Ancient Chinese Pottery Figure of a Xianbei Warrior Around 1500 Years Old. A Stunning Ancient Chinese Antiquity That is A Beautiful, Historical Work of Art From Ancient China

Only the second example of such a fine example of an original ancient Xianbei warrior figure we have had in the past 20 years.
This figure is clad in the military uniform of the ancient Chinese Xianbei people; with a covered "wind hat", trousers, short upper tunic and a cape tied around the neck, the outfit was designed to protect one against the wind and dust. Northern Dynasties (A.D. 286 - 581). Figures, some known in Chinese as mingqi, were placed in the burial chambers of the elite, in the belief that the figures represented would become available for the service of the deceased in the afterlife. The more diverse the processional figures were, the more powerful the individual buried with these figures was
They were a significant Mongolic nomadic people residing in Manchuria, Inner Mongolia and eastern Mongolia. The Northern Wei (386-535), which was the first of the Northern Dynasties (386-581) founded by the Xianbei. Among the Xianbei peoples, and also at their descendants the Qi-Dans, women were quite equal with men. They rode horses and used bow and arrow just as good as men, an old poem says. Also during the following Tang Dynasty, women could do much the same as men. However, there were severe punishments for adultery.

In 534, the Northern Wei split into an Eastern Wei (534-550) and a Western Wei (535-556) after an uprising in the steppes of Northern China inhabited by Xianbei and other nomadic peoples. The former evolved into the Northern Qi (550-577), and the latter into the Northern Zhou (557-581), while the Southern Dynasties were pushed to the south of the Yangtze River. In 581, the Prime Minister of Northern Zhou, Yang Jian, founded the Sui Dynasty (581-618). His son, the future emperor Yang Guang, annihilated the Southern Chen (557-589), the last kingdom of the Southern Dynasties, thereby unifying northern and southern China. After the Sui came to an end amidst peasant rebellions and renegade troops, his cousin, Li Shimin, founded the Tang Dynasty (618-907); Li led China to develop into one of the most prosperous states in history. Sui and Tang dynasties were founded by Han Chinese generals who also served the Northern Wei Dynasty. Through these political establishments, the Xianbei who entered China were largely merged with the Han, examples such as the wife of Emperor Gaozu of Tang, Duchess Dou and Emperor Taizong of Tang's (Li Shimin's) wife, Empress Zhangsun, both have Xianbei ancestries, while those who remained behind in the northern grassland emerged as later. The figure is in very good condition for age, with a small chip on the front foot and on the rear trouser bottom, possibly contemporary. 9.5 inches high. As with all our items, it comes complete with it's Certificate of Authenticity.  read more

Code: 22395

A Most Rare And Superb, Napoleonic Wars Year 9 French Gendarmerie Flintlock Pistol. It Great Condition For Age. All Blackened Steel Mounts And Made From The Maubeuge Manufacture Contract

Lock engraved Maubeuge Manufacture, barrel with proof stamp and serial number upon the inner side. Fine walnut stock with traditional; birds head butt. Although designed and initially made for the incredibly well respected French armed gendarmerie, it was so good at it’s task, being smaller than the regular officer’s flintlock pistols, but capable of packing a huge punch, it was chosen by many officers of both infantry and cavalry to be their personal carried pistol of choice.

The gendarmerie of France, from the Revolutionary period into the Imperial 1st Empire, was incredibly efficient at keeping the streets of Paris, and beyond, safe. They had a no nonsense attitude {as they still do} and they were feared and respected in equal measure. There was very often a comparison made in the press at the time, that the streets of France were relatively safe, compared to those of England {without armed police}, that were notoriously unsafe. Although, however unsafe in Britain, murder was still relatively rare, possibly, as punishments, when the villain was apprehended for any crime, were most harsh.

