An 18th Century Typical Pirate Form Corsairs Long Barrel Holster Pistol Likely a Balkan Maker, a Great Gift Idea

A very inexpensive, original, 18th century pirate pistol. Obvious signs of battle close combat use, hence the price, but this is a fascinating piece of piratical history. What a fabulous gift this could be from the original seafaring days of galleons and pirates from the Spanish Maine.

Finely carved walnut stock, long holster barrel beautifully chisseled and inlaid with poincon. chisseled brass buttcap, traditional early banana shaped lock. An Italianate style flintlock, made in the area of the Mediterranean, used throughout Europe, the Caribbean and the Americas in the 18th and continually of to the early 19th century in the Napoelonic Wars and throughout the Mediterranean and Ottoman Empire. This is exactly the type of flintlock one sees, and in fact expects to see, in all the old Hollywood 'Pirate' films.

A beautifully sprauncy sidearm, with long barrel. This is an original, honest and impressive antique flintlock that rekindles the little boy in all of us who once dreamt of being Errol Flynn, Swash-Buckling across the Spanish Maine under the Jolly Roger. This super piece may very well have seen service with one of the old Corsairs of the Barbary Coast, in a tall masted Galleon, slipping it's way down the coast of the Americas, to find it's way home to Port Royal, or some other nefarious port of call in the Caribbean. It is exactly the very form of weapon that was in use in the days of the Caribbean pirates and privateers, as their were no regular patterns of course.

It bears all the usual signs of close hand-to-hand combat signs as pistols of this type were fired and then swapped hands, to be used as clubs, alongside the pirates cutlass. Priced accordingly, at only around a third of the price an undamaged similar example might be! But, absolutely all part of its character, so at all not detrimental to its historical context. Single side screw lacking, and contemporary combat service small elements of wood damage near the forend, replaced ramrod {now fixed in place}.  read more

Code: 23642

A Fabulous, Rare Early 19th Cent. British Explosive 10" Mortar Bomb From the War of 1812 In America. Likely, Fomerly Part of The Armament of HMS Terror, During The Bombardment of Fort McHenry in Baltimore. The Battle Site of “The Star Spangled Banner”

One of four exceptionally rare 10" Royal Naval mortar balls we are delighted to have just acquired last week from our private historical Royal Naval collector in Plymouth, the same city where Admiral Cochrane, fleet commander at the attack on Fort McHenry, became Commander-in-Chief of the naval base in Plymouth, England, after the war of 1812. We now only have 3 remaining of these original iron bomb shells, one sold today, the first day it was posted on here.

They were apparently unloaded from ships of the line from Admiral Cochrane's returning fleet, supposedly in Plymouth, during the war of 1812 and the 90 pound bronze mortars were removed from his fleet. It is said the Admiral and his crew loathed and feared these particular huge mortars due to their likely hood of miss-fire. The 90 pounder shell had to be first primed, and then lit, before it entered the muzzle of the bronze cannon, that had previously been loaded with pounds of gunpowder, the cannon mortar was then lit and fired which thus ejected, with a massive force explosion, the explosive ball high into the sky to the centre of the enemy's ranks. However, the shell might have accidentally exploded while it was being manouvered, it might also have ignited the powder within the breech of the cannon, or, the fizzing mortar might have not have been ejected at all due to a cannon miss-fire. Any one of these horrifying events would be catastrophic, and the resulting explosion would be of of such magnitude it would likely have killed most on board, and probably sunk the vessel entirely with all hands. This a series of events that any ships captain or admiral would not consider to be entirely advantageous

The previous two 10” mortar bombs, that we had two years ago, were the very first we had had in 50 years. The first of those two we sold to an esteemed private museum in Florida USA, the other to an American private collector

We are not expecting ever to see any more of their like again. It would make a fabulous and impressive historical display piece of significant and particular Royal Naval and early American history interest

These 10" mortars explosive balls were fired by the 10" mortars used by Admiral Cochrane against Fort McHenry, Baltimore Harbour, and the resulting 10" mortar bomb shell's mid air explosions, against the backdrop of the US flag flying at Fort McHenry, Baltimore Harbour, inspired the patriotic anthem, the "Star Spangled Banner".

