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An Excellent, WW1 Wilkinson Sword 1897 Pattern Infantry Officers King George Vth Period. Used In WW1 & WW2 Yet Still Perfect For Use Today

An Excellent, WW1 Wilkinson Sword 1897 Pattern Infantry Officers King George Vth Period. Used In WW1 & WW2 Yet Still Perfect For Use Today

Apparently completely refurbished by Wilkinson sword around 20 years ago.

We just acquired effectively the full set of British Infantry swords used from 1895 onwards. The Victorian 1895 pattern by Wilkinson, a Victorian 1897 pattern by Robert Mole from the British Raj in India, a King George Vth, by Wilkinson, in its WW1 FS scabbard, and a King George Vth 1897 pattern Wilkinson sword in its dress scabbard, from WW1, but also used in WW2 and still perfectly usable today, by an officer in the current service of H.M.King Charles IIIrd

This sword was used in WW1 and WW2 and due to its condition it is perfectly suitable for current service use in the army today. Pristine hilt, traditional wire bound sharkskin grip, fully etched with royal cypher and traditional devices, excellent fully bright blade also now pristine, and superb full dress scabbard. Traditional pierced half basket hilt with the cypher of King George Vth. In parade ground condition almost as it was when it was made in WW1.
The 1897 pattern Infantry officer's sword has remained unchanged to the present day.
By the time of its introduction, the sword was of limited use on the battlefield against rapid-firing rifles, machine guns and long-range artillery. However, the new sword was regarded, when needed, as a very effective fighting weapon. Reports from the Sudan, where it was used in close-quarters fighting during the Reconquest of the Sudan 1896-99, were positive.
Field Marshal Montgomery advanced with his 1897 Pattern drawn during a counter offensive in the First World War. The actual sword he carried is exhibited in the Imperial War Museum, London.

The blade is straight and symmetrical in shape about both its longitudinal axes. The thick blade has a deep central fuller on each side and is rounded on both its edge and back towards the hilt, giving a “dumbbell” or “girder” cross section. Through a gradual transition, the blade becomes double edged towards the tip, and the last 17 inches were sharpened when on active service. The blade ends in a sharp spear point.
The guard is a three-quarter basket of pressed, plated steel. It is decorated with a pierced scroll-work pattern and had the royal cypher of the reigning monarch set over the lower knuckle bow.

One of the famous British officer's of WW2, who was a devoted exponent of hand to hand sword combat, using his sword in battle, was infantry officer 'Mad' Jack Churchill. After fighting at Dunkirk, he volunteered for the Commandos. On one occasion, a general who had commented on his weaponry, Churchill is said to have replied "Any officer who goes into action without his sword is improperly dressed."

In his service in Norway (1941)
Churchill was second in command of No. 3 Commando in Operation Archery, a raid on the German garrison at Vågsøy, Norway, on 27 December 1941.  As the ramps fell on the first landing craft, he leapt forward from his position playing "March of the Cameron Men" on his bagpipes, before throwing a grenade and charging into battle. For his actions at Dunkirk and Vågsøy, Churchill received the Military Cross.

In Italy;
During the Allied invasion of Sicily
In July 1943, as commanding officer, he led No. 2 Commando from their landing site at Catania, in Sicily, with his trademark Scottish broadsword slung around his waist, a longbow and arrows around his neck and his bagpipes under his arm, which he also did in the landings at Salerno.

Leading 2 Commando, Churchill was ordered to capture a German observation post outside the town of Molina, controlling a pass leading down to the Salerno beachhead. 136–137  With the help of a corporal, he infiltrated the town, captured the post and took 42 prisoners including a mortar squad. Churchill led the men and prisoners back down the pass, with the wounded being carried on carts pushed by German prisoners. He commented that it was "an image from the Napoleonic Wars". He received the Distinguished Service Order for leading that action at Salerno.

Churchill later walked back to the town to retrieve his sword, which he had lost in hand-to-hand combat with the German regiment. On his way there, he encountered a disoriented American patrol mistakenly walking towards enemy lines. When the NCO in command of the patrol refused to turn around, Churchill told them that he was going his own way and that he would not come back for a "bloody third time"  read more

Code: 25126

575.00 GBP

A Stunning Solid Silver Napoleonic Cavalry Officer's Sabre 1796.-1803. It Is Exceptionally Rare To Ever See a Solid Silver Hilted Version of the Napoleonic Wars Period Light Dragoon Officer’s Sabre

A Stunning Solid Silver Napoleonic Cavalry Officer's Sabre 1796.-1803. It Is Exceptionally Rare To Ever See a Solid Silver Hilted Version of the Napoleonic Wars Period Light Dragoon Officer’s Sabre

It is possible there may not even be another similar example like it in the National Army Museum Collection, one of Englands finest military museums, located next to the world renown Chelsea Hospital, home to the most highly regarded military veterans in the world, the Chelsea Pensioners.

The sabre has a traditional version of the 1803 type Lion's head pommel, spiral turned ebony grip, with silver triple wire binding and two silver rivets. Slotted hilt, 1803 style, with fretted, open diamond form insert. Long, curved, traditional 1796 pattern light dragoon blade but with a rare clipped-back tip. In overall superb condition. A most rare example of a sword used by an officer serving under Wellington in the great light cavalry regiments, but as this sword bears a solid silver hilt this would suggest it was an officer of considerable status and rank, or, it was a presentation sword of highest quality. A deluxe bespoke sword, designed as a cross between the British 1796 Light Dragoon pattern sword and the British 1803 pattern sword with lion's head pommel and slotted hilt. Until just after the close of the war with Napoleon all British officers were allowed to wear a sword pattern of their choice, and this example is a most rare and beautiful example of such a hand made sword from the late 18th to earliest 19th century. Used by a British officer, as his finest top quality grade combat sword, during the Napoleonic Wars.

The mounted swordsmanship training of the British emphasised the cut, at the face for maiming or killing, or at the arms to disable. This left masses of mutilated or disabled troops; the French, in contrast, favoured the thrust, which gave cleaner kills. A cut with the 1796 LC sabre was, however, perfectly capable of killing outright, as was recorded by George Farmer of the 11th Regiment of Light Dragoons, who was involved in a skirmish on the Guadiana River in 1811, during the Peninsular War:
"Just then a French officer stooping over the body of one of his countrymen, who dropped the instant on his horse's neck, delivered a thrust at poor Harry Wilson's body; and delivered it effectually. I firmly believe that Wilson died on the instant yet, though he felt the sword in its progress, he, with characteristic self-command, kept his eye on the enemy in his front; and, raising himself in his stirrups, let fall upon the Frenchman's head such a blow, that brass and skull parted before it, and the man's head was cloven asunder to the chin. It was the most tremendous blow I ever beheld struck; and both he who gave, and his opponent who received it, dropped dead together. The brass helmet was afterwards examined by order of a French officer, who, as well as myself, was astonished at the exploit; and the cut was found to be as clean as if the sword had gone through a turnip, not so much as a dint being left on either side of it" The blade is remembered today as one of the best of its time and has been described as the finest cutting sword ever manufactured in quantity  read more

Code: 21967

2675.00 GBP

A Superb, Original, 1796 Heavy Cavalry Officer's Sword, Napoleonic Wars and Waterloo Period, with a Broadsword Blade, Steel Combat Scabbard with Close Combat Blade Impact

A Superb, Original, 1796 Heavy Cavalry Officer's Sword, Napoleonic Wars and Waterloo Period, with a Broadsword Blade, Steel Combat Scabbard with Close Combat Blade Impact

1796 regulation dress pattern copper gilt hilt, with boatshell guard, D-shaped knuckle bow, urn-shaped pommel, wire bound grip, double edged broadsword blade contained in its all steel combat scabbard, which bears a single blade cut from another sword see photo 10. Upper suspension ring mount lacking. A very good example of these most desirable and beautiful of Napoleonic wars era swords used by an officer in the British heavy cavalry.

It has the traditional 1796 'boat shaped hilt' in copper gilt, in very good order bearing much of its original mercurial gilding, it has its original wire bound grip, a good broadsword double edged blade, and all steel combat grade scabbard.

Used by a Napoleonic wars period officer of the British heavy cavalry, serving in either the Union Brigade, or the 1st Household Brigade.

The Heavy Cavalry regiments were separated into two brigades at Waterloo. The 1st Brigade, known as the Household Brigade, commanded by Major-General Edward Somerset (Lord Somerset), consisted of guards regiments: the 1st and 2nd Life Guards, the Royal Horse Guards (the Blues), and the 1st 'King's' Dragoon Guards The 2nd Brigade, also known as the Union Brigade, commanded by Major-General Sir William Ponsonby, was so called as it consisted of an English (1st, 'The Royals'), a Scottish (2nd, 'Scots Greys'), and an Irish (6th, 'Inniskilling') regiment of heavy dragoons. More than 20 years of warfare had eroded the numbers of suitable cavalry mounts available on the European continent; this resulted in the British heavy cavalry entering the 1815 campaign with the finest horses of any contemporary cavalry arm. They also received excellent mounted swordsmanship training. The two brigades had a combined field strength of about 2,000 (2,651 official strength), and they charged with the 47-year-old Uxbridge leading them and little reserve Scots Greys Regt. The Scots Greys, as part of the Union Brigade so called as it was made up of a regiment of Heavy Cavalry from each part of Britain were some of the finest heavy Cavalry in Europe and certainly one of the most feared. A quote of Napoleon of the charge at the Battle of Waterloo goes;
"Ces terribles chevaux gris! Comme il travaillent!" (Those terrible grey horses, how they strive!) At approximately 1:30 pm, the second phase of the Battle of Waterloo opened. Napoleon launched D'Erlon's corps against the allied centre left. After being stopped by Picton's Peninsular War veterans, D'Erlon's troops came under attack from the side by the heavy cavalry commanded by Earl of Uxbridge including Major General Sir William Ponsonby's Scots Greys. The shocked ranks of the French columns surrendered in their thousands. During the charge Sergeant Ewart, of the Greys, captured the eagle of the French 45th Ligne. The Greys charged too far and, having spiked some of the French cannon, came under counter-attack from enemy cavalry. Ponsonby, who had chosen to ride one of his less expensive mounts, was ridden down and killed by enemy lancers. The Scots Greys' casualties included: 102 killed; 97 wounded; and the loss of 228 of the 416 horses that started the charge. This engagement also gave the Scots Greys their cap badge, the eagle itself. The eagle is displayed in the Royal Scots Dragoon Guards museum in Edinburgh Castle. The British Heavy Cavalry, during the Peninsular War and at Waterloo it fought with incredible distinction and exemplary bravery, and saw some of the most incredible and courageous combat. Fighting the elite French Curassiers and Carabiniers of Napoleons Imperial Guard was no mean feat, for at the time the French Cavalry was some of the most formidable in the world, and at their very peak. Never again was the French Cavalry to be as respected and feared as it was during the great Napoleonic era. Some of the battles this may also have been used at were; during 1808-14 The Peninsular Campaign, including, Salamanca , Toulouse, Albuera Talavera, Pyrenees then from 1814: La Rothiere, Rosnay, Champaubert, Vauchamps, Athies, La Fere-Champenoise and Paris
1815: and Quatre-Bras. The last photo in the gallery is of Lady Butler's painting, the Charge of the Scots Greys at Waterloo. One of the heavy cavalry regiments whose officers would have used in his service this very form of sword.

The swords used by the Union Brigade and Ist household brigade at Waterloo, have examples of their swords in the Royal Collection, The Tower of London Collection, the British Army Museum, and most of the finest British sword collections in the world.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .
blade length 32 inches  read more

Code: 24189

1975.00 GBP

An 1897 Pattern Victorian British Empire Imperial Officer's Sword, From the Victorian British Raj Period

An 1897 Pattern Victorian British Empire Imperial Officer's Sword, From the Victorian British Raj Period

Made by Robert Mole of Birmingham, and bears the fully pierced hilt, with royal cypher VRI {Victoria Regina Imperatrix} Victoria, Queen Empress.
Wooden and leather FS scabbard. With original wire bound sharkskin grip.

We just acquired effectively the full set of British Infantry swords used from 1895 onwards. The Victorian 1895 pattern by Wilkinson, a Victorian 1897 pattern by Robert Mole from the British Raj in India, a King George Vth, by Wilkinson, in its WW1 FS scabbard, and a King George Vth 1897 pattern Wilkinson sword in its dress scabbard, from WW1, but also used in WW2 and still perfectly usable today, by an officer in the current service of H.M.King Charles IIIrd

Although a Victorian antique sword, this sword would have seen service use for the following two world wars.

We show two photos in the gallery of a British Raj Colonel with his same sword, and another a portrait of a British Indian Army General holding his same Raj officer's sword.

This is also the form of sword used in the Boxer Rebellion in China by the Imperial Indian Army Regiment's officers of the 24th Punjabis and 1st Sikhs who were in fact the first to reach the Legations during the seige.

The 1897 pattern British Infantry officer's sword has remained unchanged to the present day.
By the time of its introduction, the sword was of limited use on the battlefield against rapid-firing rifles, machine guns and long-range artillery. However, the new sword was regarded, when needed, as a very effective fighting weapon. Reports from the Sudan, where it was used in close-quarters fighting during the Reconquest of the Sudan 1896-99, were positive.
Field Marshal Montgomery advanced with his 1897 Pattern drawn during a counter offensive in the First World War. The actual sword he carried is exhibited in the Imperial War Museum, London.
The blade is described in the pattern as being 32+1/2 inches (830 mm) long and 1 inch (25 mm) wide at the shoulder, with the complete sword weighing between 1 lb 12oz and 1 lb 13 oz (794-822g).

The blade is straight and symmetrical in shape about both its longitudinal axes. The thick blade has a deep central fuller on each side and is rounded on both its edge and back towards the hilt, giving a “dumbbell” or “girder” cross section. Through a gradual transition, the blade becomes double edged towards the tip, and the last 17 inches (430 mm) were sharpened when on active service. The blade ends in a sharp spear point.
The guard is a three-quarter basket of pressed, plated steel. It is decorated with a pierced scroll-work pattern and had the royal cypher of the reigning monarch set over the lower knuckle bow.

The grip, between 5 and 5 ¾ inches long to suit the hand of the owner, was generally covered in ray or sharkskin and wrapped with German-silver wire. The grip is straight, with no offset to the blade.

The sword shows a number of features that indicate its intent as a thrusting weapon. The spear point and double edge towards the point aids penetration and withdrawal by incising the wound edges. The blade, whilst quite narrow, is thick and its dumbbell section gives it good weak-axis buckling strength whilst maintaining robustness in bending for the parry. The blade tapers in both width and thickness and, with the substantial guard, has a hilt-biased balance, aiding agility at the expense of concussive force in a cut.

The leather on the wooden scabbard is excellent, with typical Raj period long scabbard chape. The hilt and blade are both very bright polished, the blade is excellent condition, the hilt has light overall aged surface marking.

This photograph/file of Col Rao Bahadur Balu Singh OBI IDSM is licensed under the Creative Commons Attribution-Share Alike 4.0 International license. Nsshekhawat649  read more

Code: 25125

350.00 GBP

Huge & Impressively Bladed 400 Year Old Samurai Tanto Signed Omi Kami Minamoto Kagehiro. Shinto Period From The Province of Settsu

Huge & Impressively Bladed 400 Year Old Samurai Tanto Signed Omi Kami Minamoto Kagehiro. Shinto Period From The Province of Settsu

A beautiful and large samurai dagger, with fine 'status' blade. Squared sukashi tsuba in iron, pure gold inlaid shakudo fushi, decorated with a constellation of stars and celestial bodies, that are inlaid with gold over a nanako ground, with a carved and polished buffalo horn kashira.
Pure gold and shakudo menuki of takabori crabs. Fine shakudo kozuka decorated in relief with mount Fuji, two piece habaki. Wide blade without ridge line flat sided with suguha hamon. A most impressive and sizeable tanto.
It has its original Edo period lacquered saya scabbard in rich dark brown urushi lacquer, with a kozuka {utility knife} of shakudo, decorated with a fishermen within a small boat, with Mount Fuiji in the distance. The kozuka blade is very nicely signed.

Shakudo is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark color is induced by applying and heating rokusho, a special patination formula.

Shakudo Was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome. The lacquer surface of the saya has some age bruising etc. due to its vintage.  read more

Code: 22206

3995.00 GBP

A Simply Beautiful, Edo Era Chrysanthemum Silver Kiku Mon Crested, Samurai Abumi Stirrup. Used By Samurai on Horseback, For Standing Archery in Combat, And As A Close Combat Kick Motion Weapon Against Enemy Foot Samurai

A Simply Beautiful, Edo Era Chrysanthemum Silver Kiku Mon Crested, Samurai Abumi Stirrup. Used By Samurai on Horseback, For Standing Archery in Combat, And As A Close Combat Kick Motion Weapon Against Enemy Foot Samurai

This Japanese stirrup, 17th to 18th century, is made in the traditional 'dove's breast' (hato mune) shape with an open platform lined with abilone shell slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is fine decorated in engraved and inlaid silver with the Kiku Mon {chrysanthemum} the imperial flower of Japan pattern has 16 petals, however this is the most rare 18 petal type which means that they likely belonged to a Samurai of a branch of the Imperial family. During the Meiji period, no one was permitted to use the Imperial Seal except the Emperor of Japan, who used a 16-petalled chrysanthemum with sixteen tips of another row of petals showing behind the first row. Therefore, each member of the Imperial family used a slightly modified version of the seal. Shinto shrines either displayed the imperial seal or incorporated elements of the seal into their own tag.

