A Most Scarce Antique 19th Century African 'Turkana Tepeth' Steel Tribal Wrist Knife

16cms. Of disc form with cut-out for the wrist, lined inside and out with leather strips GC Probably Tepeth tribe.

The Tepeth tribe:

The present inhabitants of Karamoja are the Karamojong tribes. The main Karamojong tribes are : the Matheniko ("The Bulls"; Moroto area), the Bokora ("The Turtles"; Kangole area), the Pian ("The Lightings"; Namalu area), the Jie ("The Warriors"; Kotido area), the Dodoth ("The Ostriches"; Kaabong and Kidepo area), the Jiye (The Jie of South Sudan), the Nyangatom ("those of the yellow trumpet"; Omo valley, Ethiopia and nearby South Sudan-Ethiopia border), scattered all along the Karamojong area. The Karamojong tribes are related to Masai people, forced to move centuries ago from their original lands located in Ethiopia by the arrival of arabian tribes from the north. The original inhabitants of Karamoja weren't Masai tribes, but - together with other two tribes - a Turkana-related tribe called Tepeth. During the last centuries, Tepeth people has been defeated by Karamojong tribes, and forced to reach the highest valleys of mount Moroto, mount Kadam and mount Napak where at present times they're living of small agriculture and sheep-rearing, organized in grass-made villages each one governed by a council of seniors. The Ik (known as "Teuso" too) and the Nyangia tribes were part of the original inhabitants of Karamoja too, and as the Tepeth they've been defeated by the arrival of the Karamojong tribes and they're still alive on the mountains of Karamoja, the Ik on mount Morungole and the Nyangya on the hills of north-western Karamoja. The wrist knives are a special handmade article of all Turkana tribes, used since ancient times as weapon, to defend, to attack, and for daily works. The wrist knives were used in the past among the tribes as a very valuable currency too.  read more

Code: 22508

A Good Original Imperial German Pickelhaube German Spiked Helmet Case

In pressed fibreboard and leather strapping. Overall in very nice condition but the straps have either partially of fully seperated. A rare collectable that is now very scarcely seen. Ideal to accompany any good pickelhaube, either spike or ball topped. The Pickelhaube was originally designed in 1842 by King Frederick William IV of Prussia, perhaps as a design based on similar helmets that were adopted at the same time by the Russian military. It is not clear whether this was a case of imitation, parallel invention, or if both were based on the earlier Napoleonic cuirassier. The early Russian type (known as "The Helmet of Yaroslav Mudry") was also used by cavalry, which had used the spike as a holder for a horsehair plume in full dress, a practice also followed with some Prussian models.
Frederick William IV introduced the Pickelhaube for use by the majority of Prussian infantry on October 23, 1842 by a royal cabinet order. The use of the Pickelhaube spread rapidly to other German principalities. Oldenburg adopted it by 1849, Baden by 1870, and in 1887, the Kingdom of Bavaria was the last German state to adopt the Pickelhaube (since the Napoleonic Wars, they had had their own design of helmet, called the Raupenhelm.

From the second half of the 19th century onwards, the armies of a number of nations besides Russia, (including Bolivia, Colombia, Chile, Ecuador, Mexico, Portugal, Norway, Sweden and Venezuela,) adopted the Pickelhaube or something very similar.

The Russian version initially had a horsehair plume fitted to the end of the spike, but this was later discarded in some units. The Russian spike was topped with a grenade motif. At the beginning of the Crimean War, such helmets were common among infantry and grenadiers, but soon fell out of place in favour of the fatigue cap. After 1862 the spiked helmet ceased to be generally worn by the Russian Army, although it was retained until 1914 by the Cuirassier regiments of the Imperial Guard and the Gendarmerie. The Russians prolonged the history of the pointed military headgear with their own cloth Budenovka in the early 20th century. All helmets produced for the infantry before and during 1914 were made of leather. As the war progressed, Germany's leather stockpiles dwindled. After extensive imports from South America, particularly Argentina, the German government began producing ersatz Pickelhauben made of other materials. In 1915, some Pickelhauben began to be made from thin sheet steel. However, the German high command needed to produce an even greater number of helmets, leading to the usage of pressurized felt and even paper to construct Pickelhauben.
During the early months of World War I, it was soon discovered that the Pickelhaube did not measure up to the demanding conditions of trench warfare. The leather helmets offered virtually no protection against shell fragments and shrapnel and the conspicuous spike made its wearer a target. These shortcomings, combined with material shortages, led to the introduction of the simplified model 1915 helmet described above, with a detachable spike. In September 1915 it was ordered that the new helmets were to be worn without spikes, when in the front line  read more