It was the sight of these very 10" mortar bombshells, that originally weighed around 90 pounds each, plus powder therein, that when they exploded over Fort McHenry in Harbour, it inspired Francis Scott Key to write his poem that became the US anthem.
Naturally, this is a perfectly intact surviving example, and one of the 10" mortar shells that either wasn't fired, or, failed to explode.

With Washington in ruins, the British next set their sights on Baltimore, then America’s third-largest city. Moving up the Chesapeake Bay to the mouth of the Patapsco River, they plotted a joint attack on Baltimore by land and water. On the morning of September 12, General Ross’s troops landed at North Point, Maryland, and progressed towards the city. They soon encountered the American forward line, part of an extensive network of defences established around Baltimore in anticipation of the British assault. During the skirmish with American troops, General Ross, so successful in the attack on Washington, was killed by a sharpshooter. Surprised by the strength of the American defences, British forces camped on the battlefield and waited for nightfall on September 13, planning to attempt another attack under cover of darkness.

Meanwhile, Britain’s naval force, buoyed by its earlier successful attack on Alexandria, Virginia, was poised to strike Fort McHenry and enter Baltimore Harbour. At 6:30 AM on September 13, 1814, Admiral Cochrane’s ships began a 25-hour bombardment of the fort. Rockets whistled through the air and burst into flame wherever they struck. Mortars fired 10- and 13-inch bombshells that exploded overhead in showers of fiery shrapnel. It is said many exploded too soon as the fuses were set too short, which created the firework effect. Major Armistead, commander of Fort McHenry and its defending force of one thousand troops, ordered his men to return fire, but their guns couldn’t reach the enemy’s ships. When British ships advanced on the afternoon of the 13th, however, American gunners badly damaged them, forcing them to pull back out of range. All through the night, Armistead’s men continued to hold the fort, refusing to surrender. That night British attempts at a diversionary attack also failed, and by dawn they had given up hope of taking the city. At 7:30 on the morning of September 14, Admiral Cochrane called an end to the bombardment, and the British fleet withdrew. The successful defense of Baltimore marked a turning point in the War of 1812. Three months later, on December 24, 1814, the Treaty of Ghent formally ended the war. "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", a poem written on September 14, 1814, by 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbour during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory. During the bombardment, HMS Terror and HMS Meteor provided some of the "bombs bursting in air".

The 15-star, 15-stripe "Star-Spangled Banner" that inspired the poem
Key was inspired by the U.S. victory and the sight of the large U.S. flag flying triumphantly above the fort. This flag, with fifteen stars and fifteen stripes, had been made by Mary Young Pickersgill together with other workers in her home on Baltimore's Pratt Street. The flag later came to be known as the Star-Spangled Banner, and is today on display in the National Museum of American History, a treasure of the Smithsonian Institution. It was restored in 1914 by Amelia Fowler, and again in 1998 as part of an ongoing conservation program. Pictures in the gallery of the siege from contemporary paintings and engravings, a commemorative stamp issued in 2014, and an original War of 1812 bronze British mortar now kept at Yorktown Visitor Centre, and a photo of the flag in the National Museum of American History, 1989. The original flag that was illuminated by these very 10" mortar shells.

Sir Alexander Cochrane was born into a Scottish aristocratic family as a younger son, and like many in this position made a career out of military service. Cochrane joined the Royal Navy as a boy and fought in the American Revolution. Following this war he rose quickly in the Napoleonic Wars, earning renown in the Battle of San Domingo and the Conquest of Martinique in 1809.

By the beginning of the War of 1812, Cochrane was a well-seasoned and high-ranking officer. As a vice admiral, he was appointed Commander-in-Chief of the new North American naval station in Bermuda. He devised a clever plan to weaken the American defenses and turn America’s slaves against the country by inviting any American – slave or free – to join the British Navy. Many slaves took this offer, escaping to British lines for military service in exchange for their freedom.

