittings of this sword were probably added to the European blade by Japanese émigrés in the Dutch colony of Batavia (Jakarta).

They were made using the sawasa technique of gilded copper alloy with black shakudo detailing. Japanese samegawa grip {giant rayskin}, with a vertical panel, engraved with an exotic bird in front of two Indonesian mosque temple domes.
The level of workmanship suggests that the sword belonged to a high-ranking company official.
A fine and jolly rare Japanese export Sawasa hunting hanger. It features a straight blade with a double-edged tip and wide fuller, flanked by a narrow groove near the spine. In the base of the fuller on either side are a running stag and a boar, both prized hunting animals, and French motto of honour.
Sometimes referred to as 'Tonkinese chiseled work', these 18th century export wares became highly sought after, such as this 18th century Sawasa sword

The desiring incorporates a single shell-guard, chased and gilded in high relief against a blackened fish-roe shakudo ground, chisseled with reclining Eros with his bow and quiver. the hilt quilon block is chisseled on one sade by a collared hunting hound and tiger to the other side. The knuckle bow is chisseled with the figure of a turbanned Jakartan figure. the pommel is chisseled with a stag, and the quillon end is a stag hoof, and a covering in panels of Japanese samegawa {giant rayskin}. Overall the hilt is decorated with a combination of artistic styles of the Dutch East Indies, and Europe, made by Japanese emigre artistry with japanese samegawa binding, finished in a mixture of shakudo and gilt.
This sword is a beauty in a superb state of preservation.
Sawasa is the Japanese name given to objects made by Asian artisans, adopting European models combined with Japanese and Chinese materials and decorative motifs. This decoration consists of refined gilt relief and engraving on a lustrous lacquered surface. Sawasa wares are the result of cultural interaction between Asia and Europe. As a consequence of global trade in the 17th century, mutual interest arose in the peculiarities of each other’s culture. The Dutch and other Europeans brought rare objects back from their travels which whetted the appetite for exotic rarities. The earliest Sawasa objects are sword and hanger hilts and tobacco boxes ordered in Japan from Batavia, now Jakarta. Sawasa demonstrates not only the intercontinental commercial connections created by the Dutch East India Company (VOC) but also mutual cultural influences between Europe and Asia.

The decoration of the fittings are of the Japanese export style, in the European manner, but with fine and typical Japanese influences for a black ship naval captain of the VOC, in the late seventeenth or early eighteenth centuries, a style of metalwork known as sawasa that was produced for the Dutch East India Company in and around Nagasaki. Following Japan’s closed country (sakoku) edicts, from around 1639, exiled Japanese sword fitting craftsmen began working in Batavia, where the market for sawasa was a profitable one. The idea of sawasa was that objects made from a copper alloy were given gilt relief decoration with black lacquered highlights to achieve the appearance of shakudō. The extensive metalwork here resembles shakudō, but is likely to be sawasa with highlights in gold. The ground is covered with fine punch marks in a pattern resembling fish roe (nanako), although the punch marks are not completely uniform. The wooden hilt is covered on each side with panels of brass alloy, over Japanese samegawa giant ray skin and once overlaid with gold leaf;
Blade is engraved, on both sides, Ne me Tirez pas sans Raisons.. Ne me Remette point sans Honneur
Do not shoot me without reason do not hand me over without honour.

The hilt and blade is exceptionally sound and great condition, but with all the due appropriate age and surface wear from the past three hundred years

Picture in the gallery, a Japanese woodblock print, of a 17th century Dutch East India Co. vessel trading in Japan, a so-called Black Ship.

Another example of a Sawasa sword sold last May 24 for £14,080. It was a small sword, with an engraved blade. the engraving on that sword looks incredibly like it was created by the same hand as ours. Although the gilt on that small sword was mostly near perfect, where ours is not perfect.

For reference;

Sawasa – Japanese Export Art in Black and Gold 1650-1800 Rijksmuseum Amsterdam.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us.

