A Very Good Victorian 19th Century Royal Artillery Officer's Pouch

Patent leather with gilt badge of an artillery cannon. A cross belt is two connected straps worn across the body to distribute the weight of loads, carried at the hip, across the shoulders and trunk. It is similar to two shoulder belts joined with a single buckle at the center of the chest. The cross belt was predominantly used from the 1700s (American Revolutionary War) to the 1840s they were not part of a soldier's equipment in the American Civil War and Anglo-Zulu War/First Boer War.

For most line infantry, skirmishers, light infantry, grenadiers and guard regiments during much of Europe's Age of Gunpowder, either a cross belt or two shoulder belts were worn.citation needed One configuration for the belts would be the cartridge box on the right hip and sword scabbard on the left. Such equipment would be attached to the belt at its lowest point, where it rests on the hip. Officers almost never carried muskets or rifles, so they typically wore only one shoulder belt, such as for the pistol cartridge box or for a sabre scabbard. As officers were often aristocratic and used many independent symbols for their family, rank, and command, their uniforms and gear organisation could be highly variable.

For British infantry, the cross belt had a metal belt plate with the regiment of the soldier inscribed on it  read more

Code: 22427

A Superb Antique Historismus Armour Breastplate Stunningly Etched With Heraldic Beasts, The Form of Armour Worn by Conquistadors Officers and Commanders.

A beautiful piece of chest parade armour, with an etched crest of nobility comprising three winged Griffins and a central Lion rampant within a shield. The Griffin (or Gryphon) is a legendary creature with the body of a lion and the head and wings of an eagle. Combining the attributes of the "King of the Beasts" and the "King of the Air", it was thought to be especially powerful and majestic. A light armour breastplate, 16th century style in the manner of the 1550's, with old restoration, 19th century and earlier.
Parade armour became an elaborate and ornate Renaissance art form intended to both glorify war, and flatter the military prowess of the royal subject. Surviving examples include decorated shields, helmets, and full suits of armour. Delaune was an important contributor to the form, and Henry II of France commissioned a number of similar works, including a panel for his horse, and some bucklers (shields) now in the Louvre, both by Delaune. In addition surviving works for Henry include a full suit at the Museum of Ethnology, Last picture in the gallery is a painting by
Madeleine Boulogne (French, 1648–1710)
Titled;
Pieces of parade armour, a plumed helmet, a pistol in a case, a gilt ewer, a silver perfume burner, a jewellery box, a trumpet and a flag on a partly-draped cassone. 18.5 inches x 14.5 inches  read more

Code: 21569

Very Rare Circa 1700’s Japanese Nagasaki Emigre Sword Maker. A ‘Sawasa’ Naval Hanger A Japanese Hangar in The European Style, For a Senior Officer of the Dutch East India Company ( the VOC). A VOC Naval Captain of A So Called ‘Black Ship’

Made by Japanese emigre samurai sword koshirae makers and artisans, after 1639, by exiled Japanese sword fitting craftsmen working in Batavia, for a VOA Naval Admiral or Captain, likely a permitted trading black ship voyaging to the trading post at the Nagasaki island Dejima.

The Black Ships (in Japanese: 黒船, romanized: kurofune, Edo period term) were the names given to Portuguese and Dutch merchant ships,

In 1543, Portuguese initiated the first contacts, establishing a trade route linking Goa to Nagasaki. The large carracks engaged in this trade had the hull painted black with pitch, and the term came to represent all Western vessels. In 1639, after suppressing a rebellion blamed on the influence of Christian thought, the ruling Tokugawa shogunate retreated into an isolationist policy, the Sakoku. During this "locked state", contact with Japan by Westerners was restricted to Dutch traders on Dejima island at Nagasaki.

European hanger swords were the weapon of choice for senior maritime officers employed by the Dutch East India Company VOC , in fact by all senior naval officers at the time, including notorious pirates such as Edward Teach, aka ‘Blackbeard’. The hilt and fittings of this sword were probably added to the European blade by Japanese émigrés in the Dutch colony of Batavia (Jakarta).

