Antique Arms & Militaria

Wonderful, Very, Very Rare, Original European Medieval Crusader Knight’s 'Hauberk', Chain Mail Body Armour Shirt. As Worn, In Combat, By Such As King Edward 1st of England & Louis IX of France, Bohemond VI of Antioch & All The Nobility of Europe

Originally recovered from the Keep of Burleigh Castle, in Perthshire, around 800 to 700 years old, And formerly of the Edred Gwilliam Collection a well reknown collector and specialist of early arms and armour.

The European earliest mail armour is really rare, highly complex to make and extraordinarily expensive, yet very simple as a full armoured king or knight only wore a helmet and hauberk, and hauberks are only ever seen in such a near complete state in the best museum or castle armoury collections, such as in the Tower of London, Nuremburg Castle or the British Museum.

This mail would be ideal for the connoisseur of medieval European history or the collector of rare armour. It has a near unlimited abundance of the intellectual beauty of ancient history, and as a surviving example of the pageantry from the earliest days of early, European, chivalric knighthood and the crusades is simply wonderful.
This is a medieval Hauberk from the late Crusades era the late 1200's up to the 14th - 15th century, and at one time it was housed in the keep of Burleigh Castle, and found during an excavation of the keep area of the ruin around 200 plus years ago. Although once a large and imposing castle, Burleigh Castle now consists of a ruined 15th-century tower of three storeys and an attic, which had bartizans at three of the corners and a caphouse over the stair at the fourth. This tower is joined by a surviving section of courtyard wall, with a gate, to a corner tower. The corner tower is round at the base, but corbelled out and crowned with a square chamber. The walls are pierced by shot-holes, and one of the skewputts has the date 1582..
The rectangular tower had a corbelled-out parapet and garret storey, but these are gone except for the remains of open rounds.

The mail coat or hauberk formed a flexible metal armour shirt that was often worn over a padded tunic. The traditional image of the knight encased in a full suit of plate armour did not come about until the 1400s. It is relatively complete with some separated areas that could be reconnected with a little patience and skill. The word hauberk is derived from an old German word Halsberge, which originally described a small piece of mail that protects the throat and the neck (the 'Hals'). The Roman author Varro attributes the invention of mail to the Celts. The earliest extant example was found in Ciumesti in modern Romania and is dated to the 4th-5th centuries BC. Roman armies adopted similar technology after encountering it. Mail armour spread throughout the Mediterranean Basin with the expansion of the Romans. It was quickly adopted by virtually every iron-using culture in the world, with the exception of the Chinese. The Chinese used it rarely, despite being heavily exposed to it from other cultures.

The short-hemmed, short-sleeved hauberk may have originated from the medieval Islamic world. The Bayeux Tapestry illustrates Norman soldiers wearing a knee-length version of the hauberk, with three-quarter length sleeves and a split from hem to crotch. Such armour was quite expensive both in materials (iron wire) and time/skill required to manufacture it Only the wealthy, the nobles, could afford to purchase mail shirts, and so a hauberk became a symbol of rank for the warrior class of society. The first step involves the smelting of iron, and after that, one must make the wire. Making the wire requires the use of small, thin sheets of iron and then shearing thin strips off the sides of this sheet in order to form square wires, or using another method, one can repeatedly beat and shape small iron pieces into narrow rods in order to form the raw material needed for wire. Made with alternate rows of rivetted and solid links. see below regarding a study by Professor Smith from similar hauberks in the Met collection.

After making the rods, the armorer must reheat and draw the strips through conical holes in a metal block to form round wire, and if thinner wire is needed, he can repeat this step several times using narrower holes. Once the wire is reduced to the desired diameter, it is then wrapped around a metal rod to create long, spring-like coils. The armorer then cuts along the length of the coil, down one side with shears or hammer or cutting chisel, and this causes the coils to separate into individual rings. Each ring is then flattened with a tool called a die, or something similar, and while flattening, the die also punches holes in each end of the ring. The armorer then overlaps the ends of each ring and rivets them shut. This process of flattening, punching with a die, joining the rings together, and then riveting them might have to be repeated thousands of times in order to make a single shirt of mail.

The hauberk stored in the Prague Cathedral, dating from the 12th century, is one of the earliest surviving examples from Central Europe and was supposedly owned by Saint Wenceslaus. In Europe, use of mail hauberks continued up through the 14th century, when plate armour began to supplant it. The hauberk is typically a type of mail armour which is constructed of interlocking loops of metal woven into a tunic or shirt. The sleeves sometimes only went to the elbow, but often were full arm length, with some covering the hands with a supple glove leather face on the palm of the hand, or even full mail gloves. It was usually thigh or knee length, with a split in the front and back to the crotch so the wearer could ride a horse. It sometimes incorporated a hood, or coif. The iron links of the mail shirt provided a strong layer of protection and flexibility for the wearer. The overlapping rings allowed a slashing or cutting blow from a sword to glance off without penetrating into the skin; though a smashing blow from a club could still shatter or break or crush bones. For this reason to prevent the breakage of bones a knight would wear a layer of padded armour, or an aketon, underneath the mail. So the combined layers of padded tunic and mail gave the knight a suit of armour that was nearly impervious to cutting and slashing and also protective against the heavy, smashing blows often delivered on the medieval battlefield.

This was a property of the Balfours of Burleigh from 1446, who built the castle, and was visited by James IV. It passed by marriage to James Balfour of Pittendreich in the 16th century through the heiress Margaret Balfour. He was involved in the murder of Cardinal David Beaton, and was captured at St Andrews in 1546 to spend the next two years as a galley slave of the French. On his release he sided with Mary, Queen of Scots, but then spied for the Protestant faction and revealed her military plans. He was made Lord President of the Court of Session, and was party in having James Douglas, Earl of Morton, executed for his part in the murder of Henry Stewart, Lord Darnley. He died in 1583.

Two Illustrations in the gallery are of the Bayeux tapestry embroidery, that show hauberk's being carried for battle, on long poles, by the squires, and a hauberk, in the second picture section, being taken from a fallen knight's body lower section under Harold Rex {King Harold}. Another picture in the gallery is from an old manuscript showing the tradecraft in the manufacture of mail armour.