Code: 20806

A Scarce Volunteer Artillery Officers- Busby Plume Holder Badge circa 1860 to 1873.

A rare and most collectable silver badge from the mid Victorian period. Now naturally silver age blackened but it would polish up beautifully, which we can do if required. Following the Crimean War, it was painfully clear to the War Office that, with half of the British Army dispositioned around the Empire on garrison duty, it had insufficient forces available to quickly compose and despatch an effective expeditionary force to a new area of conflict, unless it was to reduce the British Isles' own defences. During the Crimean War, the War Office had been forced to send militia and yeomanry to make up the shortfall of soldiers in the Regular Army. The situation had been complicated by the fact that both auxiliary forces were under the control of the Home Office until 1855.

Tensions rose between the United Kingdom and France following the Orsini affair, an assassination attempt on Emperor Napoleon III on 14 January 1858. It emerged that the would-be assassin, Felice Orsini had travelled to England to have the bombs used in the attack manufactured in Birmingham. The perceived threat of invasion by the much larger French Army was such that, even without sending a third of the army to another Crimea, Britain's military defences had already been stretched invitingly thin. On 29 April 1859 war broke out between France and the Austrian Empire (the Second Italian War of Independence), and there were fears that Britain might be caught up in a wider European conflict  read more

Code: 20589

Trio of WW1 Service Medals of Sapper Mumby Royal Engineers. He Was Attached to Machine Gun Regiments, And We Also Have His Badges as Well. All Offered For Sale Seperately

Formerly the three badges and trio of Sapper Mumby R.E. who was assigned to the Guards MGC, the MMGS & The Tank Corps {possibly 3rd battalion}. We also have his trio of medals {named}, all the medals and badges are to be sold seperately. His tank Badge was WW2 issue

Sappers and the Machine Gun Corps (MGC)
The Machine Gun Corps (MGC) was a specialized unit within the infantry that operated heavy and light machine guns.
While the MGC was focused on the use of machine guns, the engineering efforts of the Royal Engineers (Sappers) were indispensable to the overall effectiveness of the MGC, the Tank Corps and other infantry units.
Therefore, sappers worked in conjunction with MGC units, providing the necessary engineering support to enable their operations, especially in trench warfare  read more

Code: 25945

1st Army WW2 Hampshire Regiment 5 Medal Group With Territorial Named Medal

1939-45 Star Afrika Star 1st Army Bar, Defence Medal War Medal and Territorial Efficient Service Medal named Hampshire regiment with post 1953 cap badge.

The British First Army was reformed during the Second World War. It was formed to command the American and British land forces which had landed as part of Operation Torch, the Allied invasion of French North Africa, in Morocco and Algeria on 8 November 1942. It was commanded by Lieutenant-General Sir Kenneth Anderson. The First Army headquarters was formally activated on 9 November 1942 when Anderson arrived in Algiers to assume command of the redesignated Eastern Task Force.3

The First Army initially consisted of American and British formations only. After the surrender of French forces following the German abrogation of their armistice agreement with Vichy France, French units were also added to the First Army's order of battle. It eventually consisted of four corps, the US II Corps, the British V Corps, British IX Corps and French XIX Corps.

