A Superb Ancient Greek Dagger Blade 13th to 11th Century B.C. From the Trojan War Era, Acquired With. Full Length Bronze Sword Blade From The Same Era

2nd millennium BC. A bronze dagger with tapering triangular blade and median thickening, curved shoulders, flat, sub-rectangular tang with two tang hilt mount piercings. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.

The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both the war and the city were widely seen as non-historical. In 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hisarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars.

Whether there is any historical reality behind the Trojan War remains an open question. Many scholars believe that there is a historical core to the tale, though this may simply mean that the Homeric stories are a fusion of various tales of sieges and expeditions by Mycenaean Greeks during the Bronze Age. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th century BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly correspond to archaeological evidence of a catastrophic burning of Troy VII, and the Late Bronze Age collapse. Legend has it that the war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris of Troy, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus of Sparta, fall in love with Paris, who quit Sparta with her and returned to Troy. Menelaus's brother Agamemnon, king of Mycenae, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, Aphrodite's son and one of the Trojans, who was said to have led the surviving Trojans to modern-day Italy113 grams, 26cm (10 1/4"). From a Japanese collection, 1990s.  read more

Code: 23417

A Superb K98 Mauser Combat Bayonet. Early to Pre War Manufacture 1939 By Coppel GmbH. Matching Bayonet & Nickel Plated Scabbard.

Karabinier Kurz Mauser K98k Seitengewehr 84/98. Early bakelite gripped, Serial number 7333. Matching Waffenamt 'Wa253' inspector markings to the scabbard and pommel, with full matching maker markings to both parts. Bayonet blade and scabbard, in wonderful bright plus condition, the bayonet fits and extracts perfectly, with perfect functioning rifle button catch.

A bayonet for the standard Mauser arm used by the Heer Army, Kriegsmarine Navy, used before and during the allied liberation of France, and subsequently the whole of the enslaved Western Europe, until, finally, the capture of Berlin by the Red Army. The Karabiner 98 kurz (German; "carbine 98 short", often abbreviated Kar98k or K98k and often incorrectly referred to as a "K98" (which was a Polish Carbine), is a bolt-action rifle chambered for the 7.92 ×57mm Mauser cartridge that was adopted on 21 June 1935 as the standard service rifle by the German Wehrmacht. It was one of the final developments in the long line of Mauser military rifles. Although supplemented by semi- and fully automatic rifles during World War II, it remained the primary German service rifle until the end of the war in 1945.


Sold to over 18s only.  read more

Code: 25904

A 19th Century Dixon Musket Powder Flask With Embossed Body

Copper body with brass adjustable measuring spout. Spring at fault. A beautiful flask but non working action due to spring. Circa 1840

J. Dixon & Sons (James Dixon & Sons), founded 1806 in Sheffield, was one of the major British manufacturers of the Industrial Revolution. They were manufacturers of pewter ware, electroplated Britannia metal, silverware and electroplated nickel silver. Their products included hundreds of items for use in the kitchen (e.g. bowls, cutting-tools) and the dining room (e.g. tea services, cocktail shakers and mixers) as well as items such as candlesticks. They were a world leader in manufacturing shooting accessories through nineteenth century and exported powder flasks in large quantities to America. It was located first at Silver Street (1806) and then at Cornish Place (1822) Sheffield. They were also famous for their sporting trophies. Two of the most well-known are the Hales Trophy commissioned in 1932 (sometimes called the Blue Riband) though this really refers to the pendant flown by the sailing ship currently holding the record for the fastest crossing of the Atlantic. The trophy was then held by the owners of that ship. The other great trophy is the one presented to the winner of the American Masters Golf tournament held annually in Augusta Georgia. This trophy is a scale model of the clubhouse made in 1959-60 and contains 453 troy ounces of silver.  read more

Code: 18201

A Beautiful Napoleonic Wars Swiss Mercenary Line Infantry, The 1ère Régiment Suisse, Officer's Blue and Gilt Epee. Some Officers & Men Of the Swiss Regt. Were Sent to The French Mediterranean Squadron's Ships at the Battle of Trafalgar

Maker marked by Jakob Girtanner, Degenschmied in St. Gallen, recorded from 1789.