After we examined it in detail, it is indeed made as described by Professor Smith in his report of links of 16 14th century armour
ie; Alternate rows of rivetted and solid links, after examining 16 links from their various armours at the Met. Cyril Stanley Smith
Technology and Culture
Johns Hopkins University Press
Volume 1, Number 1, Winter 1959  read more

Code: 21436

A Rare & Huge, M1863 Single Action Starr Army 'Long Barrel' Revolver of the Civil War, .44 Calibre. Exactly As Can Be Seen Featured in Clint Eastwood’s Oscar Winning Movie, ‘The Unforgiven’

Single action 1863 model. Good external condition for age An impressive, big and powerful .44 cal revolver of the Civil War and early Wild West. Alongside the Colt Dragoon this was the biggest pistol of the Civil War, and it has amazing presence with an 8 inch barrel. Starr was the third largest producer of revolvers for the Union behind Colt and Remington.During the war the M-1863 Starr was issued to a number of US cavalry regiments, including the 1st Colorado Cavalry, the 6th & 7th Michigan Cavalry and the 11th New York Cavalry, just to name a few. While Starr double action revolver production started in 1858 they did not start production of the single action until 1863 finishing in 1865. Total Model 1863 S.A. production was approximately 25,000 revolvers making them rare finds today. The Model 1863 Single Action .44 calibre percussion Army Revolver was the third of the Starr revolvers produced for the military. Between September, 1863 and December 22, 1864, the Starr Arms Company delivered 25,002 Model 1863 Army revolvers to the Ordnance Department. The government's cost for this arm was $12.00 each. These arms and components were produced in Starr's plants in Yonkers, Binghamton and Moorisania. The grips on this gun are very good. The big long barrel Starr Army Revolver is the pistol that was chosen by the hero in Clint Eastwood's Academy Award winning movie 'The Unforgiven' played by Clint Eastwood, and the pistol was in fact featured as the main promotional part of the film in the 'Unforgiven' poster, see picture of the Starr Revolver, in the poster, in our gallery copyright Warner Bros.Single-action Army model of 1863 in .44 chambering with production numbers reaching 3,000, 21,454 and 23,000 respectively.
Design of the pistol fell to Ebanezar (Eban) Townsend Starr and all of the guns were manufactured out of the Starr Arms Company facility of Binghampton and Yonkers, New York for Federal service. The guns relied on a percussion cap system of operation with each chamber of the six-round cylinder loaded with a charge and a ball. Percussion caps were set upon the awaiting nipples found at each chamber. The hammer then fell on these caps to produce the needed ignition of the propellant charge within each chamber, the resultant forces propelling the ball out of the barrel. Externally, the revolver was of a conventional design arrangement. The handle was ergonomically curved for a good fit in the hand while being covered in useful grips. A solid frame was featured around the rotating six-shot cylinder which offered strength that open-frame revolvers of the period generally lacked. The hammer protruded from the rear of the frame within reach of the shooting hand's thumb for actuation as necessary. A loading arm was positioned under the barrel to help ram the contents of the chambers to the rear (and thus closer to the percussion cap's port). The barrel sat over this arm in the usual way, the ball projectiles guided into it by way of a proper seal from the cylinder's front face to the barrel's rear end. All in all, a traditional revolver arrangement that was proven to work. Sighting was by way of iron fittings over the top of the gun.

The gun has been made none actionable by the removal of such as the mainspring and cylinder ratchet pawl etc. { that are no longer present} very possibly as a simple way to temporarily deactivate its use for historical display. All the missing parts are relatively easy to be sourced in America, likely for a few hundred dollars, but its next owner may not wish to, or even need to bother, as it is no longer to be used, However, the price very much reflects the fact of the lack of the working internal action parts, which makes this revolver incredibly inexpensive and great value, due to its now completely non functioning condition, yet it is still a fascinating, original, historical souvenir of the US Civil War. FYI, Our last complete operable example we sold for £2850. Thus, one can acquire this 90% original, but only internally incomplete revolver of the Civil War, for considerablely less than 50% it’s worth.
As with all our antique guns no licence is required as they are all unrestricted antique collectables.  read more

Code: 25258

A Fabulous, French, Napoleonic Wars, ‘Year 13’ Cuirassier Sword, Manufactured at Versailles in the Grand Armee Period, Circa 1805. AP, Blade Stamped With L'Atelier Precision Paris, & Fasces, Paris Blade Workshop. Battle of Austerlitz Up To Waterloo

This is a truly out standing example, despite being used for around 10 years in combat service, including surviving the Russian campaign in 1812 to Moscow, that saw the decimation of Napoleon’s entire Grande Armee, it is in superb condition and truly a museum grade example, as good as any sword in Les Invalides Musee de L’Armee in Paris.

Manufactured at Boutet’s Versailles workshop and issued to Napoleon’s early Empire period Grand Armee, to his elite cuirassiers.

Blade stamped with the mark of the Fasces for the 'Petit Garantie' 1798 to 1809, plus AP for L'Atelier Precision Paris, the Paris Workshop. Hilt stamped Versailles and inspectors mark.

Versailles was the premier hilt manufactury and assembly workshop for the Republic and Empire, and only the very finest would pass acceptance. All of the Elite Imperial Guard sword hilts were supplied from here. The Versailles Director was Boutet, probably the greatest & most respected Arms maker that ever lived, his pistols and guns, made for the King and Napoleon, are some of the most beautiful objects ever created by man.

