Antique Arms & Militaria

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A Most Attractive Qing {Ching} Dynasty Carved Wood Sculpture of a Chinese Mounted Han Dynasty General, Probably General Zhaoyun.

A Most Attractive Qing {Ching} Dynasty Carved Wood Sculpture of a Chinese Mounted Han Dynasty General, Probably General Zhaoyun.

Hand carved in the period of the Ching dynasty likely of Zhao Yun 趙雲 (he died in 229), courtesy name Zilong (子龍). He was a military general who lived during the late Eastern Han dynasty and early Three Kingdoms period of China. Originally a subordinate of the northern warlord Gongsun Zan, Zhao Yun later came to serve another warlord, Liu Bei, and had since accompanied him on most of his military exploits, from the Battle of Changban (208) to the Hanzhong Campaign (217–219). He continued serving in the state of Shu Han – founded by Liu Bei in 221 – in the Three Kingdoms period and participated in the first of the Northern Expeditions until his death in 229. While many facts about Zhao Yun's life remain unclear due to limited information in historical sources, some aspects and activities in his life have been dramatised or exaggerated in folklore and fiction. In the 14th-century historical novel Romance of the Three Kingdoms, he was lauded as a member of the Five Tiger Generals under Liu Bei.

Picture in the gallery of a mural depicting Zhao Yun at the Battle of Changban inside the Long Corridor at the Summer Palace in Beijing. The rider in white is ZhaoYun

The Qing dynasty, officially the Great Qing, was a Manchu-led imperial dynasty of China and the last imperial dynasty in Chinese history. It emerged from the Later Jin dynasty founded by a Tungusic-speaking ethnic group who became known as the Manchus. The dynasty was officially proclaimed in 1636 in Mukden (modern-day Shenyang), and following the Battle of Shanhai Pass it seized control of Beijing in 1644, which is often considered the start of the dynasty's rule in China. Within decades the Qing had consolidated its control over the whole of China proper and Taiwan, and by the mid-18th century it had expanded its rule into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. The condition is good, with an old contemporary repair underneath to the base bottom  read more

Code: 25026

SOLD

A Signally Rare & Historical Original Viking-Norsemen Warrior’s Helmet From the Late Viking Raids Era and the Norman Conquest of 1066 & Used Throughout The Early Crusades Period

A Signally Rare & Historical Original Viking-Norsemen Warrior’s Helmet From the Late Viking Raids Era and the Norman Conquest of 1066 & Used Throughout The Early Crusades Period

An incredible museum piece of most notable rarity.
A fabulous and rare surviving original helmet of the Viking age, around a thousand years old.
In Greenland there is a bronze statue of renown Viking leader Erik the Red wearing his identical helmet. This amazing survivor of a warrior race, famed throughout the world for their extraordinary maritime skills, and notorious acts of raiding throughout most of Europe, and a battle helmet that was made and used a thousand years ago, from the 11th to 12th century AD.

Helmets of this form would have a working life of likely well over 100 years, until styles changed and thus so did helmet forms. An original Viking-Norseman Normannus four-plate iron helmet constructed from curved sections of triangular form, converging at the apex; the bowl contoured so that the back and front plates overlap the side-plates by 1/2 to 1 inch, with iron rivets passing through each overlap to secure them in position; the rivets worked flat into the surface of the helmet, almost invisible from the outside but detectable on the inner surface; the plate-junction at the apex supplied with a small hole, allowing a plume or horsehair streamer to be inserted through a ring; mounted on a custom-made stand. Effectively this is also what is known as a kuman warrior style form of Viking four plate helmet. Helmets of four plate construction came in two distinct forms with or without nasal bar. Erik Thorvaldssona (c. 950 – c. 1003), known as Erik the Red, was a Norse explorer, described in medieval and Icelandic saga sources as having founded the first settlement in Greenland. He most likely earned the epithet "the Red" due to the color of his hair and beard. According to Icelandic sagas, he was born in the Jæren district of Rogaland, Norway, as the son of Thorvald Asvaldsson. One of Erik's sons was the well-known Icelandic explorer Leif Erikson. Vikings, were essentially the direct ancestry of the northern French settled Normans, for, as those as are known today as Normans were not effectively French at all, but the settled Vikings of northern France in Normandy, original from the latin, Normannus land of the Norse or North Men