By the summer of 1814, Cochrane had returned to the waters of the United States, overseeing the raids of the Chesapeake. Lieutenant General Sir George Prevost, governor of Upper Canada, suggested launching an invasion somewhere in the United States in retaliation against the sack of York and to weaken the American forces, relieving pressure on Canada. Cochrane landed the ground troops to invade Washington, and presided over the bombardment of Fort McHenry in the Battle of Baltimore.

After only moderate success in the Chesapeake, Cochrane wanted to push toward New Orleans in order to cement the British position in the United States. He orchestrated an amphibious attack on the city via Lake Borgne, an inlet of the Gulf of Mexico that could bring troops close to the city.

Although Cochrane was successful in the Battle of Lake Borgne, allowing the British Army to advance toward New Orleans, the disastrous defeat at the Battle of New Orleans damaged his reputation. The influential Napoleonic War hero the Duke of Wellington in particular blamed Cochrane of the death of his brother-in-law, Sir Edward Michael Pakenham, the British general overseeing land troops at the Battle of New Orleans.

However, despite the criticisms and ultimate failure to get a foothold in the United States, Cochrane was promoted to admiral after the war, and served out the rest of his military career as Commander-in-Chief of the naval base in Plymouth, England.

The fictional nautical adventures of Captain Horatio Hornblower were supposedly based on Cochrane’s notable maritime achievements

The mortar is empty, inert and completely safe. Seated on an old iron ring for the photograph, not included with the mortar  read more

Code: 25058

A Most Fine 18th-19th Century Indo Persian Khula Khud Helmet

The helmet has a hemi-spherical skull engraved throughout, the skull fitted at its apex with a high spike, a pair of plume-holders at the front and with a staple for a sliding nasal guard, decorated over the greater part of its surface with traces of gold koftgari of scenes of a hunt, and a band of koranic Islamic text, and mail neck-defence of butted links. Khula Khud helmets originated in Central Asia, and were worn by Persian Empire soldiers in the 18th and 19th Centuries. Despite the similarity in their design, the Khula Khud helmets were decorated with a wide degree of variations depending on the cultures from which they were created. Decorations often appeared in the skull and the nasal bar, which were often heavily decorated with patterned motifs of inlaid brass, silver or gold; or decorated with figurative images. Some Mughal helmets feature calligraphic inscriptions from the Quran, supposedly to gain "Help from Allah and a speedy victory." Made of steel, these bowl-shaped helmets were designed as either low and flat, or high and pointed. They sometimes contained a spike socket such as this one, at the top of the helmet, which resembles a spearhead with a cross-like section. Two or three plume holders were attached on either side of the skull, used to mount feathers from birds such as the egret or peacock.  read more

Code: 22516

A Simply Beautiful Original Napoleonic Wars French 'Prisoner of War' Straw Valuables Box. Around 220 Years Old Made By French Prisoners from The Battle of the Nile To Waterloo

A fabulous original souvenir of the Anglo French wars, that is not only beautiful, and historically important, it is perfectly functional as a desk top jewel case, or, anything of similar use, such as a gentleman's watch and cufflink case

Napoleonic prisoner of war straw work marquetry ladies jewelry box with hinged lid opening to reveal three compartments, and one is hinge lidded. Overall in super condition. Decorated throughout with numerous and varied scenes of the British built Prisoner of War wooden fort.

This box dates to the Napoleonic wars between the French and English. Prisoners-of-war were held in purpose-built prisoner-of-war depots and typically were soldiers and sailors of the rank and file. Straw was a popular craft material for prisoners of war. They turned their skill to the making of cases and boxes covered with intricate straw patterns created using the contrasts between the light and dark sides of the straw strips. Those who understood dyes were also able to add colour to their work and produced some very sophisticated objects. Fewer of these straw items have survived to the present day, but there are still some lovely straw-covered boxes and cases which are intact.

Very similar example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.

Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon's forces were finally defeated at Waterloo.

