Antique Arms & Militaria

A Beautiful Indo Persian 'Tiger's Claw' Khanjar Walrus Sea Ivory and Wootz Watered Steel Bladed Dagger,

A Magnificent 'Tiger's Claw' Wootz steel blade, likely in mottled pattern, with carved walrus sea ivory handle dagger 18th to 19th century. A museum grade quality piece. Once the property of a high status Mughal noble or prince. Elegant double-edged tapering steel blade of curved form with raised central spine. The blade has a very fine wootz watered steel pattern. The fine steel dagger is attached to a thick carved and engraved ivory handle. This waisted walrus ivory hilt is incised in relief to each side with a tiger capturing a deer and typical Mughul flora and fauna. A most similar example is in the Metropolitan Museum. Small losses to ivory at the base of the handle at the quillon. Walrus ivory is characterized in cross section by a central core that has a marbled appearance, surrounded by a smooth creamy white dentine layer see photo 7 circa 200 to 270 years old.  read more

Code: 24755

A Superb and Huge 19th Century Solid Hallmarked 800 Silver Mounted Gaucho Knife, By FRIED.HERDER ABR.SOHN SOLINGEN

A stunning German export model, which are certainly the most sought after and desirable of all the silver gaucho knives, especially by the best German makers such as Herder, of Solingen, and the very large examples are particularly rare and desirable, just as the very large antique American Bowie knives are rare

The South American Cowboy or Gaucho was the first range cowboy, whose existence is first recorded back in the 1600's, they wandered the Pampas for centuries, working cattle and living off the land and the herd, just as the later North American Cowboy did in the 19th century. Like the North American cowboys gauchos were generally reputed to be strong, honest, silent types, but proud and capable of violence when provoked. The gaucho tendency to violence over petty matters is also recognised as a typical trait.
Gauchos' use of the famous "facón" (knife generally tucked into the rear of the gaucho sash) is legendary, often associated with considerable bloodletting. Historically, the facón was typically the only eating instrument that a gaucho carried. As Charles Darwin said of the distinctive men who wore and used the facón,
"Many quarrels arose, which from the general manner of fighting with the knife often proved fatal."

This is a very fine quality and unusually large example. 17 inches long overall 10 inch blade.

In 2018 a similar sized example {within 1 inch} sold at Centurion Auctions in Tallahassee, Florida USA for $17,000. {£13,993}  read more

Code: 24996

A Most Attractive Middle Eastern, Antique 19th Century Jambiya.

Carved wooden hit brass embossed and leather scabbard over wood. Double edged steel blade. The blade would polish nicely. The janbiya was given its name because it is worn on the side of a person – the word janbia is derived from the Arabic word "janb" which mean "side". A jambia is constituted of a handle, a blade, and a sheath in which the blade is held. It is made of a certain sort of wood, to hold the blade that is fixed to the waist from underneath with an upward curved sheath. The belt that holds the janbia can be made of tanned leather, or, wound some thick cloth.

The janbiya handle often tells of the social status of the man who wears it.

Other jambiya hilts are made of different types of horn, wood, metal and ivory. Apart from the material used for the hilt, the design and detail is a measure of its value and the status of its owner. there are 53 different types of Jambiya in the Metropolitan museum Collection, some bear a similarity to this example, many with near identical blades.  read more

Code: 16537

A Fine and Long, Saudi Arabian, Silver & Copper Alloy Dharia Jambiya 19th Century