They were made using the sawasa technique of gilded copper alloy with black shakudo detailing. Japanese samegawa grip {giant rayskin}, with a vertical panel, engraved with an exotic bird in front of two Indonesian mosque temple domes.
The level of workmanship suggests that the sword belonged to a high-ranking company official.
A fine and jolly rare Japanese export Sawasa hunting hanger. It features a straight blade with a double-edged tip and wide fuller, flanked by a narrow groove near the spine. In the base of the fuller on either side are a running stag and a boar, both prized hunting animals, and French motto of honour.
Sometimes referred to as 'Tonkinese chiseled work', these 18th century export wares became highly sought after, such as this 18th century Sawasa sword

The desiring incorporates a single shell-guard, chased and gilded in high relief against a blackened fish-roe shakudo ground, chisseled with reclining Eros with his bow and quiver. the hilt quilon block is chisseled on one sade by a collared hunting hound and tiger to the other side. The knuckle bow is chisseled with the figure of a turbanned Jakartan figure. the pommel is chisseled with a stag, and the quillon end is a stag hoof, and a covering in panels of Japanese samegawa {giant rayskin}. Overall the hilt is decorated with a combination of artistic styles of the Dutch East Indies, and Europe, made by Japanese emigre artistry with japanese samegawa binding, finished in a mixture of shakudo and gilt.
This sword is a beauty in a superb state of preservation.
Sawasa is the Japanese name given to objects made by Asian artisans, adopting European models combined with Japanese and Chinese materials and decorative motifs. This decoration consists of refined gilt relief and engraving on a lustrous lacquered surface. Sawasa wares are the result of cultural interaction between Asia and Europe. As a consequence of global trade in the 17th century, mutual interest arose in the peculiarities of each other’s culture. The Dutch and other Europeans brought rare objects back from their travels which whetted the appetite for exotic rarities. The earliest Sawasa objects are sword and hanger hilts and tobacco boxes ordered in Japan from Batavia, now Jakarta. Sawasa demonstrates not only the intercontinental commercial connections created by the Dutch East India Company (VOC) but also mutual cultural influences between Europe and Asia.

The decoration of the fittings are of the Japanese export style, in the European manner, but with fine and typical Japanese influences for a black ship naval captain of the VOC, in the late seventeenth or early eighteenth centuries, a style of metalwork known as sawasa that was produced for the Dutch East India Company in and around Nagasaki. Following Japan’s closed country (sakoku) edicts, from around 1639, exiled Japanese sword fitting craftsmen began working in Batavia, where the market for sawasa was a profitable one. The idea of sawasa was that objects made from a copper alloy were given gilt relief decoration with black lacquered highlights to achieve the appearance of shakudō. The extensive metalwork here resembles shakudō, but is likely to be sawasa with highlights in gold. The ground is covered with fine punch marks in a pattern resembling fish roe (nanako), although the punch marks are not completely uniform. The wooden hilt is covered on each side with panels of brass alloy, over Japanese samegawa giant ray skin and once overlaid with gold leaf;
Blade is engraved, on both sides, Ne me Tirez pas sans Raisons.. Ne me Remette point sans Honneur
Do not shoot me without reason do not hand me over without honour.

The hilt and blade is exceptionally sound and great condition, but with all the due appropriate age and surface wear from the past three hundred years

Picture in the gallery, a Japanese woodblock print, of a 17th century Dutch East India Co. vessel trading in Japan, a so-called Black Ship.

Another example of a Sawasa sword sold last May 24 for £14,080. It was a small sword, with an engraved blade. the engraving on that sword looks incredibly like it was created by the same hand as ours. Although the gilt on that small sword was mostly near perfect, where ours is not perfect.

For reference;

Sawasa – Japanese Export Art in Black and Gold 1650-1800 Rijksmuseum Amsterdam.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us.

See Bas Kist et al, Sawasa Japanese export art in black and gold 1650-1800, exhibition catalogue, Rijksmuseum Amsterdam, 28 November 1998 - 28 February 1999, pp. 53-54, A.13.1 - A.14.1 (illustrated)

For a related example formerly in the collection of the late A.R. Dufty F.S.A., past Master of the Armouries, H.M. Tower of London, see Christie's South Kensington, Antique Arms and Armour, 15 July 1998, lot 28  read more

Code: 25524

A Very Fine, 17th Century, King 'William & Queen Mary' Period Hangar Sword Cutlass of Senior Naval Officer's Admirals and Captains of the Royal Navy. Also, Of Notorious Pirates 🏴‍☠️. Armourers Stamped Blade with Crescent Moon and Stars