In 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.
To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

9 inches x 6 3/4 inches x 3 inches when closed
some very small straw inlay losses but overall in beautiful order.  read more

Code: 25072

A Very Good British Army Officer's Sword WW1, Regimentally Marked for The Army service Corps

With deluxe quality blade, showing traditional royal cypher of King George Vth, and the ASC beneath crown for the Army Service Corps. In its Field Service leather bound wood scabbard. Traditional three bar hilt in steel, full sharkskin triple wire bound grip.

During WW1 it was a most hazardous and perilous corps to be a member of, as it meant every day the officers and men were travelling to the combat front of every single combat region of the trenches. And supply trains and bridges etc. were a fond and useful target of the German air force, and dedicated, concentrated artillery fire, due to the fact that the cutting of supply lines, and eliminating of supply troops to the front could achieve as much effective damage as a huge barrage of artillery against a full line of the British entrenched positions. Thus the corps was awarded many Victoria and George Crosses for valour in the field.

The shortcomings of the supply chains during the early stages of the Crimean War (1854-56), and the ensuing public outrage, persuaded the Army to set up a new supply unit in 1855. This was known as the Land Transport Corps, before changing its name to the Military Train.

Army supply overall, however, was still in the hands of a unit of uniformed civilians known as the Commissariat. In 1869, this merged with the Military Train’s officers to form the Control Department. The Military Train thereby became a unit solely composed of other ranks who were commanded by officers from the Control Department. In 1870, the Military Train was renamed the Army Service Corps.

In 1875, the Control Department split into the Commissariat and Transport Department (CTD) and the Ordnance Store Department (OSD), the latter forming the predecessor to the Royal Army Ordnance Corps. In 1880, the CTD was renamed the Commissariat and Transport Staff (CTS), while the Army Service Corps became the Commissariat and Transport Corps (CTC).

In 1888, the CTS, the CTC and the War Department Fleet merged to form a new Army Service Corps, bringing officers and other ranks back together into one unit. That unit went on to absorb some of the Royal Engineers’ transport duties.

During the First World War, the Army Service Corps (ASC) operated the transport systems that delivered ammunition, food and equipment to the Front Line. The ASC used motor vehicles, the railways and waterways as part of a complex supply line linking Britain to the various Fronts. As this poster demonstrates, despite the increasing mechanization of warfare, much reliance was also made on horse-drawn transport.  read more

Code: 25057

An Exceptional 1821 Pattern Victorian British Cavalry Officer's Combat Sabre By Hawkes & Co. Piccadilly. Fully Etched Deluxe Quality Blade. The Regulation Pattern Used in the 'Charge of the Light Brigade' in the Crimean War.

Bearing Queen Victoria's VR cypher with crown. Regulation three bar steel hilt and sharkskin bound wired grip. Slightly curved blade, bearing the maker's name, address and Royal Warrant of Hawkes and Co.

The very type of Hussar's and Lancer's sabre as used by British Cavalry Officer's in the ill fated charge in the Crimean War against Russia. All steel three bar steel hilt, Full original wire binding over complete fish skin grip. Overall in fine all bright patina. Sadly, of course, we have no way of knowing if this sword was ever used by a specific officer in the charge, however it is absolutely used at the time and is the type used by all the serving Cavalry officers The Cavalry officers actually used two types of sword, this, the 1821 pattern, and a few officers also used the mamaluke pattern sword In the Crimean War (1854-56), the Light Dragoons were in the forefront of the famous Charge of the Light Brigade, immortalized by Tennyson's poem of that name ("Into the valley of death rode the six hundred").
The regiments adopted the title hussars at this time, and the uniform became very stylish, aping the hussars of the Austro-Hungarian army. But soon the blues and yellows and golds gave way to khaki as the British army found itself in skirmishes throughout the far-flung Empire, in India and South Africa especially.
In 1854 the regiment received its orders from the War Office to prepare for service overseas. Five
transport ships - Harbinger, Negotiator, Calliope, Cullodon, and the Mary Anne – embarking
between the 8 May and 12 May, carried 20 officers, 292 other ranks and 298 horses. After a
troubled voyage, the regiment arrived at Varna, Bulgaria on the 2 June. On the 28 August the
entire Light Brigade (consisting of the 4th Light Dragoons and 13th Light Dragoons, 17th
Lancers, the 8th Hussars and 11th Hussars, under the command of Major General the Earl of
Cardigan) were inspected by Lord Lucan; five men of the 13th had already succumbed to cholera.
On the 1 September the regiment embarked for the Crimea - a further three men dying en-route.
On the 20 September the regiment, as part the Light Brigade, took part in the first major
engagement of the Crimean War, the Battle of the Alma. The Light Brigade covered the left
flank, although the regiment’s role in the battle was minimal. With the Russians in full retreat by
late afternoon, Lord Lucan ordered the Light Brigade to pursue the fleeing enemy. However, the
brigade was recalled by Lord Raglan as the Russians had kept some 3,000 uncommitted cavalry
in reserve.