This would have seen service in the Elite Cuirassiers of Napoleon's great heavy cavalry regiments of the Grande Armee such as in
the Battle of Austerlitz in 1805, French cuirassiers played a crucial role as the heavy cavalry, engaging in powerful charges and contributing significantly to the French victory. They were the backbone of the Grande Armée's cavalry, known for their shiny breastplates, "Minerva" helmets, and heavy sabers. Then in 1807 at Friedland. And in the French invasion of Russia ( Campagne de Russie) that began on 24 June 1812 when Napoleon's Grande Armee crossed the Neman River in an attempt to engage and defeat the Russian army. Napoleon hoped to compel Tsar Alexander I of Russia to cease trading with British merchants through proxies in an effort to pressure the United Kingdom to sue for peace. The official political aim of the campaign was to liberate Poland from the threat of Russia. Napoleon named the campaign the Second Polish War to curry favour with the Poles and provide a political pretence for his actions. The Grande Armee was a very large force, numbering nearly half a million men from several different nations. Through a series of long marches Napoleon pushed the army rapidly through Western Russia in an attempt to bring the Russian army to battle, winning a number of minor engagements and a major battle at Smolensk in August. Napoleon hoped the battle would mean an end of the march into Russia, but the Russian army slipped away from the engagement and continued to retreat into Russia, while leaving Smolensk to burn. Plans Napoleon had made to quarter at Smolensk were abandoned, and he pressed his army on after the Russians. The battles continued, but once the winter set in Napoleon's army was facing insurmountable odds that left it effectively shattered beyond repair. Napoleon fled, it is said, dressed as a woman, and the army left to it's sad and miserable fate. Only around 27,000 were able to return after a mere six months of the Russian campaign. The campaign was a turning point in the Napoleonic Wars. The reputation of Napoleon was severely shaken, and French hegemony in Europe was dramatically weakened.
The Grande Armee, made up of French and allied invasion forces, was reduced to a fraction of its initial strength. These events triggered a major shift in European politics. France's ally Prussia, soon followed by Austria, broke their alliance with France and switched camps. This triggered the War of the Sixth Coalition. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers swords in England very likely came from that field of conflict, after the battle, as trophies of war. However, this sword was one of the few that were allowed to remain in the elite cuirassier corps after Waterloo, serving King Loius XVIIIth both before Napoleon's 100 days, and after his crushing defeat by Wellington at Waterloo. In fact one can see it has been issued, re-issued and even re-inspected by Capt. Louis Balaran, at least twice times with numerous serial numbers and inspection stamps stamped and struck out in its working life from 1806.

Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly magnificent Napoleonic sword in superb condition for it's age.
The largest sword of it's kind that was ever made or used by the world's greatest cavalry regiments. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. The brass basket guard on this sword is first class, the grip is totally original leather and a great colour only shows expected combat wear, the blade is double fullered and absolutely as crisp as one could hope for. Made in the Napoleonic Wars period.

The French Elite Cuirassier Sword is surely one of the most impressive Heavy Cavalry swords ever made, being of incredible size quality and stature. Used in the great campaigns of Napoleon by the Elite Grande Armee Cavalry, from Austria through the Russian Campaign, into the Peninsular War and finally the The Battle of Waterloo. All the Cuirassier were front line regiments, none ever utilized as Militia. With steel combat scabbard, multi fullered blade, brass 4 bar hilt with wire bound leather grip. Circa 1806. The blade is exactly as it should be, and bearing the matching Atelier Paris and Versailles stamp of 1806,

Overall 45.75 inches long in its scabbard, the spear pointed blade is 37.5 inches long. Just old aged patination to the blackened scabbard steel.

Likely used in all the battles below;

Austerlitz 1805
Friedland in 1807,
And in 1812 and beyond Borodino and
Moscow,
Ostrowno, and
Winkowo 1813: Reichenbach and Dresden, Leipzig and Hanau
1814: La Rothiere,
Rosnay,
Champaubert,
Vauchamps,
Athies,
La Fere-Champenoise and
Paris
1815: Quatre-Bras and Waterloo.

Photo 8 in the gallery is another blade, that we sold in the past, showing the AP and Fasces marks struck upon it, but just slightly deeper than this swords marks. For comparison, see the stamps shown in close up on photo 6 in the gallery, that are upon this sword offered now.  read more

Code: 25720

An 18th Century Highly Decorated North West Frontier Jazail, With The Iconic Recurved Butt Stock & Elaborate Inlaid Decor

With a long Damascus twist barrel and a captured British EIC flintlock. Formerly this type of elaborately decorated long gun were the weapons of regional tribal warlords in the 18th and early 19th century.

A very fine, attractive and incredibly significant historical example of a North West Frontier Afghan War long gun known as a Jazail. With a highly distinctive recurved butt. Likely Damascus steel twist barrel. The ordnance inspected lock was captured from an East India Co. musket. It has the EIC mark of the lion, plus probably traces of an ordnance inspector stamp number. The gunlock and it's maker is a most interesting historical aspect of this intriguing gun, it appears by the remaining surface it may have been made by Hirst of London. Hirst had his business based in Little Tower Hill, London, and he was a contractor to the Ordnance and the East India Co. His specialism was rare breech loading rifles, with screw mounted breeches, and wall mounted pivot guns with large flintlock mechanisms, just as this one is.

Jazails very often had captured British made locks, as their domestically made locks were often very basic matchlock types. The Jazail was used by the notorious North West Frontier tribesmen, in the 18th century, during the era of what was called The Great Game. The period when the British control of India was expanding, yet under considerable and constant threat by Russia, and it's attempted conspiracies in order to influence discord among the Indian populace for their own advantages, ‘plus ca change, plus c'est la meme chose’ .

Rudyard Kipling's novel Kim was based around this very geo political situation, and a most informative, accurate, and yet ripping tale that it is too. It would have also been used in the Ist Afghan War in the 1830's, in many ways the first major conflict of what became known as " The Great Game". The reasons for the British invasion and occupation of Afghanistan in the late 1830s are many and varied. They mainly revolve around what one of the 'victims' of the event referred to as 'the Great Game'. This was the name given by Arthur Conolly to denote the shadow boxing between Russia and Britain for influence in Central Asia for much of the 19th Century. Relations between Russia and Britain were strained in the 1830s as the British feared the expansionist and strong armed tactics of Tsar Nicholas I who came to the throne in 1825. He sought a policy that expanded Russian influence southwards and eastwards. This was bringing Russian influence towards Britain's own 'Jewel in the Crown' India.
India was still ruled by the East India Company, although the British government had constrained much of the company's freedom to act by this time and was ultimately guiding its policy on the wider international scene. The British were particularly concerned at Russian influence in Persia. They had heard reports that the Russians were helping the Shah of Persia beseige Herat on the western side of Afghanistan. If successful in taking this city, Russian influence would advance along the route that they would take if they were to invade India at any point in the future. But British alarm bells really began to ring when a rumour circulated that a Russian had arrived at the court of Dost Mohammed in Kabul. If this was true, then it was believed that Russian influence might extend to the borders of India itself. Steeped in classical education, most British decision makers knew the invasion route of India taken by Alexander the Great and assumed that the Russians would soon have the capability to make a similar incursion. As with all our antique guns no license is required as they are all unrestricted antique collectables Rudyard Kipling's poem of the Afghan War refers to the feared deadly accuracy of the Jazail, and it goes;

"A scrimmage in a Border Station
A canter down some dark defile
Two thousand pounds of education
Drops to a ten-rupee jezail".