Boat shaped original copper gilt hilt with French form Roman helmet pommel, single knucklebow, chequered carved ebony grip. Superb, duluxe 'Blue & Gilt' and engraved blade, with makers name engraved at the ricasso. In its original scabbard, that bears a good field service contemporary leather repair

From our recently acquired museum grade very rare collection of French Napoleonic swords.

The 1st Swiss Regiment (French: 1ère Régiment Suisse) was a Swiss mercenary line infantry regiment in the French Imperial Army during the Napoleonic Wars. During the expansion of the Imperial Army in 1803, Napoleon decreed the formation of four Swiss mercenary regiments, one of these later becoming the famed 1st Swiss. After a short time serving in Southern Italy, notably serving at the Battle of Maide, the 1st Swiss were sent to Poland for the impending Invasion of Russia. During the invasion, the regiment remained in the reserve, but served with honour, notably at the Battles of Polotsk and later the crossing of the Berezina. After retreating from Russia, elements of the regiment served during the minor campaigns until May 1814. The regiment was then reformed under the Bourbon restored monarchy, and continued into the Royal Guard until its final disbandment in 1830.

Interestingly, and historically, in 1805, according to regimental records, parts of the regiment was embarked on the Mediterranean Squadron's ships at the Battle of Trafalgar, where one officer was wounded.
By mid-1805, the regiment was consolidated within the new Kingdom of Italy with the Staff and 1st Battalion based at Bastia, the 2nd Battalion on Elba, the 3rd Battalion near Modena, and 4th Battalion in Genoa.

Napoleonic Wars campaigns and battles of the Swiss Regiments;

Battle of Trafalgar { regimental contingent}
Invasion of Naples
Battle of Castelfranco Veneto
Battle of Maida
Russian Campaign
First Battle of Polotsk
Second Battle of Polotsk
Battle of Berezina
War of the Sixth Coalition
Siege of Bremen
Siege of Maastricht
Battle of Wavre

On 27 November 1803, authorised articles were signed in which a new Swiss infantry regiment was to be created. However, it was not until March 1805, just before the Ulm Campaign, that the new French emperor, Napoleon, ordered the reorganisation of the Swiss troops by imperial decree. The remaining three Swiss Demi-brigades, which were the result of the merger of the original six Swiss demi-brigades of the Helvetic Legion. The men of these remaining small units were merged to form the new 1st Swiss Regiment, formed by imperial decree on 15 March 1805. The 1st Swiss Demi-Brigade was based in La Rochelle, where it was dissolved on 11 May 1805 to provide the 3rd Battalion of the new regiment. The 2nd Swiss Demi-Brigade formed the 4th Battalion a month later when it was based in Livorno. The 3rd Swiss Demi-Brigade was split, sourcing the personnel for the 1st and 2nd Battalions on 5 July 1805 while in Bastia, Corsica.

Following the disaster of the battle at Maida, the populace of Calabria (a fiercely pro-Bourbon province of the newly created Kingdom of Naples) rebelled against King Joseph Bonaparte. On 5 July 1806, the regiment and the remainder of Reynier's army were still retreating when it came upon the village of Marcellinara, desperate for food and water. To the amazement of the French, they were welcomed enthusiastically by the populace shouting "Long live the British" and "Death to the French", once again because they were mistaken for British soldiers. However, this comical situation ended tragically, when the Swiss opened fire on the populace, and the village was sacked.

As Napoleon's new Grande Armée assembled in the eastern parts of the Duchy of Warsaw, the need for Swiss troops became apparent. Napoleon even said, "We must pay serious attention to the Swiss regiments". He went on to call for a major effort to recruit the regiments up to strength and bring about their organisation. As a result, over the next year's course, the regiments were gradually reassembled, and each received a new regimental artillery company. Each artillery company composed of two 3-pounder mountain field cannon.