On 14 October 1066, King Harold fought Duke William's army at the Battle of Hastings

The English army, led by King Harold, took up their position on Senlac Hill near Hastings on the morning of the 14th October 1066. Harold’s exhausted and depleted Saxon troops had been forced to march southwards following the bitter, bloody battle to capture Stamford Bridge in Yorkshire only days earlier.

William's Norsemen attacked with cavalry as well as infantry; in the classic English manner, Harold’s well trained troops all fought on foot behind their mighty shield wall.

The fighting continued for most of the day with the shield wall unbroken. It is said that it was the sight of retreating Normans which finally lured the English away from their defensive positions as they broke ranks in pursuit of the enemy.

Once their carefully organised formation was broken, the English were vulnerable to cavalry attack. King Harold was struck in the eye by a chance Norman arrow and was killed, but the battle raged on until all of Harold’s loyal bodyguard were slain.

The Vikings arrived from Denmark and began raiding in the territory today known as France around 830AD. They found that the current rulers were in the midst of an ongoing civil war. Because the current weakness of the Carolingian empire made it an attractive target, there were several groups, including the Vikings, who were prepared to strike and conquer land and people.

The Vikings used identical strategies in France as they did in England – plundering the monasteries, demolishing markets and towns, imposing taxes or ‘Danegeld’ on the people they conquered, and killing the bishops, which disrupted religious life and caused a severe decline in literacy.

Obtaining the direct involvement of France’s rulers, the Vikings became permanent settlers, although many of the land grants were merely an acknowledgment of actual Viking control of the region. The principality of Normandy was established by Rollo (Hrolfr) the Walker, a leader of the Vikings in the early 10th century. The Carolingian king, Charles the Bald, relinquished land to Rollo in 911, including the lower Seine valley, with the Treaty of St. Clair sur Epte. This was extended to include ‘the land of the Bretons,’ by 933 AD, and became what is known today as Normandy when the French King Ralph granted the land to Rollo’s son, William Longsword.

This battle of Hastings changed the entire course of not just English, but European history. England would henceforth be ruled by an oppressive foreign aristocracy, which in turn would influence the entire ecclesiastical and political institutions of Christendom.

William was crowned king of England on Christmas Day 1066, but it took years more fighting to conquer the whole country. His cruellest campaign was the 'Harrying of the North' in 1069, where he slaughtered the inhabitants of the north-east and destroyed their food stores so that even the survivors starved to death.

The Norman Conquest changed the face of England forever. William ruled as unquestioned conqueror and the Saxons became merely an unpaid workforce for their new lords.

