Antique Arms & Militaria

A Very Good Decorated Spanish Antique Albacete Fighting Knife

A 19th Century Spanish Fighting knife of Albacete, Spain; The knife measures 28cm in length with an elaborate ornately pierced blade. The blade has two holes and an open panel incised for decoration, with added pin point engraved decoration. The hilt is brass, inlaid with carved bone. The bone has been fluted length ways and further inlaid with decorative brass panels. A Handbook for Travellers in Spain (printed in 1855), by Richard Ford, has a commentary on the knife culture that prevailed in Spain at the time. When we read an account of an exotic land written by an English traveler in 19th century Albacete, Abula, he describes that as owing to its central position, from whence roads and rails branch to Aragon, Murcia, Valencia, and Madrid, it is a place of great traffic, and is a town of locomotives, from the English rail, the French dilly, to the Spanish donkey. . . . "Albacete is called the Sheffield of Spain, as Chatelherault is the knife making centre of France; but everything is by comparison, and the coarse cutlery turned out in each, at whose make and material an English artisan smiles, perfectly answers native ideas and wants. The object of a Spanish knife is to "chip bread and kill a man," "  read more

Code: 20810

SAVE £650 A Rare Pair of Antique Ottoman Empire Iron Stirrups

A pair of antique 17th to 18th century Turkish Ottoman Empire russet iron stirrups of characteristic form, with broad arch treads. All steel construction in the early style that goes back to the medieval period. One picture in the gallery shows Fatih Sultan Mehmet II [using his identical stirrups] entering Constantinople, after his conquest, in 1453. The stirrup took time to appear on the scene. The saddle itself was a relative latecomer in the history of riding ? Alexander the Great, for example, conquered his empire astride some simple pieces of cloth. Saddles with saddle trees, which made stirrups possible, are said to have first appeared in Central Asia around the time of Jesus birth. And after having initially taken the form of a buckle, notably in India,?the first stirrups for both feet reinforcing the rider's balance seem to have arisen around the year 100 in the Kushan Empire (encompassing parts of Afghanistan, modern-day Pakistan and northern India) before spreading to northern China in the 3rd century and the western steppes of Iran in the 6th century. Hundreds of years later around 700 years after Jesus Christ stirrups reached Western Europe, spreading throughout the society around the 9th century. Several routes are possible when explaining their arrival in the region, and expert opinion is divided on the subject. Some say they were brought by the Huns; others affirm that they were introduced by Persians to Arabs, then Arabs to Byzantines; still others believe that Arabs imported them into Europe via southern Spain and the south of France. Whatever the case, the earliest representations of stirrups appear on a chess set piece offered to Charlemagne by the caliph Haroun al-Rachid (who died in 809), then in Spanish documents in the first part of the 9th century.  read more

Code: 22614

SAVE AN EXCEPTIONAL £1000 A Fascinating Original Bronze Age Spear or Lance Around 3400 Years Old

David’s 40th Anniversary price drop, save £1000. It is mounted on an early haft, but added much later, in the early wire bound manner. Used, for example by any of the great bronze age warring peoples such as the ancient Spartans, Minioans, Greeks,Thracians, or the Mycenaea. Spearheads were mostly made in two-piece moulds which have been found in Ireland and the Highlands. During the Early Bronze Age soft stone moulds were used but in the late Bronze Age clay moulds became more popular. There is no evidence to indicate that bronze moulds were used to cast spearheads. After casting a spearhead would have been finished, hammered and occasionally decorated. The remains of hafts are occasionally recovered inside spearheads and they indicate that hafts were mostly made of ash and pinewood. Looped spearheads were probably secured by a cord, copper or leather thong. Pegged spearheads would have been pegged to the spear haft by bronze or wooden pegs. The variation of spearhead size indicates they may have been used for different purposes. For example smaller spearheads may have been thrown while larger ones may have been used as thrusting lance type weapons. Evidence suggests that they were mostly used in warfare and hunting. Some large decorative and barbed spearheads may have been used in ceremonies as they appear to be too large and valuable for fighting or hunting. Like many weapons, a spear may also be a symbol of power. In the Chinese martial arts community, the Chinese spear is popularly known as the "king of weapons".

The Celts would symbolically destroy a dead warrior's spear either to prevent its use by another or as a sacrificial offering.

In classical Greek mythology Zeus' bolts of lightning may be interpreted as a symbolic spear. Some would carry that interpretation to the spear that frequently is associated with Athena, interpreting her spear as a symbolic connection to some of Zeus' power beyond the Aegis once he rose to replacing other deities in the pantheon. Athena was depicted with a spear prior to that change in myths, however. Chiron's wedding-gift to Peleus when he married the nymph Thetis in classical Greek mythology, was an ashen spear as the nature of ashwood with its straight grain made it an ideal choice of wood for a spear.

