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German Solid Silver Medal {900 fine} Commemorating The William Randolph Hearst Sponsored, American Flight, of the World’s First Round the World Passenger Flight, of the

German Solid Silver Medal {900 fine} Commemorating The William Randolph Hearst Sponsored, American Flight, of the World’s First Round the World Passenger Flight, of the "Graf Zeppelin" Airship In August 1929.

Medal commemorating round the world flight of the "Graf Zeppelin" airship, with portraits of Zeppelin and Eckener, silver, diameter 36mm, depth 3mm, German, 1929. Rim legend: Preuss. Staatsmunze. Silber 900 Fein. Obverse: legend, Weltfahrt August 1929. L.Z.127; exergue scene, airship above ocean. Reverse: Graf Zeppelin. Dr Hugo Eckener. 1898-1928. exergue, double portrait bust profiles to left
The airship LZ 127 Graf Zeppelin is considered the most successful commercial airship of its time and marked the pinnacle of airship travel. On August 15, 1929, it started under the leadership of Dr. Hugo Eckener in Friedrichshafen on Lake Constance on the most spectacular demonstration flight in aviation history at the time:

Graf Zeppelin Round-the-World Flight (“Weltfahrt”)

In 1929, Graf Zeppelin made perhaps its most famous flight; a round-the-world voyage covering 21,2500 miles in five legs from Lakehurst to Friedrichshafen, Friedrichshafen to Tokyo, Tokyo to Los Angeles, Los Angeles to Lakehurst, and then Lakehurt to Friedrichshafen again.

It was the first passenger-carrying flight around the world and received massive coverage in the world’s press.

The flight was partly sponsored by American newspaper publisher William Randolph Hearst, who paid for about half the cost of the flight in return for exclusive media rights in the United States and Britain.
Hearst had insisted that the flight begin and end in America, while the Germans naturally thought the Round-the-World flight of a German ship should begin and end in Germany. As a compromise, there were two official flights; the “American” flight began and ended at Lakehurst, while the “German” flight began and ended at Friedrichshafen.

The Round-the-World flight carried 60 men and one woman, Hearst newspaper reporter Lady Grace Hay-Drummond-Hay, whose presence and reporting greatly increased the public’s interest in the journey. Other passengers included journalists from several countries, American naval officers Charles Rosendahl and Jack C. Richardson, polar explorer and pilot Sir Hubert Wilkins, young American millionaire Bill Leeds, and representatives of Japan and the Soviet Union. All of those that took part received one of these solid silver medals.

Graf Zeppelin left Friedrichshafen on July 27, 1929 and crossed the Atlantic to Lakehurst, New Jersey, and the “American” flight began on August 7, 1929 with an eastbound crossing back to Germany.

The successful journey took just under 5 weeks with stopovers in Tokyo, Los Angeles and Lakehurst (New York).  read more

Code: 24154

240.00 GBP

A Superb Pre WW2 Nazi SS Fire Protection Police Sidearm & Original Frog. Used From 1933 till 1945 By The SS. Feuerschutzpolizei.

A Superb Pre WW2 Nazi SS Fire Protection Police Sidearm & Original Frog. Used From 1933 till 1945 By The SS. Feuerschutzpolizei.

Originally manufactured circa 1933. Used by the Fire Protection Police under the control of the SS. With original leather frog. Plated blade, plated hilt with checquered celluloid grip. Double 'S' quillon guard.

An organization that was an auxiliary to the Ordnungspolizei, and during the war was absorbed into the SS. Feuerschutzpolizei. By 1938, all of Germany's local fire brigades were part of the ORPO. Orpo Hauptamt had control of all civilian fire brigades. ORPO's chief was SS-Oberstgruppenfuhrer Kurt Daluege who was responsible to Himmler alone until 1943 when Daluege had a massive heart attack. From 1943, Daluege was replaced by Obergruppenfuhrer Alfred Wunnenberg until May 1945.