Earlier in Japanese history, when Emperor Go-Daigo, who tried to break the power of the shogunate in 1333, was exiled, he adopted the seventeen-petalled chrysanthemum in order to differentiate himself from the Northern Court's Emperor Kōgon, who kept the imperial 16-petalled mon.

It is to be noted that these stirrups, due to their weight, were also used as weapons against the infantry adversaries. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan lords of Japan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun was the most prestigious rank possible for a samurai. Shoguns were the military leaders of the country, { the Emperors from around 1600 were purely ceremonial leaders } and thus the Shogun were regarded as the most powerful men of all Japan, and thus the samurai.  read more

Code: 23125

1950.00 GBP

A Superb and Very Rare Imperial German Naval Service Issue Straw Hat From SMS Emden One of The Most Famous Warships of WW1, It Sunk or Captured 23 Allied Ships, and 60 Allied Ships Took Part in the ‘Hunt-for-the-Emden’ Before She Was Sunk.

A Superb and Very Rare Imperial German Naval Service Issue Straw Hat From SMS Emden One of The Most Famous Warships of WW1, It Sunk or Captured 23 Allied Ships, and 60 Allied Ships Took Part in the ‘Hunt-for-the-Emden’ Before She Was Sunk.

Bearing the wide, imperial black silk straw cap band with the embroidered badge of [SMS] Emden, with a crown over the imperial battle flag, and from family history it was used, during it's service life, on the SMS Emden's barge to transport the Kaiser to his ship before WW1, and by their sailors serving on land based duties in the concessions at Tsingtao, China from 1910. The Emden and her crew has a most significant status within German Naval history for in only three months service it sank or captured 23 ships. It fought with such valiant heroism before it was finally destroyed by the Royal Australian Navy, in November 1914, that all the surviving crew were given the singular and unique honour of having the ship's name, Emden, added as a suffix to their family surname in purpetuity. The SMS Emden was a Dresden class light cruiser launched in 1908 and posted to the East Asia squadron based at Tsingtao in 1910. She took part in the suppression of the Sokehs Rebellion on Ponape in 1910-11 and in 1913 (along with British and Japanese ships) shelled a rebel Chinese fort on the Yangtze.

When the First World War broke out the Emden, under the command of Korvettenkapitan Karl von Muller, set sail from Tsingtao to cause mayhem amongst allied shipping in the Indian Ocean and bombard enemy ports (including Madras in British India). The allies put vast efforts into catching the SMS Emden (at one point having over 60 warships involved in the search) but she eluded them, capturing and sinking thousands of tons of Entente shipping along the way. In November 1914 she was finally cornered off the Cocos Islands and sunk by the Australian light cruiser HMAS Sydney. The surviving crew of the SMS Emden were uniquely honoured for their bravery by being allowed to add the suffix '-Emden' to their surnames. To this day some of their descendants still carry this additional name. She sank eighteen merchantman, converted another to an armed merchant cruiser and captured and used three colliers. She had also raided two allied ports and sank a cruiser and a destroyer as well as causing major disruption to shipping and tying down a large number of enemy warships. Throughout the voyage she had maintained an excellent reputation for "gentlemanly" behaviour, not a single person from the merchant ships she sank was killed, prisoners were well treated and released at the earliest opportunity, enemy wounded were treated as best they could and neutral ships were treated as such.SMS Emden ("His Majesty's Ship Emden") was the second and final member of the Dresden class of light cruisers built for the Imperial German Navy (Kaiserliche Marine). Named for the town of Emden, she was laid down at the Kaiserliche Werft (Imperial Dockyard) in Danzig in 1906. Her hull was launched in May 1908, and completed in July 1909. She had one sister ship, Dresden. Like the preceding Konigsberg-class cruisers, Emden was armed with ten 10.5 cm (4.1 in) guns and two torpedo tubes.