The Romans and their early enemies would force prisoners to walk underneath a 'yoke of spears', which humiliated them. The yoke would consist of three spears, two upright with a third tied between them at a height which made the prisoners stoop. It has been surmised that this was because such a ritual involved the prisoners' warrior status being taken away. Alternatively, it has been suggested that the arrangement has a magical origin, a way to trap evil spirits.The word subjugate has its origins in this practice

In Norse Mythology, the God Odin's spear (named Gungnir) was made by the sons of Ivaldi. It had the special property that it never missed its mark. During the War with the Vanir, Odin symbolically threw Gungnir into the Vanir host. This practice of symbolically casting a spear into the enemy ranks at the start of a fight was sometimes used in historic clashes, to seek Odin's support in the coming battle. In Wagner's opera Siegfried, the haft of Gungnir is said to be from the "World-Tree" Yggdrasil.

Other spears of religious significance are the Holy Lance and the L?in of Celtchar, believed by some to have vast mystical powers.
Sir James George Frazer in The Golden Bough noted the phallic nature of the spear and suggested that in the Arthurian Legends the spear or lance functioned as a symbol of male fertility, paired with the Grail (as a symbol of female fertility). The picture in the gallery is of the Norse god Odin, carrying the spear Gungnir on his ride to Hel, note the thickness of the haft and the binding of the tang. The central rib has had an old repair on the blade. Blade 15.5 inches long [not including tang] Overall 75 inches long. For shipping outside of the UK the haft will have to be sectioned by us for transport, but can be easily re-assembled at its destination.  read more

Code: 22602

A Battle Worn Original Early 17th Century Italian Partizan Polearm Head

Steel three prong partizan decorated with birds on a floral background from the 1620's. Battle damaged and a fabulous artifact of 17th century warfare. With later haft [not shown] A partizan (also partisan) is a type of polearm that was used in Europe in the Middle Ages. It consisted of a spearhead mounted on a long shaft, usually wooden, with protrusions on the sides which aided in parrying sword thrusts. From the era of the Italian Wars of Castro. They were a series of conflicts during the mid-17th century revolving around the ancient city of Castro (located in present-day Lazio, Italy), which eventually resulted in the city's destruction on 2 September 1649. The conflict was a result of a power struggle between the papacy ? represented by members of two deeply entrenched Roman families and their popes, the Barberini and Pope Urban VIII and the Pamphili and Pope Innocent X ? and the Farnese dukes of Parma, who controlled Castro and its surrounding territories as the Duchy of Castro. We do have its polearm 70 inches long overall, 12.5 head incl. side straps  read more

Code: 20976

A Stunning Pair, 19th Century Nobleman's Cloak 'Lion Mask & Chain' Clasps

In original mercurial gilt pure gold finish. Superbly chiselled definition quality, and beautifully crafted. In excellent plus condition. Would look absolutely incredible applied as a chain button clasp for a ladies or gentleman's couture or bespoke jacket such as Chanel or Versace. Each mask bear two top and bottom stitching lugs. Lion masks 35mm high, 125mm total width when linked with chain fully extended. By family repute it was given by The Duke of Wellington to an aide, but there is no official confirmation to accompany it. It was suggested the Duke used it himself  read more

Code: 21010

A Most Rare Victorian, Anglo Indian, British Raj, Silver 105th (Madras Light Infantry) Officer Glengarry Badge

From the British Raj, one of the most desirable eras of collectable militaria of Anglo Indian history. Pre 1881 Silver coiled bugle horn couched within crowned sprays of laurel and palm, the horn with central floreate numerals 105, on the curl of the horn Madras Light Infty.. A scroll on the junction of the leaf sprays Cede Nullis. Sealed in 1876. Became the King's Own Yorkshire Light Infantry in 1881 The 105th Regiment of Foot (Madras Light Infantry) was an infantry regiment of the British Army from 1862 to 1881, when it was amalgamated into The King's Own Light Infantry (South Yorkshire Regiment).

The regiment was originally raised by the Honourable East India Company in 1839 as the 2nd Madras (European) Regiment, redesignated the 2nd Madras (European) Light Infantry in 1842, and served in the Indian Mutiny of 1857. As with all other "European" units of the Company, they were placed under the command of the Crown in 1858, and formally moved into the British Army in 1862, ranked as the 105th Foot.

As part of the Childers Reforms in 1881, the regiment was amalgamated with the 51st (the 2nd Yorkshire West Riding) or King's Own Light Infantry Regiment to form The King's Own Light Infantry (South Yorkshire Regiment).  read more

Code: 19050

A Very Nice Black Coral Handled Sinhalese Knife Piha-Kaetta (Pihiya)