Général de brigade Charles André Merda, baron Meda was a famous French officer. A National Guards commander in the Parisian National Guard from September 1789, then a general of the gendarme from 1794, and he participated in the arrest of |Citizen Revolutionary Maximilien de Robespierre on the night of 9/10 thermidor Year II (27 July 1794) and claimed to have fired the pistol shot which broke Robespierre's jaw and hit Couthon's helper in his leg, {see the painting of him using the very same form of gendarmerie pistol}
Maximilien François Marie Isidore de Robespierre was a French lawyer and statesman, widely recognized as one of the most influential and controversial figures of the French Revolution. Robespierre fervently campaigned for the voting rights of all men and their unimpeded admission to the National Guard.
Additionally he advocated for the right to petition, the right to bear arms in self-defence, and the abolition of the Atlantic slave trade. He was a radical Jacobin leader who came to prominence as a member of the Committee of Public Safety, an administrative body of the First French Republic. His legacy has been heavily influenced by his actual or perceived participation in repression of the Revolution's opponents, but is notable for his progressive views for the time.

As one of the prominent members of the Paris Commune, Robespierre was elected as a deputy to the National Convention in early September 1792. He joined the radical Montagnards, a left-wing faction. However, he faced criticism for purportedly trying to establish either a triumvirate or a dictatorship. In April 1793, Robespierre advocated the mobilization of a sans-culotte army aiming at enforcing revolutionary laws and eliminating any counter-revolutionary elements. This call led to the armed Insurrection of 31 May – 2 June 1793. On 27 July he was appointed a member of the Committee of Public Safety.

Robespierre faced growing disillusionment among others due in part to the politically motivated violence advocated by the Montagnards. Increasingly, members of the Convention turned against him, and accusations piled up on 9 Thermidor. Robespierre was arrested and taken to a prison. Approximately 90 individuals, including Robespierre, were executed without trial in the following days, marking the onset of the Thermidorian Reaction.
As is so often the case, in fact almost without exception, revolutionaries, once successful in casting out the old political caste and so called enemy of the people, then turn on themselves and
either depose, execute, murder or imprison their Co-conspirators. In fact this writer cannot think of a single revolution in history where this was not the case. For example even in technically non-revolutionary causes, the French , Italian and Belgian resistance groups of WW2, once successfully witnessing the occupation of their countries by the Third Reich, then set amongst themselves, often attempting to kill their opposing resistance organisations leaders and or members, in the very brief time that the rule of law was vacant.  read more

Code: 25391

A Most Attractive Napoleonic Wars Era, Dublin Castle Flintlock Mounted Sergeant's Length 'Brown Bess' Musket

A mighty and strong King George IIIrd period 'Brown Bess' musket, for it is often known that Dublin Castle assembled muskets frequently had stronger grade stocks than the equivalent Tower of London examples, that were made in London.

It has a good and fine patinated walnut stock, good action, and good traditional third pattern brass furniture, trigger guard. 32" barrel. Often the barrel length of 32-33" were supplied for sergeants of the line within the regiments. Dublin Castle flintlocks are scarce and are now and are very highly prized and esteemed, especially by the collectors of early Irish weaponry.

This is a very inexpensive piece, and an option to own a fine looking 'Brown Bess' musket, at considerably less cost than a more standard regulation issue example.

The story of the Irish regiments under Wellington's command, such as in in the famous and renown 27th Regiment of Foot, the Enniskillen Inniskilling,. It was a descendent entity from one of the Enniskillen militia raised during the War of the Two Kings, which had become an established unit during the many wars of the 18th century. Against France in this round of fighting, the “Inniskilling” regiment fought in Flanders before helping to take islands in the Caribbean, as many Irish regiments did, suffering terribly from the heat and tropical diseases they were soon unsuited to deal with. Later came greater glory, with the regiment taking part in the Battle of Alexandria in 1801 and then the Battle of Maida in Italy, both crucial victories in the respective campaigns. The regiment entered into the Peninsular Wars in dribs and drabs, with its 1st Battalion joining Wellesley nearly everywhere, and the 3rd only arriving in 1813, but the regiment still had the opportunity to inflict heavy casualties on the French enemy at the Battle of Castalla, before suffering the same a few months later at Ordal, one of the last significant French victories of that campaign. In 1815, the regiment took its place at Waterloo. The 27th Foot bore the brunt of Napoleon’s frontal assault and suffered 481 men killed or injured. The course of the French Revolutionary Wars and the subsequent Napoleonic Wars bears little going into. Between 1792 and 1815, France fought numerous conflicts against a series of opposing coalitions. What began as a conflict of mere survival for the Revolution soon morphed into a more imperialistic venture when France fell under the control of Napoleon Bonaparte in 1799: he would eventually lead France to control a huge chunk of Europe, stretching all the way to Moscow in the east and to the Portuguese coastline in the west. But it couldn’t last, with the French state practically dependent on constant expansion to sustain itself, and Napoleon suffered two major falls, the first in 1813 when British, Austrian, Russian and Prussian overran France, and the second in 1815, after the titanic clash at Waterloo. Throughout the entire conflict, Irish troops were heavily involved, in numerous armies, but none more so than the British.The 1st Battalion went on to fight at the Battle of Waterloo as part of John Lambert's 10th Brigade in the 6th Division. At about 6:30 PM, the French captured the key strongpoint of La Haye Sainte farm. After this success, they brought up several cannon and took the Anglo-Allied lines under fire at extremely close range. At this period, the 698-strong battalion was deployed in square at the point where the Ohain road crossed the Charleroi to Brussels highway. At a range of 300 yards (270 m), the French artillery caused the unit enormous casualties within a short time. At day's end, the 1st Battalion had lost 105 killed and 373 wounded, a total of 478 casualties, without breaking. The unit was described as "lying dead in a square". At the time of Waterloo, the soldiers of the 27th were dressed in red, short-tailed jackets, overall trousers, and a high-fronted shako. The facing colour was buff and it was displayed on the collar, cuffs, and shoulder-straps. The lace on the cuffs and jackets had square-ended loops.

The muskets barrel shows where during its later working lifetime it has travelled back with the EIC and thus served in India, and has been struck with their armoury stamps. Due to the vagaries of intense war and the inevitable short supply of arms, often muskets and pistols had to be supplied by the board of ordnance from gun parts in stores, and thus assembled as and when urgency demanded, or guns returned to the ordnance to replace parts damaged in combat, guns of some mixed part types were inevitable. Therefore, typically this musket has a 'Brown Bess' new land style butt plate, and a transitional period {central screw} sideplate. A photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons used at Waterloo en situ, including all the protagonists {British Brown Bess, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo. Overall the musket very a nice condition and an impressive looking armoury issue composite musket, and with, as to be expected, signs of usual combat use.  read more

Code: 23209

A Superb & Rare French Modele 1733-1766 Flintlock Pistol, Manufactured For The King of France, King Louis XVIth, For the American Revolutionary War Supply, To Aid General Washington's Forces in 1776

We were thrilled to acquire a pair of these most rare pistols {to be sold separately, and the first we listed is now sold} The first of the pair was dated 1776, this example is undated, just as was the other very rare identical example sold at Rock Island Auction in the USA, in 2020 for $7,475.

Manufactured at Maubeuge, with M. Maubeuge Manufacture signed lock, and interior lock stamp P.G. the monogram of the nom de maitre platineur

A most rare and superb example of the form of pistol made in France in 1776 for King Louis XVI of France and supplied to the armed forces of the United States Continental Congress, for the use of General George Washington's revolutionary rebel forces in 1776, and also for use for the French volunteer regiments that fought in America. France, at first surreptitiously, and later, less covert, gave America over 5 billion livres in aid and materials, weapons, men and ammunition. However, as it was effectively never actually repaid, it resulted in the ruination of the French economy, which led to the French Revolution, and thus the fall of the monarchy, and execution of the King and Queen France, King Louis and Marie Antoinette, as well as most of the French aristocracy that didn’t have the foresight to switch loyalties {during 'The Great Terror'}. Plus, after Americas successful victory, France, not entirely surprisingly, expected preferential trade deals and treaties with the new United States of America, by way of thanks, which failed to materialise, in fact it was far worse for France, as a very advantageous trade deal and treaty was in fact struck instead, between Britain and America. It’s strange that things often never quite turn out how one might imagine, but it shows how it is not a modern phenomenon, that politics can turn things completely on its head, and ones bitterest enemies can become ones most welcome allies in just a matter of a few months.