The sword of choice for senior officer's {Admirals and Captain's} serving in the Royal Navy during the 17th and early 18th century. However, such swords were also the sword of choice of notorious 🏴‍☠️ pirates of the day. We show portraits in the gallery of British admirals of the age each bearing their same swords. Some with straight blades, others curved. This was purely a bespoke option for the original owner of the sword. Another painting in the gallery is of the infamous Blackbeard, Edward Teach notorious privateer. He is depicted using the exact same for of sword as this one.
Overall in superb condition for its age. The blade has just returned from artisan hand polishing and looks amazing. The blade is shown in the gallery pre-polishing, it is now beautifully bright.

Another very similar 'William and Mary period cutlass hangar was recovered {in a very poor state} from the wreck of notorious pirate, Captain Blackbeard's ship, the Queen Anne's Revenge, that was found at Beaufort inlet in 1996, the remains of the vessel have become the property of the people of North Carolina. And another 'William and Mary' period sword-cutlass is in a museum collection in Colonial Williamsburg in America.

William and Mary were the co-regnants over the Kingdoms of England, Scotland, and Ireland, namely the Dutch Prince of Orange King William III (& II) and his spouse (and first cousin) Queen Mary II. Their joint reign began in February 1689 after they were offered the throne by the Convention Parliament irregularly summoned by William after his victorious invasion of England in November 1688, the so-called Glorious Revolution. They replaced James II (& VII), Mary's father, who fled the country. Parliament offered William and Mary a co-regency, at the couple's behest. After Mary died in 1694, William ruled alone until his death in 1702. William and Mary were childless and were ultimately succeeded by Mary's younger sister, Anne.
This was the most popular form of sword used by the early British Naval Commanders when at sea. There are numerous great portraits in the National Gallery, and at the National Maritime Museum, of 17th and 18th century Admirals adorned with identical swords. And infamous Pirate captains. Such as Admirals Benbow, Shovel et al. we show a portrait in our gallery, of Admiral Hopsonn,

Vice-Admiral John Benbow (10 March 1653 – 4 November 1702) was an English Royal Navy officer. He joined the Navy in 1678, seeing action against Barbary pirates before leaving to join the Merchant Navy in which Benbow served until the 1688 Glorious Revolution, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against the French Navy during the Nine Years' War, serving on and later commanding several English warships and taking part in the battles of Beachy Head and Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during his military accomplishments, which included fighting against Barbary pirates such as the Salé Rovers, besieging Saint-Malo and seeing action in the West Indies against the French during the War of the Spanish Succession.

Admiral of the Fleet Sir Cloudesley Shovell (c. November 1650 – 22 or 23 October 1707) was an English naval officer. As a junior officer he saw action at the Battle of Solebay and then at the Battle of Texel during the Third Anglo-Dutch War. As a captain he fought at the Battle of Bantry Bay during the Williamite War in Ireland.

As a flag officer Shovell commanded a division at the Battle of Barfleur during the Nine Years' War, and during the battle distinguished himself by being the first to break through the enemy's line. Along with Admiral Henry Killigrew and Admiral Ralph Delaval, Shovell was put in joint command of the fleet shortly afterwards.

During the War of the Spanish Succession, Shovell commanded a squadron which served under Admiral George Rooke at the capture of Gibraltar and the Battle of Málaga. Working in conjunction with a landing force under the Earl of Peterborough, his forces undertook the siege and capture of Barcelona. He was appointed commander-in-chief of the Navy while at Lisbon the following year. He also commanded the naval element of a combined attack on Toulon, base of the main French fleet, in coordination with the Austrian army under Prince Eugene of Savoy in the summer of 1707. Later that year, on the return voyage to England, Shovell and more than 1,400 others perished in a disastrous shipwreck off the Isles of Scilly.

Thomas Hopsonn enjoyed a naval command on 18 May 1688, when James II appointed him to the Bonaventure. This ship was part of the fleet sent to The Nore under Strickland to prevent the Dutch invasion. However, Hopsonn was one of the conspirators within the fleet who supported William of Orange in the Glorious Revolution.