Emden spent the majority of her career overseas in the German East Asia Squadron, based in Tsingtao, in the Kiautschou Bay concession in China. In 1913, she came under the command of Karl von Muller, who would captain the ship during World War I. At the outbreak of hostilities, Emden captured a Russian steamer and converted her into the commerce raider Cormoran. Emden rejoined the East Asia Squadron, after which she was detached for independent raiding in the Indian Ocean. The cruiser spent nearly two months operating in the region, and captured nearly two dozen ships. In late October 1914, Emden launched a surprise attack on Penang; in the resulting Battle of Penang, she sank the Russian cruiser Zhemchug and the French destroyer Mousquet.Muller then took Emden to raid the Cocos Islands, where he landed a contingent of sailors to destroy British facilities.
Emden then set of to raid the important wireless/cable station at the Cocos Islands, arriving at 0600 on November 9. A forty man landing party was put ashore unopposed and the Buresk was signalled to join Emden. Buresk did not reply but the the island started to transmit "S.O.S. Emden is here" both by wireless and cable. Only fifty miles to the north east the was the Anzac convoy which intercepted the transmission. HMAS Sydney (Captain Glossop) was detached from the convoy. Sydney was a modern light cruiser, her 6 inch main guns outgunning the 4.1 inch armed Emden. She left the convoy at 0700 and by exceeding her designed speed arrived at the Cocos after 0900.

At first Emden's lookouts thought Sydney was Buresk but when she was identified as a cruiser the landing party was recalled but were too slow and so at 0930 Emden pulled out of the lagoon without them.

Ten minutes alter Emden opened fire with her starboard guns at 10,000 yards, hitting with her third salvo, knocking out Sydney's range finder. Emden continued to score hits, knocking out a gun and starting a fire but by 1000 Sydney had found Emden's range. By 1020 Emden had lost her wireless station, a forward gun, her electrics and steering. She then received damage to her shell hoists and her firing became ragged. Sydney was a faster ship than Emden and throughout the action maintained a range best suited to her heavier guns. Emden's forward funnel fell across deck causing her to be shrouded in smoke and to reduce speed below twenty knots. For the next half an hour Emden was hit repeatedly, over 100 times during the entire action, and Captain Muller decided to beach her before she sank. At 1115 she was beached, Sydney ceasing fire five minutes later and setting off after Buresk which had just arrived. Buresk scuttled herself to prevent capture and Sydney returned to the Emden. She signalled Emden to ask for surrender but received no reply and as Emden was still flying her battle flag she opened fire again. Emden hauled down her battle flag and raised a white flag, ending the battle.

Sydney dropped off medical supplies then headed back to the main island to capture the landing party but when she arrived they had left in the commandeered schooner Ayesha. They eventually made it to Turkey in May 1915.
Emden lost 131 killed and sixty five wounded whilst Sydney suffered three killed and eight wounded. Karl von Muller was the last to leave Emden and spent the remainder of the war as a P.O.W.. Over a raiding career spanning three months and 30,000 nautical miles, Emden had destroyed two Entente warships and sank or captured sixteen British steamers and one Russian merchant ship, totaling 70,825 gross register tons. Another four British ships were captured and released. Another very rare surviving Imperial German Navy straw hat, from the Kaisers Yacht [the SMY Hohenzollern] but with it's Kaisersciffe title SMS Hohenzollern, we show it in our photograph gallery just as it is now exhibited in the The International Maritime Museum Collection, Hamburg  read more

Code: 20572

995.00 GBP

A Stunning Miniature Model Webley Model 1913 Automatic Pistol By Ron Platt

A Stunning Miniature Model Webley Model 1913 Automatic Pistol By Ron Platt

Made by the reknown late engineer and miniature gun maker Ron Platt. A miniature so good it is near impossible to tell from the photographs this is not a full scale original pistol. William Whiting created his full size military automatic pistol and presented it to the British Army and Navy. Whiting?s pistol was run through comparison testing against John M. Browning?s Colt M1911 and was declared to be superior to the Colt. The first official issue of the pistols was to the Royal Horse Artillery in 1913 followed by a limited issue by the Royal Navy on 14th May 1914 and the newly formed Royal Flying Corps on 26th April 1915.