French involvement in the American Revolutionary War of 1775–1783 began in 1776 when the Kingdom of France secretly shipped supplies to the Continental Army of the Thirteen Colonies when it was established in June 1775. France was a long-term historical rival with the Kingdom of Great Britain, from which the Colonies were attempting to separate.

A Treaty of Alliance between the French and the Continental Army followed in 1778, which led to French money, matériel and troops being sent to the United States. An ignition of a global war with Britain started shortly thereafter. Subsequently, Spain and the Dutch Republic also began to send assistance, which, along with other political developments in Europe, left the British with no allies during the conflict (excluding the Hessians). Spain openly declared war in 1779, and war between British and Dutch followed soon after.

France's help was a major and decisive contribution towards the United States' eventual victory and independence in the war. However, as a cost of participation in the war, France accumulated over 1 billion livres in debt, which significantly strained the nation's finances. The French government's failure to control spending (in combination with other factors) led to unrest in the nation, which eventually culminated in a revolution a few years after the conflict between the US and Great Britain concluded. Relations between France and the United States thereafter deteriorated, leading to the Quasi-War in 1798.

France bitterly resented its loss in the Seven Years' War and sought revenge. It also wanted to strategically weaken Britain. Following the Declaration of Independence, the American Revolution was well received by both the general population and the aristocracy in France. The Revolution was perceived as the incarnation of the Enlightenment Spirit against the "English tyranny." Ben Franklin traveled to France in December 1776 in order to rally the nation's support, and he was welcomed with great enthusiasm. At first, French support was covert. French agents sent the Patriots military aid (predominantly gunpowder and weapons) through a company called Rodrigue Hortalez et Compagnie, beginning in the spring of 1776. Estimates place the percentage of French-supplied arms to the Americans in the Saratoga campaign at up to 90%. By 1777, over five million livres of aid had been sent to the American rebels.

A painting in the gallery is of Washington and Lafayette. The Marquis De Lafayette was a french volunteer who joined Washington's General Staff. Lafayette was wounded at Brandywine, the first battle in which he fought for the American cause. While recuperating, he wrote to his wife, “Do not be concerned, dear heart, about the care of my wound…. When he Washington sent his chief surgeon to care for me, he told him to care for me as though I were his son, for he loved me in the same way.” Washington and Lafayette fought side by side in several other battles.

Overall in excellent condition, good crisp action.

A near identical, rare, undated example of this pistol, that only bears its model number 1763, was sold at an American Auction, Rock Island Auction in September 2020 for $7,475. https://www.rockislandauction.com/detail/80/3089/french-navy-model-176366-flintlock-pistol  read more

Code: 25388

A Simply Beautiful Ancient Koto Katana, Sengoku Era, Circa 1530, Signed Fuchi with Artisans Kakihan of a Cursive Monogram and Signed Tsuba, And the Matsudaira Tokugawa Clan Mon Gold Habaki

Beautiful Koto blade with wonderful quality signed fushi hilt mount of shakudo and pure gold, with a takebori samurai daimyo lord, in court dress, wearing his tachi.

