Antique Arms & Militaria

A Heavy Grade 9th to 10th Century Original Viking Socket Spear. An Incredibly Inexpensive Original Viking Battle Spear From The Time of The Viking Seiges of Paris, And The Early Raids Into The British Isles

1100 to 1200 years old. The Viking spear, alongside the axe was the weapon of choice for the Viking warrior. The sword being the weapon of a high ranking Viking and Viking Jarl.

In the final decade of the eighth century, Viking raiders attacked a series of Christian monasteries in the British Isles. Here, these monasteries had often been positioned on small islands and in other remote coastal areas so that the monks could live in seclusion, devoting themselves to worship without the interference of other elements of society. At the same time, it made them isolated and unprotected targets for attack by sea. From 865, the Viking attitude towards the British Isles changed, as they began to see it as a place for potential colonisation rather than simply a place to raid. As a result of this, larger armies began arriving on Britain's shores, with the intention of conquering land and constructing settlements there.
The early Viking settlers would have appeared visibly different from the Anglo-Saxon populace, wearing Scandinavian styles of jewellery, and probably also wearing their own peculiar styles of clothing. Viking and Anglo-Saxon men also had different hairstyles: Viking men's hair was shaved at the back and left shaggy on the front, whilst the Anglo-Saxons typically wore their hair long.

The siege of Paris of 845 was the culmination of a Viking invasion of West Francia. The Viking forces were led by a Norse chieftain named "Reginherus", or Ragnar, who tentatively has been identified with the legendary saga character Ragnar Lodbrok. Reginherus's fleet of 120 Viking ships, carrying thousands of warriors, entered the Seine in March and sailed up the river.

Ragnar's Vikings raided Rouen on their way up the Seine in 845 and in response to the invasion, determined not to let the royal Abbey of Saint-Denis (near Paris) be destroyed, Charles assembled an army which he divided into two parts, one for each side of the river. Ragnar attacked and defeated one of the divisions of the smaller Frankish army, took 111 of their men as prisoners and hanged them on an island on the Seine to honour the Norse god Odin, as well as to incite terror in the remaining Frankish forces.

The Vikings reached Paris at the end of the month, during Easter. They plundered and occupied the city, withdrawing after Charles the Bald paid a ransom of 7,000 French livres 2,570 kg (83,000 ozt) in gold and silver.
Ragnar's fleet made it back to his overlord, the Danish King Horik I, but Ragnar soon died from a violent illness that also spread in Denmark

The spear is a pattern welded blade, and although now pitted as is most usual after over 1000 years it is a remarkable survivor of Viking combat warfare, and a remarkably inexpensive piece of original and legendary Viking weaponry, and thus extremely affordable. In chapter 55 of Laxdla saga, Helgi had a spear with a blade one ell long (about 50cm, or 20in). He thrust the blade through Bolli's shield, and through Bolli. In chapter 8 of Krka-Refs saga, Refur made a spear for himself which could be used for cutting, thrusting, or hewing. Refur split orgils in two down to his shoulders with the spear. The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith flattened and drew out material to form the socket . This material was formed around a mandrel and usually was welded to form a solid socket. In some cases, the overlapping portions were left unwelded. Spear heads were fixed to wooden shafts using a rivet. The sockets on the surviving spear heads suggest that the shafts were typically round, with a diameter of 2-3cm (about one inch).

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gsla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Odin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvir described in chapter 44 of Eyrbyggja saga, the saga author says that Steinrr threw a spear over the heads of Snorrigoi and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (aepa herop), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsj (Kings Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords. In regards to surviving iron artefacts of the past two millennia, if Western ancient edged weapons were either lost, discarded or buried in the ground, and if the ground soil were made up of the right chemical composition, then some may survive exceptionally well. As with all our items it comes complete with our certificate of authenticity. Approx 10 inches longAlmost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition.  read more

Code: 22779

A Most Fabulous, Intricately Carved Keris Dagger With Watered Steel Blade

A stunning looking piece and a most impressively mounted example with delightful pamor blade. Pamor is the pattern of white lines appearing on the blade. Kris blades are forged by a technique known as pattern welding, one in which layers of different metals are pounded and fused together while red hot, folded or twisted, adding more different metals, pounded more and folded more until the desired number of layers are obtained. The rough blade is then shaped, filed and sometimes polished smooth before finally acid etched to bring out the contrasting colours of the low and high carbon metals. The traditional Indonesian weapon allegedly endowed with religious and mystical powers. With probably a traditional Meteorite laminated iron blade with hammered nickel for the contrasting pattern.

Very small area of wood snake body lacking under the hilt. The blades could often be older that the mountings, as they were frequently remounted in the blades working life, just as this one has late mountings  read more

Code: 23766

A Beautiful Early Sikh Khanda Hilt Firangi Sword 17th to 18th Century

Long double fuller straight firangi blade, single knuckle bow and double plate guard. overall in nice condition for age. Early swords appear in the archaeological record of ritual copper swords in Fatehgarh Northern India and Kallur in Southern India. Although the Puranas and Vedas give an even older date to the sacrificial knife. Straight swords, (as well as other swords curved both inward and outward), have been used in Indian history since the Iron Age Mahajanapadas (roughly 600 to 300 BC), being mentioned in the Sanskrit epics, and used in soldiers in armies such as those of the Mauryan Empire. Several sculptures from the Gupta era (AD 280-550) portray soldiers holding khanda-like broadswords. These are again flared out at the tip. They continued to be used in art such as Chola-era murtis.

There is host of paintings depicting the khanda being worn by Rajput kings throughout the medieval era. It was used usually by foot-soldiers and by nobles who were unhorsed in battle. The Rajput warrior clans venerated the khanda as a weapon of great prestige.


Goddess Durga wielding khanda sword, 7th century.
According to some, the design was improved by the Great Rajput Emperor Prithviraj Chauhan. He added a back spine on the blade to add more strength. He also made the blade wider and flatter, making it a formidable cutting weapon. It also gave a good advantage to infantry over light cavalry enemy armies.

Rajput warriors in battle wielded the khanda with both hands and swung it over their head when surrounded and outnumbered by the enemy. It was in this manner that they traditionally committed an honourable last stand rather than be captured. Even today they venerate the khanda on the occasion of Dasara.

Maharana Pratap is known to have wielded a khanda. The son in law of Miyan Tansen, Naubat Khan also wielded khanda and the family was known as Khandara Beenkar. Wazir Khan Khandara was a famous beenkar of 19th century.

Many Sikh warriors of the Akali-Nihang order are known to have wielded khandas. For instance, Baba Deep Singh is famous for wielding a khanda in his final battle before reaching his death, which is still preserved at Akaal Takhat Sahib. Akali Phula Singh is also known to have wielded a khanda, and this practise was popular among officers and leaders in the Sikh Khalsa Army as well as by Sikh sardars of the Misls and of the Sikh Empire. The Sikh martial art, Gatka also uses khandas.

Hari Singh Nalwa was the commander-in-chief of the Sikh Empire (Sarkar Khalsa) under Maharaja Ranjit Singh. The Times of London wrote an article in 1881 where they not only noted his battlefield prowess but also his success as an administrator and foresight. The article went onto state that "had he had the money and resources of available to European states, it would have been entirely possible that he could have reached the border of Europe."

Despite reaching lofty heights, Hari Singh Nalwa had humble beginnings. Born in 1791 as Hari Singh Uppal, the youngster, like so many others on this list, lost his father at an early age. In 1804 his mother sent him to the court of Maharaja Ranjit Singh to resolve a property dispute. While there Hari Singh explained that his father and grandfather had both fought under Ranjit Singh's Sukerchak Misl for both his father Maha Singh and his grandfather Charat Singh. The Maharaja decided the arbitration in Hari Singh's favour and impressed by his skill as a musketeer gave him a job as a personal attendant. Hari Singh's climb to fame began later that year during a hunt where his party was attacked by a tiger. In one of the most famous stories in Sikh history, Hari Singh killed the tiger by ripping it apart using his hands, this earned him the nickname Baagh Maar, or Tiger Killer. As his reputation grew from the story, he was commissioned as a Sardar and given 800 horses and footmen under his command.

Hari Singh led his first independant contingent into battle in 1807 at Kasur under the leadership of the Maharaja, Jodh Singh Ramgharia and Akali Phula Singh Nihang. Hari Singh's performance was rewarded by a jagir (land based revenue) and his fame continued to grow. A year later Hari Singh led his first command of an army at the Battle of Sialkot where the 17 year old defeated Jiwan Singh.

The young Hari Singh fought numerous battles over the coming years in Attock, Kashmir and Mahmudkot. During the Battle of Multan in 1818, Hari Singh Nalwa led a division of Sikhs against Muzzaffar Khan. The Muslim ruler put up one of the strongest fights the Sikhs had encountered and although instrumental in the victory, Hari Singh Nalwa was badly burnt from a firepot thrown from the fort, putting him out of action for a number of months. However, he was fully recovered by 1819 to lead the reaguard of the Sikh conquest of Kashmir. The victory ended 5 centuries of Muslim rule and the cities of Lahore and Amritsar were lit up in celebration for three nights.

The conquest of Kashmir ushered in a decade of rapid Sikh conquest, and Hari Singh Nalwa was involved in or led most of the major battles. The 1827 Battle of Saidu was one of the most comprehensive. Sayed Bareli had proclaimed himelf to be a messenger of the Prophet Muhammed tellling all his tribesmen that he would deliver the Muslims from Sikh rule As local Muslim rulers began to heed his call, he eventually managed to command an army of over 15,000 Muslims, ready to raise Jihad against the Sikhs. On 23 February, the Sikhs under Hari Singh and Budh Singh Sandhanwalia met the self proclaimed messenger in battle and routed his army. They then pursued the enemy for 6 miles, plundering and pillaging as they went. By 1834 the Sikhs occupied Peshawar. At this point Hari Singh's reputation had become so widespread that Afghan women used to scare their children to sleep by mentioning that if they stayed awake "Hari Singh and his Sikhs would get them".

31.5 inch blade  read more

Code: 24207

14 Million Year Old Meteorite Rock, Impactite (Suevite) of Nordlingen Ries Now Understood To Possibly Be The Closest Match to the Surface of Mars on Earth. Likely The Most Intriguing Conversation Piece & Geological Collectors Item Available Today

From the Meteorite Strike Crater in Germany, collected by an official geological survey. The crater was caused by a binary asteroid that struck approximately 14 million years ago in the Meocene era. It was an impact of a magnitude of 1.8 Million times the size of the Hiroshima Bomb. Which created a single Faunel Event which meant the extinction of all large reptiles. In that crater a German city was built, naturally, millions of years later.

The incredible German town that sits in that asteroid crater, from whence this impactite came, is smothered in 72,000 tonnes of diamonds
The tiny diamonds were created by an asteroid smashing into the earth. So small though they are technically valueless.
Nördlingen featured in the 1971 film Willy Wonka & The Chocolate Factory

What a huge and magnificent conversational piece and collectors item, potentially the closest and most accurate example of the surface of Mars today, and since the Mars Rover sampling it is now believed by NASA and scientific research to be the very best and closest match to the surface of Mars on Earth, and certainly the best preserved from anywhere else on earth.

This is a large 14 million year old meteorite strike rock that is also a simply stunning piece of art that would superbly compliment any decor, in any home, both vintage, antique or modern. It would look amazing on a display stand of any suitable material, such as glass, perspex, marble or wood. This is an unusually large piece of molten meterorite rock, the very few pieces we have had in the past of this type have all been small of just a few ounces. Suevite rock consisting partly of melted material, typically forming a breccia containing glass and crystal or lithic fragments, and often thousands of microscopic diamonds formed during an impact event. It forms part of a group of rock types and structures that are known as impactites.

The Nordlinger Ries is an impact crater, large circular depression in western Bavaria, Germany, located north of the Danube in the district of Donau-Ries. The city of Nordlingen is located inside the depression, about 6 kilometers (3.7 mi) southwest of its centre. Recent computer modeling of the impact event indicates that the impactors probably had diameters of about 1.5 kilometers (4,900 ft) (Ries) and 150 meters (490 ft) (Steinheim), had a pre-impact separation of some tens of kilometers, and impacted the target area at an angle around 30 to 50 degrees from the surface in a west-southwest to east-northeast direction. The impact velocity is thought to have been about 20 km/s (45,000 mph). The resulting explosion had the power of 1.8 million Hiroshima bombs, an energy of roughly 2.4 1021 joules. This exceptionally large piece is 4.55 kilos. 13 inches x 11 inches x 3.5 inches As with all our items it complete complete with our Certificate of Authenticity, our unique lifetime guarantee of originality. Photo number 7 in the gallery is a clip from an article on the unique matching relation of this Suevite from Nordlingen Ries and the surface of Mars by
JULES BERNSTEIN in the University of California Science and Technology magazine  read more

Code: 21959

A Sublime 'Queen Anne', Circa 1720, Cannon Barrel Flintlock Holster Pistol of Sidelock Action, With Solid Silver Mounts Including a Silver, Maned Lion Head Butt Cap, and Silver Dragon Sideplate

with silver leaf shaped escutcheon. Three stage steel cannon barrel with chisseled octagonal breech, conical second stage and flared long blunderbuss third stage. Fine jugland regia walnut stock. Horn tipped wood ramrod with octagonal rear ramrod pipe and typical barrel type forend ramrod pipe

Here are some of the specific reasons why people enjoy collecting antique pistols:

Historical significance: Antique pistols are stunning relics of a bygone era, and they can provide insights into the history of warfare, technology, and culture. For example, a collector might be interested in owning a type of pistol that was used in a famous battle or that was carried by a famous historical figure.
Craftsmanship: Antique pistols are often works of art in their own right. Many early gunsmiths were highly skilled artisans, and their creations can be extraordinarily beautiful. Collectors might appreciate the intricate engraving, fine inlays, and other decorative elements that are found on many antique pistols.
Aesthetic beauty: Antique pistols can be simply stunning. Their elegant lines and graceful curves can be a thing of beauty. Collectors might enjoy admiring the form and function of these antique weapons.
Rarity and uniqueness: Some antique pistols are quite rare, and collectors might enjoy the challenge of finding and acquiring them. Others might be interested in owning a pistol that is unique in some way, such as a prototype or a custom-made piece.
Investment value: Antique pistols can also be valuable long term investments. The value of some antique pistols has appreciated significantly over the years. Collectors might enjoy the potential for profit, in addition to the other pleasures of collecting, but that should never be the ultimate goal, enjoyment must always be the leading factor of collecting.
No matter what their reasons, collectors of antique pistols find enjoyment in their hobby. They appreciate the history, craftsmanship, beauty, and rarity of these unique pieces.

In addition to the above, here is yet another reason why people enjoy collecting antique pistols:

Education: Learning about the history and technology of antique pistols can be a thoroughly rewarding experience. Collectors can learn about the different types of pistols that have been made over the centuries, how they worked, and how they were used.

Overall in super condition. Worn top jaw screw thread .  read more

Code: 25007

An Original Congolese Songye Fetish Female 'Power Figure'. A Most Beautiful and Perfect Example Of The Combination of Esoteric, Spiritually Symbolic & Cultural African Tribal Art From The Last Century. Late 19th to Early 20th Century.

Songye fetish figures were used as an effective instrument for healing, fertility and protection from evil spirits, sorcerers and hostile powers. The figure is in good condition. The face has sensitively rendered features, with semi-circular eyes that are closed they anlmost extend on either side towards the jaw lines. These give the face its distinctive V-shape, interrupted by the short horizontal line of the chin The chest binding is in hide leather, with hands to the abdomen, and a hide skin waist skirt, The figure’s feet and circular base, carved from the same piece of wood as the rest of the figure, and overall it has a rich reddish brown patina.

Nkisi, in west-central African lore, any object or material substance invested with sacred energy and made available for spiritual protection. One tradition of the Kongo people of west-central Africa holds that the god Funza gave the world the first nkisi. Africans uprooted during the Atlantic slave-trade era carried with them some knowledge of nkisi making. In places throughout the United States, particularly in the Deep South, African descendants still create minkisi. Nkisi making is also found throughout the Caribbean and South America, in places such as Cuba, Haiti, and Brazil.

This wild appearance of the Nganga was intended to create a frightening effect, or kimbulua in the Kongo language. The nganga's costume was often modeled on his nkisi. The act of putting on the costume was itself part of the performance; all participants were marked with red and white stripes, called makila, for protection.

The "circles of white around the eyes" refer to mamoni lines (from the verb mona, to see). These lines purport to indicate the ability to see hidden sources of illness and evil.

Yombe nganga often wore white masks, whose color represented the spirit of a deceased person. White was also associated with justice, order, truth, invulnerability, and insight: all virtues associated with the nganga.

The nganga is instructed in the composition of the nkondi, perhaps in a dream, by a particular spirit. In one description of the banganga's process, the nganga then cuts down a tree for the wood that s/he will use to construct the nkondi. He then kills a chicken, which causes the death of a hunter who has been successful in killing game and whose captive soul subsequently animates the nkondi figure. Based on this process, *Gell writes that the nkondi is a figure an index of cumulative agency, a "visible knot tying together an invisible skein of spatio-temporal relations" of which participants in the ritual are aware

After a tribal carver artist completed carving the artifact, the "nganga" transformed it into an object capable of healing illness, settling disputes, safeguarding the peace, and punishing wrongdoers. Each work of this kind or "nkisi" is associated with a spirit, that is subjected to a degree of human control.
Europeans may have encountered these objects during expeditions to the Congo as early as the 15th century. However, several of these fetish objects, as they were often termed, were confiscated by missionaries in the late 19th century and were destroyed as evidence of sorcery or heathenism. Nevertheless, several were collected as objects of fascination and even as an object of study of Kongo culture. Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba. In Hollywood these figures have morphed into objects of superstition such as New Orleans voodoo dolls covered with stick pins. Nonetheless, minkisi have left an indelible imprint as visually provocative figures of spiritual importance and protection.


Adorned with additional objects, Bajimba, with magical properties (horns, skins, teeth, hair, feathers, beads, tacks, cloth, etc.), they gained their power not from the carver but from the Nganga, or spiritual leader. Their carving was considered secondary to their power. Often too powerful to touch, they were moved with long sticks. Although protective, these are confrontational objects, with a warrior's attitude.

Each power figure has a distinct personality, ranging from contemplative to angry to soulful to reserved to compassionate. The ability to suggest those qualities visually with such immediacy and precision is one of the most impressive aspect of the surviving figures.

Kongo religion Kikongo: Bukongo. Bakongo religion was translocated to the Americas along with its enslaved practitioners. Some surviving traditions include conjure, dreaming, possession by the dead to learn wisdom from the ancestors, traditional healing and working with minkisi. The spiritual traditions and religions that have preserved Kongo traditions include Hoodoo, Palo Monte, Lumbalú, Kumina, Haitian Vodou, Candomblé Bantu, Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba.

Similar examples in the Smithsonian and Metropolitan in the USA. One very similar nkisi, from the late 19th to mid 20th century has been a highlight of the Rockefeller collection since its acquisition in 1952. we show examples of the similar Kongo type as ours, from around the same time, in the gallery of photographs

Photo 7 shows a male example from the The Michel Gaud collection
Sothebys Important African Art: ‘The Michel Gaud collection’, London, 29th November 1993, lot 132

Photo 8 a larger but similar Nkisi male version of the Songye people’s in the Rockefeller Wing in the Met, although not on view at present.

9 inches high.

For a serious student of such stunning pieces a visit to the The Met is a must for those that reside or able to travel to the US.
Further reading
Hersak, Dunja. 1986. Songye. Masks and Figure Sculpture. London: Ethnographica.

Hersak, Dunja. 2010. "Reviewing power, process, and statement: the case of Songye figures". African Arts. 43: 38-51.

Neyt, François. 2009. Songye: The Formidable Statuary of Central Africa. Munich: Prestel.

Petridis, Constantine. 2009. Art and power in the central African Savanna: Luba, Songye, Chokwe, Luluwa. Cleveland, Ohio: Cleveland Museum of Art  read more

Code: 25680

A Superb & Rare Original Victorian London-Scottish Rifle Volunteer Regiment Doublet. Superbly Tailored By Hobson and Sons of London in Hodden Grey

In wonderful condition for age, and all the original regimental buttons are present.
The tunic and buttons were tailored by Hobson & Sons of London, and it bears a makers label and an original old storage label. In 1859 the London Scottish Rifle Volunteers were raised, sponsored by the Highland Society and the Caledonian Society of London, and commanded by Lieutenant-Colonel Lord Elcho.
The soldiers were given a uniform of homespun cloth known as Hodden Grey to avoid inter-clan rivalry and kilts today are still made of this distinctive material.


During the Boer War, the Regiment supplied contingents of Volunteers who served with the Gordon Highlanders and those links survive still. In 1908 the Volunteer Force ceased to exist and became the Territorial Force. The 7th Middlesex (London Scottish) Volunteer Rifle Corps changed its name to the 14th (County of London) Battalion, The London Regiment (London Scottish).
The 1st Battalion was mobilised on 5 August 1914 and was the first Territorial battalion to go into action against the Germans at Messines, near Ypres on 31 October. The Battalion continued to serve in France and Flanders throughout the War taking part in all the major offensives. The 2nd Battalion served in France, the Balkans and Palestine, while a 3rd Battalion was a Reserve Battalion and supplied drafts to the other two. Two Victoria Crosses and nineteen Distinguished Service Orders were awarded to members of the Regiment.
We show in the gallery a picture of a London Scottish soldier in profile wearing his same doublet from the Zulu War period, holding his Martini Henry MK 1/11 Rifle  read more

Code: 21066

A Beautiful 19th Century Damascus Twist Barrelled Sporting Gun By Manton of London. One Of The Greatest Names In the Realm of English Gunsmiths

Back action lock bearing Manton's name and decorative pattern engraving. It has a hook breech with double platinum lining and very attractive fine Damascus browning, walnut half stocked with steel furniture bearing further overall engraving.

Joseph Manton (6 June 1766 - 29 June 1835) was a British gunsmith who innovated in sport shooting, improved the quality of weapons and paved the way to the modern artillery shell. Joseph was also a sports shooter in his own right and a friend of Colonel Peter Hawker. There were two Manton brothers, John was the elder and Joseph the younger. John Manton was born in 1752 and after his apprenticeship, set up in London in Piccadilly.

Manton began producing percussion guns in 1825 and Manton himself died in 1834, leaving the business in the hands of his son. Some of Manton's weapons are considered the finest of the flintlock and percussion age. They can fetch more at auction than Holland & Holland's shotguns. His workforce included James Purdey (who went on to found Purdey's), Thomas Boss, William Greener and Charles Lancaster. These four all went on to establish major firms of gun makers, which continue to this day. The true English Damascus barrel is prepared from three rods, twisted as described and put together as shown in the twisted riband, and is known technically as three-iron Damascus ; the silver-steel Damascus is similarly made, but of different metal piled in a different order. The rods having been twisted, and the required number welded together, they are sent to the iron-mill and rolled at a red heat into ribands, which have both edges bevelled the same way. There are usually two ribands required for each barrel, one riband or strip to form the breech-end, and another, slightly thinner, to form the fore, or muzzle, part of the barrel. Upon receiving the ribands of twisted iron, the welder first proceeds to twist them into a spiral form. This is done upon a machine of simple construction, consisting simply of two iron bars, one fixed and the other loose ; in the latter there is a notch or slot to receive one end of the riband. When inserted, the bar is turned round by a winch-handle. The fixed bar prevents the riband from going round, so that it is bent and twisted over the movable rod like the pieces of leather round a whip-stock. The loose bar is removed, the spiral taken from it, and the same process repeated with another riband. The ribands are usually twisted cold, but the breech-ends, if heavy, have to be brought to a red heat before it is possible to twist them, no cogs being used. When very heavy barrels are required, three ribands are used; one for the breech-end, one for the centre, and one for the muzzle-piece. The ends of the ribands, after being twisted into spirals, are drawn out taper and coiled round with the spiral until the extremity is lost, as shown in the representation of a coiled breech-piece of Damascus iron. The coiled riband is next heated, a steel mandrel inserted in the muzzle end, and the coil is welded by hammering. Three men are required one to hold and turn the coil upon the grooved anvil, and two to strike. The foreman, or the one who holds the coil, has also a small hammer with which he strikes the coil, to show the others in which place to strike. When taken from the fire the coil is first beaten upon an iron plate fixed in the floor, and the end opened upon a swage, or the pene of the anvil, to admit of the mandrel being inserted. When the muzzle or fore-coil has been heated, jumped up, and hammered until thoroughly welded, the breech-end or coil, usually about six inches long, is joined to it. The breech-coil is first welded in the same manner, and a piece is cut out of each coil; the two ribands are welded together and the two coils are joined into one, and form a barrel. The two coils being joined, and all the welds made perfect, the barrels are heated, and the surplus metal removed with a float; the barrels are then hammered until they are black or nearly cold, which finishes the process. This hammering greatly increases the density and tenacity of the metal, and the wear of the barrel depends in a great measure upon its being properly performed. A very nice and tight action and overall in nice condition for age. A very small piece of wood lacking from the breech tang area. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 20766

Superb 18th Century American Revolutionary War, King George IIIrd Period Naval Hand Cannon From The Barbary Pirate Raids Period. From 1795, The Annual 'Tribute' Paid to the Regency of Algiers Was 20% of United States Federal Government Expenditure

Which translates today to the equivalent of one thousand two hundred billion dollars {$1.2 trillion} a year, in so called 'tribute' {ie, blackmail} payments to the Barbary States.

With traditional bell mouth, two barrel bands and large cascobel, without trunions, 18cm barrel.

Rare unmarked naval hand cannon of the type used off the Barbary Coast during the Age of Sail. Measures from raised muzzle to cascabel. Three stage body with round breech. Breech with lined border. Raised cannon muzzle. The iron is relatively smooth, with a good natural age patina throughout with areas of oxidation. A light shines through touchhole well. it could of double as a naval salute & powder tester.

From bases on the Barbary Coast, North Africa, the Barbary corsairs raided ships travelling through the Mediterranean and along the northern and western coasts of Africa, plundering their cargo and enslaving the people they captured. From at least 1500, the corsairs also conducted raids along seaside towns of Italy, France, Spain, Portugal, England and as far away as Iceland, capturing men, women and children. On some occasions, settlements such as Baltimore, Ireland were abandoned following the raid, only being resettled many years later. Between 1609 and 1616, England alone had 466 merchant ships lost to Barbary corsairs

Until the American Declaration of Independence in 1776, British treaties with the North African states protected American ships from the Barbary corsairs. During the American Revolutionary War, the Corsairs attacked American merchant vessels in the Mediterranean. However, on December 20, 1777, Sultan Mohammed III of Morocco issued a declaration recognizing America as an independent country, and stating that American merchant ships could enjoy safe passage into the Mediterranean and along the coast. The relations were formalized with the Moroccan–American Treaty of Friendship signed in 1786, which stands as the U.S.'s oldest non-broken friendship treaty with a foreign power.