Following the revolution, Hopsonn retained command of the Bonaventure and was part of the squadron that relieved the siege of Derry in June 1689. On 28 October 1689, he was posted to the York, and commanded that vessel during the battle of Beachy Head the following year. Hopsonn's immediate commander in the battle was Sir George Rooke, who formed a high opinion of his gallantry and was afterwards much associated with him. He commanded Royal Katherine for two months starting in August 1690, before moving to command the St Michael. It was aboard the latter that he followed Rooke in the battle of Barfleur on 19 May 1692. In the same year, he was promoted to become a captain in the foot guards on the recommendation of admiral Edward Russell.

Blackbeard or Edward Teach (c.1680-1718) is one of the most infamous pirates to have ever lived.
Known for his fearsome image and daring acts on land and sea throughout the West Indies and along the North American East coast, his legacy has been the inspiration for many depictions of pirates throughout history. In possibly his most brazen act, Teach used his flotilla to blockade the port of Charlestown in the province of South Carolina. Over the course of a week, nine vessels were stopped and plundered as they attempted to sail out of the harbour, where Teach's fleet was moored.
Teach informed some of his prisoners that his fleet required medical supplies from the colonial government of South Carolina and that if none were provided, all would be beheaded and their ships burned.
Two pirates and a prisoner were sent to the town but when they did not return he moved eight ships into the harbour, causing panic and looting within the town. Shortly after his supplies were delivered and the prisoners released, after reportedly being robbed of all worthy possessions.
This siege represents the height of Teach’s notoriety, not just as a skilled captain but a fierce leader who was not confined to the sea and would maraud where he pleased. Exploits such as these made Teach was one of the most commonly reported pirates in the news and in the print of his age.

28.5 inches long overall, 23.5 inch long blade, quillon and guard shell removed.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25525

A German 'Wedding Gift' Presentation Grade Adolf Hitler's 'Mein Kampf' Published in 1939. Presentation & Personally Signed by Dr. Wiard Bronleewe Burgomeister & SA District Leader of Peine

Presented for the wedding of Kurt Wachholz to Margarete gebr. Vogt after some research apparently Kurt Wachholz was a German SS-Hauptscharführer who died by execution after capture in around 1969 in East Germany

Adolf Hitler Mein Kampf Wedding Edition, being an excellent condition example with cream hardboard covers having gilt tooled town emblem and the spine being blue leather covered with gilt tooled details. Inside page with printed page and inked details from the local official and dated 14th 1939, just six weeks after the start of WW2. Published by the official publisher of the NSDAP. The book also bears a facsimile signature of Adolf Hitler beneath his photograph, on the inside frontispiece, and the signed presentation certificate to the marrying couple from the Burgomeister. Originally when SS men were married the book may have been contained in a carved wooden SS box, some surviving boxes do exist but their definitive connection to the Wedding presentation Mein Kampf is unrecorded.

Leather bound with cream covers. Given just six weeks after the beginning of WW2 by the Burgermiester Dr. Wiard Bronleewe of Peine. Bearing the state crest of arms of Piene on the front cover. Condition very good to excellent. Mein Kampf ("My Struggle") is an autobiographical manifesto by Nazi leader Adolf Hitler, in which he outlines his political ideology and future plans for Germany. Volume 1 of Mein Kampf was published in 1925 and Volume 2 in 1926. The book was edited by the former Hieronymite friar Bernhard Stempfle, who was murdered during the Night of the Long Knives.

Hitler began dictating the book to his deputy Rudolf Hess while imprisoned for what he considered to be "political crimes" following his failed Putsch in Munich in November 1923. Although Hitler received many visitors initially, he soon devoted himself entirely to the book. As he continued, Hitler realized that it would have to be a two-volume work, with the first volume scheduled for release in early 1925. The governor of Landsberg noted at the time that "he Hitler hopes the book will run into many editions, thus enabling him to fulfill his financial obligations and to defray the expenses incurred at the time of his trial."

The lawyer Dr. Wiard Bronleewe joined the NSDAP in 1933 at the age of 36. Four years later he was appointed First Deputy Mayor of the city of Peine. After Mayor Erich Krüger was killed in an accident on a trip to the battlefields of the First World War, he took over his office. In addition, he was a member of the NSDAP district leadership in Peine as district office manager for local politics.