ORPO was structurally reorganised by 1941. It had been divided into the numerous offices covering every aspect of German law enforcement in accordance with Himmler's desire for public control of all things. Small lateral crack in both quillon.  read more

Code: 24018

250.00 GBP

A Most Elegant Equestrian Walking Stick Cum Dandy Cane

A Most Elegant Equestrian Walking Stick Cum Dandy Cane

Finely carved handle of a horses hoof and fetlock. The stick is a superb close grain hardwood. Overall in super condition. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. 36.5 inches long  read more

Code: 23211

275.00 GBP

Original 18th Century Scottish Fencible Regimental Basket Hilted Broadsword

Original 18th Century Scottish Fencible Regimental Basket Hilted Broadsword

With distinctive two part centrally welded basket, in sheet iron, with scrolls and thistles there over. Interesting original regimental swords of the 18th century, from Scottish regiments are very much sought after throughout the entire world. Scottish Fencible Regiment's swords are now jolly rare indeed, and they are highly distinctive in their most unique form. Fancy carved replacement grip. Some ironwork separation on the basket by the forte of the blade, but overall in good sound condition. Overall natural age surface pitting. Made for the war with Revolutionary France in the 1790's. The total number of British fencible infantry regiments raised during the Seven Years' War and the American War of Independence was nine, of which six were Scottish, two were English and one was Manx. The regiments were raised during a time of great turbulence in Europe when there was a real fear that the French would either invade Great Britain or Ireland, or that radicals within Britain and Ireland would rebel against the established order. There was little to do in Britain other than garrison duties and some police actions, but in Ireland there was a French supported insurrection in 1798 and British fencible regiments were engaged in some pitched battles. Some regiments served outside Great Britain and Ireland. Several regiments performed garrison duties on the Channel Islands and Gibraltar. A detachment of the Dumbarton Fencibles Regiment escorted prisoners to Prussia, and the Ancient Irish Fencibles were sent to Egypt where they took part in the operations against the French in 1801.

When it became clear that the rebellion in Ireland had been defeated and that there would be peace between France and Britain in 1802 (The preliminaries of peace were signed in London on 1 October 1801) the Fencible regiments were disbanded.
The British cavalry and light dragoon regiments were raised to serve in any part of Great Britain and consisted of a force of between 14,000 and 15,000 men. Along with the two Irish regiments, those British regiments that volunteered for service in Ireland served there. Each regiment consisted of eighteen commissioned officers and troops of eighty privates per troop. The regiments were always fully manned as their terms of service were considered favourable. At the beginning of 1800 all of the regiments were disbanded  read more

Code: 20632

2750.00 GBP

A Most Rare Item Taken From, Hitler’s No. 2, Field Marshal Keital’s Personal Library in Berlin 1946. ‘Briefe Napoleons’ From Field Marshal Keitel's Personal Collection, From His Late Son, an SS Sturmbanfuhrer, Who Was Killed in Combat

A Most Rare Item Taken From, Hitler’s No. 2, Field Marshal Keital’s Personal Library in Berlin 1946. ‘Briefe Napoleons’ From Field Marshal Keitel's Personal Collection, From His Late Son, an SS Sturmbanfuhrer, Who Was Killed in Combat

