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A Most Incredible and Finest Quality King George IIIrd Napoleonic Wars Scottish Presentation Sword, Presented In The Months Following the Battle of Trafalgar, by The New ‘Battle Company’ of the  Midlothian Regiment

A Most Incredible and Finest Quality King George IIIrd Napoleonic Wars Scottish Presentation Sword, Presented In The Months Following the Battle of Trafalgar, by The New ‘Battle Company’ of the Midlothian Regiment

This is a magnificent ‘royal grade’ museum piece, a sublime quality presentation sword, made with the finest copper-gilt mounts, silver panels, and a stunning blue and gilt blade with deluxe engraving and etched presentation panel. A sword of the highest rank, commissioned to be hand made by Rundell & Bridge, personal goldsmiths to King George IIIrd, and one of the worlds finest makers of objects of magnificence, including the British Crown Jewels, universally recognised as the finest suite of royal regalia in the world.

Formerly in the world famous Smithsonian Collection in Washington, America, sold by them over 25 years ago to raise an urgent need of funds.
In the days it was commissioned it would have been made by Rundell and Bridge for the equivalent and likely same cost of the £100 Lloyds Patriotic Fund Presentation Swords, that were presented to the heroes of the Royal Navy, such as that fought at Trafalger etc. Bearing in mind the value of £100 in 1806 was a simply remarkable sum, for example only 6% of the families in Britain had a total income of £100 in an entire year in 1806, an equivalent today of around £80,000.

Presentation inscription motto etched onto the blade reads;
‘Into whose hand
this sword is put,
It’s hop’t will not
fear Buonaparte,

So draw me out
I shine so clear
and if I strike
my foes may fear”

This fabulous sword, was made by Philip Rundell and George Bridge whose company later made The British Imperial State Crown, the most famous and important royal crown of state ever made, and last used by her Majesty Queen Elizabeth II for her coronation in 1953. This wondrous sword was formerly from the Smithsonian Collection in Washington, and is remarkably similar to the most valuable and highest quality presentation British swords of the Napoleonic Wars, the Lloyds Patriotic Fund sabres, that today can fetch up to £220,000, considerably more than they were achieving 40 years ago when we sold a fine £100 pound Lloyds sword, and even 20 years ago when we sold our last Lloyds £100 pound sword. This sword's makers were King George IIIrds personal goldsmiths, and made the Irish Crown Jewels in 1830, and Queen Victoria's Imperial State Crown " expressly made for the solemnity of the Coronation" That was last used by Her Majesty Queen Elizabeth IInd for her coronation. This spectacular sword is inscribed that its bearer should fight Napoleon Bonaparte without fear, but his foes The French will fear its startling brightness and beauty. It has a sharply curved blade, decorated with stands of arms, a crowned GR cypher, the king's Royal arms, a figure of Britannia, and the motto see photo in the gallery and another further Scottish regimental presentation panel on the opposing side of the blade see photo. The dedication reads;

Presented by the New battle company of
The Eastern Regt. of Midlothian Volunteer
Infantry, to David White Esq, their Captain
as a Mark of their Regard and Esteem, 1806


It has a superbly detailed classically styled stirrup hilt decorated with acanthus scrolls, oak leaves and acorns, with the langets decorated with stands of arms, it has a copper gilt simulated wire and ribbon bound grip, contained in its ornately mounted silver and copper gilt leather scabbard, each mount finely engraved and decorated with acanthus leaf bouquets and featuring a central oval silver plaque decorated with stands of arms, the upper mount with maker's panel. This amazing sword was formerly in the collection of the Smithsonian in Washington, USA, bequeathed to them by a famed American collector of Napoleonic arms, which they sold for the benefit of the Smithsonian's funds over 25 years ago. Blade 75 cm approx. Maker marked by Philip Rundell and George Bridge of London. The firm was appointed as one of the goldsmiths and jewellers to the king in 1797 and Principal Royal Goldsmiths & Jewellers in 1804, and the firm held the Royal Warrant until 1843. They served four monarchs: George III, George IV, William IV and Victoria. After the Congress of Vienna (1814–1815), the firm prepared 22 snuff-boxes to a value of 1000 guineas each to be given as diplomatic gifts.