During the 25 October the regiments, the Light Brigade, took part in the Battle of
Balaclava and the famous Charge of the Light Brigade.
The 13th Light Dragoons formed the right of the front line. The 13th and 17th moved forward; after 100 yards the 11th Hussars, in the second line, also moved off followed by the
4th and 8th. It was not long before the brigade came under heavy Russian fire.Lord Cardigan, at the front of his
men, charged into the Russian guns receiving a slight wound. He was soon followed by the 13th
and 17th. The two squadrons of the 13th and the right squadron of the 17th were soon cutting
down the artillerymen that had remained at their posts. Once the Russian guns had been passed,
they engaged in a hand-to-hand fighting with the enemy that was endeavouring to surround them
by closing in on either flank. However, the Light Brigade having insufficient forces and suffering heavy casualties, were soon forced to retire. The last picture in the gallery is of Capt. Louis Edward Nolan (January 4 1818-October 25 1854), who was a British Army officer of the Victorian era, an authority on cavalry tactics, and best known for his controversial role in launching the disastrous Charge of the Light Brigade during the Battle of Balaclava. He was the first casualty of that engagement. His identical sword can be plainly seen in that painting. This sword has no scabbard at present, however, it may well become available, as the last owner had it but it was lost in their home, if it is found, and if required, it will be supplied by us at its cost price to us.

Overall in excellent condition for age.

The regulation pattern of sword used by British cavalry officer's, such as all the hussar and lancer officer's that took part in the 'Charge of the Light Brigade' in the Crimean War.

We show in the gallery a photograph of Winston Churchill holding his sword around the time he was in the Charge of Omdurman, another with Lord Cardigan of the Charge, holding his identical sword, and a photograph by Fenton, taken in the Crimean of officers of the Light Brigade all with their identical sword.  read more

Code: 25050

A Superb Battle of Waterloo Artifact Recovered from the Battle Site, a Soldier's Silver Finger Ring,

From our recently arrived original Waterloo battle site collection.
This extraordinary Waterloo battle relic was already old when it was lost at Waterloo, and thus discovered around La Haye Sainte (named either after Jesus Christ's crown of thorns or a bramble hedge round a field nearby). Yet it is in very good condition, clear signs it has been worn , naturally, but very nicely preserved indeed.

It is a walled farmhouse compound at the foot of an escarpment on the Charleroi-Brussels road in Belgium. It has changed very little since it played a crucial part in the Battle of Waterloo on 18 June 1815.

La Haye Sainte was defended by about 400 King's German Legion troops during the Battle of Waterloo. They were hopelessly outnumbered by attacking French troops but held out until the late afternoon when they retired because their ammunition had run out. If Napoleon Bonaparte's army had captured La Haye Sainte earlier in the day, almost certainly he would have broken through the allied centre and defeated the Duke of Wellington's army.

The capture of La Haye Sainte in the early evening then gave the French the advantage of a defensible position from which to launch a potentially decisive attack on the Allied centre. However, Napoleon was too late—by this time, Blücher and the Prussian army had arrived on the battlefield and the outnumbered French army was defeated.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery.