On most levels, Napoleon's campaign against Russia was a hugely complex series of events. For the Swiss regiments, it was much simpler – it consisted of three major engagements separated by long stretches of inactivity. The First Battle of Polotsk and Second Battle of Polotsk are amongst the least known actions of the campaign because they took place far from the watchful eye of Napoleon. However, the Battle of Berezina is better known, but the role played by the Swiss in that engagement is not always clearly described. Still, in all three instances, the Swiss covered themselves with glory and provided some of the most heroic episodes in the story of Napoleon's foreign troops.

On 17 August, at the First Battle of Polotsk, General Wittgenstein attacked the French in force, inflicting a sharp reserve on the II and VI Corps where Oudinot was wounded, and command was given to Marshal St Cyr, commanding VI Corps. The latter earned his Marshal's baton on the 18th when he counter-attacked and drove off the Russian Corps. During the engagement, the 1st, 2nd, and 3rd Swiss Regiments were initially not engaged, but the 18th St Cyr placed them in reserve as a precaution in case the action went against the French.

St Cyr is said to have noted:

"I know the Swiss. I had a battalion of the 1st Swiss Regiment under my orders at Castlefranco in Italy. The French are more impetuous in an advance, but if it comes to a retreat, we can count on the calm and courage of the Swiss"

— General de Division Laurent de Gouvion, Marquis de Gouvion-Saint-Cyr

The second fight for Polotsk was one of the campaign's most savage battles, conducted at night in a town full of blazing wooden buildings. Once the outer perimeters were breached, the fighting became hand-to-hand in the streets and houses, but the Swiss maintained their discipline and organisation throughout.

General Merle told Napoleon that he thought that every Swiss soldier deserved to be decorated for the Battle of Berezina, and he persuaded the Emperor to award the Swiss sixty-two crosses of the Legion of Honour. Unfortunately, the order to that effect was lost, and so the deserving officer and men of the Swiss regiments never received any officer recompense for their valour. However, their performance was accorded proper recognition by their countrymen, who viewed them as heroes whose actions were a source of national pride.

In 1813 On 10 October, the 1st Swiss along with fifty recruits of the 4th Swiss Regiment joined the Bremen garrison. The town had 30,000 inhabitants, which were of dubious loyalty to the Emperor. The forces' arrival was quite timely for the French commandant, Colonel Thuillier, as on 13 October, the town was assaulted by a mixed force of 4–5,000 Russian Cossacks and Prussian Freikorps under General Tettenborn. The voltigeur company under Captain Segesser was assigned to dispute the possession of the town's eastern suburb, and a French official who observed the combat noted that the Swiss "shot with such marvellous accuracy that any enemy soldier who showed himself was soon dead or wounded".

After Napoleon returned from Elba, during the 100 Days war, those that remained loyal to Napoleon, were formed into a regiment under the command of Colonel Christopher Stoeffel, who had been a captain in the 3rd Swiss in 1807 but had served exclusively in staff posts thereafter. A single battalion was formed in that regiment and served in General Vandamme's III Corps during the Waterloo Campaign, notably at the Battle of Wavre where it was wiped out. This regiment used the uniform and eagles of the 1st Swiss.

This is a very rare Napoleonic sword of Napoleon's early Consul to Empire period. Its scabbard had has long service repairs .  read more

Code: 25400

A Rare & Beautiful, Early 19th Century, Scottish Rams Horn Butt, All Steel, Highlander's Flintlock Pistol Made by Macleod. In Super Condition, With All The Features As to Be Expected For a Fine, Original, Highland Officer's Regimental Pistol

A most fine and stunning, early 19th century, Scottish all steel highlander's flintlock belt pistol by MacLeod {a gunsmith works that was founded in the mid 18th century in Doune, Scotland} with flared octagonal muzzle and proved barrel, a signed lock of "highland" type and finely engraved with typical scrolls and a fern border, the entire stock finely and lightly etched overall with iconic thistles, scrolls and trophies. With fine highland ramshorn butt, with removable ball pricker between, and round ball trigger, side belt hook, and a fancy turned steel ramrod. A typical example of the "highland" type lock, but with a fine, automatic hook-cock, half-cock safety to stop accidental missfire. It ejects from the lock plate when cocking the hammer to safely and firmly hold it in place until full-cock is engaged. Beautifully tight and crisp action.