In 1830–1831, the firm created the Irish Crown Jewels from 394 precious stones taken from the English Crown Jewels of Queen Charlotte and the Order of the Bath star of her husband George III, and Queen Victoria's Imperial State Crown for her coronation. Despite the incredible success of the Battle of Trafalgar, and the routing of Napoleon’s French and Spanish fleet by Admiral Nelson, concern was still great amongst the people of Britain, in fact it was never greater, of the fear that Bonaparte would continue his efforts to confound and attempt to conquer Britain and its empire, and thus to create his own empire controlling all of Europe And Russia. Rundells quality of workmanship was so fine and renowned throughout the world that there are over 100 items by Rundells in the Royal collection alone.

This wonderful sword was obviously worn with pride by its recipient officer, thus the blade shows commensurate signs of light surface wear as to be expected.

We can, if required, commission a contemporary, bespoke glazed & framed display cabinet made by our local specialist artisan. Perfectly suitable for table or wall mounting. With several options of wood framing types, such as gilt, black or silver, also with coloured velvet backing options, and a suitably engraved brass plaque if required.

The scabbard has a blank silver panel on the inner throat mount that could have been presentation engraved but hasn't been  read more

Code: 23375

36950.00 GBP

A Superb 2000 Year Old Rare Roman Legionary's or Gladiator's Pugio Dagger, One Of The Best Examples We Have Seen in Over A Decade

A Superb 2000 Year Old Rare Roman Legionary's or Gladiator's Pugio Dagger, One Of The Best Examples We Have Seen in Over A Decade

A simply superb, original artifact of Ancient Rome. from the time of the Great Julius Caeser, and the subsequent Emperors, Augustus, Tiberius, Caligula, Claudius, and Nero. The very form and type of dagger that was used to assassinate the great Julius Caesar on the Ides of March, and that was actually depicted at the time on a Roman coin, the "Brutus “Eid Mar” Denarius", considered by some to be the rarest and most important coin ever made in Roman history [see photo 8 in our gallery] and the only coin minted to openly celebrate a murder.
Plus, the highly distinctive pugio dagger was an essential weapon of the roman legionaries. The hilts of original roman swords and daggers very rarely survive to today, as their material of construction [such as wood, ivory, horn or bone] does not last as long over 2000 years as the iron blades can. Only the very few that had cast bronze hilts remain intact. The pugio (plural: pugiones) was a dagger used by Roman soldiers as a sidearm, and it seems most likely that the pugio dagger was intended as an auxiliary weapon, after the sword or lance. Officials of the empire took to wearing ornate daggers in the performance of their offices, and some would wear concealed daggers as a defence against contingencies. The dagger was a common weapon of assassination and suicide; for example, the conspirators who stabbed Julius Caesar used pugiones. Roman writer Vegetius, wrote

"A stroke with the edges, though made with ever so much force, seldom kills. On the contrary, a stab, though it penetrates but two inches, is generally fatal. If the body is covered while a thrust is given, and the adversary receives the point before he sees the sword." This was the method of fighting principally used by the Romans. There are a number of surviving Roman depictions of soldiers slashing with their weapons in addition to stabbing with them. This is shown best on the Adamklissi metopes.