Briefe Napoleons des Ersten : in drei Banden ; Auswahl aus der gesamten Korrespondenz des Kaisers. Napoleon the First. Selection from all the correspondence of the emperor. Published in 1910; Napoleon's correspondence from 1809 until his death in 1821. Published in 3 volumes this is volume 3. Taken in 1946 from the family library of Field Marshal Keitel, and one of two books from the library we have acquired, the first one was sold. Bearing the Ex Libris Book Label of his family and eldest son, who he lost in the war, Karl-Heinz Keitel SS-Sturmbannfuhrer of 8th SS Cavalry Division Florian Geyer, awarded the German Cross in Gold, Iron Cross 1st Class for heroism, Iron Cross IInd class, Close Combat Clasp & Wound Badge in black. Wilhelm Bodewin Johann Gustav Keitel (22 September 1882 - 16 October 1946) was the most famous German field marshal of WW2 who served as chief of the Oberkommando der Wehrmacht (Supreme Command of the Armed Forces) for most of World War II, making him the Chief of Defence for Germany and Hitler's number two after Reichmarshall Goring. At the Allied court at Nuremberg, he was tried, sentenced to death, and hanged as a war criminal. He was the third highest-ranking German officer to be tried at Nuremberg. Karl-Heinz Keitel was born on 2 January 1914, in Wolfenbuttel, the eldest son of Wilhelm Keitel who would rise to become Chief of the OKW, the German Military High Command, during World War II. Karl-Heinz joined the Heer in 1934 and served in various cavalry units following the outbreak of war in 1939. In June 1943 he was assigned to the Kavallerie-Schule in Potsdam-Krampnitz, and served as a battalion commander, and later the regimental commander of the Kavallerie-Regiment Nord. On 5 August 1944, he transferred into the Waffen-SS and served with the 22. SS-Freiwilligen-Kavallerie-Division "Maria Theresia". On 20 October of that year, he was promoted to command SS-Freiwilligen-Kavallerie-Regiment 17 / 22.SS-Freiwilligen-Kavallerie-Division "Maria Theresia" in the area of Hungary. In November 1944, combined with the Florian Geyer division, the "Maria Theresia" was assigned to the garrison of Budapest. On 12 December he was wounded in action while defending against Red Army probing attacks into Budapest for which he was awarded the Wound Badge in Black.
In March he transferred to the 37. SS-Freiwilligen-Kavallerie-Division "Lutzow" as its commander, and led the 2000 strong remnants of the division in heavy fighting around Wiener-Neustadt as part of 6. SS-Panzer Armee. He was reportedly promoted Obersturmbannfuhrer (Lieutenant Colonel) in the closing months of the war. The book's label also bears the label of his wife Dorothee, the daughter of the Werner Eduard Fritz von Blomberg (2 September 1878 - 14 March 1946) was a German Generalfeldmarschall, Minister of War, and Commander-in-Chief of the German Armed Forces until January 1938. The marriage of Karl-Heinz and Dorothee was one of the reasons her father, Generalfeldmarschall von Blomberg, was forced to resign by Hitler in 1938 It was in order to avoid a damaging scandal caused by the Generalfeldmarschall's new wife's criminal history as a prostitute that was discovered by Himmler. It was an extraordinary discovery as both Hitler and Goring attended her wedding to Keitel. Another volume that we know of, also originally from Field Marshal Keitel's library, an 1827 first edition of Alexander Pushkin's 'The Robber Brothers' printed in Russian, was apparently given to Keitel in 1941/2, after it's liberation from another but unknown Russian Ex Libris collection during Operation Barbarossa. That volume was given, in its turn in 1945, to Marshal Zhukov, commander of the Army of the USSR, and bears his Red Star stamp, and also Keitel's military stamp. That volume may weel have bee liberated from the Keitel family home library as was this book alongside the other we are offering for sale. Napoleon Bonaparte was General of the French Revolution; the ruler of France as First Consul (Premier Consul) of the French Republic from 11 November 1799 to 18 May 1804; then Emperor of the French (Empereur des Francais) and King of Italy under the name Napoleon I from 18 May 1804 to 6 April 1814; and briefly restored as Emperor from March 20 to June 22 of 1815. This unique piece is exactly the kind of item we are seeking and finding every day, and thus duly offer for sale in our shop and website. Unique, original pieces for the discerning collector, and items that simply cannot be found any where else. We are now the only shop in Britain that offers such pieces, every day, and have done and hopefully will continue to do so  read more

Code: 19643

875.00 GBP

A Most Rare & Beautiful 16th-17th Century Italian Maine Gauche. A Renaissance Period Duellist's Parrying, Shell Guard Dagger

A Most Rare & Beautiful 16th-17th Century Italian Maine Gauche. A Renaissance Period Duellist's Parrying, Shell Guard Dagger

Long single edged blade with part false edge, and fine armourer's mark at the ricasso.
Triple section grip in horn and bone, bronze pommel cap. Beautifully pierced steel shell guard with scalloped edge. A most beautiful example of an early, Renaissance period 'main gauche' [left hand] duellist parrying dagger. When combined with a long swept or cup hilt rapier the pair make two formidable duo offensive and defensive duelling or combat weapons.

The parrying maine gauche dagger falls within the category of small hand-held weapons from the European late Middle Ages and early Renaissance. These weapons were used as off-hand weapons in conjunction with a single-handed sword. As the name implies they were designed to parry, or defend, more effectively than a simple dagger form, typically incorporating a wider guard, and often some other defensive features to better protect the hand, as well. The main-gauche is used mainly to assist in parrying incoming thrusts, while the dominant hand wields a rapier or similar longer weapon also intended for one-handed use.
It may also be used for attack if an opportunity arises. The general category includes two more specific kinds of weapon: sword breakers and trident daggers.