See Bas Kist et al, Sawasa Japanese export art in black and gold 1650-1800, exhibition catalogue, Rijksmuseum Amsterdam, 28 November 1998 - 28 February 1999, pp. 53-54, A.13.1 - A.14.1 (illustrated)

For a related example formerly in the collection of the late A.R. Dufty F.S.A., past Master of the Armouries, H.M. Tower of London, see Christie's South Kensington, Antique Arms and Armour, 15 July 1998, lot 28  read more

Code: 25524

A Very Attractive, Edo Era 17th to 18th Century Samurai's Tetsu Abumi Stirrup, Inlaid With Silver in a Geometric Pattern

This Japanese stirrup, is made in the traditional dove's breast (hato mune) shape with an open platform lined slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is in ancient russetted iron in the distinctive Higo school style, with a large onlaid decorative mount of a bird and various flora.

It is to be noted that these stirrups, due to their weight, were also used as weapons against the infantry adversaries. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun is the most prestigious rank possible for a samurai. Shoguns are the leaders of their given district, or country, and are regarded as the most powerful samurai.  read more

Code: 25320

A Fabulous and Very Scarce, Mitsunaga Clan Antique Edo Period, High Rank Samurai Kunida-Gura Horse Pack-Saddle From The Clan Baggage Train, with Samurai Matsunaga Clan Kamon Crest Mounts

A stunning piece of Japanese decor, an original samurai horseman's mount for tanegashime {muskets} or even female attendants of the daimyo’s court.

This is probably only the second example of a kunida-gura of this type we have seen in 50 years outside of Japan, and even in Japan, and top quality examples are very scarce indeed.

Not only a functional piece of essential travel samurai equipment but a beautiful work of architectural art in itself.

The whole frame is beautifully decorated with crushed abilone shell and the arch mounts engraved with family clan crest or mon based on the Tsuta mon, Kamon with ivy, which has been used as a pattern since the earliest times in Japan, as a motif. Its elegant shape and the life force to survive by covering all things. The dominant clan with the tsuta mon were the Matsunaga clan ( Matsunaga-shi). It is a Japanese samurai clan who are descended from the Fujiwara clan.

The lineage of Matsunaga Danjo Hisahide strengthen the Matsunaga clan's claim to Fujiwara lineage through Hisahide's nephew, Tadatoshi Naito (also known as Naito Joan and Fujiwara John). Tadatoshi Naito's mother was Naito Sadafusa who was from the Naito clan. The Naito clan are descended from Fujiwara no Hidesato (Hokke (Fujiwara)). Tadatoshi Naito would serve as lord of Yagi castle.
Hisahide's granddaughter, Matsunaga Teitoku also strengthened the Matsunaga clan's link to the Fujiwara clan. Her mother was the older sister of Fujiwara Seika. Teitoku's cousin was Tadatoshi Naito.

Other sources suggest that the Matsunaga clan may have descended from the Minamoto clan and may be the descendants of Takenouchi no Sukune. Such a piece as this to be of such high quality lacquer, finely embelished with abilone, and bearing the clan mon, shows that this is a high ranking piece, for the transport of weapons, armour boxes, and women of the daimyo's court, within the baggage train of a Daimyo. This is a spectacular piece and they are very rarely seen, and the few that have survived over the centuries are more usually the fairly crude utility examples, completely undecorated and very plain. Over the decades we have had early Japanese woodblock prints showing a procession of horses, in a Daimyo's or Shogun's entourage, some occasionally show a pack saddle exactly such as this, with it's distinctive high crested top. They were usually racked with tanegashima arquebuss guns or even polearms. Also, in one early print three women are seated on one example. They may have been attendant's for a Daimyo's consort. We show in the gallery an original Meiji Period photograph of two ladies seated on the same type of saddle, on a ni-uma or konida uma, but a simple plain example of a much lower status.  read more

Code: 22563

A Most Pleasant Reminder of An Interview We Gave With The Japanese Press

We received a most pleasant surprise from a Japanese friend who works in the Japanese Consulate in Piccadilly, London.

It was his copy of a most informal interview that we gave during our stock listing, it was a boiling hot summers day, and our air con was struggling.