Highland regiment officer's and sergeants wore one steel pistol under the left arm, hung through the pistol's belt hook on a thin buff leather belt. See the original 18th century portrait painting of Captain Gorry of the Highland Volunteer Regiment, with his pistol belt-hook mounted under his left arm. {For illustrative purposes only}

Pistols were considered requisite items for the Highland soldier as early as the 1730s. By the 1740s the elegant pistol styles of Christie & Murdoch (armourers of Doune, Stirlingshire) had became the most sought after amongst Highland officers. The unique elements of the Doune pistols were the scroll or rams horn butt, fluted barrels at the breech and the octagonal flared muzzles. Soon pistol makers all across Scotland (and in England) began to copy the styles of Doune.

Another same form and age pistol by the same maker, signed MacLeod, with the highlanders scroll butt of an 18th century form, with flintlock and rainproof pan, stock, lock and barrel of decorated steel, silver butt escutcheons engraved with the crest of Scott of Abbotsford, sold for £18750 three years ago, in Edinburgh at auction.

A pair of pistols by the same maker which are still within the collection of Sir Walter Scott and on display at Abbotsford. The pistols on display are not only by the same maker but bear a similar armorial engraving as on the pistol sold in Edinburgh. More remarkably, the pistols are recorded in correspondence between Scott and the gunsmith, Mr.MacLeod, being commissioned by him for King George IV’s visit to Scotland in 1822.

Sir Walter Scott’s personal interest in Scottish history and life is well recorded and his collection of historical arms and armour is famous, much of which still decorates his remarkable Borders home, Abbotsford.

Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish novelist, poet and historian. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He had a major impact on European and American literature.

Barrel length 7½", 13" overall length,  read more

Code: 25228

A Stunning Quality Wakizashi Signed with Honorific Title Masatoshi, Lord of Etchu, Han Dachi Mounted, Gold Dragon Menuki, Mishina School Blade, Early 1600's, Wonderful Signed Tsuba and Matching Kozuka Depicting the Tiger in the Bamboo Grove

We now are delighted to show it with its fully rebound tsuka in gold silk. The tsuka has been rebound traditionally, in finest gold tsukaito by our medal winning Japanese koshirae artisan, and it looks amazing.

Mishina School, Etchu (no) Kami Masatoshi. The stunning blade shows a beautiful and complex hamon in super polish. All original Edo mounts, superb signed *tsuba and kozuka all decorated with the legendary ‘Tiger in the Bamboo Grove’ theme. The kozuka is signed, as is its kogatana blade

* Tsuba signed Taizan Mototaka of Mito/Hitachi. Mototaka, was the founder of the Sekijoken line, was a son of Taizan-Motonori, a pupil of the Yokoya school, who signed his work Sekijoken-Taizan-Mototaka. He worked during the last part of the eighteenth century and lived to a great age. He was most skillful in the style of the Nara artists, Joi, Shozui, Yasuchika, Toshinaga, etc., and a teacher of great ability, his most expert pupil was Takase-Yeiju (or Hisan- aga), who worked during the late eighteenth and early nineteenth centuries.

The artists of the Sekijoken school at first followed the style of Yokoya, but later they turned to the Nara school. Tigers were considered the strongest animals. They were often shown with bamboo to symbolize the hospitality of the weak for the strong. In Chinese art, the tiger was traditionally related to the four directions as the animal
of the West, and was often paired with the dragon, which represented the East. Kano artists frequently depicted tigers with holy men, abbots, or monks, reflecting their mystic presence and association with Zen Buddhism. A tiger is said to be the only animal capable of navigating through thick bamboo forests, and the pairing of the two symbols is said to represent a harmonious and peaceful society. The bamboo alone stands for resilience and integrity, admired virtues of noble men.