Of special interest to collectors is that William Whiting had designed both military and commercial versions of his full size pistol and they were available in both the military .455 Webley Automatic calibre and in John M. Browning?s .38ACP. These Webley Automatic pistols are finished to commercial quality and were sold by some of the most prestigious London gunmakers including Holland & Holland. The gun went through a few alterations for various models but visually they are all most similar. 52m long overall  read more

Code: 21821

240.00 GBP

A Stunning British Welsh Guards Officer's Dress Tunic. Of Finest Quality Tailoring Fit For The Prince of Wales, Former Colonel of The Regiment of the Welsh Guards, {Now H.M. King Charles IIIrd, Colonel in Chief of the Welsh Guards}

A Stunning British Welsh Guards Officer's Dress Tunic. Of Finest Quality Tailoring Fit For The Prince of Wales, Former Colonel of The Regiment of the Welsh Guards, {Now H.M. King Charles IIIrd, Colonel in Chief of the Welsh Guards}

In superb condition for age, finest bespoke tailored during the reign of Her Late Beloved Majesty, Queen Elizabeth IInd.

With full traditional gold bullion. Large size. When this fabulous tunic was originally tailored it was for an officer serving under the present king, when he was Colonel of the Regiment, H.R.H, the Prince of Wales. The Colonel of the regiment is now the current Prince of Wales, H.R.H. Prince William. His wife, H.R.H. Catherine, The Princess of Wales, is now Colonel of the Regiment of the Irish Guards.

Photographed here with associated British officer's full dress scarlet and silver bullion belt, this belt is not included with tunic, it can be sold separately.

The Welsh Guards came into existence on February 26, 1915 by Royal Warrant of His Majesty King George V in order to include Wales in the national component to the Foot Guards, "..though the order to raise the regiment had been given by the King to Earl Kitchener, Secretary of State for War, on February 6 1915." They were the last of the Guards to be created, with the Irish Guards coming into being in 1900. Just two days later, the 1st Battalion Welsh Guards mounted its first King's Guard at Buckingham Palace on 1 March, 1915 - St David's Day.One way to distinguish between the regiments of Foot Guards is the spacing of buttons on the tunic. The Welsh Guards have buttons arranged in groups of five.

On March 17, 1915 the 1st Battalion sailed for France to join the Guards Division to commence its participation in the First World War. Its first battle was some months after its initial arrival, at Loos on September 27, 1915. The regiment's first Victoria Cross came two years later in July 1917 awarded to Sergeant Robert Bye.The regiment was increased to three Battalions during the Second World War. The 1st Battalion fought valiantly in all the campaigns of the North-West European Theatre. The 2nd Battalion fought in Boulogne in 1940 whilst the 1st fought in Belgium as part of the British Expeditionary Force. In May 1940 at the Battle of Arras, the Welsh Guards gained their second Victoria Cross by Lieutenant The Hon. Christopher Furness who was killed in the action. The Welsh Guards were subsequently part of the legendary Evacuation of Dunkirk that saw over 340,000 British and French troops return to the UK against all odds. In 1943 the 3rd Battalion fought throughout the arduous Tunisian North African Campaign and Italian Campaigns.
Welsh Guards in action near Cagny 19 July 1944

While they battled on in those theatres the 1st and 2nd joined the Guards Armoured Division, with the 1st Battalion being infantry and the 2nd armoured. The two battalions worked closely, being the first troops to re-enter Brussels on September 3, 1944 after an advance of 100 miles in one day in what was described as 'an armoured lash unequalled for speed in this or any other war'. Very good condition.


Photo of HRH Prince of Wales by Carfax2 - Own work
Prince Charles in the uniform of Colonel of the Welsh Guard, Trooping the Colour, June 2012
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Code: 19022

775.00 GBP

A Truly Rare Piece, An Original Viking Shield Boss 1000 to 1100 Years Old “But waken ye now, warriors mine; seize your shields, be steadfast in valour, fight at the front, and fearless bide!’ From an Early English Translation of Beowulf.

A Truly Rare Piece, An Original Viking Shield Boss 1000 to 1100 Years Old “But waken ye now, warriors mine; seize your shields, be steadfast in valour, fight at the front, and fearless bide!’ From an Early English Translation of Beowulf.

10th to 11th century A.D. Circular boss, overall 6.3 inches across overall from rim to rim, central raised boss 4.75 inches across. Approx 3 inches deep back to front. A piece of original Viking weaponry such as this is only normally ever to be seen in fine museum displays. A fine opportunity to acquire a stunning piece of history of the incredible Viking age.
The British people’s have an unusual and respectful traditional relationship with the Viking Norsemen. Although they originally came as looters to pillage and sack many parts of Britain, many thousands of Vikings settled and integrated remarkably successfully into early England. So much so that one of the earliest, and considered one of the greatest surviving Early English texts, over 1000 years old, is Beowulf the legendary Old English poem of the Viking ruler.