It was with a most polite and courteous journalist {they all are in fact} from a Japanese newspaper a little while ago.  read more

Code: 23310

An Edo Period Armourer's Myochin School Chrysanthemum Katana Tsuba

Iron plate tsuba in circular shape with omote and ura surfaces showing multiple hot stamp kiku stamp designs.

Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20740

An Edo Period Iron Mokko Form Tsuba Engraved with Geometric Manji Design

The tsuba, is a fundamental element in the mounting of the Japanese sword, it is the guard, the most important element of the fittings, and has two main functions: the first to protect the hand against the slashes and lunges of an opposing sword; the second is to prevent that the hand ends up directly on the cutting edge of the blade. Over the course of more than ten centuries of history, the tsuba has undergone a number of important changes, as regards the materials used for its manufacture and its appearance.

During the centuries of wars that characterised Japan until the advent of the Tokugawa Shogunate during the first half of the 17th century, the tsuba was essentially made of iron or steel. From the mid-17th century onwards the tsuba became a real work of art, with the use of soft metals used in various ways, with engravings, incrustations; well made tsuba were the pride of hundreds of craftsmen’s schools whose value sometimes exceeded that of the same blades of the mounting where tsuba was part of.
72 mm. height  read more

Code: 25117

A Koto Period O-Sukashi Katana Tsuba

Circa 1550. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 20314

An Edo O Sukashi Wakazashi or Tanto Tsuba In Iron

Circa 1650. The Tsuba, or Japanese sword guard, is a refined utilitarian object. It is essentially a sheath for the blade to fit through, protecting the hand of the warrior. The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament.  read more

Code: 20739

The Lanes Armoury & The Hawkins Family Established For Over 100 Years

In fact the family has been trading in Brighton for likely 200 years, but the first 100 Years was in the local fish and shellfish trade, becoming shopkeepers in antiques in the town in the last 100 years. Apparently the family moved from our seafaring roots in Plymouth, around 200 years ago, where we had been trading since the 1500’s, and during reign of The Tudors, Admiral Sir Francis Drake had been an adopted apprentice from the age of 15 of the Hawkins family in Plymouth..

The current partners, Mark and David have between them almost 95 years combined service to the company, serving the public and trade in ‘The Lanes’ of Brighton. In fact, we believe, out of approximately 2000 shops, and goodness knows how many businesses in the city, we are now the oldest, remaining, established family traders within the whole of Brighton and Hove.

BRIGHTON and Hove has been named the second-best area for independent shopping in the United Kingdom, only just pipped at the post by Cambridge. If you are going to be beaten by a town at least it was Cambridge [apologies to Oxford, but you ought to be used to it by now]

Taken from the Brighton and Hove.gov website; ‘The Lanes’ is listed first of the four main shopping areas; ‘ The Lanes - historic maze of alleyways with a mix of antiques, jewellery and fashion’
But sadly, we are the only antique and bookshop now still remaining in ‘The Lanes’  read more

Code: 24378

A Very Rare WW2 Japanese Shell Case From a Type 11 37mm Infantry Anti Tank Gun

Souvenir of an British officer gifted to him by an Australian officer, who served in the Pacific War in WW2. All Japanese munitions from WW2 are incredibly rare to see in the UK as so few returning soldiers bothered to collect them and bring them home, plus all WW2 arms of all kinds were destroyed in Japan from 1945. For them it was a determined effort to wipe out all mention and thought of WW2 and to eradicate any reminder of the shame. All marked items of that period were banned, and in fact a rule that is still enforced in Japan today. The shell schematics are; Calibre Diameter: 37mm
Case Length: 132mm
Rim: R
Round Index: Shell Type 95 AP
Projectile Index: Type 95 AP
Projectile Weight: 0,67000 kg
Filler Weight: 0,03500 kg
Usage: Type 11 37mm Infantry Gun, Type 94 37mm Anti-Tank Gun & Type 94 37mm Tank Gun

Armour piercing/high Explosive round for Type 11 Infantry Gun, early Type 94 AT & Tank Guns. Inert and safe not suitable for export.  read more

Code: 24280