Incredible quality pure gold overlay dragon menuki, gold overlaid seppa. Fully matching suite of handachi iron fittings trimmed in gold with patterning silver overlay. The original Edo saya has superb antique *urushi lacquer with pure gold, under clear lacquer, called Byakudan nuri: Transparent lacquer of a golden yellow colour, beautifully decorated with amazingly intricate billowing flaming-feather like swirls

Kyo Go Kaji 京五鍜冶 is short for Kyoto Go Kaji 京都五鍜冶 which means five swordsmiths of Kyoto. The term was developed to describe a group of related smiths who worked prosperously in the Kyoto area during shinto times. They made good quality works with similar characteristics and each had many students for generations. They are Iga (no) Kami Kinmichi 伊賀守金道, Echigo (no) Kami Kinmichi 越後守金道, Tanba (no) Kami Yoshimichi 丹波守吉道, Etchu (no) Kami Masatoshi 越中守正俊 and Omi (no) Kami Hisamichi 近江守久道. These smiths all had Mishina 三品 as their last name. The first four were sons of Seki Kanemichi 兼道 and Hisamichi was a student of Kanemichi's grandson.

* Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.
The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!
Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.
Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labour-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household

In photos 3 & 5 in the gallery we show the stunning pair of pure gold layered dragon menuki before they were mounted on the samegawa and then bound under the gold tsuka-ito.

* Notes from the Special exhibition
( 1907-1908 ) of Japanese sword guards, tsuba,
has been prepared by Mr. Okabe-Kakuya.  read more

Code: 25337

Koto Period Samurai Katana, Circa 1550 From The Muramachi Era, A Most Fine Blade with Midare and Large Waves Hamon, & Nioi & Nie Deki, a Masame & Itame Hada, in Very Good Polish, Shibuishi Dragon Fly Fuchi Kashira

Fine Edo saya in superb condition decorated under clear urushi lacquer with pine needles and entwined silver wire. Very good Edo tsuba of iron {tettsu} with mokume wood grain body and a bamboo mimi {rim} with bamboo leaves. Wonderful quality shibuishi fuchi -kashira of takebori dragonflies with a gold seal. Just returned from a interior decorators display in Grosvenor Sq. London.

Nie (沸) literally means "seethe" or "boil." In Japanese sword connoisseurship, it is the name of larger martensite crystals that appear on the polished surface of some traditionally made Japanese swords, which sometimes look like bubbles of boiling water rising to the surface. Nie mostly forms along the temperline, but on some swords is also seen on the blade's surfaces. Nie & nioi
When the crystals are so small that the naked eye cannot make them out individually, and they appear like a whitish mist, it is called nioi (匂), literally "fragrance". Nioi is present to some extent on all blades, but when no or very little nie is present, we speak of nioi-deki (匂出来). When the work shows nie throughout, we call it nie deki (沸出来) where deki means workmanship or interpretation.

Japan was once known as the “Land of the Dragonfly”, as the Emperor Jimmu is said to have once climbed a mountain in Nara, and looking out over the land, claimed that his country was shaped like two Akitsu, the ancient name for the winged insects, mating.

Dragonflies appeared in great numbers in 1274 and again in 1281, when Kublai Khan sent his Mongol forces to conquer Japan. Both times the samurai repelled the attackers, with the aid of huge typhoons, later titled Kamikaze (the Divine Winds), that welled up, destroying the Mongol ships, saving Japan from invasion. For that reason, dragonflies were seen as bringers of divine victory.

Dragonflies never retreat, they will stop, but will always advance, which was seen as an ideal of the samurai. Further, although the modern Japanese word for dragonfly is Tombo, the old (Pre Meiji era) word for dragonfly was Katchimushi. “Katchi” means “To win”, hence dragonflies were seen as auspicious by the samurai.

