WW1 Imperial German Officer's sword 73rd Reserve Regiment. Company 16 Sword 1

A gilt brass-bronze hilt with silver wire bound grip and folding shell guard, maker marked blade by Wayersberg Kirschbaum, Solingen. Regimentally marked with the Kiaser’s ordnance inspection stamp. The 19th Reserve Division, 37th Reserve Brigade, 73rd reserve infantry regiment, began the war under command of Generalleutnant Max von Bahrfeldt on the Western Front, participating in the opening German offensive which led to the Allied Great Retreat and ended with the First Battle of the Marne. Thereafter, the division remained in the line on the Aisne and in the Champagne. From May 1915 to March 1916, the division fought in Upper Alsace. It then fought in the Battle of Verdun until July, when it went into the Argonne Forest. In October 1916, it saw action in the later phases of the Battle of the Somme. In April 1917, the division fought in the Second Battle of the Aisne, also known as the Third Battle of Champagne. In May, it was sent to the Eastern Front, and fought around Riga until September. It then returned to the Western Front, where it saw action in the Battle of Passchendaele. It was back in the trenchlines at Verdun from October 1917 to April 1918. In August–September 1918, the division faced the French and American Oise-Aisne Offensive. It remained in the line until war's end. Allied intelligence rated the division as first class. No scabbard  read more

Code: 23991

Very Rare Company Of Watermen, River Thames, 'Tudor' Barge Fork Circa 1530

Large 'Y' shaped head and old oak haft. It bears two large letters stamped in the iron ' T & M'. These are likely for a Barge Company of Waterman mark. We had another about 10 years ago bearing the same company mark and these historical artifacts are now really rare. Recovered from the Thames near London Bridge. In the 16th Century the Company of Watermen were the equivalent to today’s cabbies. Created by an Act of Parliament in 1556 and their trade was carefully licensed. They would ply for hire from designated locations along the Thames, with the cry of ‘Oars! Oars!’

When the watermen were not transporting people they would turn their hand to salvage and found a brisk trade in finding bodies, either suicides or those who?d accidentally drowned or been murdered. By a curious quirk of history, the origins of which are now lost, bodies were almost always landed on the south side of the river because the authorities would pay a shilling for a body landed in Southwark but only sixpence for one landed on the north bank. Clearly waterborne cabbies were not averse to ‘going south of the river’ in those days.

One on the best trips for the Watermen was from the City to as far up river as Hampton Court.The trade was not without its dangers; if you wanted to travel downstream below London Bridge you risked life and limb. A major feature of London Bridge was the effect it had on the Thames. The location of the bridge?s 19 timber pier supports (called starlings) was determined by riverbed conditions and this meant that they were varied in spacing across the river. Consequently, the arch spans varied in size too and boats navigating the arches encountered different currents and river conditions at each one. Some were more dangerous than others. Over the years, boatmen christened the arches with various names, such as Gut, Lock and Long Entry. Navigating through these arches in a boat could be very dangerous because the closeness and number of starlings backed up the river water, creating rapids. In some places the drop in water height from one side of the bridge to the other was more than the height of a man. Many people lost their lives ‘shooting’ the bridge and ‘Drowned at the bridge’ became a common entry in the registers at nearby graveyards, but most Londoners took Cardinal Wolsey's example. On his frequent visits to Greenwich to see Henry VIII, he would have his barge stopped above the bridge and get out and travel to Billingsgate by mule, where he would rejoin his barge, providing it had successfully negotiated the rapids. The barge fork was used to push a barge away from an obstruction, or for pushing off from the river bank or jetty. The last picture is of a statue of the Martyr John Roche a Thames Waterman, Martyred at Tyburn in 1588, who is mounted St Etheldreda’s Church in Ely Place, London, along the North and South walls, alongside his fellow 7 Martyrs. Fork head 13.1 inches long by 6.25 inches across. Total length around 5+ foot.  read more

Code: 21232

A Most Interesting and Intriguing 18th Century Small Sword, circa 1770, with a Trefoil Colichemarde blade

Gilt hilt with numerous classical representations of male and female figures. The figures are intriguing to say the least, upon the double shell guard there are a pair of male and female figures, each holding classical noble sceptres, the male figure has a somewhat Egyptian hair style and a tall crown, but also bat type wings. The pommel has an embossed portrait bust of a classical king, and the quillon block has two classical figures, both with staff, one with a cloak one without, but intriguingly and rarely seen, the cloakless male figure has his [obvious] full compliment of 'gentleman's marital equipment' [see photo], which is most rare to see on antique weaponry. The sword bears a trefoil colichemarde blade that is beautifully inlaid with a 1.75 inch panel of copper-gold alloy in a geometric pattern. The grip is multi wire bound over wood that is a tad spaced now through age. The small sword or smallsword is a light one-handed sword designed for thrusting which evolved out of the longer and heavier rapier of the late Renaissance. The height of the small sword's popularity was between mid 17th and late 18th century. It is thought to have appeared in France and spread quickly across the rest of Europe. The small sword was the immediate predecessor of the French duelling sword (from which the épée developed) and its method of use—as typified in the works of such authors as Sieur de Liancour, Domenico Angelo, Monsieur J. Olivier, and Monsieur L'Abbat—developed into the techniques of the French classical school of fencing. Small swords were also used as status symbols and fashion accessories; for most of the 18th century anyone, civilian or military, with pretensions to gentlemanly status would have worn a small sword on a daily basis.
The small sword could be a highly effective duelling weapon, and some systems for the use of the bayonet were developed using the method of the smallsword as their foundation, (including perhaps most notably, that of Alfred Hutton).
The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practising fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended.The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. The knuckle bow has been removed by design and there is no sharp tip point remaining to the overall russetted blade.
Overall 26.75 inches long overall, hilt 5.25 inches.  read more