Attempts to cast pugios in the role of utility knives are misguided, as the blade form is not suited to this purpose, it being far better suited for use as a close quarter weapon. Small utility knives are found in profusion at military sites and there is no reason to think that soldiers needed to use their pugios for anything other than fighting. Tacitus reports that Gnaeus Domitius Corbulo had a soldier executed for not wearing a sword while digging a trench and another for wearing only a pugio in the same activity. The pugio became an ornate sidearm of officers and dignitaries as well, a custom reminiscent of the knives after which the Saxons were named. These Germanic mercenaries served in the Roman army. The emperors came to wear a dagger to symbolize the power of life and death. The emperor Vitellius attempted to resign his position and offers his dagger to the consul, but it was refused and Vitellius was forced to stay by popular acclaim and the Praetorian guard. Tacitus also relates that a centurion, Sempronius Densus, of the Praetorian guard drew a dagger to save Lucius Calpurnius Piso Licinianus momentarily. One picture in the gallery is from Barry Strauss book the Death of Caesar, it shows a complete original pugio with its intact cast bronze hilt, the blade shape of ours is identical and highly identifiable. This blade is superb, with an aged russetted surface condition as normal for surviving Roman iron blades today. Blade. 14 1/4 inch blade length total. An original silver minted version of the "Brutus “Eid Mar” Denarius today can sell for around $ 500,000 [it is estimated for there to be only around 56 surviving examples] and the gold minted version, recently sold for $4.2 million [and it is estimated for there to be only 2 surviving examples]. It thus makes this original pugio dagger, from the same period, to be somewhat of a bargain by comparison.  read more

Code: 23163

3950.00 GBP

Beautiful, Inscribed, Elizabethan Tudor & Renaissance  Nobleman’s Rapier 16th Century, Circa 1570

Beautiful, Inscribed, Elizabethan Tudor & Renaissance Nobleman’s Rapier 16th Century, Circa 1570

A stunning Renaissance rapier with tapered blade of flattened hexagonal section, fullers on both sides of the forte inscribed with Fio Nio, [abbreviated Latin] opposite armourer’s marks of crescents plus circle with cross on the blade, nicely defined long ricasso; with an elaborate, swept hilt with thumb ring, and three, hand guard bars, the quillon finials with shaped knobs very nicely embossed. It has a restored leather grip surface and a beautifully pronounced ovoid egg form pommel.

Often used in duels in conjunction with a maine gauche off-hand parrying dagger.

Exactly the same form of sword rapiers as worn by all of the great admirals and knights in Queen Elizabeth the 1st's court. See the three original portraits of such as Sir Walter Raleigh, Sir Francis Drake, & Earl Dudley.

Sir Francis Drake while commanding the English fleet against the Spanish Armada, plus all his senior captains and command officers, carried and used the very same form of rapier, despite its length being somewhat impractical to hand to hand combat aboard ship. It wasn’t for some time that logic prevailed and swords for use aboard ships became much shorter, such as hunting swords, and thus far more practical when hampered by low slung rigging aboard the main deck of all ships.

It was also the very form of sword carried by the senior Spanish Conquistadors on their conquest of the South Americas in the 16th century.

From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand.

For further reference as to type;
C. Foulkes, Inventory and Survey of the Armouries of the Tower of London, published 1916; and A.R. Dufty, European Swords and Daggers in the Tower of London, published 1974, see letter D on plate 21
From the early 16th century onward, the practice of wearing a sword or rapier with civilian dress, made duels between unarmoured opponents more common. Lacking the armour, shield or hand protections worn in battle, the fighters had to block or parry an attack by other means. Methods of defence included the use of a dagger or a buckler held in the left hand. Fundamental characteristics of the spada da lato, compared to the normal one-handed sword and the sword, are the long and pointed but still massive blade, sharpened on both sides, with a short ricasso protected above by a metal ring; and the hilt with one or two-handed sleeves, normally in relation to the length of the blade and therefore to the total weight of the weapon, cross-shaped guard with large, straight or folded arms, loaded with branches, bridges and rings, articulating on the ricasso, to ensure greater protection of the hand. The maker's mark shows comparisons with a rapier in the Tower of London Armoury see Foulkes, no.107 p.274, 1916

41 1/3" overall length. Fine condition.  read more

Code: 24093

7350.00 GBP

A Superb Quatre Bras and Waterloo 1796 Pattern Infantry Officers Sword Excellent Silver Bound and gold Hilt and Blue & Gilt Blade with Royal Cypher & Stands of Arms Engraving

A Superb Quatre Bras and Waterloo 1796 Pattern Infantry Officers Sword Excellent Silver Bound and gold Hilt and Blue & Gilt Blade with Royal Cypher & Stands of Arms Engraving

Mercurial gilt hilt with double shell fold down guard and silver bound grip, and fully engraved blade with Royal cypher and crest, and scroll engraved with stands of arms. From the Napoleonic Wars, the Peninsular war, The War of 1812 in America, then in 1815 at Quatre Bras and Waterloo, and with around 90% of the gilt remaining on the hilt. A simply stunning sword in wonderful condition. British infantry officer's sword of the Napoleonic Wars. The Napoleonic Wars (1803–1815) were a series of major conflicts pitting the French Empire led by Emperor Napoleon I against an array of European powers formed into various coalitions. They revolutionised European armies and played out on an unprecedented scale, mainly owing to the application of modern mass conscription. The wars are traditionally seen as a continuation of the Revolutionary Wars, which broke out in 1792 during the French Revolution. Initially, French power rose quickly as the armies of Napoleon conquered much of Europe. In his military career, Napoleon fought about 60 battles and lost seven, mostly at the end. The great French dominion collapsed rapidly after the disastrous invasion of Russia in 1812. Napoleon was defeated in 1814, and then once more in 1815 at Waterloo after a brief return to power. The Allies then reversed all French gains since the Revolutionary Wars at the Congress of Vienna.

Before a final victory against Napoleon, five of seven coalitions saw defeat at the hands of France. France defeated the first and second coalitions during the French Revolutionary Wars, the third (notably at Austerlitz), the fourth (notably at Jena, Eylau, and Friedland) and the fifth coalition (notably at Wagram) under the leadership of Napoleon. These great victories gave the French Army a sense of invulnerability, especially when it approached Moscow. But after the retreat from Russia, in spite of incomplete victories, France was defeated by the sixth coalition at Leipzig, in the Peninsular War at Vitoria and at the hands of the seventh coalition at Waterloo.

The wars resulted in the dissolution of the Holy Roman Empire and sowed the seeds of nationalism that would lead to the consolidations of Germany and Italy later in the century. Meanwhile, the global Spanish Empire began to unravel as French occupation of Spain weakened Spain's hold over its colonies, providing an opening for nationalist revolutions in Spanish America. As a direct result of the Napoleonic wars, the British Empire became the foremost world power for the next century, thus beginning Pax Britannica.

No consensus exists about when the French Revolutionary Wars ended and the Napoleonic Wars began. An early candidate is 9 November 1799, the date of Bonaparte's coup seizing power in France. However, the most common date is 18 May 1803, when renewed war broke out between Britain and France, ending the one-year-old Peace of Amiens, the only period of general peace in Europe between 1792 and 1814. Most actual fighting ceased following Napoleon's final defeat at Waterloo on 18 June 1815, although skirmishing continued as late as 3 July 1815 at the Battle of Issy. The Second Treaty of Paris officially ended the wars on 20 November 1815. Overall this battle cum dress sword is in fabulous condition, without scabbard, from a large former museum collection of original Napoleonic Battle of Waterloo swords

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .  read more

Code: 24741

Reserved

An Original English Civil War Period Portrait of General George Monk &  General Monk's Early Leather Bound Biography

An Original English Civil War Period Portrait of General George Monk & General Monk's Early Leather Bound Biography

A fine portrait After Samuel Cooper of George Monk, 1st Duke of Albemarle. Oil on canvas laid on board, inscribed Gen: Monk, Duke of Albermale upper centre. And a fine volume of The Life of General Monk, Duke of Albemarle 2nd Edit. 1724. George Monk, 1st Duke of Albemarle, KG (6 December 1608 - 3 January 1670) was an English soldier and politician and a key figure in the Restoration of Charles II. During the operations on the Scottish border in the Bishops' Wars (1639-1640) he showed his skill and coolness in the dispositions by which he saved the English artillery at the Battle of Newburn (1640).

At the outbreak of the Irish rebellion (1641) Monck became colonel of Robert Sidney, 2nd Earl of Leicester's regiment under the command of James Butler, 1st Duke of Ormonde. All the qualities for which he was noted through life his talent for making himself indispensable, his imperturbable temper and his impenetrable secrecy were fully displayed in this post. The governorship of Dublin stood vacant, and Leicester recommended Monck.

However, Charles I overruled the appointment in favour of Charles Lambart, 1st Earl of Cavan, and Monck surrendered the appointment without protest. James Butler, 1st Duke of Ormonde viewed him with suspicion as one of two officers who refused to take the oath to support the Royal cause in England and sent him under guard to Bristol.

Monck justified himself to Charles I in person, and his astute criticisms of the conduct of the Irish war impressed the king, who gave him a command in the army brought over from Ireland during the English Civil War. Taken prisoner by Parliament's Northern Association Army under Sir Thomas Fairfax, 3rd Lord Fairfax of Cameron at the Battle of Nantwich in January 1644, he spent the next two years in the Tower of London. He spent his imprisonment writing his Observations on Military and Political Affairs Monck's experience in Ireland led to his release. He was made major general in the army sent by Parliament against Irish rebels. Making a distinction (like other soldiers of the time) between fighting the Irish and taking arms against the king, he accepted the offer and swore loyalty to the Parliamentary cause. He made little headway against the Irish led by Owen Roe O'Neill and concluded an armistice (called then a "convention") with the rebel leaders upon terms which he knew the Parliament would not ratify. The convention was a military expedient to deal with a military necessity. When in February 1649 Scotland proclaimed Charles, Prince of Wales, as Charles II, King of Scotland, the Protestant Ulster Scots settlers did the same and following Charles's lead took the Solemn League and Covenant. Most of Monck's army went over to the Royalist cause, placing themselves under the command of Hugh Montgomery, 1st Earl of Mount Alexander. Monck himself remained faithful to Parliament and returned to England.

Although Parliament disavowed the terms of the truce, no blame was attached to Monck's recognition of military necessity. He next fought at Oliver Cromwell's side in Scotland at the 1650 Battle of Dunbar, a resounding Roundhead victory. Made commander-in-chief in Scotland by Cromwell, Monck completed the subjugation of the country.

In February 1652 Monck left Scotland to recover his broken health at Bath, and in November of the same year he became a General at Sea in the First Anglo-Dutch War, which ended in a decisive victory for the Commonwealth's fleet and marked the beginning of England's climb to supremacy over the Dutch at sea.

On his return to shore Monck married Anne Radford (n?e Clarges).In 1653 he was nominated one of the representatives for Devon in Barebone's Parliament. He returned to Scotland, methodically beating down a Royalist insurrection in the Highlands. At Cromwell's request, Monck remained in Scotland as governor During the confusion which followed Cromwell's death on 3 September 1658, Monck remained silent and watchful at Edinburgh, careful only to secure his hold on his troops. At first he contemplated armed support of Richard Cromwell, but on realising the young man's incapacity for government, he gave up this idea and renewed his waiting policy. In July 1659 direct and tempting proposals were again made to him by the future Charles II. Monck was elected Member of Parliament for both Devon and Cambridge University in the Convention Parliament of 1660. Though he protested his adherence to republican principles, it was a matter of common knowledge that the parliament would have a strong Royalist colour. Monck himself, in communication with Charles II, accepted the latter's Declaration of Breda of 4 April 1660, which was largely based on Monck's recommendations. On 1 May the newly convened Convention Parliament formally invited Charles, as King Charles II, to be the English monarch in what has become known as the Restoration. The painting size is 27cm x 23.5 cm., and in its frame it is 16.75 inches x 15.5 inches  read more

Code: 22723

2995.00 GBP

An Imperial Roman 2nd Century Bronze Ring, Excellent Condition and Still Wearable Today

An Imperial Roman 2nd Century Bronze Ring, Excellent Condition and Still Wearable Today

The same size, shape and form of unadorned ring worn by two of the Imperial Ceaser's, both Augustus and Tiberius. Part of a superb original museum grade collection we have acquired of Roman rings, also with some medieval and Norman rings as well. They are both clearly wearing their identical size and shaped rings on both of the surviving original Roman bronze statues of the emperors. Augustus Caeser and Tiberius Caeser both wore that ring type, engraved with the the symbol of a lituus, the mark of a Roman Augur a type of sorcerer. Augustus Caeser was indeed an auger himself, as was Pompey. The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognize them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one. Classified as Guiraud type 4. Guiraud Ring Types A categorisation of 1st to 5th century ce Roman and provincial Gallo-Roman ring types devised by the 20th century French scholar Hélène Guiraud.

Like many of our selection of antiquities, many originally arrived in England as souvenirs of a Grand Tour, from around 200 years ago,


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.  read more

Code: 24363

375.00 GBP

A Beautiful, Original, Large Size Roman Empire Bronze Seal Ring With The Engraved Fulminata of Julius Caeser's XIIth Legion & Ancient Greek Script

A Beautiful, Original, Large Size Roman Empire Bronze Seal Ring With The Engraved Fulminata of Julius Caeser's XIIth Legion & Ancient Greek Script

Circa 1st Century. A good still wearable large size, in bronze copper ally, engraved with a traditional seal in Greco-Roman, and the symbol onf the 12th legion 'Fulminata' The Lighting Twelfth. It was another Roman legion established by Julius Caesar. Named after the unit’s symbol, the thunderbolt, the Twelfth could trace its origins to 58 BCE. The legion served in some of Caesar’s most famous battles in Gaul, including the Siege of Alesia. It also saw a fair share of fighting in the civil war against Pompey, participating in the decisive showdown at Pharsalus. Following victory in the war, Caesar changed the legion’s name to Victrix (“winner”). Another cognomen was later added by Mark Antony—Antiqua—meaning the “old one” (as in “reliable one”).

During Caesar's war against his fellow-triumvir and rival Pompey the Great, which broke out in January 49, the Twelfth participated in the invasion of Italy, and a year later, it was with Caesar during the battle of Pharsalus (9 August 48). After Caesar's victory, the men were pensioned off and received land in the neighborhood of Parma .

We know that it was called Victrix ("winner") after the civil war, which is a bit confusing because later, there was another legion called XII Victrix.

Mark Antony brought the Lighting Twelfth to the East to join his war against Parthia. While the campaign ended in defeat, the legion remained in the East during the imperial period, continuing the fight against the Parthian and the Sassanid Empires. The unit still guarded the Euphrates crossing next to its base—Melitene—at the beginning of the fifth century. This longevity makes Legio XII Fulminata another one of the longest-standing Roman legions on record.

Likely the ring of a serving centurion of the 12th, with a traditional motto somewhat similar to 'good soul'. It bears KAAH {in reverse, as it was the centurion's seal} which, depending on context can be mean to represent good, faithful or beautiful.  read more

Code: 24761

775.00 GBP

Very Early Production, Factory Engraved & Cased, Sharps 4 Shot Derringer Pistol with Tools in Its Superb Walnut Case, Serial Number 52

Very Early Production, Factory Engraved & Cased, Sharps 4 Shot Derringer Pistol with Tools in Its Superb Walnut Case, Serial Number 52

Early second model, superb presentation quality engraving to the copper-bronze frame, re-freshed blued barrels, ebony grips, forward sliding barrel action for loading. Sharps company maker marks to the frame, good tight action. .30 rimfire caiibre.

In the 1850s, the extreme popularity of antique derringer pistols swept the nation like wildfire. Henry Deringer, the man who made the first Philadelphia Deringer, created a small and concealable pistol for people to carry for protection. When searching for an antique derringer pistol for sale, one will notice that derringers are made by a number of different brands and manufacturers. Many people wanted to make their design number one and stick out among the rigorous competition. One man that took the idea into his own hands and became a favorite in the Old West for pocket sized guns was Christian Sharps

Sharp had been in the business of rifle making before he endeavored into pocket pistol designs. He started his career in Harpers Ferry, Virginia with John Halls Rifle Works. He patented his own Sharps rifle in 1848 and, interestingly enough, a year later in December 1849, he patented his first design for the antique derringer pistol he desired to create. Unfortunately, it was a poorly constructed and fragile design in need of some work before it could be sold commercially.

Sharps antique derringers became known as the

‘hideout pistol’ westerners. the prominence of these small multi shot pocket pistols as a gambler’s gun arose in the the Old Wild West . The gun was very commonly used by gamblers and tavern frequenters since they could slide it up their sleeve or in their pocket without the people around the being any the wiser. Western outlaws loved the conceal ability and carried the gun as an extra side arm. The gun is sometimes referred to as the perfect concealable pistol since it was about the same size as a pocket watch.

The first two Sharps Derringer models were made before 1862. In that year, William Hankins joined the firm and the company changed its name Sharps & Hankins. Sharps, forever with his money struggles, brought on Hankins for funding, and his new capital funded an additional factory to make both rifles and antique derringer pistols. The other remaining models also began manufacturing under this partnership.

No licence is required to own and collect this antique pistol  read more

Code: 24946

2995.00 GBP

Simply Fabulous 'Battle of Austerlitz' & Napoleonic Wars Period, Early 19th Century Austrian Field Marshal Grade Officer's Sword, Remarkably Similar To The Lloyds Patriotic Fund Swords Awarded to Napoleonic Wars Heroes

Simply Fabulous 'Battle of Austerlitz' & Napoleonic Wars Period, Early 19th Century Austrian Field Marshal Grade Officer's Sword, Remarkably Similar To The Lloyds Patriotic Fund Swords Awarded to Napoleonic Wars Heroes

This sword must be ranked in quality to equal the swords made for the Lloyds Patriotic Fund Sword heroic recipients, and the Napoleons Marshal's of France. One could even see it might have once been the sword of Lieutenant Field Marshal Franz von Weyrother. Of course this can be nothing more than conjecture. Formerly this magnificent sword was part of the world renown collection of WW2 French hero Dr Raymond Wagnier. It has a curved slender blade finely etched with scrolling foliage and the imperial crowned F cypher of the last Holy Roman Emperor, Francis of Austria. The sword's impressive and magnificent chiselled gilt hilt is incredibly finely decorated with scrolling serpents, forming the cross and knuckle guard emanating from the mouth of the Nemean lion's pommel, and and binding the lion's skin to the snakeskin pattern chiselled grip, contained in its finest gilt mounted leather wrapped wooden scabbard, the mounts decorated with acanthus, strapwork and flowerheads. The Nemean lion's head and skin and intertwined serpents were also the dominant design of the fabulous hilt's of all the Lloyds Patriotic Fund swords, that were awarded to heroes of the Napoleonic Wars, that today can fetch up to £220,000, This sword must be ranked of similar quality to those Lloyds swords. This sword was formerly in the private, world renown collection, of Dr Raymond Wagnier. He was a French hero of the occupation of France during WW2, and during raids by the RAF in 1943-44, on the Lille Railway, at extreme risk of reprisal, he rescued a wounded British airman, who would have been undoubtedly executed. After the Liberation of France he was offered an honour by the King and British government, but to his extraordinary credit, he refused, stating he was doing nothing more than his duty. His first collection was looted by the German's and Vichy, but after the war he was able to reassemble his eminent collection once more. After his death in 1989 his collection, including this incredible sword, was sold by his estate in 1990 in Monaco. It was one of the foremost collections of Belles Armes Anciennes and Objet Napoleonique in the world. The Battle of Austerlitz (2 December 1805/11 Frimaire An XIV FRC), also known as the Battle of the Three Emperors, was one of the most important and decisive engagements of the Napoleonic Wars. In what is widely regarded as the greatest victory achieved by Napoleon, the Grande Armée of France defeated a larger Russian and Austrian army led by Emperor Alexander I and Holy Roman Emperor Francis II. The battle occurred near the town of Austerlitz in the Austrian Empire (modern-day Slavkov u Brna in the Czech Republic). Austerlitz brought the War of the Third Coalition to a rapid end, with the Treaty of Pressburg signed by the Austrians later in the month. The battle is often cited as a tactical masterpiece, in the same league as other historic engagements like Cannae or Gaugamela. Lloyd's Patriotic Fund was founded on 28 July 1803 at Lloyd's Coffee House, and continues to the present day. Lloyd’s Patriotic Fund now works closely with armed forces charities to identify the individuals and their families who are in urgent need of support.

The contributors created the fund to give grants to those wounded in service to the Crown and to set up annuities to the dependents of those killed in action. The Fund also awarded prizes to those British combatants who went beyond the call of duty. The rewards could be a sum of money, a sword or a piece of plate. The awards were highly publicized to help raise morale during wartime. In 1807 the fund also donated £61,000 to the Royal Naval Asylum, giving Lloyd's Patriotic Fund the enduring right to nominate children to the school.

On 24 August 1809 the Fund held a general meeting of its subscribers. The subscribers decided at that time to discontinue awards for merit. The Peninsular War was putting such demands on the Fund that it was felt that priority would have to go to support for the wounded and the dependents of those killed. Still, when the Fund awarded officers money for wounds received, some officers asked that the Fund give them an inscribed sword instead.The Fund issued 15 swords worth £30 each, to midshipmen, masters' mates and Royal Marine lieutenants. Also, 91 swords worth 50 pounds each went to naval lieutenants and Royal Marine captains. It issued 35 swords worth £100 each to commanders and naval captains. In addition, it issued 23 swords, worth £100 each, to naval captains who fought at Trafalgar. Some 60 officers requested a piece of plate of equal value instead of a sword. Lastly, a number of officers opted for cash instead, either for themselves or to distribute to their crew.

One engagement might result in multiple awards. When a cutting-out party from HMS Franchise captured Raposa in 1806, naval lieutenants John Fleming and Peter Douglas, and Lieutenant of Marines Mend, each received a sword worth £50, while Midshipman Lamb received one worth £30.

Not all the officers who received swords or other merit awards were naval officers or Royal Marines. Some were captains of privateers or East Indiamen. The Fund awarded Mr. Thomas Musgrave, captain of the private man of war Kitty an honour-sabre worth £30 for the action in which Kitty captured the Spanish ship Felicity (or Felicidad). After the Battle of Pulo Aura, Lloyd's Patriotic Fund gave each captain a sword worth £50, and one to Lieutenant Robert Merrick Fowler (RN), who had distinguished himself in a variety of capacities during the engagement, and one worth £100 to Captain Nathaniel Dance, who had been the commodore of the fleet. We actually have Captain Dance’s regular high rank combat sword, fully named to him, that he used as commodore of the fleet, plus, his from life portrait.  read more

Code: 23374

12750.00 GBP

A, Fabulous Samurai Sword,  A Most Fine Shinto Wakizashi By Omni Daijo Fujiwara Tadahiro Circa 1660.

A, Fabulous Samurai Sword, A Most Fine Shinto Wakizashi By Omni Daijo Fujiwara Tadahiro Circa 1660.

This stunning samurai short sword. The fittings are beautifully matching depicting comorants in pure gold on bronze or iron, and the kozuka a figure riding a giant carp in gold over copper. The great Tadahiro II of Hizen. 2nd generation Tadahiro was born in Keicho 19 (1614) as the first son by a mistress of 1st generation Hizen-koku Tadayoshi. His initial name was Hashimoto Heisakuro, later had succeeded to his father's name of Shinzaemon. He excelled in as a superior sword maker since teenage to play a ghost-maker on behalf of his father in his later years. He had succeeded major Tadahiro 2nd generation in Kanei 9, (1632) when he was as young as 19 years old. He intended not to succeed his father's smith name Tadayoshi for the sake of preserving appearances that he was not a legitimate child of Tadayoshi. