A 19th Century Indian Percussion Howdah Pistol, Double Over and Under Barrelled

With steel barrels and engraved decorative brass frame, and of overall utility quality. Tight mainspring action. Large .6 inch bore

A Formidable and singularly impressive double barrel large bore pistol, for use when seated in the Howdah, when riding on an Elephant, for protection against Tiger attack. The name "Howdah pistol" comes from the sedan chair- known as a Howdah which is mounted on the back of an elephant. Hunters, and officers, especially during the period of the British Raj in India, used howdahs as a platform for hunting wild animals and needed large-calibre side-arms to protect themselves, the elephant, and their passengers from animal attacks at close range. Even though Howdah pistols were designed for use in the “gravest extreme” against dangerous game (such as tigers), they were used in combat by some officers, for both offence and defence, as their effectiveness was simply unrivalled in close quarter action. Demand for these potent weapons outstripped supply, and many seen still surviving today are in fact converted shotguns, with shortened barrels and pistol grip restocking, and in later years gunmakers responded with revolvers, in calibres as large as .500, in order to fill the need. Firearms like these were one source of inspiration for the overtly powerful .44 magnum revolver. A 1996 movie, called 'The Ghost and the Darkness', starring Michael Douglas, featured the Douglas character, Charles Remington, using a near identical "howdah" pistol in several scenes.

Being of utility functional design this is not a fine quality English made equivalent from the same era, however, due to this, it is priced accordingly, and approximately less than a quarter of the price we sold our last two fine English made examples for. One nipple is only partially present

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 24753

A Beautiful Indo Persian 'Tiger's Claw' Khanjar Walrus Sea Ivory and Wootz Watered Steel Bladed Dagger,

A Magnificent 'Tiger's Claw' Wootz steel blade, likely in mottled pattern, with carved walrus sea ivory handle dagger 18th to 19th century. A museum grade quality piece. Once the property of a high status Mughal noble or prince. Elegant double-edged tapering steel blade of curved form with raised central spine. The blade has a very fine wootz watered steel pattern. The fine steel dagger is attached to a thick carved and engraved ivory handle. This waisted walrus ivory hilt is incised in relief to each side with a tiger capturing a deer and typical Mughul flora and fauna. A most similar example is in the Metropolitan Museum. Small losses to ivory at the base of the handle at the quillon. Walrus ivory is characterized in cross section by a central core that has a marbled appearance, surrounded by a smooth creamy white dentine layer see photo 7 circa 200 to 270 years old.  read more

Code: 24755

A Beautiful Edo Period, 18th century Hanbo, A Samurai’s Face Armour Mask

Black lacquer decor throughout, with vermillion lacquer interior. The expression is fierce/noble with protruding chin, the shape is elegant and very well refined. three lame yodarekake, with hooked standing cord pegs. Face armour, of this type is called hanbo. They were worn with the Samurai's armours to serve as a protection for the head and the face from sword cuts. There are 4 types of face armour mask designs that came into general use in Japan: happuri (which covers the forehead and cheeks), hanbō (covers the lower face, from below the nose all the way to the chin), sōmen (covers the entire face) and the me-no-shita-men (covers the face from nose to chin). We can also classify those mask depending on their facial expressions, most of which derive from the theatre masks. It has an asenagashino ana [a hole under the chin to drain off perspiration] and orikugi [two projecting studs above the chin to provide a secure fastening to the wearer]. In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.
The era of warfare called the Sengoku period ended around 1600, Japan was united and entered a relatively peaceful Edo period. However, the Shoguns of the Tokugawa period were most adept at encouraging clan rivalries and conflicts and battles were engaged throughout the empire. This of course suited the Shogun very well, while all his subordinate daimyo fought each other they were unlikely to conspire against him. Samurai use continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for war, but still for battle. The face armour was not designed to have any nose protection fitted, the lacquer is original Edo period throughout with vermilion red lacquer in the interior face portion, the exterior lacquer has a fair amount of age flaking over around 6-8% of the neck defence lames.
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Code: 23686

A Simply Stunning 15th Century Sengoku Period Wakizashi Samurai Short Sword Circa 1480 With Shobu Zukuri Form Blade

Mounted in wonderous, original, full suite of Edo period mounts based entirely on pure gold and silver ponies, made somewhat in the fashion of a very famous set by Yokoya Somin. The most elegant shobu zukuri iris leaf form blade has to be one of the most beautiful blade styles ever made and is rarely seen. Shakudo nanako and gold fuchi kashira, large silver pony menuki under gold silk on giant rayskin. Matching tsuba with gold and silver ponies. cinnabar lacquer saya with ribbed top section with rubbed gold lacquer. The koto blade has wonderful grain and an undulating hamon. Shakudo is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark color is induced by applying and heating rokusho, a special patination formula.