Frizzen lacking on the lock, action weak. As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 22931

A Fascinating Original Bronze Age Spear or Lance Around 3400 Years Old From The Ancient Heroic Age, the Era of the Trojan War of Achilles and Hector. Old Oak Re-Hafted Likely a Century Or More Ago and Wire Bound

It is mounted on an early haft, but added much later, in the early wire bound manner. Used, for example by any of the great bronze age warring peoples such as the ancient Spartans, Minioans, Greeks,Thracians, or the Mycenaea.

Spearheads were mostly made in two-piece moulds which have been found in Ireland and the Highlands. During the Early Bronze Age soft stone moulds were used but in the late Bronze Age clay moulds became more popular. There is no evidence to indicate that bronze moulds were used to cast spearheads. After casting a spearhead would have been finished, hammered and occasionally decorated. The remains of hafts are occasionally recovered inside spearheads and they indicate that hafts were mostly made of ash and pinewood. Looped spearheads were probably secured by a cord, copper or leather thong. Pegged spearheads would have been pegged to the spear haft by bronze or wooden pegs. The variation of spearhead size indicates they may have been used for different purposes. For example smaller spearheads may have been thrown while larger ones may have been used as thrusting lance type weapons. Evidence suggests that they were mostly used in warfare and hunting. Some large decorative and barbed spearheads may have been used in ceremonies as they appear to be too large and valuable for fighting or hunting. Like many weapons, a spear may also be a symbol of power. In the Chinese martial arts community, the Chinese spear is popularly known as the "king of weapons".

The Celts would symbolically destroy a dead warrior's spear either to prevent its use by another or as a sacrificial offering.

In classical Greek mythology Zeus' bolts of lightning may be interpreted as a symbolic spear. Some would carry that interpretation to the spear that frequently is associated with Athena, interpreting her spear as a symbolic connection to some of Zeus' power beyond the Aegis once he rose to replacing other deities in the pantheon. Athena was depicted with a spear prior to that change in myths, however. Chiron's wedding-gift to Peleus when he married the nymph Thetis in classical Greek mythology, was an ashen spear as the nature of ashwood with its straight grain made it an ideal choice of wood for a spear.

The Romans and their early enemies would force prisoners to walk underneath a 'yoke of spears', which humiliated them. The yoke would consist of three spears, two upright with a third tied between them at a height which made the prisoners stoop. It has been surmised that this was because such a ritual involved the prisoners' warrior status being taken away. Alternatively, it has been suggested that the arrangement has a magical origin, a way to trap evil spirits.The word subjugate has its origins in this practice

In Norse Mythology, the God Odin's spear (named Gungnir) was made by the sons of Ivaldi. It had the special property that it never missed its mark. During the War with the Vanir, Odin symbolically threw Gungnir into the Vanir host. This practice of symbolically casting a spear into the enemy ranks at the start of a fight was sometimes used in historic clashes, to seek Odin's support in the coming battle. In Wagner's opera Siegfried, the haft of Gungnir is said to be from the "World-Tree" Yggdrasil.

Other spears of religious significance are the Holy Lance and the Lúin of Celtchar, believed by some to have vast mystical powers. The Lúin of Celtchar (Irish: Lúin Celtchair) is the name of a long, fiery lance or spear belonging to Celtchar mac Uthechar and wielded by other heroes.

Also known is Birgha (Spit-Spear) the Spear of Fiacha (or Fiacail), Birgha that was an Irish enchanted, venomous spear. The warrior Fiacha, a follower of Cumal (a leader of the Fianna), gave the spear to Cumal’s son Fionn mac Cumhail so that he might defeat Aillén, an evil creature/former member of the Tuath Dé Danann who resided, three-hundred-and-sixty-four days a year, in the Otherworld. Each and every Samhain the monster—nicknamed “the burner”—would wreak havoc on the royal residence of Tara (also: Teamhair) with his fire-breath after lulling its defenders to sleep with enchanted music. Specifically, Aillén plays—or weaponizes, I should say—the suantraí (lullaby) strain of ancient Irish music, which is frequently deployed by gods, druids, and other musicians in the myths in order to incapacitate opponents.

That’s where Birgha comes into play.

In Lady Gregory’s version of events, Fiacha teaches Fionn how to unlock the power of the spear, instructing his pupil as follows:

“When you will hear the music of the Sidhe, let you strip the covering off the head of the spear and put it to your forehead, and the power of the spear will not let sleep come upon you.”
Sir James George Frazer in The Golden Bough noted the phallic nature of the spear and suggested that in the Arthurian Legends the spear or lance functioned as a symbol of male fertility, paired with the Grail (as a symbol of female fertility). The picture in the gallery is of the Norse god Odin, carrying the spear Gungnir on his ride to Hel, note the thickness of the haft and the binding of the tang.

Cú Chulainn, also called Cuchulain, Cuchulinn, or Cuchullin is the central character of the Ulster (Ulaid) cycle in the in medieval Irish mythology and literature. He was the greatest of the Knights of the Red Branch and had magical powers. His name means 'Culann's Hound'.
See photo 7 in the gallery.

Blade 15.5 inches long not including tang Overall 75 inches long. Due to excessive length we offer it for sale only within UK mainland. The spears central rib has had an old repair on the blade.  read more

Code: 22602

A Superbly Attractive, Native American Indian 'Spontoon Head' Style Tomahawk with Studded Haft, Glass Beads, and Eagle Feathers.