The Norman Conquest also changed the history of Europe – adding the wealth of England to the military might of Normandy made the joint-kingdom a European super-power.
In warfare, it was the start of the age of the knight-on-horseback.
See Curtis, H.M., 2,500 Years of European Helmets, North Hollywood, 1978; Denny, N. & Filmer-Sankey, J., The Bayeux Tapestry, London, 1966; Kirpicnikow, A. N., Russische Helme aus dem Frühen Mittelalter, Waffen- und Kostamkunde, 3rd Series, vol.15, pt.2, 1973; Nicolle, D., Byzantine and Islamic arms and armour; evidence for mutual influence, in: Warriors and their weapons around the time of the Crusades, relationship between Byzantium, the West and the Islamic world, Padstow, 2002, pp.299-325; Menghin, W., The Merovingian Period - Europe Without Borders, Berlin, 2007, pp.326-7, item I.34.4.; D’Amato, R., ‘Old and new evidence on East-Roman helmets from the 9th to the 12th centuries,’ in Acta Militaria Medievalia, 2015, XI, pp.27-157, fig.23, nn.1-2 and pl.1.2.6 kg total, 47cm including stand, helmet: 16cm (18 3/4”"). Helmets of this general profile and form are a long-lived military fashion in the Black Sea region, as evidenced by elements of a 7th-8th century Khazar saddle from the Shilovskiy grave field (Samara region"). A similar helmet is housed in the St. Petersburg Museum (inventory reference PA72), for which D’Amato (2015, pp. 65ff.) proposed an Eastern-Roman origin, based on the interchange of Roman and Khazar military technology. Based on a similar 7th century helmet found with a coin of Heraclius, D’Amato proposed that these helmets were a product of the introduction of Steppe technology in Byzantium. This form of helmet is certainly evident in the iconography of 9th-12th century Eastern-Roman helmets. Fair condition, some restoration. it comes complete with our certificate of authenticity. Picture 9 in the gallery is from an old depiction from the First Crusade of Robert of Normandy at the Siege of Antioch 1097-98 note he wears the same traditional four plate Norman crusades helmet just as this one, followed by an old black and white photo of the tomb of a Knight Hospitaller, Bernard de Faixa, also with the same four plate Norman helmet. The First Crusade to the Holy Land; In what has become known as the Princes' Crusade, members of the high nobility and their followers embarked in late summer 1096 and arrived at Constantinople between November and April the following year. This was a large feudal host led by notable Western European princes: southern French forces under Raymond of Toulouse and Adhemar of Le Puy; men from Upper and Lower Lorraine led by Godfrey of Bouillon and his brother Baldwin of Boulogne; Italo-Norman forces led by Bohemond of Taranto and his nephew Tancred; as well as various contingents consisting of northern French and Flemish forces under Robert II of Normandy eldest son of William the Conqueror, King of England, Stephen of Blois, Hugh of Vermandois, and Count Robert of Flanders. In total and including non-combatants, the army is estimated to have numbered as many as 100,000.

The crusaders marched into Anatolia. While the Seljuk Sultan of Rûm, Kilij Arslan, was away resolving a dispute, a Frankish siege and Byzantine naval assault captured Nicea in June 1097. In marching through Anatolia, the crusaders suffered starvation, thirst, and disease before encountering the Turkish lightly armoured mounted archers at the Battle of Dorylaeum. Baldwin left with a small force to establish the County of Edessa, the first Crusader state, and Antioch was captured in June 1098. Jerusalem was reached in June 1099 and the city was taken by assault from 7 June to 15 July 1099, during which its defenders were massacred. A counterattack was repulsed at the Battle of Ascalon. After this the majority of the crusaders returned home.
The popular image of the Vikings is one of fearsome warriors wearing horned helmets. Many depictions of the Vikings display this particular attribute. However, there is one preserved helmet from the Viking Age and this does not have horns. It was found in the Norwegian warrior’s burial at Gjermundbu, north of Oslo, together with the only complete suit of chain mail from the period.

Parts of helmets have been found in Denmark, including “brow ridges” to protect the warrior’s face in battle. The lack of helmet finds may also be partly due to the fact that no tradition existed of placing them in graves. In addition, helmets were not sacrificed like spears and swords, so we do not come across them in this context either. It is also possible that relatively few Vikings wore helmets and therefore only a small number are found
Helmets with horns?
Depictions of an Iron Age date exist featuring people with horned helmets/heads, such as upon the Golden Horns. Similar images are also known from the Viking period itself.

In the Oseberg burial from Norway, which dates to the early Viking period, a tapestry was found on which horned helmets are also depicted. Does this prove that all Vikings wore the famous helmets with horns? The answer is probably not. However, there is some evidence to suggest that certain warriors wore such headgear. The horned figures on the Golden Horns are berserkers. These were wild warriors, who threw themselves into battle in a trance-like fury. We are also familiar with them from the Icelandic sagas, in which they are amongst the most feared of all Vikings.