Shakudo Was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome. Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.

Kanzan Sato, in his book titled "The Japanese Sword", notes that the wakizashi may have become more popular than the tanto due to the wakizashi being more suited for indoor fighting. He mentions the custom of leaving the katana at the door of a castle or palace when entering while continuing to wear the wakizashi inside. Wakizashi were worn on the left side, secured to the obi waist sash. The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China. The Edo period habaki small copper-gilt blade collar has been perfectly restored and we shall photograph it soon. The photos that show it still in place see photos 2 and 9 are before it was restored.  read more

Code: 23939

A Fine Koto Period Wakizashi, Circa 1500 With Exceptional Mounts & Blade

Just returned this week from a beautiful re-polish to the blade, and it looks even better and more impressive than we hoped. The fuchigashira, are very special indeed hilt mounts and decorated with dragonfly and signed with an archaic style gold makers seal mark, and the menuki grip fittings, are of also stunning quality made in stunning quality shakudo. The menuki are based around the meditating Daruma. Daruma is a repesentation of a 5th century Buddhist monk,and has a design that is rich in symbolism and is regarded more as a talisman of good luck to the Japanese. He is completely wrapped in his robe, he holds a hossu-fly, the opposing menuki is showing, what is likely a view of Daruma wrapped in his cloak from behind, is inlaid with a pure gold seal mark of the maker, signed, Masayuki. The details in very high relief are accented with finely shakudo and gold inlaid in a Yanagawa style. This notable school takes rank with the Goto, the Nara, and the Yokoyoya in the extent of its influence, the numbers of its pupils, and the importance of the branch school founded by them. The founder, Yanagawa Naomasa (1692 ?1757 ) was a pupil of the early Yokoya and of the Yoshioka, and combined characteristics of both this school. Shakudo was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome. The fittings are set within their two bespoke wooden display cases. Antique Japanese koshirae Japanese samurai sword mounts and fittings are considered as fine object d'art in their own right, and have been collectable as individual items or sets, since the Edo period. The tsuka ito hilt binding is of leather. The tsuba is a fine sukashi tsuba in iron. The saya is decorated with intricately layered pine needles, placed in position to appear natural and random but are actually methodically put in position, in an incredible time consuming skillful manner to appear random, but are not. The surface is then over laid in clear lacquer. The whole process to make thgis saya could have taken an artisan a year or even longer. Overall 24 1/4 inches long, blade length tsuba to tip 17 5/8 inches long  read more

Code: 23140

A Most Attractive Napoleonic Wars Era, Dublin Castle Flintlock Mounted Sergeant's 'Brown Bess' Musket

A mighty and strong King George IIIrd period 'Brown Bess' musket, for it is often known that Dublin Castle assembled muskets frequently had stronger grade stocks than the equivalent Tower of London examples, that were made in London.
It has a good and fine patinated walnut stock, good action, and good traditional third pattern brass furniture trigger guard. 32" barrel. Often the barrel length of 32-33" were supplied for sergeants of the line within the regiments. Dublin Castle flintlocks are scarce and are now and are very highly prized and esteemed, especially by the collectors of early Irish weaponry.