Great Lakes style. Rarely seen in Europe, a large spontoon trade style tomahawk axe head, with 2 large hook quillons on either side of the head. The head itself is a work of art, engraved with four spontoon heads at north south east and west, and nail point stamped create a circle. Possibly forged by an unknown blacksmith. The blade and head show a nice natural patina, and old brass tacks along the handle. They are domed head brass tacks set in an ash wood haft. The haft has a hole drilled for attaching an old beaded drop and eagle feathers with a piece of thin buckskin cord, the eagle feathers have been cut across the top, this is an old Lakota symbol of 'cutting an enemy's throat'. In excellent condition, It somewhat reminds us of the late 19th century spontoon head tomahawk of Chief Iron Tail of the Oglala Lakota Nation. He was a famed late 19th century celebrity Sioux, but it was as a star performer in Buffalo Bill's Wild West in the 1880s that brought this Sioux to the attention of world leaders and American audiences; as many as 12,000 people attended the live shows each day. It was the quintessential last vestige of the American West and passing century of discovery. When performances went overseas, Iron Tail was still Buffalo Bill's lead performer, and also his avowed best friend. He nicknamed Bill "Pahaska" or "Long Hair." In the West they hunted; in Europe, they toured historic sites, often hosted by royal aristocracy, traveling together until 1913.The spiked tomahawk, made along the lines of medieval European battle axes, had either a straight or curved spike projection at the top of the hatchet’s head.

The Missouri war axe, a large, thin-bladed hatchet with a short handle, was favoured by tribes along the great bend of the Missouri River.

The spontoon tomahawk, with its dagger-like blade and curled or winged-like appendages, suggested a fleur-de-lis-shaped battle axe.

Although least practical as a cutting or chopping tool, each one of these tomahawks made formidable hand weapons and held some favour with Indians because of their graceful and artistic shapes.

Regardless of style or shape, like the Indian’s bow and lance or the white man’s rifle and revolver, the tomahawk was as important a practical tool as it was a weapon of combat. Whether left plain or adorned with tacks, beads, coloured cloth, feathers, animal parts or even human appendages, the tomahawk also served as a symbol, representing the choice between peace or war, when white and red men met. While the first iron hatchets and tomahawks in America came from British and French sources in the northwestern territories and the Spaniards and French in the south and southwestern regions of the frontier, the first American tomahawks probably appeared in the Far West during Meriwether Lewis and William Clark’s 1804-1806 expedition. Nevertheless, by the early to mid-19th century, the iron tomahawk had become a standard trade item and fighting implement of frontier Indians. This tomahawk is not an 18th century or early 19th century example, today those examples are now valued in the tens of thousands of pounds, and furthermore may now never leave American shores. This axe is likely 19th century or later. Surface pitting to the iron and small blackened staining to the iron on one side. We cannot ship this item to the US, because Native American items are not permitted imports into America  read more

Code: 23398

A Beauty! Scottish Regt. Issue 'Tower Of London' GR Crown 'Brown Bess' Musket of the Napoleonic Wars, Peninsular War & Waterloo With Bayonet. Scottish Regimental Markings for Renfrewshire Regt. Then Transferred To The 42nd Foot the 'Black Watch'

Probably the only Scottish infantryman’s regulation issue regimentally marked Napoleonic Wars 'Brown Bess' available on the open market today, and certainly the first we have seen in over 20 years. Officers private purchase versions regimentally marked are unusual but they do appear No and again, but other ranks regulation issue regimental marked muskets are another thing entirely. Thus, it is such a rarity, that another may not appear again for decades. Made for the Renfrewshire Regiment as a defence against a feared French invasion of Scotland, then transferred after the Peace of Amiens treaty in 1802, to the Scottish line regiment, the Black Watch, for service use, including, from 1808 to 1814, in Portugal & Spain for the Peninsular Campaign, and later at Quatre Bras and Waterloo in 1815.

Renfrewshire, in Scotland, resolved to tender an offer to the Government in October 1794, to raise a corps of infantry consisting of 400 men for the defence of their part of Scotland in case of a French invasion. The offer was accepted, and on October 25 following, the men marched to the Cross of Paisley, gave four volleys in honour of the King, and were presented with a stand of colours by the Magistrates. On November 25, they were reviewed by Major-General Hamilton, the field being kept by the Renfrewshire Cavalry, who were themselves reviewed in the following August by the same officer. This musket was issued to the Renfrewshire Regiment and the barrel engraved by the regimental armourer for the Ist Renfrewshire, rack numbered gun, 106. The regiment were under the command of the Earl of Glasgow, their Colonel. In August 31, 1799, the whole of the men in the shire were reviewed at Barnsford by General Drummond. The number of officers and men put upon the field is given at over 1,500. The Regiment was disbanded in 1802 {in Glasgow} at the Peace of Amiens, and their arms transferred to a local Scottish line regiment, also in Glasgow, the 42nd Foot the 'Black Watch', which was in Glasgow at the time. The Treaty of Amiens, (March 27, 1802), was an agreement signed at Amiens, France, by Britain, France, Spain, and the Batavian Republic (the Netherlands), achieving a peace in Europe for 14 months during the Napoleonic Wars. After Waterloo the regiment spent many years based in Ireland, and 1842 this musket was left in Ireland, as the regiment were issued with the new percussion action 1842 muskets, prior to the regiment moving to Malta. At that point, the musket, now likely within an Irish volunteer militia, was stamped for the gun census in County Antrim {A.N} in August 1843

Probably the most famous military flintlock musket in the world today, and certainly one of the most historically important and desirable long guns of its type from the Napoleonic wars.

A typical regulation example, made and issued to a Scottish Regiment, in around 1797, and in very good and in very sound combat service condition, with a stunning natural patination colour. A very good British Napoleonic Wars regulation, regiment-of-the-line issue musket, Crown GR and made at the Tower of London, with swan neck cock lock with government GR Crown stamp, regulation brass mounts, iron ramrod, sling swivels and triangular socket bayonet {pitted}. Fabulous walnut stock with signs of Napoleonic Wars combat use, yet still exceptionally fine. A musket that it would be highly unlikely ever to improve upon historically, to find a better example.