The Barbary threat led directly to the United States founding the United States Navy in March 1794. While the United States did secure peace treaties with the Barbary states, it was obliged to pay tribute for protection from attack. The burden was substantial: from 1795, the annual tribute paid to the Regency of Algiers amounted to 20% of United States federal government's annual expenditures.

In 1798, an islet near Sardinia was attacked by the Tunisians, and more than 900 inhabitants were taken away as slaves.  read more

Code: 25679

An Original & Beautiful Ancient & Archaic Warrior's Dagger of the Trojan Wars Era. A Bronze Long Dagger Circa 1200 bc Around 3200 Years Old, in Superb Condition With All Its Original Age Patination Intact

This is a most handsome ancient bronze long dagger from one of the most fascinating eras in ancient world history, the era of the so called Trojan Wars. A most similar dagger, but with its gold hilt panel intact, made from 1000 to1350bc, is on display in the Los Angeles County Museum of Art, a gift of The Ahmanson Foundation. We show their dagger and its hilt with gold inlay, as the last two photos in the gallery.

The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and believed that Troy was located in modern day Turkey near the Dardanelles. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta.

The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy.

This dagger comes from that that great historical period, from the time of the birth of known recorded history, and the formation of great empires, the cradle of civilization, known as The Mycenaean Age, of 1600 BC to 1100 BC. Known as the Bronze Age, it started even centuries before the time of Herodotus, who was known throught the world as the father of history. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. The Mycenae site is located in the Peloponnese of Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process. In the greatest collections of the bronze age there are daggers exactly as this beautiful example. In the Metropolitan Museum of Art is the bronze sword of King Adad-nirari I, a unique example from the palace of one of the early kings of the period (14th-13th century BC) during which Assyria first began to play a prominent part in Mesopotamian history. Swords and daggers from this era were made in the Persian bronze industry, which was also influenced by Mesopotamia. Luristan, near the western border of Persia, it is the source of many bronzes, such as this dagger, that have been dated from 1500 to 500 BC and include chariot or harness fittings, rein rings, elaborate horse bits, and various decorative rings, as well as weapons, personal ornaments, different types of cult objects, and a number of household vessels.

An edged weapon found in the palace of Mallia and dated to the Middle Minoan period (2000-1600 BC), is an example of the extraordinary skill of the Cretan metalworker in casting bronze. The hilt of the weapon is of gold-plated ivory and crystal. A dagger blade found in the Lasithi plain, dating about 1800 BC (Metropolitan Museum of Art), is the earliest known predecessor of ornamented dagger blades from Mycenae. It is engraved with two spirited scenes: a fight between two bulls and a man spearing a boar. Somewhat later (c. 1400 BC) are a series of splendid blades from mainland Greece, which must be attributed to Cretan craftsmen, with ornament in relief, incised, or inlaid with varicoloured metals, gold, silver, and niello. The most elaborate inlays--pictures of men hunting lions and of cats hunting birds--are on daggers from the shaft graves of Mycenae, Nilotic scenes showing Egyptian influence. The bronze was oxidized to a blackish-brown tint; the gold inlays were hammered in and polished and the details then engraved on them. The gold was in two colours, a deeper red being obtained by an admixture of copper; and there was a sparing use of neillo. The copper and gold most likely came from the early mine centres, in and around Mesopotamia, see gallery and the copper ingots exported to the Cretans for their master weapon makers. This dagger is in very nice condition with a single fracture one one side of the hilt 14.75 inches long overall.  read more

Code: 20797