It is also possible that such headgear was worn for display or for cultic purposes. In a battle situation, horns on a helmet would get in the way. Such helmets would also have caused problems on board the warships, where space was already at a premium. In addition, none of the contemporary sources mention Vikings wearing horned headgear.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite armoury gallery  read more

Code: 23530

11500.00 GBP

A Grenadier Guards Officer's Sword From The Lanes Armoury Sold, and Raised £2,465 For The Queen Elizabeth Hospital Birmingham Charity, Photographed With H.M. King Charles formerly HRH P.O.W

A Grenadier Guards Officer's Sword From The Lanes Armoury Sold, and Raised £2,465 For The Queen Elizabeth Hospital Birmingham Charity, Photographed With H.M. King Charles formerly HRH P.O.W

Swords, over the eons, have been part of the journey of civilised mankind since the days of pre-history, before 1200 bc. And over 3200 years later, even ‘retired’ historic swords can be put to a fine use that they were certainly not entirely designed to perform.
We were absolutely delighted that a sword, from us, once sold at their special charity ball auction. The auction raised in total, £56,000, a most handsome sum.
Mike Hammond, the Chief Executive, wrote to us to say;
"We’ve already had hundreds more of people staying at the house since we opened our doors to military patients and their families, and the sword has helped in funding another 99 days of accommodation for the families".

The Queen Elizabeth Hospital in Birmingham is home to the Royal Centre for Defence Medicine, which treats UK military patients injured or wounded anywhere around the world.
The hospital charity built Fisher House, a home away from home for military patients and their families to stay whilst they are having medical treatment. You can see more about Fisher House at their website www.fisherhouseuk.org All donations will be most gratefully received.

A photo in the gallery is of HM King Charles when as HRH Prince Charles, opening Fisher House.  read more

Code: 17336

Price
on
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An Impressive & Highly Decorative, East India Co. Locked Blunderbuss with Elaborate Inlaid Stock of Abilone Shell

An Impressive & Highly Decorative, East India Co. Locked Blunderbuss with Elaborate Inlaid Stock of Abilone Shell

Traditional EIC swan neck cock flintlocklock, circa 1800, with rampant lion stamp and government crown ordnance inspector stamped, by inspector no 8. {inspector number 8 is recorded on flintlock guns made prior to, and just after, 1796}. Good, strong and tight main action spring.
Long engraved barrel, 24 inches with large 3.25 inch flared muzzle. Overall 38 inches long

Stock in the Khyber jazail style that is also somewhat in the so called ‘knee form’ which can be suited to be fired from a kneeling position with the deeply curved butt placed upon the ground.

Made in the Khyber region, with the captured EIC British lock. Such weapons were used against the British in the Anglo-Afghan Wars by extremely capable Afghan warriors for many decades.

This specimen has the distinctive jezail style of stock that is usually seen on muskets that shot a single projectile. This would have acted like a shotgun for close range combat and it would have been devastating. In addition to being a highly effective weapon, it has been made into a work of art, being gorgeously and painstakingly decorated with tiny tiles of carved abilone shell, mostly in aesthetically pleasing patterns. The barrel, too, has been engraved and decorated. The lock is marked, the mark of the Honorable East India Company.

This example is in good condition. The metal is dark with age. The markings are clear and legible. The stock is in good condition, with only small losses of decorative tile. The bore is caked with old powder and dirt. The action is still functional. Here is a truly intriguing, weapon that could be the highlight of anyone’s firearms collection.