Insects in general have been celebrated in Japanese culture for centuries. The Lady Who Loved Insects is a classic story of a caterpillar-collecting lady of the 12th century court; the Tamamushi, or Jewel Beetle Shrine, is a seventh century miniature temple, once shingled with 9,000 iridescent beetle forewings. In old Japanese literature, poems upon insects are to be found by thousands, Daisaburo Okumoto is director of the Fabre Insect Museum. An avid insect collector and a scholar of French literature, he has translated many of Fabre's works. He ascribes the popularity of insects in Japan to national character. It seems like Japanese eyes are like macro lenses and Western eyes are wide-angle, he says. A garden in Versailles, it's very wide and symmetrical. But Japanese gardens are continuous from the room and also very small. We feel calm when we look at small things. The medieval Japanese monk Yoshida Kenko put it this way: “If man were never to fade away like the dews of Adashino, never to vanish like the smoke over Toribeyama, how things would lose their power to move us!

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.
The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!
Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.
Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labour-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household  read more

Code: 25334

A Most Rare & Original, Nazi Deutsche Zeppelin-Reederei Silver Serving Platter From the Nazi Graf Zeppelin. The Most Famous Zeppelin Ever Made, And The Inspiration For Airship in Indiana Jones & The Last Crusade

This stunning aeronautical collectors item, a main serving platter, has the German Zeppelin Co. logo, of the Third Reich Zeppelin, flying across the globe, the Deutsche Zeppelin-Reederei. Manufactured by GEBRUDER HEPP PFORZHEIM, in 90 grade.

In March 1935, the South Atlantic flights became the responsibility of the Nazi controlled Deutsche Zeppelin-Reederei, after this company had been set up jointly by Luftschiffbau Zeppelin, the German Air Ministry and Deutsche Lufthansa. The DZR was created at the instigation of Air Minister Hermann Goring as a way to increase Nazi control over zeppelin operations, and can be see as part of the larger policy of Gleichschaltung, or coordination, which affected all aspects of German life in the years following Hitler’s assumption of power.

Consistent with Nazi ideology, the airship was expected to be more than just a private commercial venture; it was to be a public symbol of the new German nation.

In a speech marking the founding of the DZR, Goring commented:

“I hope that the new ship will also fulfil its duty in furthering the cause of Germany
The airship does not have the exclusive purpose of flying across the Atlantic, but also has a responsibility to act as the nation’s representative.”

The even larger airship, the LZ 129 'Hindenburg' joined the 'Graf Zeppelin' in 1936, and, in addition to South Atlantic flights with its partner, inaugurated a service over the North Atlantic, between Frankfurt and Lakehurst in New Jersey, in the summer. Also in 1936 the South American route was extended to Rio de Janeiro. Deutsche Zeppelin-Reederei ceased operations as the commercial use of airships came to an abrupt end on 6 May 1937, when the 'Hindenburg' exploded at Lakehurst.
This large silver tray is made of finest grade German silver plate, 90 grade, and was the product of the same silver company that made the Third Reich military cutlery and other silver objects for the Third Reich hierarchy - Gbr. Hepp.

His company, alongside his rival, Wellner, was a maker of much of the Fuhrer's formal dinnerware, and the Reich chancellery dinnerware pieces. Many items by were used in several of Hitler's residences, the Hotel Der Deutscher Hof personally used by Hitler, and numerous state offices. The Zeppelin Corps became one of the shortest-lived German service branches of World War II. After the German invasion of Poland in 1939, the Luftwaffe ordered the last two Zeppelin airships moved to a large Zeppelin hangar in Frankfurt. In March of 1940, Goring ordered their destruction and the aluminium fed into the Nazi war industry. In May, a fire broke out in the Zeppelin facility which destroyed most of the remaining parts. The rest of the parts and materials were soon scrapped with almost no trace of the German "Giants of the Air" remaining by the end of the year. 49cm x 32.5cm  read more

Code: 22618

A Superb, Original, Napoleonic French 'Prisoner-of-War' Travelling Dressing Case. A Unique Object D’art Created By A French Napoleonic War Combatant P.O.W Held in British Captivity. Sold To British Visitors To The Prisoner’s Markets

In wood covered in straw-work parquetry. A near identical example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. The interior bears many small drawers and compartments and a fold away mirror in vauxhall plate, and a fine hand painted watercolour of Beaufort Castle in Invernesshire. All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.
Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon?s forces were finally defeated at Waterloo.