Perfectly wearable still, but, a small size, approx. English size K, but please note, prior to WW1, almost every male of military service age had the body mass of the equivalent to that a 9 year old boy has today {not the height though, but the body mass}. This is due to the consistent lack of protein for generation after generation {such as little or no meat etc. in the average persons diet for centuries}. For example, every uniform we have ever had, made before 1918, has to be displayed on a modern made, 8 year old boy's mannequin, in order for it to fit. Usually the only people in all society that enjoyed a bigger body mass, were the powerful, such as senior nobility, and senior members of the priesthood. Even in days of great famine, the powerful never starved, and bishops etc. comfortably fitted into the category of, 'the powerful'.  read more

Code: 25029

An Exceptional Victorian 19th Century Canadian Artillery Sabre, With Near Mint Blade In Original Mirror Bright Polish and Frosted Panels of Etching

A very fine 19th century Canadian Artillery officer's purchase, very possibly used in the Boer War and even WW1.
With the officer's monogram etched upon the blade, A.O.P., so fruitful and successful research could reveal the sword owner's name.

The history of the Canadian militia covers hundreds of years. In 1534, Jacques Cartier fired the first artillery along the Atlantic coast. Since then, colonists served in the militias of New France and British North America.

Residents of Saint John, New Brunswick, formed the Loyal Company of Artillery in 1793. This unit exists today as the 3rd Field Artillery Regiment, RCA. The War of 1812 and the Rebellions of 1837-1838 helped promote new militia units.

The Crimean War (1853-1856) resulted in fewer British regulars in British North America. The Canadian Legislature passed the Militia Act of 1855, which authorized a volunteer militia of up to 5,000, including batteries of artillery, equipped and trained at government expense.

In 1855, the militia formed five volunteer artillery batteries in Hamilton, Kingston, Montreal, Ottawa, and Quebec City. They were the first Reserve or Non-Permanent Active Militia units.

War broke out in South Africa between the British and Dutch colonists called Boers in 1899. Canada provided a volunteer force to aid the British. Among the volunteers were three batteries of Field Artillery – C, D, and E Batteries.

C Battery helped relieve Colonel Robert Baden-Powell's Garrison under siege at Mafeking. D Battery helped save the 12 Pounder guns during the Battle of Leliefontein, while E Battery assisted with the liberation of Douglas on the Vaal River.

The Boers had changed how the British deployed artillery on the battlefield. They no longer expected an adversary to duel over open sights. The Boers used concealment, long-range fire, and harassing fire to their advantage. From then on, Gunners would master the art of indirect fire.

By December 1900, the three Canadian Artillery batteries departed South Africa. The Boers surrendered on 31 May 1902. Canada lost a total of 270 troops during the South African War.

In early 1915, the Canadians joined the British in the trenches of France and Belgium. Canadians participated in battles on the Western Front.

The Canadian Artillery directed bombardments against trenches, machine gun deployments, and dugouts. LCol A. G. L. McNaughton led in the development of counter-battery techniques to target enemy guns.

In 1916, Canada had four divisions with hundreds of guns. BGen E. W. B. "Dinky" Morrison commanded the Artillery. The main field guns included the QF 13 Pounder with the RCHA, and the QF 18 Pounder and the 4.5 Inch Howitzer with the RCA.

The Battle of Vimy Ridge, from 9 to 12 April 1917, set a new standard for artillery support to deal with strong enemy positions and counterattacks. The creeping barrage also evolved to protect advancing troops. These developments helped Canadians win the battle, which had eluded the British and the French.


In the spring of 1918, the Germans made one last effort to break the stalemate in Europe. After some initial success, the Spring Offensive began to falter against Allied resistance.

During the Last Hundred Days, the Allies were on the offensive to defeat Germany and end the war. Canadian Gunners operated field guns, horse artillery and anti-aircraft guns. The fighting stopped with the defeat of Germany and the Armistice of 11 November 1918.