A Fine Sinhalese Knife Piha-Kaetta (Pihiya) from Sri Lanka, Late 17th early 18th Century
The Pihiya is a very well known Ceylonese small Knife with a straight-backed blade and a curved cutting edge.
The Pihiya Handle and part of the blade are beautifully and finely engraved and decorated with delicate tendrils, the powerful hilt is made out of different combinations of materials such as Gold, Silver, Brass, Copper, Rock Crystal, Ivory, Horn, Black Coral Steel and Wood. Sometimes the Gold or Silver mounts extend down halfway the blade.
Handles were made in a certain and very distinctive form, occasionally they were made in the form of serpentines or a mythical creature?s head, similar to our current lot.
The Kaetta means a beak or billhook, it is a similar but larger knife to the Pihiya, it has a blade with a carved back and a straight cutting edge that curves only towards the tip.
The finest examples were made at the four workshop (Pattal-Hatara), where a selected group of craftsmen worked exclusively for the King and his court, and were bestowed to nobles and officials together with the kasthan? and a cane as a sign of rank and / or office. Others were presented as diplomatic gifts. Many of the best knives were doubtless made in the Four Workshops, such as is this example, the blades being supplied to the silversmith by the blacksmiths.
"The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu [Golden Arms], the Abarana [Regalia], the Sinhasana [Lion Throne], and the Otunu [Crown] these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months. The Kottal-badda men in each district were under a foreman (mul-acariya) belonging to the Pattal-hatara. Four other foremen, one from each pattala, were in constant attendance at the palace. Prince Vijaya was a legendary king of Sri Lanka, mentioned in the Pali chronicles, including Mahavamsa. He is the first recorded King of Sri Lanka. His reign is traditionally dated to 543?505 bce. According to the legends, he and several hundred of his followers came to Lanka after being expelled from an Indian kingdom. In Lanka, they displaced the island's original inhabitants (Yakkhas), established a kingdom and became ancestors of the modern Sinhalese people.  read more

Code: 20795

An 18th Century English Small Sword Circa 1760

An English small sword often favoured by English naval officers, in blackened cut steel [as this type of finish inhibited rust], single knuckle bow and an ovoid neo classical pommel with a fine diamond cut pattern. Plain wooden grip oval guard with small pas dan. Hollow trefoil blade with central fuller. Original blackened finish. One pas dans and the quillon have been shortened. See the standard work "Swords and Blades of the American Revolution" by George C. Neumann Published 1973. Sword 216s. Page 136 for two very similar swords. A particular painting showing a very good example of this is in the National Maritime Museum and it is most similar. The painting is of British Naval Captain Hugh Palliser, who wears the same form of sword with a blackened hilt , but with a gold sword knot which gave it a sleek overall appearance. A full-length portrait of Sir Hugh Palliser, Admiral of the White, turning slightly to the right in captain's uniform (over three years seniority), 1767-1774. He stands cross-legged, leaning on the plinth of a column, holding his hat in his right hand. The background includes a ship at sea. From 1764 to 1766, when he was a Captain, Palliser was Governor of Newfoundland, where James Cook, who had served under him earlier, was employed charting the coast. He was subsequently Comptroller of the Navy and then second-in-command to Augustus Keppel at the Battle of Ushant in 1778. Good condition overall, Blade 27.5 inches long  read more

Code: 22553

A Very Rare Long Distance Flight Medal, Major von Parseval 1909

Designed by world renown medalist Karl Goetz [1875 - 1950]
Very Rare silver medal, for the flight of 12th to 19th October, 1909. Long-distance voyages of the Parseval airships. Half-length portrait of the airship designer A. Parseval to the left / eagle stands with outstretched wings on the bow of the airship, below water surface, above right inscription. Hallmark: feinsilber BAYER. MAIN MINT OFFICE. it was awarded in two grades silver and bronze, this, the silver is an incredibly rare antique aviation medal from the earliest days of airships. August von Parseval (5 February 1861, in Frankenthal (Pfalz) – 22 February 1942, in Berlin) was a German airship designer.

As a boy, Von Parseval attended the Royal Bavarian Pagenkorps in Munich from 1873 to 1878, where he took the Fähnrichexamen (cadet exams). He then joined the Royal Bavarian 3rd Infantry Regiment Prinz Carl von Bayern. An autodidact, he busied himself with the problems of aeronautics. In the garrison town of Augsburg he came into contact with August Riedinger and also came to know his later partner Rudolf Hans Bartsch von Sigsfeld, with whom he developed Drachenballons: balloons used by the military for observation.

In 1901 Parseval and Sigsfeld began building a dirigible airship. After Sigsfeld's death during a free balloon landing in 1902, the work was interrupted until 1905.

By 1905, thanks to improvements in motor design, an appropriate engine was now available. His designs were licensed to the British Vickers company. Up to the end of the First World War, 22 Parseval airships (both non-rigid (blimps) and semi-rigid (with keels)) were built. In the late twenties and early thirties, four more semi-rigid airships were built in accordance with the "Parseval-Naatz principle".  read more

Code: 23836

A Large 19th century European, Imperial, Crowned, Twin Headed Royal Eagle Crest Mount

In hard metal, probably solid nickel. A most attractive piece that could beautifully embellish either a fine box, door, cabinet, case, or maybe a bespoke wooden plaque. 225 grams, 3.5 inches x 4.5 inches  read more

Code: 23826