Delivery to the USA of any pistol, rifle or musket, is to your nearest International Airport of choice, for the client to collect and clear customs personally.  read more

Code: 25019

Reserved

19th Century, Circa 1880, Victorian Period Classical Figures  of Renaissance Knights or the Founders of the Landsknechte Knight Mercenaries

19th Century, Circa 1880, Victorian Period Classical Figures of Renaissance Knights or the Founders of the Landsknechte Knight Mercenaries

A most attractive pair of original antique bronzed classical military figurines of historical armoured nobles. Possibly a rendition of Kaiser Maximilian I. und Georg von Frundsberg,

See photo in the gallery of Kaiser Maximilian I. und Georg von Frundsberg, depicting Maximilian I and Georg von Frundsberg, founders of the Landsknechte, by Karl von Blaas

A pair that would enhance any suitable interior decor, especially a gentleman’s study or library. In the past we have seen such figures suitably converted into pairs of lamps with finely formed lampshades, and that can be incredibly effective, especially for interior decorators.

Over the past decades we have sold many such similar pairs of classical bronzed figures to such as, Robert Kime, the so called king of English decorators, the appointed interior decorator to the late Queen Mother, and King Charles. Plus to the great David Hicks, another from the pantheon of the greatest world decorators, who like Robert adored the eclectic mixing of decorative, especially classical, antiques with modern textiles and furnishings.

The Landsknechte were Germanic mercenaries used in pike and shot formations during the early modern period. Consisting predominantly of pikemen and supporting foot soldiers, their front line was formed by Doppelsöldner ("double-pay men") renowned for their use of Zweihänder and arquebus. They formed the bulk of the Holy Roman Empire's Imperial Army from the late 1400s to the early 1600s, fighting in the Habsburg-Valois wars, the Habsburg-Ottoman wars, and the European wars of religion.

Although prone to mutiny if unpaid and divided within their ranks between Catholics and Lutherans, the Landsknechte were well-armed and experienced warriors, recruitable in large numbers throughout Germany and Austria by the Holy Roman Emperor; therefore, they guaranteed both quantity and quality to the Imperial military for a century and a half. At their peak during the reign of Charles V of Habsburg, and under the leadership of notable captains such as Georg von Frundsberg and Nicholas of Salm, the Imperial Landsknechts obtained important successes such as the capture of the French King Francis I at the Battle of Pavia in 1525 and the resistance against the Ottoman Turks led by Suleiman the Magnificent at the Siege of Vienna in 1529, while also being responsible for the infamous Sack of Rome in 1527

Bronze and light gilt finished spelter, figurines.
This alloy was first introduced by Sheffield manufacturers in the second half of the 18th century and is a product of the industrial revolution.
It was also known in its early days as white metal. it was hugely popular for sculptures of figures for decorative display, usually of historical figures.

Condition for age very good, One figure lacks a thumb.

13 inches high
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25010

695.00 GBP

A Scarce Infanterie Seitengewehr Model 1871 Mauser Rifle Bayonet With Full Regimental Markings to Sword and Scabbard

A Scarce Infanterie Seitengewehr Model 1871 Mauser Rifle Bayonet With Full Regimental Markings to Sword and Scabbard

The Mauser Model 1871 adopted as the Gewehr 71 or Infanterie-Gewehr 71, or "Infantry Rifle 71" ("I.G.Mod.71" was stamped on the rifles themselves) was the first rifle model in a distinguished line designed and manufactured by Paul Mauser and Wilhelm Mauser of the Mauser company and later mass-produced at Spandau arsenal.

Irish Republicans imported some 1,500 single-shot 1871 Mausers in the Howth gun-running for the nationalist militia called the Irish Volunteers in 1914. They were used in action by the Volunteers in the Easter Rising of 1916, the rebellion aimed at ending British rule in Ireland which began the Irish War of Independence. The 1871 Mauser became known in Ireland as the "Howth Mauser"  read more

Code: 24977

395.00 GBP

A Most Intriguing, Early, Wide Bladed Mayan or Aztec Form Sacrificial Knife, Beautifully Carved Head of Possibly Vucub Caquix or Quetzalcoatl The Wind Spouting God, Upon the Stag-Horn Hilt

A Most Intriguing, Early, Wide Bladed Mayan or Aztec Form Sacrificial Knife, Beautifully Carved Head of Possibly Vucub Caquix or Quetzalcoatl The Wind Spouting God, Upon the Stag-Horn Hilt

Acquired from an early, rare edged weapon collector, who sold us his other very similar example of this rare piece, around two months ago. now sold

An early antique wide hammer forged blade in an an almost Bowie style, with its clipped back tip form, and a single cutting edge. It is of a most unusual form of hilt with a large bladed knife, and may for tribal sacrificial purposes, or, a tribal ceremonial knife.

The carving is very reminiscent of the Mayan, Incan and Aztec culture, but some knives of this form can be little like those from Bali. The Aztec looking wind spouting snake head demon, is rather intriguing, and superbly executed, but as this is the first we have seen quite like this we can only suggest the comparisons we have seen in the past 50 years.

Vucub-Caquix is the name of a bird demon defeated by the Hero Twins of a Kʼicheʼ-Mayan myth preserved in an 18th-century document, entitled ʼPopol Vuhʼ. The episode of the demon's defeat was already known in the Late Preclassic Period, before the year 200 AD. He was also the father of Zipacna, an underworld demon deity, and Cabrakan, the Earthquake God.

To the Aztecs, Quetzalcoatl was, as his name indicates, a feathered serpent. He was a creator deity having contributed essentially to the creation of mankind. He also had anthropomorphic forms, for example in his aspects as Ehecatl the wind god. Among the Aztecs, the name Quetzalcoatl was also a priestly title, as the two most important priests of the Aztec Templo Mayor were called "Quetzalcoatl Tlamacazqui". In the Aztec ritual calendar, different deities were associated with the cycle-of-year names: Quetzalcoatl was tied to the year Ce Acatl (One Reed), which correlates to the year 1519.

One hand coloured page in the gallery is Quetzalcoatl as depicted in the Codex Telleriano-Remensis, there are also photos of original Mayan and Aztec stone carvings, depicting the god Quetzalcoatl. One can easily see the similarity to the carving depicted on the knife's hilt to these stone carvings

16 inches long overall.  read more

Code: 24978

465.00 GBP

Original & Rare 19th Century Saxon M.1880 Faschinenmesser Pioneer Artillery Short Sword - Regimentally Marked

Original & Rare 19th Century Saxon M.1880 Faschinenmesser Pioneer Artillery Short Sword - Regimentally Marked

Royal Saxon Field Artillery Regiment No.71

Very scarce Saxon sidearm that was only made for one year 1880/1881, in very good condition. Ideal for the collector of rare German swords. No scabbard.

Brass pommel, ribbed grips affixed with three brass rivet insets, steel collar and cross guard, steel single fuller blade, Elmo style blade marked on the ricasso stamped on spine of blade Imperial stamp and Crown A regimentaly stamped


Coloured photograph of the Royal Saxon Field Artillery Regiment 78 in the gallery  read more

Code: 24972

675.00 GBP

A Wonderful, Very, Very Rare, European Medieval Knight’s Hauberk Chain Mail Armour Shirt

A Wonderful, Very, Very Rare, European Medieval Knight’s Hauberk Chain Mail Armour Shirt

Originally recovered from the Keep of Burleigh Castle. And formerly of the Edred Gwilliam Collection.

European early mail is really rare and only ever seen in such a near complete state in the best museum or castle armoury collections, such as in the Tower of London, Nuremburg Castle or the British Museum. This mail would be ideal for the connoisseur of medieval European history or the collector of rare armour. It has a near unlimited abundance of the intellectual beauty of ancient history, and as a surviving example of the pageantry from the days of early, European, chivalric knighthood simply wonderful. This is a medieval Hauberk from the late Crusades era the late 1200's up to the 14th - 15th century, and at one time it was housed in the keep of Burleigh Castle.