A rare jambiya to find as the smaller Omani and Yemeni types were made in far greater numbers over the past century. A long bladed Dharia jambiya, with shbeyl hilt type, more within the short-sword size, with a flat beyd blade as opposed to the more frequently seen Omani dagger sized pieces. Late 19th century also called in the west a Wahhabi jambiya. With gemstone set scabbard and covered in geometrically patterned silver. A "Wahhabi jambiya" is a occidental collector's term. "Weapons of the Islamic World" by The King Faisal Centre Centre for Research & Islamic Studies categorises these by type, tribal or regional origin, not by religious sect. Obviously jambiyas of this type were carried by Wahhabis and certain of the tribes they are associated with would be predominately Wahhabi. These are from the Asir, Hejaz, Nejd (generally the South, West and Central Saudi Arabia) and were the origins and backbone of the "Ikwhan" which was of course Wahhabi. Dharia is the term used to describe the long dagger which originates from the west of modern day Saudi Arabia, around the Azir/Hijaz area, and down as far as Yemen.
The word Dharia appears to come from the Arabic Dhura'eyah which translates as Arm Long Dagger. These daggers are also called Sabiki, Sabak, Sabik etc depending on the spelling. The term Wahabite is also commonly used to describe these, but any direct connection with the Wahhabi Movement except perhaps the actual geographical area is likely very co-incidental, and perhaps that this style was one used by them.

The jambia was given its name because it is worn on the side of a person – the word jambia is derived from the Arabic word janb (Arabic: جنب, lit. 'side'). A jambia is constituted of a handle, a blade, and a sheath in which the blade is held. It is made of a certain sort of wood, to hold the blade that is fixed to the waist from underneath with an upward curved sheath. The belt that holds the jambia is made of tanned leather, or some thick cloth. There are specialised markets and handicraft markets that decorate it with golden wires.

The jambia handle often tells of the social status of the man who wears it. Jambias can be made with ivory handles or hilts of other rare and exotic materials.
T. E. Lawrence was famous for using a jambiya knife historically.


Overall just over 21.5 inches long.  read more

Code: 24999

A Beautiful, Early 19th Century, Antique 'Tiger's Claw' Carved Horn Hilted Khanjar Dagger

A most attractive antique dagger with an impressive blade. A middle eastern long bladed dagger, also called a jambiya. With a long, curved double-edged sturdy steel blade, with a medial ridge. Beautifully hand carved horn hilt of elegant form with waisted grip with central carved spiral and typical hooked pommel. In its original leather covered wooden scabbard with metal conical chape.

Jambiya were taken by travellers to other cultures including Persia, the Ottoman empire, and India, where they were adopted with slight differences to the blade, hilt and scabbard. The horn hilt has old small losses to some surfaces. Blade 9 inches overall in scabbard 16.25 inches long, both measured straight across  read more

Code: 21254

A Very Nice Black Coral Handled Sinhalese Knife Piha-Kaetta (Pihiya)

A Fine Sinhalese Knife Piha-Kaetta (Pihiya) from Sri Lanka, Late 17th early 18th Century
The Pihiya is a very well known Ceylonese small Knife with a straight-backed blade and a curved cutting edge.
The Pihiya Handle and part of the blade are beautifully and finely engraved and decorated with delicate tendrils, the powerful hilt is made out of different combinations of materials such as Gold, Silver, Brass, Copper, Rock Crystal, Ivory, Horn, Black Coral Steel and Wood. Sometimes the Gold or Silver mounts extend down halfway the blade.
Handles were made in a certain and very distinctive form, occasionally they were made in the form of serpentines or a mythical creature?s head, similar to our current lot.
The Kaetta means a beak or billhook, it is a similar but larger knife to the Pihiya, it has a blade with a carved back and a straight cutting edge that curves only towards the tip.
The finest examples were made at the four workshop (Pattal-Hatara), where a selected group of craftsmen worked exclusively for the King and his court, and were bestowed to nobles and officials together with the kasthan? and a cane as a sign of rank and / or office. Others were presented as diplomatic gifts. Many of the best knives were doubtless made in the Four Workshops, such as is this example, the blades being supplied to the silversmith by the blacksmiths.
"The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu [Golden Arms], the Abarana [Regalia], the Sinhasana [Lion Throne], and the Otunu [Crown] these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months. The Kottal-badda men in each district were under a foreman (mul-acariya) belonging to the Pattal-hatara. Four other foremen, one from each pattala, were in constant attendance at the palace. Prince Vijaya was a legendary king of Sri Lanka, mentioned in the Pali chronicles, including Mahavamsa. He is the first recorded King of Sri Lanka. His reign is traditionally dated to 543?505 bce. According to the legends, he and several hundred of his followers came to Lanka after being expelled from an Indian kingdom. In Lanka, they displaced the island's original inhabitants (Yakkhas), established a kingdom and became ancestors of the modern Sinhalese people.  read more

Code: 20795

A Very Fine Rare Gambler's Dirk cum Boot Knife, Carved Horn Grip, Mid 19th Century

A very fine quality dirk, perfect for concealment for the gamblers of the Wild West frontier, and the Mississippi river boat gamblers. Carved horn grip with small hairline cracking. Steel double edged blade of very fine and substantial quality. The strength of a blade that could punch through almost anything, ball end straight quillon in steel. Carved grip with shell form pommel. Original leather covered wooden scabbard with German silver mounts. Whether on a riverboat atop the Mighty Mississippi, or in the smoky dimness of a mining camp saloon, a lucky draw could turn a broken man into a winner. In the days of the frontier west, poker was king with the mustachioed likes of Wild Bill Hickok, Doc Holliday, ?Canada? Bill Jones, Wyatt Earp, Bat Masterson, and hundreds of others.

In the old west towns of Deadwood, Dodge City, Tombstone, and Virginia City, gamblers played with their back to the wall and their guns at their sides, as dealers dealt games with names such as Chuck-A-Luck, Three Card Monte, High Dice, and Faro, by far the favourite in the wild west saloons. Gambling took many forms on riverboats. Gambling with one's life with the boilers aside, there were sharks around willing to fleece the unsuspecting rube. As cities passed ordinances against gaming houses in town, the cheats moved to the unregulated waters of the Mississippi aboard river steamers.

There was also gambling with the racing of boats up the river. Bets were made on a favourite vessel. Pushing the boilers hard in races would also cause fires to break out on the wooden deck structures. Size 10 inches long overall, blade 5 1/4 inches. A very similar example was sold in Butterfields Auction, San Francisco in 1992 for £1,030. As is usual for these small knives it has no maker markings  read more

Code: 24095

A Superb Late 18th Century, Napoleonic Wars British Officer's Sabre With a French 'Trophy' Blade, With An Ancient Egyptian Goddess Wadget Entwined Serpent British Hilt

Gilt bronze serpent hilt chisselled in great detail and of very fine quality. Talisman symbol Napoleoniuc blade. Circa 1800. Very possibly a war trophy from the Battle of the Nile, with Nile Club connections There are numerous examples of snakes depicted in Napoleonic swords, such as the Lloyds swords, but usually with other beasts, such as lions, tigers or hounds, but to have two opposing serpents alone is very rare indeed. Snake sculpture - the Staff of Aesculapius, the Staff of Mercury, and the Embodiment of Wisdom Snakes are fairly frequent in Georgian sculpture, and of course from other periods. In art generally in fact from medieval times onwards, the snake is also associated with wisdom, and in this capacity is often found with statues of Prudence. The way this sword is constructed shows it is likely a trophy blade, captured in combat and mounted with a Napoleonic French sabre, etched with talismanic symbols of a crescent moon, sun, grand Turk's head, stand of arms. In fact the whole sword may indeed now be described as talismanic. Blade in superb condition, original scabbard in very good condition indeed, and the hilt is excellent. Scabbard throat lacking.
Egyptian gods and goddesses, much famed in ancient Egypt, become hugely popular throughout Western artistic culture in the early 19th century.
Europe became beguiled by ancient Egyptian art and architecture in all its forms, and furniture designers and sculptors particularly, eagerly created the ‘Egyptian style’ in the Regency period England, and the Consular and Directoire period in France.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo



Overall 39 inches long, blade 32 inches  read more

Code: 23387

Another Fabulous ‘Grand Tour’ Piece of History. An Original Transylvanian/Hungarian 14th-15th Cent. Bronze Mace Head, An Iconic Weapon Of War of the Knights of Vlad Dracul, In The War With Sultan Mehmed IInd Ruler of the Ottoman Empire