On 8 March 1801, The 42nd took part in the Battle of Aboukir, a decisive victory by the British expeditionary force. At 9 am the troops beached their craft under a rainstorm of a French cannonade and musket fire from 2,500 French positioned on the high dunes. The troops disembarked, formed a line, fixed bayonets and advanced, undaunted by the enemy fire. With General Moore leading the landing force. The 42nd, located in the centre of the landing force, struggled up the steep soft sandy ground. The French appeared at the summit and poured a destructive musket volley at the advancing soldiers. The lead troops of the 42nd reached the summit before the French could reload and launched a bayonet charge, hurling them back in confusion. The French counter attacked with a squadron of cavalry, a second bayonet charge by the 42nd caused them to flee. The British losses were 102 all ranks killed and 515 wounded; of these the 42nd Highlanders had 31 killed. The commanding officer, Lt Colonel James Stewart, 6 officers, 7 sergeants, 4 Drummers, and 140 rank and file were wounded. James Stewart had been wounded along with a few soldiers as the boats came into shore. The leadership by the company commanders and subsequent success against an enemy of double the British numbers was noteworthy.

The Battle of Aboukir allowed a bridgehead to be created as a prelude to the Battle of Alexandria thirteen days later on the 21st March 1801. The 42nd was commanded by Lt Colonel Alexander Stewart after the wounding of Lt Col James Stewart at Aboukir. During the Battle Major Stirling captured a standard from the French which he handed to Sergeant Sinclair who was later wounded and subsequently the standard was lost.

They went on to besiege Cairo and then Alexandria in which the French forces were expelled from Egypt.

Peninsular War

The 1st battalion embarked for Portugal in August 1808 for service in the Peninsular War. At the Battle of Corunna in January 1809 it was a soldier of the 42nd Highlanders who carried the mortally wounded General Sir John Moore to cover, and six more who carried him to the rear, but only after he had witnessed the victory in which the stout defence of the Black Watch played a major part. Moore's army was evacuated from Spain and the 1st Battalion of the 42nd Highlanders went with them.

As the 1st battalion left, the 2nd battalion was dispatched from Ireland to Spain for their service in the Peninsular War. The 2nd battalion fought at the Battle of Bussaco in September 1810 before falling back to the Lines of Torres Vedras. The 2nd battalion fought with great distinction at the Battle of Fuentes de Oñoro in May 1811, the siege of Ciudad Rodrigo in January 1812 and the bloody siege of Badajoz in March 1812 before returning home to recruit. The 1st battalion returned to the Peninsula in time to fight in the Battle of Salamanca in July 1812, the siege of Burgos in September 1812 and the Battle of Vitoria in June 1813. It then pursued the French Army into France and fought at the Battle of the Pyrenees in July 1813, the Battle of Nivelle in November 1813 and the Battle of the Nive in December 1813 before seeing action at the Battle of Orthez in February 1814 and the Battle of Toulouse in April 1814

With the war with France now apparently over, the 2nd battalion was disbanded in 1814 and some of its number transferred to the permanent 1st battalion. The now single battalion 42nd fought at the chaotic Battle of Quatre Bras on 16 June 1815 under Lieutenant-colonel Sir Robert Macara, who was killed by French lancers. The 42nd was one of four battalions mentioned by Wellington in dispatches after the battle. Two days later at the Battle of Waterloo, the 42nd and also the 2nd/73rd Highlanders, which was later to become the new 2nd Battalion, Black Watch, were both in some of the most intense fighting in the battle

The Brown Bess musket began its life almost 300 years ago, and it helped in creating one of the greatest trading empires the world has ever seen and, among other achievements, made the 'British Square' the almost undefeated form of infantry defence throughout the world.

With the onset of the Napoleonic Wars in the 1790s, the British Board of Ordnance found itself woefully short of the 250,000 muskets it would need to equip its forces. It managed to produce around 20,000 short land pattern muskets but this was simply not sufficient. At that time the British East India Company maintained it own troops and had contracted with makers to produce a simplified version of the Brown Bess musket with a 39-inch barrel and less ornate furniture and stock work. It was generally felt that the standard of these "India pattern" muskets was not up to the standard of the earlier Besses, but necessity required action so the authorities convinced Company officials to turn over their stores to the Crown. By 1797 the urgencies of war ultimately created the demise of the Short Pattern, and all manufacture was turned to building the more simple 'India' pattern. For the most part, the gun underwent few changes from its introduction until Waterloo, with the exception of the cock, which was altered from the traditional swan-neck style to a sturdier, reinforced ringed version in around 1808. This musket has the earlier 18th century swan necked cock

Barrel 39 inch, overall 55.5 inches long.
Action has a very good and strong mainspring. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 25721

A Magnificent 18th Century Anglo French Indian War To Revolution Period All Silver Hilted Small Sword with Colichmarde Blade. Probably By William Kinman. A Stunning Museum Piece, A Near Pair to General George Washington's Sword in Amazing Condition

A combination of the finest 18th century artisan's skill of both a silversmith and bespoke swordsmith. Circa 1759 possibly by William Kinman of London. no silver hallmark was required due to The 'Act of 1738' the Plate Offences Act 1738, & the 1738 exemptions, which exempted the requirement of an assay mark for gold and silver mounts of swords, daggers, pistols and guns

General George Washington, later the first President of the United States, had a near identical sword that he used during his service as commander of the new American Army in the American War of Independance from 1776 onwards. Born in the Colony of Virginia, Washington became the commander of the Virginia Regiment during the French and Indian War (1754–1763). He was later elected to the Virginia House of Burgesses, and opposed the perceived oppression of the American colonists by the British Crown. When the American Revolutionary War against the British began in 1775, Washington was appointed commander-in-chief of the Continental Army. He directed a poorly organized and equipped force against disciplined British troops. Washington and his army achieved an early victory at the Siege of Boston in March 1776 but were forced to retreat from New York City in November. Washington crossed the Delaware River and won the battles of Trenton in late 1776 and Princeton in early 1777, then lost the battles of Brandywine and Germantown later that year. He faced criticism of his command, low troop morale, and a lack of provisions for his forces as the war continued. Ultimately Washington led a combined French and American force to a decisive victory over the British at Yorktown in 1781. In the resulting Treaty of Paris in 1783, the British acknowledged the sovereign independence of the United States. Washington then served as president of the Constitutional Convention in 1787, which drafted the current Constitution of the United States.