During WW1, Canadian Gunners supported the infantry at all costs. From 1914 to1918, more than 600,000 Canadians joined the Canadian Expeditionary Force. Over 60,000 gave their lives and 170,000 were wounded. Of these, 2,565 Gunners died and 8,066 were among the wounded.

Three Canadian field batteries supported anti-communist forces in North Russia and Siberia (1918-1919). Canada also placed Garrison Artillery on the Island of St. Lucia in the British West Indies (1915-1919).  read more

Code: 25044

A Most Fine 18th to Early 19th Century Ottoman Empire Jannisaries Yatağan Sword, Carved Horn 'Eared' Hilt & Original Hide Covered Wooden Combat Scabbard

Overall in superb condition, the patina on both the hilt and leather scabbard is exceptional. The carved horn eared hilt is composed of two carved horn grip plates attached by three iron rivets, and is very fine indeed. It has a naturally patinated brass, fully encompassing, reinforcing strap that forms into the ricasso and shaped blade plate. The yataghan form blade, in the traditional form, is beautifully geometrically engraved upon the back edge. The polished hide covered wooden scabbard has an iron belt loop fixing. The Yatağan sword is a Turkish sword that is believed to have originated sometime in the late middle ages, around the 14th century. The first authentic findings that there are for the Yatağan are from the 15th century belonging to Suleiman the Magnificent. That sword has an inscription written on it dating it to 1526.

The formation of the Janissaries has been dated to the reign of Murad I (r. 1362–1389), the third ruler of the Ottoman Empire. The Ottomans instituted a tax of one-fifth on all slaves taken in war, and from this pool of manpower the sultans first constructed the Janissary corps as a personal army loyal only to the sultan. They were subjected to strict discipline, but were paid salaries and pensions upon retirement and formed their own distinctive social class. As such, they became one of the ruling classes of the Ottoman Empire, rivalling the Turkish aristocracy. The brightest of the Janissaries were sent to the palace institution, Enderun. Through a system of meritocracy, the Janissaries held enormous power, stopping all efforts to reform the military

Yatağan was widely used in the Ottoman period from the 16th century to the 19th century; is a famous and effective sword. It is also known as the Turkish Sword among foreigners and Kulakli among the people. Yatagan was a weapon of janissaries and other infantry troops.

The centre of gravity of the sword, the angle known as the Turkish curve in making swords, and the ideal strokes are difficult to use because they differ from other swords. The reason for this difference in form is to swing the enemy’s sword strokes more easily. But the destruction and chiselling power of a good user is much higher than that of contemporary swords. Although the motives and writings in Yatağan are sometimes a poem and sometimes a concise word, mostly the verses, the name of the owner of the sword, the prayers and the seal of the master making the sword are seen.

The Yatagan was mostly used by soldiers known as the Janissaries. These soldiers often had to walk long distances to defend the empire or expand its borders. That is why the scabbard was mostly made out of leather so that it would be light. It was usually carried on the side or the back of the belt.

The scabbard of the Yatagan is curved just like the blade and made wider than needed so the broadened tip can easily fit inside. It was made out of wood, leather, and even silver. It was also usually heavily decorated, especially if it was owned by a nobleman.
The Yatagan is truly a one-of-a-kind sword. There simply doesn’t seem to be a sword that can compare to it during the time period it was used. The inwardly curved blade, the lack of a crossguard, and the “ears” all contribute to the item’s one-of-a-kind appearance.

It is possible that the Greek Kopis and, in particular, the Iberian Falcata or Sica had some sort of influence on the Yatagan. However, these swords hadn’t been used for almost a thousand years by the time the Yatagan began to see use in the 14th to 19th centuries.

This sword was used throughout many regions of the Ottoman Empire that it has several different legends connected to its origins. One of the legends is about Yatagan Baba. This was a Seljuk blacksmith as well as a military commander. He conquered a village in modern-day Denizli, Turkey, and made his new home there. Being a master blacksmith, Yatagan Baba developed the Yatagan sword, which was named after him and the village he conquered.