In the Viking age, fighting men used large, round, wooden shields gripped in the center from behind an iron boss. A few shields have survived from the Viking age, notably the shields from the Gokstad ship, which date from the 10th century. The ship was equipped with 32 shields, several of which survive intact. They were made from a single layer of planks butted together, with no iron bands, and the fronts were painted black and yellow.
Broad headed iron nails passed through the flange and were either flattened, or clenched (bent over) on the reverse side of the shield to hold the boss in place. Surviving shields are made from spruce, fir, or pine. Again, literary evidence contradicts and suggests that shields were made with linden wood (Tilia, commonly known as basswood in North America). The word lind (linden) is used to mean "shield" in poems such as Voluspa , and the term lindiskjoldr (linden shield) is used in some sagas. Linden certainly has advantages over other species of wood for shield use. It is lightweight and does not split as readily under impact as do other types of wood. Incredibly there were laws at the time for the construction of shields. The Norwegian Gulathing and Frostathing laws specify the construction of a shield. The shield should be made of wood with three iron bands and a handle fastened to the back side by iron nails. A later revision of the law says that the shield should be made of a double layer of boards (tvibyror), and the front should be painted red and white.

Typical Viking shields were 80-90cm (32-36 inches) in diameter. Some were larger, such as the Gokstad shields, which were 94cm (37in) across. Based on surviving remnants, some shields appear to have been as small as 70cm (28in) in diameter. Presumably when a man made a shield for himself, he sized it to fit his body size and fighting style. A shield needs to be big enough to provide the desired protection but no bigger. A shield too small exposes additional lines of attack that an opponent might exploit, while a shield too large slows the defensive responses and exhausts the fighter unnecessarily.

All the surviving examples are made from solid butted planks, although literary evidence, such as the 10th century Frankish poem Waltharius, and the Gulating laws, suggests that shields were made of laminated wood. No archaeological evidence supports this style of construction during the Viking era in Norse lands. There is negligible archaeological evidence for iron-rimmed shields, although in chapter 40 of Grettis saga, it is said that a berserk carried an iron-rimmed shield to a duel against Grettir. When Bersi and Steinar dueled in chapter 12 of Kormaks saga, Bersi's sword stuck in the iron rim of Steinar's shield.
A leather sling, used to carry the shield over the shoulder (right), would have been common. There are many instances in the stories in which a fighter threw his shield over his back in order to wield his weapon with two hands, such as in chapter 53 of Egils saga. During a battle against Earl Hringr, Porolfr threw his shield over his back and thrust with his spear using both hands, eventually thrusting it through the earl's chest and out his back.

Shields were slung over the shoulder when not in combat, as well. In chapter 14 of Gull-Poriss saga, Porir went out to trim the manes of his horses. He worked with his shield hanging by his side. Bljugr attacked unexpectedly, thrusting at Porir with his spear. The spear glanced off the shield and entered the horse's belly, killing the animal. A 10th century Viking unearthed in the 1880s was like a figure from Richard Wagner’s Ride of the Valkyries: an elite warrior buried with a sword, an ax, a spear, arrows, a knife, two shields, and a pair of warhorses. And like a mythical Valkyrie (depicted above in a 19th century painting), a new study published today in the American Journal of Physical Anthropology finds that the warrior was a woman the first high-status female Viking warrior to be identified. Excavators first uncovered the battle-ready body among several thousand Viking graves near the Swedish town of Birka, but for 130 years, most assumed it was a man?known only by the grave identifier, Bj 581. For reference on this shield boss see Pedersen, Anne, Dead Warriors in Living Memory. A study of weapon and equestrian burials in Viking-age Denmark, AD 800-1000 Studies in Archaeology & History Vol. 20:1, 2014, for discussion of weapon-graves and weapon-sets. From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent. As with all our items it comes complete with our certificate of authenticity. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition. The last photo in the gallery is a collection of original Viking artefacts, Including a near complete Viking shield, on display in the Oslo Museum. ‘But waken ye now, warriors mine; seize your shields, be steadfast in valor, fight at the front, and fearless bide! From Old English translation of Beowulf.

Beowulf, Old English: Bēowulf ˈbeːowuɫf) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature. The date of composition is a matter of contention among scholars; the only certain dating is for the manuscript, which was produced between 975 and 1025. Scholars call the anonymous author the "Beowulf poet”

It could look amazing box framed cased for display, we can have a bespoke one created if required.  read more

Code: 21902

Reserved