From the reign of Vlad Dracul, a name that from which derived the Order of the Dragon. Who was ruler and prince of Transylvania. A bronze mace head formed with a series of low pyramidal points, and in patinated condition throughout. This wonderful original artifact, from Eastern European medieval history, was a most popular close combat weapon for mounted knights of the 14th century and 15th century, and as a highly effective close combat knightly weapon they were continually used right through the 15th into the 16th century. They were used by the Hungarian Knights of the Black Army, and the Transylvanian Knights and mercenary knights that served Prince Vlad the IInd and his son Prince Vlad Dracul, Vlad the IIIrd, the Impaler and the Szekely . They fought across the whole Empire, in Hungary, Transylvania, Romania, fighting against the encroachment of the expanding Ottoman Empire of Sultan Mehmed IInd.

Vlad Dracul of Transylvania inspired the tales of the vampire of legend, named "Dracula". That evolution of Dracul, recalls only the character from the 1897 novel by Bram Stoker, dramatically and memorably realised by Bella Lugosi, in the eponymous 1931 Hollywood horror film, and then followed by all too numerous actors since, including one of the very best, Gary Oldman. However, behind the popular myth lies the genuine historic ruler Vlad III Dracula "the Impaler" (1431-76), Prince of Wallachia in what is now Romania, a vassal of the Hungarian kings. Voivode is the medieval Romanian term for a regional commander, which position Vlad held intermittently in addition to his princedom (1448, 1456-62 and 1476), and the name "Dracula" is a diminutive derived from the Imperial Order of the Dragon, the order of knights to which Vlad and his father, Vlad II (1390-1447) commanded. He ruled his military kingdom of Wallachia southern Romania with a heavy and blood-soaked fist. To not only the Turks but also to many of his own countrymen he was Vlad The Impaler, Vlad Die Tepes (pronounced Tee-pish). Determined not to be overtaken by the intrigue of an intriguing political underhandedness, in a world in which princes fell daily to smiling, hypocritical "allies," paranoia among the aristocracy was, and probably needed to be, utmost in a sovereign's disposition. Dracula built a defence around him that dared not open kindness nor trust to anyone. During his tenure, he killed by the droves, impaling on a forest of spikes around his castle thousands of subjects who he saw as either traitors, would-be traitors or enemies to the security of Romania and the Roman Catholic Church. Sometimes, he slew merely to show other possible insurgents and criminals just what their fate would be if they became troublesome.
A pamphlet published in Nuremburg, Germany, immediately following his death in 1476, tells of his burning beggars after allowing them free food at his court. "He felt they were eating the people's food for nothing, and could not repay it," the broadside explains. And there are countless of other tales of Dracula's wickedness written down ages ago, many of which will be related in this article. This Mace is without haft,and in it's present state it would make a superb cabinet piece, or desk display. However if required we could commission our master cabinet maker to create a replacement haft to replicate how it once would have looked complete. Original paintings in the gallery of Vlad IIIrd and a Knight of the Black Army with mace, and finally an original medeivil portriat of Stephen Lackfi, holding an identical Hungarian mace, he was a knight horseman, and note the Dragon Order shield.
for information only The Szekely are of uncertain origins, subject to much debate among themselves and among scholars. A widespread theory asserts that they descend from the warrior tribes settled by the Hungarians in the border mountains to defend against invasions from Tatars and other menacing people from the east. Szekely people adhere proudly to a Hungarian identity. They have a slightly distinct Hungarian dialect, but most of the differences from modern Hungarian consist of archaic words and phrase constructions, as well as a particular intonation.