In 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.
To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

12.75 inches wide, x 9.25 inches x 3 inches.  read more

Code: 20852

A Stunning & Superb Condition, Original Indian Mutiny Period Elite 2nd Dragoon Guards Officer's Silver Pouch

Hallmarked silver and dated to 1855. This was acquired from a museum grade collector of Waterloo artefacts and also 2nd Dragoon Guards artefacts, from the 19th century. We also acquired the regimentally marked 2nd QDG 1796 Napoleonic Wars pistol code number 22648 {now sold}. A dress officer’s finest grade silver pouch, in absolute pristine condition. Quite simply a wonderful artefact of British elite cavalry uniform regalia, that is also an 'object d'art' from one of the most beautiful and finest quality military uniforms ever worn.
Hallmarked London silver, dated 1855. Picture 10 in the gallery shows the pre 1885 2nd QDG full dress badge, when worn on their helmet the garter belt motto would change to the words Queen's Dragoon Guards, on the 1855 pouch it has "Honi Soit Qui Mal y Pense" as with the full dress badge but surmounted by a crown.

Rectangular curved box with silver lid, with cast silver supports and rings and lined with silver wire bullion bands. Box covered in tooled black leather lining with morocco red leather trim. The silver cover bears an engraved acanthus leaf border, bearing at its centre the elite royal cavalry badge, of a gold, crowned garter star, emblazoned with royal motto "Honi Soit Qui Mal Y Pense", and the central relief VR cypher of Queen Victoria.
In 1857 the 2nd the Queen's Bays, were sent to India for the Indian Mutiny, and this pouch would have been worn in this conflict by its officer owner.
After the recapture of Delhi the focus of the conflict was on Lucknow, 150 miles northeast of Allahabad. Sir Colin Campbell had already rescued the beleaguered garrison there but had not prevented the rebels from capturing the city and holding it with 130,000 men. Campbell now had a force of 20,000 to march on Lucknow. The rebels made several sorties out of the town to engage with them. On 6 March two squadrons of the Bays made a charge under the command of Major Percy Smith. This got out of control over broken ground and three men were killed, including Major Smith. They were unable to retrieve his body. One corporal was unhorsed and unable to remount, so was cut to pieces. Six other men were wounded and many of the horses suffered terrible wounds from the mutineers' swords and bayonets. Lucknow was recaptured by 16 Mar 1858, but 20,000 rebels escaped. The cavalry units were already scattered around the countryside chasing small parties of rebels so were not in position to block the mass exodus on 16 Mar. "We came on bodies of Cavalry and Infantry of the enemy. Bays where ordered to the front to charge and pursue! Away we went as hard as possible, Major Smith and I leading. We did not stop for three miles, cutting down and pursuing the mutineers right up to Lucknow, and across the river. We are told the most gallant. Smartest, though somewhat rash thing that was done before Lucknow".

In a battle at Nawabganj, east of Lucknow, 2 squadrons under Major Seymour were part of the cavalry element of Hope Grant's 3,500-strong column that attacked a force of 15,000 mutineers entrenched at a river crossing. They made a 12 mile night march to surprise the rebels. There was a three hour battle during which the British were surrounded but they turned the tables and drove the enemy off, having killed 600 and captured 9 guns. The British lost 67 killed or wounded in action, but 33 died of sunstroke and 250 ended up in hospital. All members of the regiment had suffered from fever or sunstroke, both proving fatal in many cases. The CO, William Campbell died on 6 July 1858, after being promoted to brigadier. The second lieutenant-colonel, Hylton Brisco had suffered with fever and retired in September. Because of the fatalities and sickness, officers were gaining promotion without purchase. Captain William Henry Seymour, whose letters home provide valuable information on the Bays in India, attained his majority and lieutenant-colonelcy so that within 8 months he had gone from captain to CO of the regiment.
7.5 inches x 3.5 inches x 1.75 inches deep at the curve. 8.75 ounces weight total.  read more

Code: 22333