Its beautifully pierced shell guard was designed to be used as either, a hand protector, or, a sword blade catcher when reversed, depending of the swordsman's preference of his combat style.

The use of an off-hand weapon gradually fell out of favour as sword fighting evolved into the modern sport of fencing. The use of progressively lighter primary weapons such as the small sword, epee, and foil allowed for greater speed. Under these circumstances the use of just a primary weapon offered improvements in balance as well as a stance that offered a smaller target.  read more

Code: 22288

1750.00 GBP

A Stunning Edo Period Tettsu {iron Plate} Krishitan {Christian.} Tsuba, Of The Holy Cross, Heavenly Eight Pointed Stars in Gold, & The River Of Life in Silver. In Superb Condition & From A Very Fine Collection of Tsuba.

A Stunning Edo Period Tettsu {iron Plate} Krishitan {Christian.} Tsuba, Of The Holy Cross, Heavenly Eight Pointed Stars in Gold, & The River Of Life in Silver. In Superb Condition & From A Very Fine Collection of Tsuba.

A stunning Krishitam sukashi piercing of the cross with a silver river and gold eight pointed star inlays. With a kozuka hitsu-ana, and kogai hitsu ana
The Bible starts with an account of a river watering the Garden of Eden. It flowed from the garden separating out into four headwaters. The rivers are named, flowing into different areas of the world,

Eight pointed stars symbolise the number of regeneration and of Baptism. The Stars and The River as Christian Symbols, are images or symbolic representation with sacred significance. The meanings, origins and ancient traditions surrounding Christian symbols date back to early times when the majority of ordinary people were not able to read or write and printing was unknown. Many were 'borrowed' or drawn from early pre-Christian traditions.
The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Some wear to the gold and silver inlays on the reverse side.  read more

Code: 25311

1495.00 GBP

An Edo Tettsu Krishitan {Christian} Tsuba Of Twin Symbols of The Rope And The Cross. In Superb Condition & Traditionally Boxed For Display. From A Very Fine Collection Of Beautiful Antique Tsuba

An Edo Tettsu Krishitan {Christian} Tsuba Of Twin Symbols of The Rope And The Cross. In Superb Condition & Traditionally Boxed For Display. From A Very Fine Collection Of Beautiful Antique Tsuba

This beautiful iron tsuba, contains the hidden Edo period Christian symbols of the rope and the cross, and it serves as both a reminder to the violence and to the subsequent hiddenness that came out of the Japanese convert Christians’ suffering. The rope was symbol of obedience - the symbol of an untied rope.
It may be that the design of the tsuba confronted the believer to the ambiguity born of a prolonged time of painful secrecy. Surrounded by the threat of violence, even a weapon could bear a hidden symbol of Christianity—the cross.

The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian beliefs.

In Silence, Endo depicts the trauma of Rodrigues’ journey into Japan through his early encounter with an abandoned and destroyed Christian village. Rodrigues expresses his distress over the suffering of Japanese Christians and he reports the “deadly silence.”

‘I will not say it was a scene of empty desolation. Rather was it as though a battle had recently devastated the whole district. Strewn all over the roads were broken plates and cups, while the doors were broken down so that all the houses lay open . . . The only thing that kept repeating itself quietly in my mind was: Why this? Why? I walked the village from corner to corner in the deadly silence.

...Somewhere or other there must be Christians secretly living their life of faith as these people had been doing . . . I would look for them and find out what had happened here; and after that I would determine what ought to be done.”

- Silence, Shusaku Endo

The current FX series 'Shogun' by Robert Clavell is based on the true story of William Adams and the Shogun Tokugawa Ieyesu, and apart from being one of the very best film series yet made, it shows superbly and relatively accurately the machinations of the Catholic Jesuits to manipulate the Japanese Regents and their Christian convert samurai Lords.