Another legend is that at one point during the Ottoman Period, the sultan had forbidden the use of long swords by the Janissaries in peacetime because of their insubordination. They were then forced to improvise, and ordered weapons made that didn’t technically constitute a long sword.

Last photo in the gallery of Mustafa Kemal Atatürk wearing the traditional Janissary uniform Turkish yatagan swords that were the signature weapon of the Janissaries, almost a symbol of the corps.  read more

Code: 25041

A Perfect, Very Special Gift Choice. The Collected Ghost Stories of M. R. James Published in 1931, Printed in 1949 Edward Arnold & Co London

Probably the very finest book of ingenious yet disturbing ghost stories ever written.
Montague Rhodes James, who used the publication name M.R. James, was a noted British mediaeval scholar & provost of King's College, Cambridge (1905–18) & of Eton College (1918–36). He's best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal Gothic trappings of his predecessors, replacing them with more realistic contemporary settings.
the stories contained are;
"Canon Alberic's Scrap-Book"
"Lost Hearts"
"The Mezzotint"
"The Ash Tree"
"Number 13"
"Count Magnus"
"'Oh, Whistle, and I'll Come to You, My Lad'"
"The Treasure of Abbot Thomas"
"A School Story"
"The Rose Garden"
"The Tractate Middoth"
"Casting the Runes"
"The Stalls of Barchester Cathedral"
"Martin's Close"
"Mr Humphreys and His Inheritance"
"The Residence at Whitminster"
"The Diary of Mr Poynter"
"An Episode of Cathedral History"
"The Story of a Disappearance and an Appearance"
"Two Doctors"
"The Haunted Dolls' House"
"The Uncommon Prayer-Book"
"A Neighbour's Landmark"
"A View from a Hill"
"A Warning to the Curious"
"An Evening's Entertainment"
"Wailing Well"
"There Was a Man Dwelt by a Churchyard"
"Rats"
"After Dark in the Playing Fields"
plus " Stories i have tried to write"

According to James, the story must "put the reader into the position of saying to himself, 'If I'm not very careful, something of this kind may happen to me!'" He also perfected the technique of narrating supernatural events through implication and suggestion, letting his reader fill in the blanks, and focusing on the mundane details of his settings and characters in order to throw the horrific and bizarre elements into greater relief. He summed up his approach in his foreword to the anthology Ghosts and Marvels: "Two ingredients most valuable in the concocting of a ghost story are, to me, the atmosphere and the nicely managed crescendo. ... Let us, then, be introduced to the actors in a placid way; let us see them going about their ordinary business, undisturbed by forebodings, pleased with their surroundings; and into this calm environment let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage."

He also noted: "Another requisite, in my opinion, is that the ghost should be malevolent or odious: amiable and helpful apparitions are all very well in fairy tales or in local legends, but I have no use for them in a fictitious ghost story."

Despite his suggestion (in the essay "Stories I Have Tried to Write") that writers employ reticence in their work, many of James's tales depict scenes and images of savage and often disturbing violence. For example, in "Lost Hearts", pubescent children are taken in by a sinister dabbler in the occult who cuts their hearts from their still-living bodies. In a 1929 essay, James stated:

Reticence may be an elderly doctrine to preach, yet from the artistic point of view, I am sure it is a sound one. Reticence conduces to effect, blatancy ruins it, and there is much blatancy in a lot of recent stories. They drag in sex too, which is a fatal mistake; sex is tiresome enough in the novels; in a ghost story, or as the backbone of a ghost story, I have no patience with it. At the same time don't let us be mild and drab. Malevolence and terror, the glare of evil faces, 'the stony grin of unearthly malice', pursuing forms in darkness, and 'long-drawn, distant screams', are all in place, and so is a modicum of blood, shed with deliberation and carefully husbanded; the weltering and wallowing that I too often encounter merely recall the methods of M G Lewis.
The condition overall is good with commensurate wear for age, with its original paper slip cover, although the original slip cover does have a tear and a small section over the spine lacking. It bears the original 1949 owners name on the inner blank page.  read more

Code: 23812