A Nice Edo Period Round Iron Plate Tsuba Decorated with A Boy Riding a Water Buffalo

After Hanabusa Itchō, a very popular subject in Japnese art in the late 17th to 18th century.Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other. 68mm  read more

Code: 23952

Super Pair of Regency Silhouette Portraits of a Scottish Lady and Gentleman

Circa 1815 to 1830 British School. The gentleman is holding his fouling piece, and wearing a kilt. The lady is holding what appears to be her prayer book. Both silhouettes are hand cut black paper aplied to an off-white card backing, emphasized with gold shadow highlights. Original Regency rosewood frames. A silhouette is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The more expensive versions could have a gold highlight such as these have. The silhouette differs from an outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic media, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed.

Cutting portraits, generally in profile, from black card became popular in the mid-18th century, though the term silhouette was seldom used until the early decades of the 19th century, and the tradition has continued under this name into the 21st century. They represented an effective alternative to the portrait miniature, and skilled specialist artists could cut a high-quality bust portrait, by far the most common style, in a matter of minutes, working purely by eye. Other artists, especially from about 1790, drew an outline on paper, then painted it in, which could be equally quick.

From its original graphic meaning, the term silhouette has been extended to describe the sight or representation of a person, object or scene that is backlit, and appears dark against a lighter background. Anything that appears this way, for example, a figure standing backlit in a doorway, may be described as "in silhouette". Because a silhouette emphasises the outline, the word has also been used in the fields of fashion and fitness to describe the shape of a person's body or the shape created by wearing clothing of a particular style or period. 10.5 x 12.5 inches framed. Picture in the gallery of a drawing a Silhouette by Johann Rudolph Schellenberg (1740?1806). Light staining to the gentlemans white backing paper.  read more

Code: 23078

A Very Nice Edo Period Shinto Era 'Nakago Form' Kodzuka

Iron body inlaid with copper , with the signature kanji of Kaboku, and the Imperial chrysanthemum mon. Kodzuka have been collectable items for many centuries, simply as works of art, even though they were functional knife handles, for the utility blades that fitted into wakizashi, tanto and katana saya. They can vary in quality, and this is a most fine example, inlaid with pure copper. What is particularly scarce is that it is shaped like the tang of the sword, complete with simulated mekugi ana, and signed in much the same way. This type is rare and very collectable. The kozuka handle would have a long thin blade that slotted into it's opening, and the blade was often considered to be almost of a disposable nature, with the handle itself being the prized part. 3.75" long.  read more

Code: 23944

Historismus Chinese Bronze Helmet, Ancient C.400bc Warring States Era Style

A fabulous statement piece, ideal for a interior decor centrepiece. Probably mid 19th century. With good green aged patination, and as tradition dictates, cast in one piece. In the past 30 years or so we have had only a very few of this style of helmet, and just two have been original and the correct age that they should. This is a Historismus period example. It is a most beautiful work of art, extremely pleasing, decorative, and it would compliment any historical or classical display of arms or antiques. We don't normally acquire or sell non period items but historismus pieces have always been desireable and most collectable in their own right. Historicism or also historism and historismus comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artisans. This is especially prevalent in architecture, such as revival architecture. Through a combination of different styles or implementation of new elements, historicism can create completely different aesthetics than former styles. Thus it offers a great variety of possible designs.

In the history of art, after Neoclassicism which in the Romantic era could itself be considered a historicist movement, the 19th century saw a new historicist phase marked by an interpretation not only of Greek and Roman classicism, but also of succeeding stylistic eras, which were increasingly considered equivalent. In particular in architecture and in the genre of history painting, in which historical subjects were treated of with great attention to accurate period detail, the global influence of historicism was especially strong from the 1850s onwards. The change is often related to the rise of the bourgeoisie during and after the Industrial Revolution. The history and evolution of armour in Chinese warfare is difficult to ascertain with certainty, given its often perishable nature, but text descriptions and appearances in art, such as in wall paintings and on pottery figurines, along with surviving metal parts can help reconstruct major developments. Just who wore armour and when is another point of discussion. Military treatises of the Warring States period (c. 481-221 BCE) suggest that all officers of any level wore armour. The same sources contain references to commanders keeping armour in storage bags and distributing it to troops, but at least some of the ordinary conscripted infantry probably had to provide their own. This obviously depended on their means, and being farmers it is unlikely to have been a realistic possibility for most. 31 cm high, weight 3 kilos.  read more

Code: 22225

A Most Fine Victorian Scottish Military Horsehair Sporran with Cantle and Tassels

A Scottish Victorian military horsehair sporran, ball finials, the shaped arched cantle and conical tassel mounts finely engraved with scrolls and dragon, 45cm long overall, maker's mark only, Forsyth Glasgow,19th century .
Since the traditional kilt does not have pockets, the sporran serves as a wallet and container for any other necessary personal items. It is essentially a survival of the common European medieval belt-pouch, superseded elsewhere as clothing came to have pockets, but continuing in the Scottish Highlands because of the lack of these accessories in traditional dress. The sporran hangs below the belt buckle; and much effort is made to match their style and design. The kilt belt buckle can be very ornate, and contain similar motifs to the sporran cantle and the Sgian Dubh. Early sporrans would have been worn suspended from the belt on one or other of the hips, rather than hung from a separate strap in front of the wearer.

When driving a carriage, dancing, playing drums, or engaging in any activity where a heavy pouch might encumber the wearer, the sporran can be turned around the waist to let it hang on the hip in a more casual position. One ball finial lacking  read more

Code: 21453

A Very Good WW2 1942 German Infantry Fur Backed Tornistor Back-Pack

In very good condition overall, maker stamped and dated 1942 by Lunschloss. This cowhide-covered rucksack was known as the Tornister 34 (developed in 1934) and was later fitted with new style straps in 1939. As the war progressed the design was simplified for economical and practical reasons so the cowhide cover was eliminated making these packs especially scarce on today?s collector market. The M39 has one vertical loop with quick release sewn at the bottom of the front flap for retaining the A-frame and comes with or without carrying straps. Troops that were isssued infantry Y-straps received the version without carrying straps (replaced by two hooks), while troops with no Y-straps received the version with carrying straps. All of them were produced with a fur front flap (and some without fur)?and it was called "Affe" in the German Army  read more

Code: 22105

A Most Interesting & Fine Original Antique Edwardian Bastinado or Whipping Cane

Very flexible bamboo cane with a London hallmarked silver top dated 1902. In superb 'whippy' condition. Flagellation was so common in England as punishment that caning, along with spanking and whipping, are called "the English vice".

Caning can also be done consensually as a part of personal 'amusement'
Foot whipping, falanga or bastinado is a method of inflicting pain and humiliation by administering a beating on the soles of a person's bare feet. Unlike most types of flogging, it is meant more to be painful than to cause actual injury to the victim. Blows are generally delivered with a light rod, knotted cord, or lash.

The receiving person is forced to be barefoot and soles of the feet are placed in an exposed position. The beating is typically performed with an object like a cane or switch. The strokes are usually aimed at the arches of the feet and repeated a certain number of times.

Bastinado is also referred to as foot (bottom) caning or sole caning, depending on the instrument in use. The German term is Bastonade, deriving from the Italian noun bastonata (stroke with the use of a stick). In former times it was also referred to as Sohlenstreich
The first clearly identified written documentation of bastinado in Europe dates to 1537, and in China to 960.2 References to bastinado have been hypothesised to also be found in the Bible (Prov. 22:15; Lev. 19:20; Deut. 22:18), suggesting use of the practice since antiquity
Foot whipping was used by Fascist Blackshirts against Freemasons critical of Benito Mussolini as early as 1923. It was reported that Russian prisoners of war were "bastinadoed' at Afion camp by their Turkish captors during World War I. However British prisoners escaped this treatment. Also, as used in days gone by at Eton, Harrow, & Rugby, and by Miss Doris Goodstripe, of 37 Railway Cuttings, East Cheam (apparently)  read more

Code: 23926

What a Superb Antique Gift Idea. A Pair of Simply Delightful Original Victorian Royal Mail Coaching Prints in Fine Rosewood Veneer Frames

With their original and super old retailer's labels of the most distinguished Arthur Ackerman Gallery of Fine Arts, 191 Regent St. London, W. A charming pair of original Victorian coloured prints in fine quality frames. 6.75 inches x 8.75 inches framed In the 18th century travel was hazardous to all. Highwaymen stalked the roads and those leading into London were said to be ‘infested’ with robbers. Romantic tales of masked, gallant gentleman were far from the truth: highwaymen were ruthless and deadly.
On 4 December 1775, a Norwich stagecoach was attacked by a gang of seven highwaymen. The guard shot three robbers before being killed and the coach robbed. Richard ‘Dick’ Turpin, a famous highwayman of the time, was known to torture his victims and would even kill one of his companions to aid his own escape.

‘… recommending the Guarding of all the Horse Mails, as a measure of national importance to which the Public in some degree conceived themselves entitled…’

Francis Freeling, Resident Surveyor, 14th March 1796
A plan was written to guard all horse mails, which included the arming of all guards. In doing so the Post Office would not only secure the vast property conveyed by horse, but also save the expenses incurred in prosecuting a robber. Furthermore, it would maintain regularity of service and eliminate what was seen as a disgrace to both the Office and to the nation.

Surveyors observed that the revenue lost to robbery was twice the sum it would cost to guard the mail: it was the obvious choice. In 1784, John Palmer introduced the first mail coach from Bristol to London. This faster and well-armed postal service proved to be a great deterrent to robbers, as they risked being shot or, if caught, tried and hanged. The first recorded robbery of a mail coach did not occur until 25 July 1786.

A letter to joint Postmaster Generals asking for the establishment of a regional mail coach was signed by over 100 people, whose businesses had been damaged due to the frequency of robberies. Mail coaches were a better way of securing the post’s safe passage, though there are a few recorded instances of attempted robberies even of them.

In January 1816, an Enniskillen coach was attacked and robbed by a gang of 14 men who had barricaded the road. The guards fired off all of their ammunition but the mail bags and weapons were all stolen. the Mail Guard was issued with a a pair of flintlock pistols  read more

Code: 16969

A Most Fearsome & impressive Original Medieval Crusaders Battle Mace, 700 to 800 Years Old

A most impressive but fearsome early weapon from the 1200's to 1300's around 700 to 800 years old, and most probably German. On replacement 'display' haft. An incredible elaborate 'pineapple' form lobed head that would be extremely effective at achieving its aim. This is also the form of Mace that could also mounted on a short chain with a haft and then used as a flail mace or scorpian sting for that extra reach while used on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and under-armed swing of the ball, but runs less of a risk of being unbalanced from his saddle. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights [both friends and companions] to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.
It is difficult to block with a shield or parry with a weapon such as this on a chain because it can curve over and round impediments and still strike the target. It also provides defence whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.
Controlling the flail is much more difficult than rigid weapons. Mounted on a replaced old haft. One photo in the gallery is from a 13th century Manuscript that shows knights in combat, and one at the rear is using a stylised and similar Mace [photo for information only and not included with mace]. The head is around the size of a tennis ball. In the gallery is a section of a 13th century illuminated manuscript, The Smithfield Decretals showing two man-sized rabbits killing a restrained man with a mace, known as a 'bizarre and vulgar' illustration. A mace is a blunt weapon, a type of club or virge that uses a heavy head on the end of a handle to deliver powerful blows. A mace typically consists of a strong, heavy, wooden or metal shaft, often reinforced with metal, featuring a head made of stone, copper, bronze, iron, or steel.
The head of a military mace can be shaped with flanges or knobs to allow greater penetration of plate armour. The length of maces can vary considerably. The maces of foot soldiers were usually quite short (two or three feet). The maces of cavalrymen were longer and thus better suited for blows delivered from horseback. Two-handed maces could be even larger. During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas. The Sami, for example, continued to use bronze for maces as a cheaper alternative to iron or steel swords.

One example of a mace capable of penetrating armour is the flanged mace. The flanges allow it to dent or penetrate thick armour. Flange maces did not become popular until after knobbed maces. Although there are some references to flanged maces (bardoukion) as early as the Byzantine Empire c. 900 it is commonly accepted that the flanged mace did not become popular in Europe until the 12th century, when it was concurrently developed in Russia and Mid-west Asia.
.It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. Iron head 2 inches x 2.25 inches across, length 21 inches  read more

Code: 21134

A Good Original WW2 German MP38/MP40 Sub Machine Gun Magazine Loader

With heerswaffenamt stamp inspection mark All original and rare. The MP38 & MP40 (Maschinenpistole 38 or 40, literally "machine pistol 38 or 40") was a submachine gun developed in Germany and used extensively by paratroopers and platoon and squad leaders, and other troops during World War II. The MP38 and it's successor the MP40 had a relatively lower rate of fire and low recoil, which made it more manageable than other contemporary submachine guns. The MP38/40 was often called the Schmeisser by the Allies, after weapons designer Hugo Schmeisser. Although the name was evocative, Hugo Schmeisser himself did not design the MP40, but helped with the design of the MP41 which was effectively a MP40 with an old-fashioned wooden rifle stock. It is impossible to reconstruct how Schmeisser was honoured with this legend, but it must have been inspiring for the soldiers: the German slang-word "Schmeisser" describes someone who throws something inaccurately, but with high force. Schmeisser did produce the MP40 magazines and his name was engraved on them, which may explain the confusion. Shown fitted onto a regular magazine for demonstration purposes only, not included.  read more

Code: 21063