In medieval times, the Szekely were part of the Unio Trium Nationum ("Union of Three Nations") a coalition of the three Transylvanian Estates, the other two nations being the (predominantly Hungarian) nobility and the Saxon (ie ethnic German) burghers. These three nations ruled Transylvania, usually in harmony though sometimes in conflict with one another. The Romanian inhabitants, who largely belonged to the class of serfs (which also included many Hungarians), were Orthodox and were not allowed political representation. The Szekely were considered the best warriors of medieval Transylvania. Regular size mace of the period 2 inches at the widest  read more

Code: 22566

A Very, Very Rare Scots Fusilier Guards Officer's Bearskin Cap 1854. Used at Sebastopol and Alm. The Only Other 'Foldable' Bearskin, Surviving From The Crimean War, That We Know Of, Can Be Seen in The Guards Museum

In overall very good condition, the interior is lined with a leather cap, stitched to the skin, as could be usual for the Crimean bearskin, so the caps could be transported flat one supposes, and it also has the officer's velvet band partially intact. It has no hackle mount externally, which is correct for the Scots Fusilier Guards bearskins, as they wore no hackle, unlike the Grenadiers, and Coldstream Guards. This is only the second 1850's example used in the Crimea we have seen outside of the Guards Museum
.
This is the bearskin headdress of an 1850's officer of the Scots Fusilier Guards, one of the most famous regiments of infantry in the British Army. This celebrated item, still worn by the Guards Division on ceremonial duties, has its origins in the Battle of Waterloo, where the 1st Foot Guards of Wellington’s army fought against the French Imperial Guard, who wore bearskin caps. It was during the reign of King George IV that the Guard uniforms were changed, along with the Guard Regiments themselves. The scarlet coatee was introduced, with gray or white trousers and in 1832 the bearskin cap became the official headdress of all three guards regiments, thus creating the ceremonial uniform that essentially remains in use today.

In the Crimean war the bearskin was reduced in height and the cap's pelt could be attached to a leather cap, as is this one, and not mounted on a frame of willow or rattan, one such bearskin mounted is in the Guards Museum London

In the Crimean war they were still a combat helmet, classified as a bearskin cap. Sometime after the Crimea the bearskin was only in use by the guards, and fusiliers as a dress cap, as it still is today.

The guards combat details follow below {in a brief resume} at the Battle of Alma, during the retreat and second attack.

By now, the 1st Division had finally crossed the river and the Russians in the greater redoubt saw approaching them the Guards' Brigade, with the Grenadier Guards on the right, the Scots Fusilier Guards in the centre, and the Coldstream Guards on the left. Out of sight on the far left was the Highland Brigade, commanded by Sir Colin Campbell. Campbell was irritated by the Guards' delay and ordered an immediate advance. A firm believer in the charge with bayonets, Campbell told his men not to fire their rifles until they were "within a yard of the Russians".

The Scots Fusiliers, by then ahead of the rest of the division, started to move uphill immediately, repeating the Light Division's mistake, which at that moment was running down from the redoubt, pursued by Russian infantry. The Light Division crashed into the advancing Scots Fusiliers with such force that the line was broken in many places. The Scots faltered, but emerged on the other side with only half their numbers and continued towards the great redoubt in a chaotic state. When they were 37 m (40 yd) from the redoubt, the Russians mounted a massive volley. The Scots Fusiliers were forced to retreat, stopping only when they reached the river.

The two other guards regiments filled the gap left by the Scots Fusiliers, but refused orders to charge with bayonets up the hill. Instead, the Grenadiers and the Coldstream formed into lines and started firing Minié volleys into the Russian advance parties. This stopped the Russians, and the Grenadiers and the Coldstream were soon able to close the gap between them; the Russians were again forced back into the redoubt. Vintage, replaced chinscales

Photos in the gallery of Hand-coloured photograph of three soldiers of the Scots Fusiliers Guards who served in the Crimean War. From right to left are Corporal Judd, Edward Temple and William Reynolds. They are all seated with Judd resting his bearskin on his lap and Temple holding one of the three rifles joint together pointing upwards.

Alongside this Crimean piece we also acquired a fabulous Crimean War pistol and an 1853 relic sword blade from the Charge of the Light Brigade.

Throughout the war Queen Victoria had taken an active interest in the welfare of the troops and on their return from the Crimea she met a number of the veterans at Buckingham Palace, Chatham Military Hospital and Aldershot Garrison. Following these meetings she commissioned a series of photographs of the veterans from the photographers Joseph Cundall and Robert Howlett.

The other coloured photograph is of Colour Sergeant William McGregor of the Scots Fusilier Guards.  read more

Code: 24947