Very good tsuba in iron, also signed. Menuki of cranes underneath the silk ito. Very beautiful blade with typical Koto period narrow straight hamon of fine simplicity. Engraved gilt habaki blade collar with Tokugawa clan mon of Aoi hollyhock leaves. Before the Edo period, there were 19 major branches of the Matsudaira clan: Takenoya (竹谷), Katanohara (形原),4 Ōgusa (大草), Nagasawa (長沢),5 Nōmi (能見),6 Goi (五井), Fukōzu (深溝), Ogyū (大給),7 Takiwaki (滝脇),8 Fukama (福釜), Sakurai (桜井), Tōjō (東条), Fujii (藤井),9 Mitsugi (三木), Iwatsu (岩津), Nishi-Fukama (西福釜), Yata (矢田), Udono (鵜殿), and Kaga (加賀). Each of these branches (with the exception of the Kaga-Matsudaira, which relocated to Kaga Province) took its name from the area in Mikawa where it resided. Also, many of the branches often fought with each other.

Matsudaira of Okazaki
It was the main Matsudaira line residing in Okazaki Castle which rose the highest during the Sengoku period. During the headship of Matsudaira Hirotada, it was threatened by the Oda and Imagawa clans, and for a time was forcibly brought into Imagawa service. After the death of Imagawa Yoshimoto and the fall from power of the Imagawa clan, Hirotada's son Matsudaira Motoyasu was successful in forming an alliance with Oda Nobunaga, the hegemon of Owari Province. Motoyasu is better known as Tokugawa Ieyasu, who became the first Tokugawa shōgun in 1603.
The Sengoku Period (Sengoku Jidai, 1467-1568 CE), also known as the Warring States Period, was a turbulent and violent period of Japanese history when rival warlords or daimyo fought bitterly for control of Japan. The period falls within the Muromachi period (Muromachi Jidai, 1333-1573 CE) of Japanese medieval history when the Ashikaga shogun capital was located in the Muromachi area of Heiankyo (Kyoto). The beginning of the Sengoku period witnessed the Onin War (1467-1477 CE) which destroyed Heiankyo. The fighting that followed over the next century would eventually reduce the warlords to only a few hundred in number as the country was effectively carved up into princedoms. Eventually, one warlord rose above all his rivals: Oda Nobunaga, who set Japan on the road to unification from 1568 CE.

To many of us in the West, the movie image of the samurai in his fantastic armour, galloping into battle on his horse, his colourful personal flag, or sashimono, whipping in the wind on his back, has become the very symbol of Japan, the Empire of the Rising Sun. And, truly, to the samurai of real life, nothing embodied his warrior's code of Bushido more than his sword, considered inseparable from his soul.

Indeed, a sword was considered such a crucial part of a samurai's life that when a young samurai was about to be born, a sword was brought into the bedchamber during the delivery. When the time came for an old samurai to die and cross over into the White Jade Pavilion of the Afterlife his honoured sword was placed by his side. Even after death, a daimyo, or nobleman, believed he could count on his samurai who had followed him into the next world to use their keen blades to guard him against any demons, just as they had wielded their trusty weapons to defend him against flesh-and-blood enemies in this life. Shakudo is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark colour is induced by applying and heating rokusho, a special patination formula.

Shakudo Was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome  read more

Code: 22207

A Very Attractive & Good Edo Period Antique Nanban Tsuba in Tetsu and Applied Gold

The style of decoration that involves a mass of tendrils occupied by dragons, with elongated oval seppa dai decorated with waves or bars and the like. Unusually the pierced design travels around the edge as well, a very nice sign of extra fine quality workmanship, and beautiful undercutting.

Nanban often regarded as meaning Southern Barbarian, are very much of the Chinese influence. The Chinese influence on this group of tsuba was of more import than the Western one, however, and resulted not merely in the utilisation of fresh images by the existing schools, but also in the introduction of a
completely fresh style of metalworking.
The term 'namban' was also used by the Japanese to describe an iron of foreign origin.
Neither can the Namban group be considered to represent 'native Japanese art'.
The required presence in the group, by definition, of 'foreign influence', together with the possibility of their being 'foreign made', was probably responsible for their great popularity at the time.

Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down.  read more

Code: 24581

A Superb 17th Century Kora of the Gurkhas of Nepal

The blade has an unusual shaped tip, inlaid with brass cross devices within fine engraved borders and bands, twin disc guards, iron grip, stupa-shaped pommel. The Kora is possibly the oldest form of sword of the Gurkhas and it may well be that their phenomenal military success was largely due to their possession of such a terribly effective weapon." 'Kora,' has an inner cutting edge, with which those who use it skilfully are enabled to cut a foe in two at a single blow." Its appearance reminds of the European Sabre but instead of curving upwards (back) it has a wide tip, a forward curved blade, single edged on its concave side, the latter two characteristic sit shares with the Kukri knife. When used correctly the forward curved blade concentrates the power/energy of the strike to the curved area thus allowing more force to be utilised at the point of contact in each blow. It is designed with its practical application in mind, to chop/slash and not for Classical fencing, yet its usually light enough if the need arises. Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepal?" published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria!.

Photo 9 in the gallery of the Bagbhairab Temple, Kirtipur, Kathmandu, Nepal. they are Koras used from the battle of Kirtipur during the 1760`s.

Blade 55cms, overall 70.5cms. Jolly nice condition for age.  read more

Code: 21790

A Fine & Most Rare, French Napoleonic Wars Consulat To Empire Period Early 19th Century Flintlock Officer's Pistol From 1801, Manufacture St Etienne, Lock Interior Marked Duran, Identical To Another Sold By the Smithsonian Institution Of New York in 1996

Lock marked St Etienne, and the barrel marked RS, the identical marking as on the Smithsonian Institutes pistol. Likely the version used by L'officier de marine, such as at Trafalgar in 1805, it was also an option for the L'officier Gendarmerie. It was the pattern designed to be used in most cavalry of the Consulat and during the early years of the Empire, as well as in the Navy. The cavalry examples were usually 3cm longer. They were produced until 1808

The modèle An IX replaced the modèle 1777, which had been criticized to the point where the older modèle 1763 had been brought back into service.

This pistol is superficially similar in appearance to the well respected Pistolet modèle 1763/66 pattern. The Pistolet modèle An IX is in effect the same in terms of changes made to the musket pattern of the same year, but when compared to the modèle 1777/1786 had the spring and brass barrel bands of its predecessor restored to make it much easier to service.

The Battle of Trafalgar, (October 21, 1805), was a naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

Nelson was outnumbered, with 27 British ships of the line to 33 allied ships including the largest warship in either fleet, the Spanish Santísima Trinidad. To address this imbalance, Nelson sailed his fleet directly at the allied battle line's flank, hoping to break the line into pieces. Villeneuve had worried that Nelson might attempt this tactic but, for various reasons, had made no plans for this eventuality. The plan worked almost perfectly; Nelson's columns split the Franco-Spanish fleet in three, isolating the rear half from Villeneuve's flag aboard Bucentaure. The allied vanguard sailed off while it attempted to turn around, giving the British temporary superiority over the remainder of their fleet. In the ensuing fierce battle 20 allied ships were lost, while the British lost none.

Nelson's own HMS Victory led the front column and was almost knocked out of action. Nelson was shot by a French musketeer during the battle, and died shortly before it ended. Villeneuve was captured along with his flagship Bucentaure. He attended Nelson's funeral while a captive on parole in Britain. The senior Spanish fleet officer, Admiral Federico Gravina, escaped with the remnant of the Franco-Spanish fleet (a third of the original number of ships); he died five months later of wounds sustained during the battle.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century, and was achieved in part through Nelson's departure from prevailing naval tactical orthodoxy.  read more

Code: 25387

Twenty Three Years Ago, After 80 Years Trading in Brighton, We Were Honoured by Being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001

Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.

It was a great honour for Mark and David, especially considering at the beginning of the new millennium, in the year 2000, there was over 7,000 established antique and collectors shops in the UK, according to the official Guide to the Antique Shops of Britain, 1999-2000, and we were nominated, and voted into in the top four in Britain.