Oda Nobunaga (1534–82) had taken his first step toward uniting Japan as the first missionaries landed, and as his power increased he encouraged the growing Kirishitan movement as a means of subverting the great political strength of Buddhism. Oppressed peasants welcomed the gospel of salvation, but merchants and trade-conscious daimyos saw Christianity as an important link with valuable European trade. Oda’s successor, Toyotomi Hideyoshi (1537–98), was much cooler toward the alien religion. The Japanese were becoming aware of competition between the Jesuits and the Franciscans and between Spanish and Portuguese trading interests. Toyotomi questioned the reliability of subjects with some allegiance to the foreign power at the Vatican. In 1587 he ordered all foreign missionaries to leave Japan but did not enforce the edict harshly until a decade later, when nine missionaries and 17 native Kirishitan were martyred.

After Toyotomi’s death and the brief regency of his adopted child, the pressures relaxed. However, Tokugawa Ieyasu, who founded the great Tokugawa shogunate (1603–1867), gradually came to see the foreign missionaries as a threat to political stability. By 1614, through his son and successor, Tokugawa Hidetada, he banned Kirishitan and ordered the missionaries expelled. Severe persecution continued for a generation under his son and grandson. Kirishitan were required to renounce their faith on pain of exile or torture. Every family was required to belong to a Buddhist temple, and periodic reports on them were expected from the temple priests.

By 1650 all known Kirishitan had been exiled or executed. Undetected survivors were driven underground into a secret movement that came to be known as Kakure Kirishitan (“Hidden Christians”), existing mainly in western Kyushu island around Nagasaki and Shimabara. To avoid detection they were obliged to practice deceptions such as using images of the Virgin Mary disguised as the popular and merciful Bōsatsu (bodhisattva) Kannon, whose gender is ambiguous and whom carvers often render as female.

The populace at large remained unaware that the Kakure Kirishitan managed to survive for two centuries, and when the prohibition against Roman Catholics began to ease again in the mid-19th century, arriving European priests were told there were no Japanese Christians left. A Roman Catholic church set up in Nagasaki in 1865 was dedicated to the 26 martyrs of 1597, and within the year 20,000 Kakure Kirishitan dropped their disguise and openly professed their Christian faith. They faced some repression during the waning years of the Tokugawa shogunate, but early in the reforms of the emperor Meiji (reigned 1867–1912) the Kirishitan won the right to declare their faith and worship publicly.

Two images in the gallery are drawings of bronze fumi-e in use during the 1660s in Japan, during the time of the persecution. Each of these drawings mirrors actual brass fumi-e portraying Stations of the Cross, which are held in the collections of the Tokyo National Museum.  read more

Code: 25310

675.00 GBP

A Superb Pair of WW2 German Kriegsmarine

A Superb Pair of WW2 German Kriegsmarine "U-boat" Fixed-Focus Binoculars. “Doppelfernrohr 7 X 50 für U-Boote ‘U-Bootglas 7X50’”

These are an original pair of German, WW2 U-Boat commanders binoculars, and for desirability simply cannot be bettered. This delightful pair are in fabulous condition, with all the rubbers and lenses in lovely condition for age, with all the usual wear as to be expected.
Third Reich WW2 period code marked. With superb fixed focusing, excellent optics and lenses, just a very little condensation misting.

Winston Churchill claimed that the 'U-boat peril' was the only thing that ever really frightened him during WWII. This was when German submarines attacked the Atlantic lifeline to try to starve Britain into submission.

In WWII the British troop ship, RMS Laconia, was sunk by a German U-boat. The U-boat captain Werner Hartenstein immediately ordered the rescue of as many survivors as possible, taking 200 people on board, with another 200 in lifeboats. Although, it is fair to say that not all U-boat commanders were quite so considerate as he was. The U-Boat 7 X 50 binocular was manufactured from 1941 – 1945 specifically for use aboard submarines and was officially designated as the “Doppelfernrohr 7 X 50 für U-Boote ‘U-Bootglas 7X50’”. They were usually made by Zeiss but a smaller number were also manufactured by Emil Busch Rathenow (wartime code “cxn”).
It had three variations. The first was made from 1941-1943, lacked rubber armour and had hinged fold-back Bakelite eyecups. The second was made probably only in 1943 and had rubber armour without fold-back eyecups. The third was made from 1943-1945 and is identical to the second except for having a larger diameter eyelens. The first type is the rarest many being lost during service use.