Ideal in its day for duelling or close quarter combat, as well as being a simply fabulous, finest quality sword of immense beauty.

Fine cast and chased silver hilt in the elegant rococo style with double shell guard single knucklebow and pas dans. The grip has silver banding interspersed with herringbone pattern twisted silver wire.

The guard has enchanting workmanship with a scrolling, pierced, rococo Arabesque pattern. Colishmarde blade with part bright steel finish.
The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde sword descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practicing fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended. The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. This sword is a true work of art, in it's beauty form, quality and balance. One photo in the gallery is of General Burgoyne surrendering his similar gilt sword after the Battle of Saratoga in October 1777. Another portrait of George Washington with his very similar solid silver sword sword. The 1767 Silver-Hilted Smallsword
One of Washington's most beautiful swords, this sword appears in many famous Washington paintings.  read more

Code: 24960

An Incredibly Rare, 1000 Year Old, Original Viking-Norsemen Warrior’s, Four Plate Iron Helmet From the Late Viking Raids Era and The King Harold & William the Conquerer Battle of Hastings, & The Same Helmet Used By Knights Throughout The Early Crusades

An incredible museum piece of most notable rarity. Also dominantly used by the Danish Huscarls, the incredibly loyal Norse warriors that formed the personal guard of King Harold.

A fabulous and rare surviving original helmet of the Viking age, around a thousand years old.

In Greenland there is a bronze statue of renown Viking leader Erik the Red wearing his identical helmet. This amazing survivor of a warrior race, famed throughout the world for their extraordinary maritime skills, and notorious acts of raiding throughout most of Europe, and a battle helmet that was made and used a thousand years ago, from the 11th to 12th century AD.

Helmets of this form would have a working life of likely well over 100 years, until styles changed and thus so did helmet forms. An original Viking-Norseman Normannus four-plate iron helmet constructed from curved sections of triangular form, converging at the apex; the bowl contoured so that the back and front plates overlap the side-plates by 1/2 to 1 inch, with iron rivets passing through each overlap to secure them in position; the rivets worked flat into the surface of the helmet, almost invisible from the outside but detectable on the inner surface; the plate-junction at the apex supplied with a small hole, allowing a plume or horsehair streamer to be inserted through a ring; mounted on a custom-made stand. Effectively this is also what is known as a kuman warrior style form of Viking four plate helmet. Helmets of four plate construction came in two distinct forms with or without nasal bar. Erik Thorvaldssona (c. 950 – c. 1003), known as Erik the Red, was a Norse explorer, described in medieval and Icelandic saga sources as having founded the first settlement in Greenland. He most likely earned the epithet "the Red" due to the color of his hair and beard. According to Icelandic sagas, he was born in the Jæren district of Rogaland, Norway, as the son of Thorvald Asvaldsson. One of Erik's sons was the well-known Icelandic explorer Leif Erikson. Vikings, were essentially the direct ancestry of the northern French settled Normans, for, as those as are known today as Normans were not effectively French at all, but the settled Vikings of northern France in Normandy, original from the latin, Normannus land of the Norse or North Men

On 14 October 1066, King Harold fought Duke William's army at the Battle of Hastings

The English army, led by King Harold, took up their position on Senlac Hill near Hastings on the morning of the 14th October 1066. Harold’s exhausted and depleted Saxon troops had been forced to march southwards following the bitter, bloody battle to capture Stamford Bridge in Yorkshire only days earlier.

William's Norsemen attacked with cavalry as well as infantry; in the classic English manner, Harold’s well trained troops all fought on foot behind their mighty shield wall.

The fighting continued for most of the day with the shield wall unbroken. It is said that it was the sight of retreating Normans which finally lured the English away from their defensive positions as they broke ranks in pursuit of the enemy.

Once their carefully organised formation was broken, the English were vulnerable to cavalry attack. King Harold was struck in the eye by a chance Norman arrow and was killed, but the battle raged on until all of Harold’s loyal bodyguard were slain.

The Vikings arrived from Denmark and began raiding in the territory today known as France around 830AD. They found that the current rulers were in the midst of an ongoing civil war. Because the current weakness of the Carolingian empire made it an attractive target, there were several groups, including the Vikings, who were prepared to strike and conquer land and people.

The Vikings used identical strategies in France as they did in England – plundering the monasteries, demolishing markets and towns, imposing taxes or ‘Danegeld’ on the people they conquered, and killing the bishops, which disrupted religious life and caused a severe decline in literacy.

Obtaining the direct involvement of France’s rulers, the Vikings became permanent settlers, although many of the land grants were merely an acknowledgment of actual Viking control of the region. The principality of Normandy was established by Rollo (Hrolfr) the Walker, a leader of the Vikings in the early 10th century. The Carolingian king, Charles the Bald, relinquished land to Rollo in 911, including the lower Seine valley, with the Treaty of St. Clair sur Epte. This was extended to include ‘the land of the Bretons,’ by 933 AD, and became what is known today as Normandy when the French King Ralph granted the land to Rollo’s son, William Longsword.

This battle of Hastings changed the entire course of not just English, but European history. England would henceforth be ruled by an oppressive foreign aristocracy, which in turn would influence the entire ecclesiastical and political institutions of Christendom.

William was crowned king of England on Christmas Day 1066, but it took years more fighting to conquer the whole country. His cruellest campaign was the 'Harrying of the North' in 1069, where he slaughtered the inhabitants of the north-east and destroyed their food stores so that even the survivors starved to death.

The Norman Conquest changed the face of England forever. William ruled as unquestioned conqueror and the Saxons became merely an unpaid workforce for their new lords.