Since first opening our doors early in the last century, for over 53 years as mine host, Mark, and for 43 years by David, they have personally greeted hundreds of thousands of visitors every year, and likely tens of millions in over half a century, to their family owned galleries. To every single one we have tried our utmost to provide our renown five star service of courtesy, respect, assistance, help, and advice.

New stock latest!

We still have many more pieces from our exclusive, original, & very rare French Napoleonic sabres and pistols collection, to add to our web store. Many are absolute beauties of museum quality.
Plus, many more original samurai swords, are to be added, including, many original WW2 Shingunto officers swords, some mounted with family ancestral samurai blades. Also, an amazing collection of original, antique samurai sword tsuba {sword guards} from the past 500 years, and, as well as all that, so much more!

A resume, below, of our family’s ‘old English merchants and traders’ 500 year old history, that stretches from our ancestors serving Queen Elizabeth 1st as her ‘Sea-Hawk’ captains, that were highly successful {though technically, unofficial} maritime raiders, and scourge of the Spanish fleet of King Philip of Spain, relieving them of his gold, looted from The Americas, then, over 400 years later, to HMS Hawkins, a ‘Hawkins’ class heavy-cruiser, {the ship and her class that were named after Sir John Hawkins, one of Queen Elizabeth’s Sea-Hawk captains} that took part in the Normandy landings in 1944, supporting American troops landing on Utah Beach, and then, to current times, and our shop here in The Lanes.

Our family have been involved as merchants and traders in the South of England {lately in Sussex, and formerly, in the ‘West-Country’ in Devon} since the early part of the 16th century. Our ‘Hawkins’ ancestors, were then based in Plymouth, in the county of Devon, and were sea-farers of world renown, and some of the very earliest traders regularly sailing their merchant ships across the Atlantic to the New World, during the reign of Queen Elizabeth 1st.

Our fleet were taking emigrating English pilgrims and settlers West to America, and returning with new and exotic cargo from the entire Americas, {such as tobacco and potatoes from the Andes}, Eastwards across the Atlantic, to the eager 16th century English markets.

By the 19th century part of our family had re-located Eastwards to Brighton, yet still connected to our maritime roots, into the local Brighton shellfish trade, supplying shellfish to the Prince Regent’s kitchens at the Palace in Brighton, and his accompanying aristocratic court that had built their family ‘town’ mansions across the length of Brighton’s seafront.
From there, part of the Hawkins family ‘migrated’ to more land based pursuits, of merchant traders, primarily as shop-keepers in and around Brighton, and other Hawkins’ though emigrated, and settled to trade in America and Canada.

David Hawkins senior {Mark and David’s father} however, lovingly maintained his desire to remain connected to our ancient family maritime roots. His desire was sated by acquiring a deep-sea-fishing and sailing ship, a 1930’s gaff rigged schooner. Moored at Newhaven port’s Cresta Marine, but it was only used strictly for pleasure, until the late 1970’s. Offering frequent complimentary recreational therapy fishing trips to blind former servicemen from St Dunstans Hospital in the 1960’s.
A photo in the gallery is of portraits of two sea faring ‘Plymouth’ Hawkins, John and Richard, John was cousin to Sir Francis Drake who became one of England’s foremost naval commanders, and, scourge of King Philip of Spain, and father of Richard. Another photo is of heavy cruiser HMS Hawkins named in John’s honour, it was the lead ship of five Hawkins-class heavy-cruisers, named after our esteemed forebears. In 1944 HMS Hawkins returned home from the East Indies fleet to participate in the Normandy landings. Initially assigned to the 1st Cruiser Squadron of the Home Fleet, she was detached to the Western Task Force Gunfire Support Bombardment Force U to support American troops landing at Utah Beach.

Scholars think it is likely Francis Drake was illegitimate, and that is probably why he was placed at an early age into the household of William Hawkins of Plymouth. Drake thus began his seagoing training as an apprentice for the Hawkins family, and the rest as they say, is history.