Code: 23962

A Nice Edo Period Round Iron Plate Tsuba Decorated with A Boy Riding a Water Buffalo

After Hanabusa Itchō, a very popular subject in Japnese art in the late 17th to 18th century.Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other. 68mm  read more

Code: 23952

Super Pair of Regency Silhouette Portraits of a Scottish Lady and Gentleman

Circa 1815 to 1830 British School. The gentleman is holding his fouling piece, and wearing a kilt. The lady is holding what appears to be her prayer book. Both silhouettes are hand cut black paper aplied to an off-white card backing, emphasized with gold shadow highlights. Original Regency rosewood frames. A silhouette is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The more expensive versions could have a gold highlight such as these have. The silhouette differs from an outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic media, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed.

Cutting portraits, generally in profile, from black card became popular in the mid-18th century, though the term silhouette was seldom used until the early decades of the 19th century, and the tradition has continued under this name into the 21st century. They represented an effective alternative to the portrait miniature, and skilled specialist artists could cut a high-quality bust portrait, by far the most common style, in a matter of minutes, working purely by eye. Other artists, especially from about 1790, drew an outline on paper, then painted it in, which could be equally quick.

From its original graphic meaning, the term silhouette has been extended to describe the sight or representation of a person, object or scene that is backlit, and appears dark against a lighter background. Anything that appears this way, for example, a figure standing backlit in a doorway, may be described as "in silhouette". Because a silhouette emphasises the outline, the word has also been used in the fields of fashion and fitness to describe the shape of a person's body or the shape created by wearing clothing of a particular style or period. 10.5 x 12.5 inches framed. Picture in the gallery of a drawing a Silhouette by Johann Rudolph Schellenberg (1740?1806). Light staining to the gentlemans white backing paper.  read more

Code: 23078

A Very Nice Edo Period Shinto Era 'Nakago Form' Kodzuka

Iron body inlaid with copper , with the signature kanji of Kaboku, and the Imperial chrysanthemum mon. Kodzuka have been collectable items for many centuries, simply as works of art, even though they were functional knife handles, for the utility blades that fitted into wakizashi, tanto and katana saya. They can vary in quality, and this is a most fine example, inlaid with pure copper. What is particularly scarce is that it is shaped like the tang of the sword, complete with simulated mekugi ana, and signed in much the same way. This type is rare and very collectable. The kozuka handle would have a long thin blade that slotted into it's opening, and the blade was often considered to be almost of a disposable nature, with the handle itself being the prized part. 3.75" long.  read more

Code: 23944

A Very Good WW2 1942 German Infantry Fur Backed Tornistor Back-Pack

In very good condition overall, maker stamped and dated 1942 by Lunschloss. This cowhide-covered rucksack was known as the Tornister 34 (developed in 1934) and was later fitted with new style straps in 1939. As the war progressed the design was simplified for economical and practical reasons so the cowhide cover was eliminated making these packs especially scarce on today?s collector market. The M39 has one vertical loop with quick release sewn at the bottom of the front flap for retaining the A-frame and comes with or without carrying straps. Troops that were isssued infantry Y-straps received the version without carrying straps (replaced by two hooks), while troops with no Y-straps received the version with carrying straps. All of them were produced with a fur front flap (and some without fur)?and it was called "Affe" in the German Army  read more

Code: 22105

A Most Interesting & Fine Original Antique Edwardian Bastinado or Whipping Cane

Very flexible bamboo cane with a London hallmarked silver top dated 1902. In superb 'whippy' condition. Flagellation was so common in England as punishment that caning, along with spanking and whipping, are called "the English vice".

Caning can also be done consensually as a part of personal 'amusement'
Foot whipping, falanga or bastinado is a method of inflicting pain and humiliation by administering a beating on the soles of a person's bare feet. Unlike most types of flogging, it is meant more to be painful than to cause actual injury to the victim. Blows are generally delivered with a light rod, knotted cord, or lash.

The receiving person is forced to be barefoot and soles of the feet are placed in an exposed position. The beating is typically performed with an object like a cane or switch. The strokes are usually aimed at the arches of the feet and repeated a certain number of times.

Bastinado is also referred to as foot (bottom) caning or sole caning, depending on the instrument in use. The German term is Bastonade, deriving from the Italian noun bastonata (stroke with the use of a stick). In former times it was also referred to as Sohlenstreich
The first clearly identified written documentation of bastinado in Europe dates to 1537, and in China to 960.2 References to bastinado have been hypothesised to also be found in the Bible (Prov. 22:15; Lev. 19:20; Deut. 22:18), suggesting use of the practice since antiquity
Foot whipping was used by Fascist Blackshirts against Freemasons critical of Benito Mussolini as early as 1923. It was reported that Russian prisoners of war were "bastinadoed' at Afion camp by their Turkish captors during World War I. However British prisoners escaped this treatment. Also, as used in days gone by at Eton, Harrow, & Rugby, and by Miss Doris Goodstripe, of 37 Railway Cuttings, East Cheam (apparently)  read more

Code: 23926

What a Superb Antique Gift Idea. A Pair of Simply Delightful Original Victorian Royal Mail Coaching Prints in Fine Rosewood Veneer Frames

With their original and super old retailer's labels of the most distinguished Arthur Ackerman Gallery of Fine Arts, 191 Regent St. London, W. A charming pair of original Victorian coloured prints in fine quality frames. 6.75 inches x 8.75 inches framed In the 18th century travel was hazardous to all. Highwaymen stalked the roads and those leading into London were said to be ‘infested’ with robbers. Romantic tales of masked, gallant gentleman were far from the truth: highwaymen were ruthless and deadly.
On 4 December 1775, a Norwich stagecoach was attacked by a gang of seven highwaymen. The guard shot three robbers before being killed and the coach robbed. Richard ‘Dick’ Turpin, a famous highwayman of the time, was known to torture his victims and would even kill one of his companions to aid his own escape.

‘… recommending the Guarding of all the Horse Mails, as a measure of national importance to which the Public in some degree conceived themselves entitled…’

Francis Freeling, Resident Surveyor, 14th March 1796
A plan was written to guard all horse mails, which included the arming of all guards. In doing so the Post Office would not only secure the vast property conveyed by horse, but also save the expenses incurred in prosecuting a robber. Furthermore, it would maintain regularity of service and eliminate what was seen as a disgrace to both the Office and to the nation.

Surveyors observed that the revenue lost to robbery was twice the sum it would cost to guard the mail: it was the obvious choice. In 1784, John Palmer introduced the first mail coach from Bristol to London. This faster and well-armed postal service proved to be a great deterrent to robbers, as they risked being shot or, if caught, tried and hanged. The first recorded robbery of a mail coach did not occur until 25 July 1786.

A letter to joint Postmaster Generals asking for the establishment of a regional mail coach was signed by over 100 people, whose businesses had been damaged due to the frequency of robberies. Mail coaches were a better way of securing the post’s safe passage, though there are a few recorded instances of attempted robberies even of them.

In January 1816, an Enniskillen coach was attacked and robbed by a gang of 14 men who had barricaded the road. The guards fired off all of their ammunition but the mail bags and weapons were all stolen. the Mail Guard was issued with a a pair of flintlock pistols  read more

Code: 16969

A Most Fearsome & impressive Original Medieval Crusaders Battle Mace, 700 to 800 Years Old

A most impressive but fearsome early weapon from the 1200's to 1300's around 700 to 800 years old, and most probably German. On replacement 'display' haft. An incredible elaborate 'pineapple' form lobed head that would be extremely effective at achieving its aim. This is also the form of Mace that could also mounted on a short chain with a haft and then used as a flail mace or scorpian sting for that extra reach while used on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and under-armed swing of the ball, but runs less of a risk of being unbalanced from his saddle. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights [both friends and companions] to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.
It is difficult to block with a shield or parry with a weapon such as this on a chain because it can curve over and round impediments and still strike the target. It also provides defence whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.
Controlling the flail is much more difficult than rigid weapons. Mounted on a replaced old haft. One photo in the gallery is from a 13th century Manuscript that shows knights in combat, and one at the rear is using a stylised and similar Mace [photo for information only and not included with mace]. The head is around the size of a tennis ball. In the gallery is a section of a 13th century illuminated manuscript, The Smithfield Decretals showing two man-sized rabbits killing a restrained man with a mace, known as a 'bizarre and vulgar' illustration. A mace is a blunt weapon, a type of club or virge that uses a heavy head on the end of a handle to deliver powerful blows. A mace typically consists of a strong, heavy, wooden or metal shaft, often reinforced with metal, featuring a head made of stone, copper, bronze, iron, or steel.
The head of a military mace can be shaped with flanges or knobs to allow greater penetration of plate armour. The length of maces can vary considerably. The maces of foot soldiers were usually quite short (two or three feet). The maces of cavalrymen were longer and thus better suited for blows delivered from horseback. Two-handed maces could be even larger. During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas. The Sami, for example, continued to use bronze for maces as a cheaper alternative to iron or steel swords.

One example of a mace capable of penetrating armour is the flanged mace. The flanges allow it to dent or penetrate thick armour. Flange maces did not become popular until after knobbed maces. Although there are some references to flanged maces (bardoukion) as early as the Byzantine Empire c. 900 it is commonly accepted that the flanged mace did not become popular in Europe until the 12th century, when it was concurrently developed in Russia and Mid-west Asia.
.It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. Iron head 2 inches x 2.25 inches across, length 21 inches  read more

Code: 21134