The story of the Irish regiments under Wellington's command, such as in in the famous and renown 27th Regiment of Foot, the Enniskillen Inniskilling,. It was a descendent entity from one of the Enniskillen militia raised during the War of the Two Kings, which had become an established unit during the many wars of the 18th century. Against France in this round of fighting, the “Inniskilling” regiment fought in Flanders before helping to take islands in the Caribbean, as many Irish regiments did, suffering terribly from the heat and tropical diseases they were soon unsuited to deal with. Later came greater glory, with the regiment taking part in the Battle of Alexandria in 1801 and then the Battle of Maida in Italy, both crucial victories in the respective campaigns. The regiment entered into the Peninsular Wars in dribs and drabs, with its 1st Battalion joining Wellesley nearly everywhere, and the 3rd only arriving in 1813, but the regiment still had the opportunity to inflict heavy casualties on the French enemy at the Battle of Castalla, before suffering the same a few months later at Ordal, one of the last significant French victories of that campaign. In 1815, the regiment took its place at Waterloo. The 27th Foot bore the brunt of Napoleon’s frontal assault and suffered 481 men killed or injured. The course of the French Revolutionary Wars and the subsequent Napoleonic Wars bears little going into. Between 1792 and 1815, France fought numerous conflicts against a series of opposing coalitions. What began as a conflict of mere survival for the Revolution soon morphed into a more imperialistic venture when France fell under the control of Napoleon Bonaparte in 1799: he would eventually lead France to control a huge chunk of Europe, stretching all the way to Moscow in the east and to the Portuguese coastline in the west. But it couldn’t last, with the French state practically dependent on constant expansion to sustain itself, and Napoleon suffered two major falls, the first in 1813 when British, Austrian, Russian and Prussian overran France, and the second in 1815, after the titanic clash at Waterloo. Throughout the entire conflict, Irish troops were heavily involved, in numerous armies, but none more so than the British.The 1st Battalion went on to fight at the Battle of Waterloo as part of John Lambert's 10th Brigade in the 6th Division. At about 6:30 PM, the French captured the key strongpoint of La Haye Sainte farm. After this success, they brought up several cannon and took the Anglo-Allied lines under fire at extremely close range. At this period, the 698-strong battalion was deployed in square at the point where the Ohain road crossed the Charleroi to Brussels highway. At a range of 300 yards (270 m), the French artillery caused the unit enormous casualties within a short time. At day's end, the 1st Battalion had lost 105 killed and 373 wounded, a total of 478 casualties, without breaking. The unit was described as "lying dead in a square". At the time of Waterloo, the soldiers of the 27th were dressed in red, short-tailed jackets, overall trousers, and a high-fronted shako. The facing colour was buff and it was displayed on the collar, cuffs, and shoulder-straps. The lace on the cuffs and jackets had square-ended loops.

The muskets barrel shows where during its later working lifetime it has travelled back with the EIC and thus served in India, and has been struck with their armoury stamps. Due to the vagaries of intense war and the inevitable short supply of arms, often muskets and pistols had to be supplied by the board of ordnance from gun parts in stores, and thus assembled as and when urgency demanded, or guns returned to the ordnance to replace parts damaged in combat, guns of some mixed part types were inevitable. Therefore, typically this musket has a 'Brown Bess' new land style butt plate, and a transitional period {central screw} sideplate. A photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons used at Waterloo en situ, including all the protagonists {British Brown Bess, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo. Overall the musket very a nice condition and an impressive looking composite musket, and with, as to be expected, signs of combat use.  read more

Code: 23209

A Singularly Beautiful Napoleonic Wars, The Peninsular Campaign, & The War of 100 Days Culminating at Quatre Bras & Waterloo, A Presentation Quality 1796-1803 Sword 15th Hussars

It was converted into a hussar regiment in 1807, before being sent to Spain for the Peninsular War (1808-14) a year later. After joining up with Sir John Moore’s force, it successfully charged uphill through snow against French chasseurs and dragoons at Sahagun on 21 December 1808. It was evacuated from Corunna in January 1809.

After a spell of policing duties in the north of England, it returned to the Peninsula in 1813, fighting at Morales and Vitoria that year, and at Orthes and Toulouse in 1814. It also fought at Waterloo in 1815.

in May 1815 the Regiment, under command of Lt. Col. Leighton Dalrymple, returned to France to meet the threat raised by the resurrected Napoleon. In France, the Regiment was brigaded with the 7th Hussars and the 2nd German Hussars. Napoleon's rapid advance in June took Wellington by surprise, and the British cavalry were ordered to march at short notice, reaching Quartre Bras on the evening of 16th June. On 17th, the British, with the cavalry covering, fell back towards the village of Waterloo and spent a night bivouacked in the open in torrential rain. On the fateful morning of the 18th, the 15th Hussars formed a section of the British front line near Hugomont Farm, astride the Nivelle Road.

" . . a large body of Cuirassiers and other cavalry were seen carrying all before them on the open ground between Hugomont and La Haye Saint, and their Lancers were shouting in triumph. The brigade instantly moved towards its former post, and the 13th and the 15th charged and drove back the Cuirassiers, with the most distinguished gallantry, for some distance."

Based, primarily, on Wellington's own comments, some historians have expressed admiration of British cavalry actions at Waterloo - in the mud, blood and heat of battle, the contribution to victory made by both the heavy cavalry, such as the Scots Greys and the Inniskillens, and the light cavalry, such as the hussar regiments, is remarkable.

At Waterloo, the 15th Hussars lost 3 officers and 25 other ranks killed, together with 42 horses, and 7 officers (including Col. Dalrymple) and 43 other ranks wounded, together with 52 horses. After the battle, the Regiment pursued the French to Cambray and then to Paris, returning to England (Hounslow) in May 1816.

The hilt retains almost all its original finest mercurial gold covering, and a stunning line engraved grip, and sea ivory grip. The scabbard similarly draws the eye to the importance of the entire piece. Its highly distinctive appearance brings us very much to mind a strong possibility it was presented to an officer of the 15th Light Dragoons, likely for conspicuous service in the Peninsular campaign. In the early 1800’s the regiment commissioned a specific design of highest quality mameluke hilted dress swords, without knuckle bow, and a carved marine Ivory hilt, for officers of the regiment, and with this highly distinctive rare scabbard pattern, a rare scabbard pattern is so similar that we feel this sword was the alternative dress-cum-combat version. We therefore judge this very sword's design may well have influenced by the pattern of the 15th Hussars regiments officer's deluxe quality mameluke made during the Georgian period, but the 1796 p hilt was far more effective as a combat sabre for a secure grip in the charge.
This sword's blade slides neatly into the amazingly decorated sheath, of engraved mercurial gold copper-gilt panels, with a black leather base, and twin fine ring mounts. This wondrous sword is somewhat similar quality to the Lloyds Patriotic Fund swords, and other highest grade presentation quality swords awarded to officers during wars with France, during the reign of King George IIIrd, in the early 19th century. It would have been commissioned from by one the finest London makers, such as R. Teed of Lancaster Court, or Thomas Gill of St James's, as there are certainly elements of workmanship similar to both Gill and Teed's finest craftsmanship. The blade is polished with areas of age staining and once bore fine engravings and the king's cypher and motto. Lloyd's Patriotic Fund was founded on 28 July 1803 at Lloyd's Coffee House, and continues to the present day. Lloyd’s Patriotic Fund now works closely with armed forces charities to identify the individuals and their families who are in urgent need of support.

The contributors created the fund to give grants to those wounded in service to the Crown and to set up annuities to the dependents of those killed in action. The Fund also awarded prizes to those British combatants who went beyond the call of duty. The rewards could be a sum of money, a sword or a piece of plate. The Fund issued 15 swords worth £30 each, to midshipmen, masters' mates and Royal Marine lieutenants. Also, 91 swords worth 50 pounds each went to naval lieutenants and Royal Marine captains. It issued 35 swords worth £100 each to commanders and naval captains. In addition, it issued 23 swords, worth £100 each, to naval captains who fought at Trafalgar. Some 60 officers requested a piece of plate of equal value instead of a sword. Lastly, a number of officers opted for cash instead, either for themselves or to distribute to their crew.

One engagement might result in multiple awards. When a cutting-out party from HMS Franchise captured Raposa in 1806, naval lieutenants John Fleming and Peter Douglas, and Lieutenant of Marines Mend, each received a sword worth £50, while Midshipman Lamb received one worth £30.

Not all the officers who received swords or other merit awards were naval officers or Royal Marines. Some were captains of privateers or East Indiamen. The Fund awarded Mr. Thomas Musgrave, captain of the private man of war Kitty an honour-sabre worth £30 for the action in which Kitty captured the Spanish ship Felicity (or Felicidad). After the Battle of Pulo Aura, Lloyd's Patriotic Fund gave each captain a sword worth £50, and one to Lieutenant Robert Merrick Fowler (RN), who had distinguished himself in a variety of capacities during the engagement, and one worth £100 to Captain Nathaniel Dance, who had been the commodore of the fleet.

Napoleonic period original painting in the gallery of Capt. Manby with his Prize Presentation Sword.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7 th Hussars that fought at Waterloo

Not suitable to US export, IPEC req'd  read more

Code: 21774

A Stunning Indian Mutiny Period Elite 2nd Dragoon Guards Officer's Silver Pouch

Hallmarked silver and dated to 1855. This was acquired from a museum grade collector of Waterloo artefacts and also 2nd Dragoon Guards artefacts, from the 19th century, see also the regimentally marked 2nd QDG 1796 Napoleonic Wars pistol code number 22648. Full dress officers silver pouch, in absolute pristine condition. Quite simply a wonderful artefact of British elite cavalry uniform regalia that is also an 'object d'art' from one of the most beautiful and finest quality military uniforms ever worn. Hallmarked London silver, dated 1855. Picture 10 in the gallery shows the pre 1885 2nd QDG full dress badge, when worn on their helmet the garter belt motto would change to the words Queen's Dragoon Guards, on the 1855 pouch it has "Honi Soit Qui Mal y Pense" as with the full dress badge but surmounted by a crown. Rectangular curved box with silver lid, with cast silver supports and rings and lined with silver wire bullion bands. Box covered in tooled black leather lining with morocco red leather trim. The silver cover bears an engraved acanthus leaf border, bearing at its centre the elite royal cavalry badge, of a gold, crowned garter star, emblazoned with royal motto "Honi Soit Qui Mal Y Pense", and the central relief VR cypher of Queen Victoria.
In 1857 the 2nd the Queen's Bays, were sent to India for the Indian Mutiny, and this pouch would have been worn in this conflict by its officer owner.
After the recapture of Delhi the focus of the conflict was on Lucknow, 150 miles northeast of Allahabad. Sir Colin Campbell had already rescued the beleaguered garrison there but had not prevented the rebels from capturing the city and holding it with 130,000 men. Campbell now had a force of 20,000 to march on Lucknow. The rebels made several sorties out of the town to engage with them. On 6 March two squadrons of the Bays made a charge under the command of Major Percy Smith. This got out of control over broken ground and three men were killed, including Major Smith. They were unable to retrieve his body. One corporal was unhorsed and unable to remount, so was cut to pieces. Six other men were wounded and many of the horses suffered terrible wounds from the mutineers' swords and bayonets. Lucknow was recaptured by 16 Mar 1858, but 20,000 rebels escaped. The cavalry units were already scattered around the countryside chasing small parties of rebels so were not in position to block the mass exodus on 16 Mar. "We came on bodies of Cavalry and Infantry of the enemy. Bays where ordered to the front to charge and pursue! Away we went as hard as possible, Major Smith and I leading. We did not stop for three miles, cutting down and pursuing the mutineers right up to Lucknow, and across the river. We are told the most gallant. Smartest, though somewhat rash thing that was done before Lucknow".

In a battle at Nawabganj, east of Lucknow, 2 squadrons under Major Seymour were part of the cavalry element of Hope Grant's 3,500-strong column that attacked a force of 15,000 mutineers entrenched at a river crossing. They made a 12 mile night march to surprise the rebels. There was a three hour battle during which the British were surrounded but they turned the tables and drove the enemy off, having killed 600 and captured 9 guns. The British lost 67 killed or wounded in action, but 33 died of sunstroke and 250 ended up in hospital. All members of the regiment had suffered from fever or sunstroke, both proving fatal in many cases. The CO, William Campbell died on 6 July 1858, after being promoted to brigadier. The second lieutenant-colonel, Hylton Brisco had suffered with fever and retired in September. Because of the fatalities and sickness, officers were gaining promotion without purchase. Captain William Henry Seymour, whose letters home provide valuable information on the Bays in India, attained his majority and lieutenant-colonelcy so that within 8 months he had gone from captain to CO of the regiment.
7.5 inches x 3.5 inches x 1.75 inches deep at the curve. 8.75 ounces weight total.  read more

Code: 22333

After Waterloo By Frye Beautiful Leather and Gold Tooled Volume Published 1908

beautiful leather binding with gold tooling. bearing the ex libris label with family crest of its owner Cecil E Byas, reknown collector who died in 1938, and part of his collection was bequethed to the Fitzwilliam Museum in Cambridge.
Printed on handmade paper. The account by British Army major W E Frye of his travels around Europe in the aftermath of the Battle of Waterloo. As well as giving his opinions on the various European towns and cities he passes through, he vividly describes European culture in the early 19th Century, with detailed accounts of the Theatre, Opera and the Arts in France, Italy & Switzerland in particular. His experiences of post-Waterloo Europe left him with an generally positive view of Napoleon and the book gives an interesting insight into the contemporary opinions of the French leader and his effect on Continental Europe.  read more

Code: 23765

A Superb Napoleonic French 'Prisoner-of-War' Travelling Dressing Case

In wood covered in straw-work parquetry. A near identical example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. The interior bears many small drawers and compartments and a fold away mirror in vauxhall plate, and a fine hand painted watercolour of Beaufort Castle in Invernesshire. All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.
Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon?s forces were finally defeated at Waterloo.

In 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.
To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

12.75 inches wide, x 9.25 inches x 3 inches.  read more

Code: 20852