After the landings, Anderson's forces rushed east in a bid to capture Tunis and Bizerte before German forces could reach the two cities in large numbers. They failed. Following that lack of success, a period of consolidation was forced upon them. The logistics support for the First Army was greatly improved and bases for its accompanying aircraft greatly multiplied. By the time General Sir Bernard Montgomery's British Eighth Army approached the Tunisian border from the east, following its long pursuit of Generalfeldmarschall Erwin Rommel's forces after El Alamein, the First Army was again ready to strike.

Supported by elements of XII Tactical Air Command and No. 242 Group RAF, the First Army carried the main weight of General Sir Harold Alexander's 18th Army Group's offensive to conclude the Tunisian Campaign and finish Axis forces in North Africa off. The victory was won in May 1943 in a surrender that, in numbers captured at least, equalled Stalingrad. Shortly after the surrender, the First Army was disbanded, having served its purpose  read more

Code: 24071

Group of 5 Medals for Soldier of the 1st Army Group; 1939-45 Star, Africa Star with 1st Army Bar. Italy Star, Defence Medal, War Medal

Very good group. 1939-45 Star, Africa Star with 1st Army Bar. Italy Star, Defence Medal, War Medal

The British First Army was reformed during the Second World War. It was formed to command the American and British land forces which had landed as part of Operation Torch, the Allied invasion of French North Africa, in Morocco and Algeria on 8 November 1942. It was commanded by Lieutenant-General Sir Kenneth Anderson. The First Army headquarters was formally activated on 9 November 1942 when Anderson arrived in Algiers to assume command of the redesignated Eastern Task Force.

The First Army initially consisted of American and British formations only. After the surrender of French forces following the German abrogation of their armistice agreement with Vichy France, French units were also added to the First Army's order of battle. It eventually consisted of four corps, the US II Corps, the British V Corps, British IX Corps and French XIX Corps.

After the landings, Anderson's forces rushed east in a bid to capture Tunis and Bizerte before German forces could reach the two cities in large numbers. They failed. Following that lack of success, a period of consolidation was forced upon them. The logistics support for the First Army was greatly improved and bases for its accompanying aircraft greatly multiplied. By the time General Sir Bernard Montgomery's British Eighth Army approached the Tunisian border from the east, following its long pursuit of Generalfeldmarschall Erwin Rommel's forces after El Alamein, the First Army was again ready to strike.

Supported by elements of XII Tactical Air Command and No. 242 Group RAF, the First Army carried the main weight of General Sir Harold Alexander's 18th Army Group's offensive to conclude the Tunisian Campaign and finish Axis forces in North Africa off. The victory was won in May 1943 in a surrender that, in numbers captured at least, equalled Stalingrad. Shortly after the surrender, the First Army was disbanded, having served its purpose.  read more

Code: 16032

A Fabulous Group Of 6 WW2 RAF Medals With Two Campaign Bars.The 1939-1945 Star, The Atlantic Star, The Italy Star, The Africa Star with the 1942-3 bar, the Burma Star With The Pacific Bar {most rare}, And The War Medal.

With the campaign medals of; The 1939-1945 Star, The Atlantic Star, The Italy Star, The Africa Star with the 1942-3 bar, the Burma Star with the Pacific bar {most rare}, and the War Medal.

Awarded to a WW2 RAF officer, 6 medals, and just one medal short of the maximum amount of campaign medals any man serving in the Army, Navy or RAF could have been awarded for the entire war.

This is an incredible symbol of an extraordinary service career in the war.  read more

Code: 17803

Every Original Purchase Comes With Our Unique Certificate of Authenticity Based On Over 100 Years Of Our Family's Trading In Brighton

It will certify every piece as genuine, and further detail its area and era of use in its history, any conflicts and campaigns within which it may have been used, and all and any of its personal provenance if known.

The Lanes Armoury and their partners are the oldest surviving antique business in Sussex, and we are the largest specialist antique Japanese samurai artifacts and sword dealers outside of Japan {and potentially, within it too!}  read more

Code: 18577

A Superb 15th Century, Ancient, Signed Samurai Sword, From the Famous Sukesada Line of Early Samurai Sword Smiths

This sword is an absolute ancient beauty, in fabulous condition for its age.

As with all fine samurai swords that have been owned, cared for correctly, and appreciated for centuries, it’s blade condition belies its great age.

John Keats once wrote that ‘a thing of beauty is a joy forever’, well this sword has certainly been a joy for almost 600 years.

Made and signed by one of the early Sukesada school of master swordsmiths, in around 1450, between 570 to 600 years ago. The blade has a spectacular curvature and a typical, early, Koto period narrow suguha hamon [super hardened edge temper line]. The saya is in superb condition, with pristine and perfect bright black urushi lacquer. It is a great historical ancient sword with its last all original Edo period mounts. Edo iron sukashi pierced mokko tsuba, sinchu fushi kashira, and the fuchi is decorated with takebori dragon. It has a pair of dragon menuki under the original Edo period lacquered cotton tsuka-ito binding.

The Sukesada line of swordsmiths descended in the Osafune school and are recorded as far back as the end of the Nambokucho period (around 1394). This blade here is from around 1450, placing it in the pre Sue-Koto Period (1469-1596).

It is known that some Sue-Koto Sukesada swordsmith’s produced many swords (Kazu-uchi mono) in order to keep up with the demand of battlefield swords. Mainly for the samurai foot soldier where were the combat factor was far more important than the artistic beauty.

The early Sukesada smiths however produced swords of outstanding quality. This is from one of the early pre Sue-Koto period Sukesada smiths. The Sukesada line of swordsmiths extend into the Bizen tradition with its roots coming from the Ichimonji line. (For those unaware, The Ichimonji swords of the Kamakura period are perhaps some of the finest swords to have ever been made, many would say these far exceed even Masamune in terms of quality and artistic beauty). The Bizen sword making tradition has long been considered the largest of sword making traditions, this has much to do with the Sukesada swordsmiths. Bizen Province was a province of Japan on the Inland Sea side of Honshu, in what is today the southeastern part of Okayama Prefecture. It would become home to what would be the biggest of the 5 mainline sword making traditions ( Yamato, Yamashiro, Bizen, Soshu, Mino). The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behavior on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means “one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they could be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. They were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, it has been said, but possibly as part of the myth of samurai training, that samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. It is further said that Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual, in certain circumstances, apparently didn't become a full-fledged samurai until, some say, he wandered around the countryside as begging pilgrim for a couple of years to learn humility. Again this may be part of the myth. However, when all his training was completed a samurai trainee that achieved samurai status and received a salary from his daimyo, paid from taxes (usually rice) raised from the local populace, he truly became the very best at his art in the world of sword combat

Swords in Japan have long been symbols of power and honour and seen as works of art.

Note on the photograph of the tang, around the signature can be seen five mekugi ana peg mounting holes, it appears to be four but on close examination one ana is actually two that overlap. This is one the desirable traditional indicators of a sword’s great antiquity, as each one represents a bespoke mounting and adaption, over the many centuries, of the blade for its various samurai owner's needs. It has remarkably already been a thing of great beauty, and universally admired for around 600 years, and we would like to think there is no reason it shouldn’t continue to do so for another 600 years.

25.70 inch blade tsuba to tip  read more

Code: 24472

A Beautiful Samurai Wakizashi Signed Kunimune, Han Dachi Mounted, All Original Edo Koshirae and Deep Brown Urushi Lacquer Saya With Nishiji Gold With Very Rare Gold Foiled Throat

A Fine blade, in beautiful old polish, hon-zukuri form with a delightful notare hamon, plain copper habaki, signed tang, Hojoji Kunimune, Fabulous gold striped and shakudo takebori relief tiger menuki. Osukashi tsuba of triple leaves with scalloped edge

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."
The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Onin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China.

Cherished for its infinite versatility, urushi lacquer is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Overall in excellent condition, just a tiny defensive edge nick at the kissaki curvature. See photo four in the gallery  read more

Code: 25303