The mail coat or hauberk formed a flexible metal mesh that was often worn over a padded tunic. The traditional image of the knight encased in a full suit of plate armour did not come about until the 1400s. It is relatively complete with some separated areas that could be reconnected with a little patience and skill. The word hauberk is derived from an old German word Halsberge, which originally described a small piece of mail that protects the throat and the neck (the 'Hals'). The Roman author Varro attributes the invention of mail to the Celts. The earliest extant example was found in Ciumesti in modern Romania and is dated to the 4th-5th centuries BC. Roman armies adopted similar technology after encountering it. Mail armour spread throughout the Mediterranean Basin with the expansion of the Romans. It was quickly adopted by virtually every iron-using culture in the world, with the exception of the Chinese. The Chinese used it rarely, despite being heavily exposed to it from other cultures.

The short-hemmed, short-sleeved hauberk may have originated from the medieval Islamic world. The Bayeux Tapestry illustrates Norman soldiers wearing a knee-length version of the hauberk, with three-quarter length sleeves and a split from hem to crotch. Such armour was quite expensive both in materials (iron wire) and time/skill required to manufacture it Only the wealthy, the nobles, could afford to purchase mail shirts, and so a hauberk became a symbol of rank for the warrior class of society. The first step involves the smelting of iron, and after that, one must make the wire. Making the wire requires the use of small, thin sheets of iron and then shearing thin strips off the sides of this sheet in order to form square wires, or using another method, one can repeatedly beat and shape small iron pieces into narrow rods in order to form the raw material needed for wire.

After making the rods, the armorer must reheat and draw the strips through conical holes in a metal block to form round wire, and if thinner wire is needed, he can repeat this step several times using narrower holes. Once the wire is reduced to the desired diameter, it is then wrapped around a metal rod to create long, spring-like coils. The armorer then cuts along the length of the coil, down one side with shears or hammer or cutting chisel, and this causes the coils to separate into individual rings. Each ring is then flattened with a tool called a die, or something similar, and while flattening, the die also punches holes in each end of the ring. The armorer then overlaps the ends of each ring and rivets them shut. This process of flattening, punching with a die, joining the rings together, and then riveting them might have to be repeated thousands of times in order to make a single shirt of mail.





The hauberk stored in the Prague Cathedral, dating from the 12th century, is one of the earliest surviving examples from Central Europe and was supposedly owned by Saint Wenceslaus. In Europe, use of mail hauberks continued up through the 14th century, when plate armour began to supplant it. The hauberk is typically a type of mail armour which is constructed of interlocking loops of metal woven into a tunic or shirt. The sleeves sometimes only went to the elbow, but often were full arm length, with some covering the hands with a supple glove leather face on the palm of the hand, or even full mail gloves. It was usually thigh or knee length, with a split in the front and back to the crotch so the wearer could ride a horse. It sometimes incorporated a hood, or coif. The iron links of the mail shirt provided a strong layer of protection and flexibility for the wearer. The overlapping rings allowed a slashing or cutting blow from a sword to glance off without penetrating into the skin; though a smashing blow from a club could still shatter or break or crush bones. For this reason to prevent the breakage of bones a knight would wear a layer of padded armour, or an aketon, underneath the mail. So the combined layers of padded tunic and mail gave the knight a suit of armour that was nearly impervious to cutting and slashing and also protective against the heavy, smashing blows often delivered on the medieval battlefield. 2 Illustrations in the gallery of the Bayeux tapestry embroidery show hauberk's being carried for battle, on long poles, by the squires, and a hauberk, in the second picture section, being taken from a fallen knight's body lower section under Harold Rex. Another picture in the gallery is from an old manuscript showing the tradecraft in the manufacture of mail armour.  read more

Code: 21436

5950.00 GBP

A Beautiful Full Suit of 16th Century Tudor Style Knight’s Hall Plate Armour with Halbeard

A Beautiful Full Suit of 16th Century Tudor Style Knight’s Hall Plate Armour with Halbeard

We don't normally acquire or sell non original items but historismus pieces have always been desireable and most collectable in their own right. Historicism or also historism and historismus comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artisans. This is especially prevalent in architecture, such as revival architecture. Through a combination of different styles or implementation of new elements, historicism can create completely different aesthetics than former styles. Thus it offers a great variety of possible designs.