In his dual role as mayor, who was able to make all important decisions independently according to the "Führer principle", and member of the NSDAP district leadership, he was responsible for implementing the increasingly radical National Socialist policy during the war years. He played a particularly important role in the persecution of the Jewish community. In 1941 he planned to "level the Jewish cemetery and make it available to the public". His knowledge of the finality of the deportation of the Jewish population is shown by the fact that in early 1942 he coordinated the process of "distributing Jewish housing".

His behavior at the end of the war is controversial, when negotiations with the Americans succeeded in surrendering Peine without a fight and thus saving it from a feared bombing. Some reports describe him as a rather passive participant who had to be pressured to surrender the city, while others see him as the driving force of events, a view that he himself promoted.

Deposed by the Allies in 1945, he became active again in political parties and various associations in 1947, including the German Party. Bronleewe was a member of the Peine City Council again in 1952; after lengthy disputes, including legal ones, over his NSDAP past, he was able to become a city councillor and thus deputy city director in 1954. As a department head, he headed the legal department and social affairs. In 1957, he was promoted to senior city councillor. He retired in 1962 and lived in Peine until his death in 1976. Bronleewe's rapid rise to prominence in Peine politics and administration after 1945 is exemplary of the rapid integration of former NSDAP members, even when they had held leading positions of responsibility.

Photo in the gallery of Mayor Dr. Wiard Bronleewe giving a speech in front of the Peine town hall, 1940. in his full SA political leader uniform.

Another photo in the gallery of Kurt Wachholz in the uniform of SS-Hauptscharführer.

We also have another 'Mein Kampf', a regular English Edition, 'My Struggle' published by Hurst and Bracket Ltd. London, in 1938/9. Please enquire for details  read more

Code: 25521

A Most Rare 18th-19th Century Nepalese Battle Kora With Highly Unusual Distinctive Flared Gold Inlaid Blade and Inside Cutting Edge and Skull Crusher Pommel

An exceptional example intended for both warfare and sacrifice, the hilt with guard and pommel in the form of flattened spheres, retaining all their original polish. The robust blade of characteristic form, with brass ferrule intact, expanding toward the cusped and obliquely-angled tip and sharpened on the convex edge. Grip retains original velvet fabric covering with silver wire binding applied.

The blade is beautifully engraved, including a sunburst and an armoured arm holding a kora in the hand.
.

The Kora is possibly the oldest form of sword of the Gurkhas and it may well be that their phenomenal military success was largely due to their possession of such a terribly effective weapon." 'Kora,' has an inner cutting edge, with which those who use it skilfully are enabled to cut a foe in two at a single blow." Its appearance reminds of the European Sabre but instead of curving upwards (back) it has a wide tip, a forward curved blade, single edged on its concave side, the latter two characteristic sit shares with the Kukri knife. When used correctly the forward curved blade concentrates the power/energy of the strike to the curved area thus allowing more force to be utilised at the point of contact in each blow. It is designed with its practical application in mind, to chop/slash and not for Classical fencing, yet its usually light enough if the need arises.

Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepal” published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria!.

Photo 10 in the gallery is of the Bagbhairab Temple, Kirtipur, Kathmandu, Nepal. They are Koras used from the battle of Kirtipur during the 1760`s.  read more

Code: 25517

A Very Good, Original, Napoleonic Wars Period, Imperial Russian Romanov Cavalry Sabre Engraved With The Russian Double Eagle Crest. French Invasion and Retreat From Moscow Period of 1812

Probably 18th to early 19th century from the era of Catherine the Great to Czar Alexander Ist. Russian campaign sabre from the 1812 Russian campaign, Borodino, Smolensk and Moscow. In the cossack sasqua style, worn with the blade cutting side up. With walrus tooth hilt and engraved quillon bearing the Russian Romanov double crowned twin headed eagle crest with two cyrillic letters English equivalent M E within a shield. Leather scabbard with chequered decoration and wire decorative seaming at the throat.
A little known fact about the Napoleon's campaign into Russia is that Napoleon’s army actually lost more men on the way to Moscow than on the way back. The heat, disease, battle and desertion meant that by the time the Russian capital was seen on the horizon he had lost half his men. Nevertheless, what was important to the Corsican General was that he had reached the city. Battles at Smolensk and Borodino along the way had been costly and hard-fought, but nothing Tsar Alexander had done had been able to halt the Imperial juggernaut in its tracks though he had managed to extricate most of the Russian army intact from the fighting. In September the exhausted and bloodied Grand Arm?e reached Moscow with its promise of food and shelter, but it was not to be. So determined were the Russians to resist the invader that they burned their own old and beautiful capital in order to deny its uses to the French. Camped in a burned and empty shell, Napoleon dithered about whether to remain over the bitter winter or claim victory and march home. He was mindful of earlier campaigns into Russia such as that of Charles XII of Sweden a century earlier and made the fateful decision to return to friendly territory rather than face the snows without adequate shelter.