We are open 6 days a week from 10.30 till 4.30. Please note however, we never open our gallery on Sundays or Bank Holidays. A tradition of just a single day of rest every week we have tried our best to maintain for 100 years.

However, our web store, like all the stores online, operates 24/7, 365 days of the year.

Here’s wishing a healthy and happy well-being to us all.
Gloria Antika!

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 23577

A Stunning Quality Wakizashi Signed with Honorific Title Masatoshi, Lord of Etchu, Han Dachi Mounted, Gold Dragon Menuki, Mishina School Blade, Early 1600's, Wonderful Signed Tsuba and Matching Kozuka Depicting the Tiger in the Bamboo Grove

We now are delighted to show it with its fully rebound tsuka in gold silk. The tsuka has been rebound traditionally, in finest gold tsukaito by our medal winning Japanese koshirae artisan, and it looks amazing.

Mishina School, Etchu (no) Kami Masatoshi. The stunning blade shows a beautiful and complex hamon in super polish. All original Edo mounts, superb signed *tsuba and kozuka all decorated with the legendary ‘Tiger in the Bamboo Grove’ theme. The kozuka is signed, as is its kogatana blade

* Tsuba signed Taizan Mototaka of Mito/Hitachi. Mototaka, was the founder of the Sekijoken line, was a son of Taizan-Motonori, a pupil of the Yokoya school, who signed his work Sekijoken-Taizan-Mototaka. He worked during the last part of the eighteenth century and lived to a great age. He was most skillful in the style of the Nara artists, Joi, Shozui, Yasuchika, Toshinaga, etc., and a teacher of great ability, his most expert pupil was Takase-Yeiju (or Hisan- aga), who worked during the late eighteenth and early nineteenth centuries.

The artists of the Sekijoken school at first followed the style of Yokoya, but later they turned to the Nara school. Tigers were considered the strongest animals. They were often shown with bamboo to symbolize the hospitality of the weak for the strong. In Chinese art, the tiger was traditionally related to the four directions as the animal
of the West, and was often paired with the dragon, which represented the East. Kano artists frequently depicted tigers with holy men, abbots, or monks, reflecting their mystic presence and association with Zen Buddhism. A tiger is said to be the only animal capable of navigating through thick bamboo forests, and the pairing of the two symbols is said to represent a harmonious and peaceful society. The bamboo alone stands for resilience and integrity, admired virtues of noble men.

Incredible quality pure gold overlay dragon menuki, gold overlaid seppa. Fully matching suite of handachi iron fittings trimmed in gold with patterning silver overlay. The original Edo saya has superb antique *urushi lacquer with pure gold, under clear lacquer, called Byakudan nuri: Transparent lacquer of a golden yellow colour, beautifully decorated with amazingly intricate billowing flaming-feather like swirls

Kyo Go Kaji 京五鍜冶 is short for Kyoto Go Kaji 京都五鍜冶 which means five swordsmiths of Kyoto. The term was developed to describe a group of related smiths who worked prosperously in the Kyoto area during shinto times. They made good quality works with similar characteristics and each had many students for generations. They are Iga (no) Kami Kinmichi 伊賀守金道, Echigo (no) Kami Kinmichi 越後守金道, Tanba (no) Kami Yoshimichi 丹波守吉道, Etchu (no) Kami Masatoshi 越中守正俊 and Omi (no) Kami Hisamichi 近江守久道. These smiths all had Mishina 三品 as their last name. The first four were sons of Seki Kanemichi 兼道 and Hisamichi was a student of Kanemichi's grandson.

* Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.
The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!
Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.
Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labour-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household

In photos 3 & 5 in the gallery we show the stunning pair of pure gold layered dragon menuki before they were mounted on the samegawa and then bound under the gold tsuka-ito.

* Notes from the Special exhibition
( 1907-1908 ) of Japanese sword guards, tsuba,
has been prepared by Mr. Okabe-Kakuya.  read more

Code: 25337