The Norman Conquest also changed the history of Europe – adding the wealth of England to the military might of Normandy made the joint-kingdom a European super-power.
In warfare, it was the start of the age of the knight-on-horseback.
See Curtis, H.M., 2,500 Years of European Helmets, North Hollywood, 1978; Denny, N. & Filmer-Sankey, J., The Bayeux Tapestry, London, 1966; Kirpicnikow, A. N., Russische Helme aus dem Frühen Mittelalter, Waffen- und Kostamkunde, 3rd Series, vol.15, pt.2, 1973; Nicolle, D., Byzantine and Islamic arms and armour; evidence for mutual influence, in: Warriors and their weapons around the time of the Crusades, relationship between Byzantium, the West and the Islamic world, Padstow, 2002, pp.299-325; Menghin, W., The Merovingian Period - Europe Without Borders, Berlin, 2007, pp.326-7, item I.34.4.; D’Amato, R., ‘Old and new evidence on East-Roman helmets from the 9th to the 12th centuries,’ in Acta Militaria Medievalia, 2015, XI, pp.27-157, fig.23, nn.1-2 and pl.1.2.6 kg total, 47cm including stand, helmet: 16cm (18 3/4”"). Helmets of this general profile and form are a long-lived military fashion in the Black Sea region, as evidenced by elements of a 7th-8th century Khazar saddle from the Shilovskiy grave field (Samara region"). A similar helmet is housed in the St. Petersburg Museum (inventory reference PA72), for which D’Amato (2015, pp. 65ff.) proposed an Eastern-Roman origin, based on the interchange of Roman and Khazar military technology. Based on a similar 7th century helmet found with a coin of Heraclius, D’Amato proposed that these helmets were a product of the introduction of Steppe technology in Byzantium. This form of helmet is certainly evident in the iconography of 9th-12th century Eastern-Roman helmets. Fair condition, some restoration. it comes complete with our certificate of authenticity. Picture 9 in the gallery is from an old depiction from the First Crusade of Robert of Normandy at the Siege of Antioch 1097-98 note he wears the same traditional four plate Norman crusades helmet just as this one, followed by an old black and white photo of the tomb of a Knight Hospitaller, Bernard de Faixa, also with the same four plate Norman helmet. The First Crusade to the Holy Land; In what has become known as the Princes' Crusade, members of the high nobility and their followers embarked in late summer 1096 and arrived at Constantinople between November and April the following year. This was a large feudal host led by notable Western European princes: southern French forces under Raymond of Toulouse and Adhemar of Le Puy; men from Upper and Lower Lorraine led by Godfrey of Bouillon and his brother Baldwin of Boulogne; Italo-Norman forces led by Bohemond of Taranto and his nephew Tancred; as well as various contingents consisting of northern French and Flemish forces under Robert II of Normandy eldest son of William the Conqueror, King of England, Stephen of Blois, Hugh of Vermandois, and Count Robert of Flanders. In total and including non-combatants, the army is estimated to have numbered as many as 100,000.

The crusaders marched into Anatolia. While the Seljuk Sultan of Rûm, Kilij Arslan, was away resolving a dispute, a Frankish siege and Byzantine naval assault captured Nicea in June 1097. In marching through Anatolia, the crusaders suffered starvation, thirst, and disease before encountering the Turkish lightly armoured mounted archers at the Battle of Dorylaeum. Baldwin left with a small force to establish the County of Edessa, the first Crusader state, and Antioch was captured in June 1098. Jerusalem was reached in June 1099 and the city was taken by assault from 7 June to 15 July 1099, during which its defenders were massacred. A counterattack was repulsed at the Battle of Ascalon. After this the majority of the crusaders returned home.
The popular image of the Vikings is one of fearsome warriors wearing horned helmets. Many depictions of the Vikings display this particular attribute. However, there is one preserved helmet from the Viking Age and this does not have horns. It was found in the Norwegian warrior’s burial at Gjermundbu, north of Oslo, together with the only complete suit of chain mail from the period.

Parts of helmets have been found in Denmark, including “brow ridges” to protect the warrior’s face in battle. The lack of helmet finds may also be partly due to the fact that no tradition existed of placing them in graves. In addition, helmets were not sacrificed like spears and swords, so we do not come across them in this context either. It is also possible that relatively few Vikings wore helmets and therefore only a small number are found
Helmets with horns?
Depictions of an Iron Age date exist featuring people with horned helmets/heads, such as upon the Golden Horns. Similar images are also known from the Viking period itself.

In the Oseberg burial from Norway, which dates to the early Viking period, a tapestry was found on which horned helmets are also depicted. Does this prove that all Vikings wore the famous helmets with horns? The answer is probably not. However, there is some evidence to suggest that certain warriors wore such headgear. The horned figures on the Golden Horns are berserkers. These were wild warriors, who threw themselves into battle in a trance-like fury. We are also familiar with them from the Icelandic sagas, in which they are amongst the most feared of all Vikings.

It is also possible that such headgear was worn for display or for cultic purposes. In a battle situation, horns on a helmet would get in the way. Such helmets would also have caused problems on board the warships, where space was already at a premium. In addition, none of the contemporary sources mention Vikings wearing horned headgear.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite armoury gallery  read more

Code: 23530

A Superb, Medieval & Most Rare, 12th-13th Century Crusader Knights Iron Flanged Battle Mace & Scorpion Flail Mace Head

A rare example of mace, and, apparently, not many surviving examples of this type of flanged mace are still in existence.
An offensive battle mace that would be an amazingly effective piece against armour, helmet or shield. In almost spherical form with multi layered protruding flanges in hollow-cast iron that could be mounted on a haft, or with a chain and haft and used as a battle flail. They were also carried as a symbol of power and rank, as it is so now, for example such as the cosmetically huge parliamentary mace and the Queen's great mace of state being just two examples. In the Crusades era this was, on occasion, also an ecclesiastic weapon used by Bishops Popes, for an ecclesiastical warrior was not allowed to draw blood in combat a most novel distinction but far more usually used by mounted knights in noble combat. a flail mace for extra reach on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.

Controlling the flail is much more difficult than rigid weapons.On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace head is approximately the size of a slightly flattened tennis ball.  read more

Code: 22686