In the history of art, after Neoclassicism which in the Romantic era could itself be considered a historicist movement, the 19th century saw a new historicist phase marked by an interpretation not only of Greek and Roman classicism, but also of succeeding stylistic eras, which were increasingly considered equivalent. In particular in architecture and in the genre of history painting, in which historical subjects were treated of with great attention to accurate period detail, the global influence of historicism was especially strong from the 1850s onwards.

Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century.

In Europe, plate armour reached its peak in the late 15th and early 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the "medieval knight” is due to the specialised jousting armour which developed in the 16th century.

Full suits of Gothic plate armour were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry, such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and the Landsknechts also took to wearing lighter suits of "three quarters" munition armour, leaving the lower legs unprotected.

The use of plate armour began to decline in the early 17th century, but it remained common both among the nobility and for the cuirassiers throughout the European wars of religion. After the mid-17th century, plate armour was mostly reduced to the simple breastplate or (cuirass), worn by cuirassiers. This was due to the development of the musket, which could penetrate armour at a considerable distance. For infantry, the breastplate gained renewed importance with the development of shrapnel in the late Napoleonic wars.

Plate armour gave the wearer very good protection against sword cuts, as well against spear thrusts, and provided decent defense against blunt weapons.

The evolution of plate armour also triggered developments in the design of offensive weapons. While this armour was effective against cuts or strikes, their weak points could be exploited by thrusting weapons, such as estocs, poleaxes, and halberds. The effect of arrows and bolts is still a point of contention with regard to plate armour. The evolution of the 14th-century plate armour also triggered the development of various polearms. They were designed to deliver a strong impact and concentrate energy on a small area and cause damage through the plate. Maces, war hammers, and pollaxes (poleaxes) were used to inflict blunt force trauma through armour. Strong blows to the head could result in concussion, even if the armour is not penetrated.

Fluted plate was not only decorative, but also reinforced the plate against bending under striking or blunt impact. This offsets against the tendency for flutes to catch piercing blows. In armoured techniques taught in the German school of swordsmanship, the attacker concentrates on these "weak spots", resulting in a fighting style very different from unarmoured sword-fighting. Because of this weakness, most warriors wore a mail shirt (haubergeon or hauberk) beneath their plate armour (or coat-of-plates). Later, full mail shirts were replaced with mail patches, called gussets, which were sewn onto a gambeson or arming jacket. Further protection for plate armour was the use of small round plates called besagews, that covered the armpit area and the addition of couters and poleyns with "wings" to protect the inside of the joint.

Over the past century many visitors will have seen the numerous full suits of plate armour we have had the pleasure of displaying. 15th, 16th and 17th century originals, plus, historismus hall armours. Our most impressive, if some of you may remember, in the 1960’s, was a full suite of equestrian mounted ‘knight on horseback’ armour. And we displayed it in our shop just round the corner, in Prince Albert St, as it had 20 foot high ceilings. It looked just like the example we show as the last photo in the gallery of one such similar in a museum in America. This fabulous set was passed on to our friend and neighbour, the late arms dealer Paul Grafton, who owned the former ‘House of Correction’ for many years, and it occupied his whole shop!, but exceptionally memorable it was.
It was eventually passed on to Holland and Holland, we believe for their bespoke gun shop in London, and thence later, we understand, to an American billionaire who kept it next to his swimming pool, whereupon it became very wet and thus rusty. After that it travelled to New Jersey or Park Avenue, New York possibly, but we sadly lost track of it then

This beautiful full suit of Tudor hall plate armour is very likely circa to post 1900  read more

Code: 24964

3950.00 GBP