When it became clear that the Russians would not accept a favourable peace, Napoleon marched his troops out of the city in October. It was already too late. As the once-great army trudged across the empty vastness of Russia, the cold set in, as early as the French generals could possibly have feared. And that was the least of their worries. The horses died first, for there was no food for them. Then after the men ate them they started dying too, for all the supplies in Moscow had been burned a month earlier. All the time, hordes of cossacks harassed the increasingly bedraggled rearguard, picking off stragglers and making the survivor’s lives a constant misery. Meanwhile, Alexander ? advised by his experienced generals refused to meet Napoleon’s military genius head-on, and wisely let his army dribble away in the Russian snows. Astonishingly, by the time the remnants of the Grand Armee reached the Berezina river in late November it numbered just 27,000 effective men. 100,000 had given up and surrendered to the enemy, while 380,000 lay dead on the Russian steppes. 89.5 cm long overall  read more

Code: 20830

A Superb Solid Sterling Silver Cigarette & Cigar Box, Early H.M. Queen Elizabeth IInd Period With The Crest of the Royal Borough of Windsor, & The Castle

Presented to officers of the Household Cavalry, the mounted bodyguard of her Late Beloved Majesty, Queen Elizabeth IInd, in 1965 at Windsor Castle. Silver Birmingham hallmarked by William Neale & Son Ltd (their mark from 1909). William Neale & Son Ltd
Birmingham, 1933 hallmark. Firm established by William Neale in 1850 in Birmingham. Later the firm became William Neale & Sons as a partnership of William Neale Sr., William Neale Jr. and Arthur Neale, building new premises at 29 Warstone Lane, Birmingham (1896). In 1905, the firm was converted into a limited liability company under the style of William Neale & Sons Ltd moving in 1910 at 34 Cox Street, St. Paul's Square, Birmingham. In 1941,

The Arms of the Borough as shown upon the silver box are officially recorded in the College of Arms as having been entered in 1566 at the Visitation of Berkshire made in that year by William Hervey Clarenceux, King of Arms, in the following form:

Per fesse Argent and Vert a Stag's Head caboshed of the first in chief between the attires Sable an Escutcheon of France Modern and England quarterly in base a Castle Wall with three Towers also Argent in the central tower a open Port with Portcullis raised Or.

Origin
Arms entered (without tinctures) at the Visitation of 1532; Confirmed with tinctures at the Visitation of 1566;

The castle is, of course, a reference to Windsor's famous royal fortress, and the stag's head recalls that the Windsor Great Park around the town formed a hunting ground for the Norman kings. The shield depicts the old 1405-1603 Royal Arms and is appropriate as New Windsor is a Royal Borough.

The Freedom Of Windsor: The freedom of the Royal Borough of Windsor was given to the Household Cavalry at a special ceremony held in the home Park, Windsor Castle, today. Immediately following this ceremony the Household Cavalry exercised their right by marching through the town of Windsor with bands plkating. Armoured cars from the Lifeguards took part in the parade. May 05, 1965.

Gross weight 22.8 ozs approx 6.75 inches x 4.65 inches x 2 inches. Hallmarked silver lined with cedarwood interior.  read more

Code: 25511

A Superb 'Valet de Pied a la Maison' Footman's Livery Frock Coat, in Dark Blue Velvet, Silk Damask, Silver Bullion and Fine Lace, With Handmade Cut-Steel Marquesite Buttonning

Such beautiful examples of the finest and elaborate clothing is considered very much a fabulous piece of object d'art, with museum collections displaying many such surviving pieces of now long gone finery with much attention to the their fine detail, their craftsmanship, tailoring and beauty. In stunning condition. Any well considered location for such a stunning piece could only be improved by such an admirable piece. A 19th century form footman’s livery frock coat, the dark blue velvet coat with five pairs of re-made 2” wide silver braided bands to front and similar double braided bands to flared pointed cuffs, reverse of coat pleated and cut to waist with banded tie and two large, pierced, cut handmade steel marquesite buttons. Black bow at rear of neck, collar and cuffs have finely worked white lace with matching cravat. The fine quality burgundy coloured damask waistcoat with floral and foliate worked decoration and six 1” wide braided silver bands en suite with coat. A false pocket flap on each side similarly trimmed with braid. Six dark metal waistcoat buttons of floral openwork design have star marquesite button centres. The whole in very good condition due to perfect storage. Male servants were paid more than female servants (because they were expected to support a wife and children) and footmen were something of a luxury and therefore a status symbol even among the servant-employing classes. They performed a less essential role than the cook, maid or even butler, and were part only of the grandest households. Since a footman was for show as much as for use, a tall footman was more highly prized than a short one, and good looks, including well-turned legs, which were shown off by the traditional footman's dress of stockings worn below knee breeches, were an advantage. Footmen were expected to be unmarried and tended to be relatively young; they might, however, progress to other posts, notably that of butler. One 19th-century footman, William Tayler, kept a diary which has been published. He was, in fact, married; but kept his marriage secret from his employers and visited his family only on his days off.

Once a commonly employed servant in great houses, footmen became much rarer after World War I as fewer households could by then afford retinues of servants and retainers. The position is now virtually a historic one although servants with this designation are still employed in the British Royal Household, wearing a distinctive scarlet livery on state occasions.The first footman was the designation given to the highest-ranking servant of this class in a given household. The first footman would serve as deputy butler and act as butler in the latter's absence, although some larger houses also had an under-butler above the first footman.

In a larger household, various footmen might be assigned specific duties (for which there might be a traditional sequence), such as the silver specialist. Usually the footmen performed a range of duties which included serving meals, opening and closing doors, carrying heavy items, or moving furniture for the housemaid to clean behind. The footmen might also double as valets, especially for visiting guests. As with all 19th century form clothing it is a small size.  read more

Code: 20940

A Delightful & Beautiful Early to Mid Edo Period 1598-1863 Samurai War Arrow. A Long Bladed Armour Piercing Tagari-Ya, With Yadake Bamboo haft, & Sea Eagle Feather Flights and a Traditional Tamahagane Tempered Steel Head In Stunning Polish with Hamon

Yanagi-Ha (willow leaf) Form. With original traditional eagle feathers, probably the large edge-wing feathers of a Japanese sea eagle.
The armour pierceing arrow tip, of yanagi-ha form, that is swollen at the tip to have the extra piercing power to penetrate armour and helmets {kabuto}, is a brightly polished, traditional tamagahane steel hand made, by a sword smith, long arrow head, originally hand made with folding and tempering exactly as would be a samurai sword blade, possibly signed on the tang under the binding but we would never remove it to see. The Edo period early eagle feathers are now slightly worn.
It is entirely indicative of the Japanese principle that as much time skill and effort be used to create a single 'fire and forget' arrow, as would be used to make a tanto or katana. A British or European blacksmith might once have made ten or twenty arrows a day, a Japanese craftsman might take a week to make a single arrow, that has a useable combat life of maybe two minutes, the same as a simplest British long bow arrow.

The Togari-Ya or pointed arrowheads look like a miniature version of a long Yari (spear) and were used only for war and are armour piercing arrows . Despite being somewhat of a weapon that was 'fire and forget' it was created regardless of cost and time, like no other arrow ever was outside of Japan. For example, to create the arrow head alone, in the very same traditional way today, using tamahagane steel, folding and forging, water quench tempering, then followed by polishing, it would likely cost way in excess of a thousand pounds, that is if you could find a Japanese master sword smith today who would make one for you. Then would would need hafting, binding, and feathering, by a completely separate artisan, and finally, using eagle feathers as flights, would be very likely impossible. This is a simple example of how incredible value finest samurai weaponry can be, items that can be acquired from us that would cost many times the price of our original antiques in order to recreate today. Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers.

Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of archery in battle. In the Edo period archery was considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai. In the gallery is from an edo exhibition of archery that shows a tagari ya arrow pierced completely through, back and front, an armoured steel multi plate kabuto helmet.

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