The build of this binocular is remarkable and unequaled by WWII hand-held binoculars, and some believe never bettered since the war either. It is a fixed focus design for maximum sealing and weatherproofing. The primary user of the binocular could, however, set the focus to his eyesight by removing the rubber armour from the prism plates to access a large focus screw at the base of each eyepiece which could be adjusted using a screwdriver.
During World War II, U-boat warfare was the major component of the Battle of the Atlantic, which lasted the duration of the war. Germany had the largest submarine fleet in World War II, since the Treaty of Versailles had limited the surface navy of Germany to six battleships (of less than 10,000 tons each), six cruisers, and 12 destroyers.

In the early stages of the war the U-boats were extremely effective in destroying Allied shipping; initially in the mid-Atlantic where a large gap in air cover existed until 1942, when the tides changed. The trade in war supplies and food across the Atlantic was extensive, which was critical for Britain's survival. This continuous action became known as the Battle of the Atlantic, as the British developed technical defences such as ASDIC and radar, and the German U-boats responded by hunting in what were called "wolfpacks" where multiple submarines would stay close together, making it easier for them to sink a specific target. Later, when the United States entered the war, the U-boats ranged from the Atlantic coast of the United States and Canada to the Gulf of Mexico, and from the Arctic to the west and southern African coasts and even as far east as Penang. The U.S. military engaged in various tactics against German incursions in the Americas; these included military surveillance of foreign nations in Latin America, particularly in the Caribbean, to deter any local governments from supplying German U-boats.

Because speed and range were severely limited underwater while running on battery power, U-boats were required to spend most of their time surfaced running on diesel engines, diving only when attacked or for rare daytime torpedo strikes. The more ship-like hull design reflects the fact that these were primarily surface vessels that could submerge when necessary. This contrasts with the cylindrical profile of modern nuclear submarines, which are more hydrodynamic underwater (where they spend the majority of their time), but less stable on the surface. While U-boats were faster on the surface than submerged, the opposite is generally true of modern submarines. The most common U-boat attack during the early years of the war was conducted on the surface and at night. This period, before the Allied forces developed truly effective antisubmarine warfare tactics, which included convoys, was referred to by German submariners as "die glückliche Zeit" or "the happy time."

The neck strap has separated, the rubber armour has overall age cracking as usual, the original eye protectors have has replacement post war retaining screws. Plus usual paint loss. Bear in mind they were subjected to some years at sea, over 80 years ago, as combat service surveillance equipment, above and below deck, in some of the most unpleasant weather one can experience, yet still survive till today as fully functioning binoculars as was originally intended eight decades ago. No doubt in some part due to their original owner’s skill or good fortune {the U-Boat commander}, at avoiding being sunk by the indomitable Royal Navy ships or RAF spotter planes.  read more

Code: 25298

2450.00 GBP

A Superb WW1 ‘Trench Made’ Trench Periscope

A Superb WW1 ‘Trench Made’ Trench Periscope

Trench Periscope, manufactured in the trenches, comprising: a rolled metal cylinder with timber inserts to mount 2 mirrors [top round, was oval] and wooden "rolling pin" type handle. Unmarked unofficial pattern circa 1915 -18. They were very popular in the Gallipoli campaign as much as in the trenches of the Western Front. The threat of succumbing to a sniper's bullet was a reality for all who inhabited the trenches of the First World War. Keeping one's head below the line of sight was essential. In order to see out of a trench, loopholes were constructed into the parapets. These might be a simple gap in the sandbags or a steel plate, however with the increased use of armour piercing bullets different solutions needed to be explored.

The trench periscope was a device by which soldiers could fire their rifles from the safety of the trench. All sides developed various types of periscope, the simplest being a stick with two angled pieces of mirror at the top and bottom. By 1915 more advanced types were being manufactured. British born William Beech, veteran of the Second South African War enlisted with the Australian Imperial Force in 1914 and was the inventor of a type of trench periscope. The Beech periscope was a simple design on which the main body of the periscope was attached to the butt of the rifle at a point behind the trigger guard. A cord or wire was then wrapped around the butt in order to secure the rifle to the periscope. Using the mirror at the bottom of the device a view onto the battlefield could be obtained. However, to fire the rifle one would have to lean far forward in order to the reach the trigger. This could potentially alter the aim of the rifle affecting the accuracy of the shot.  read more

Code: 18909

245.00 GBP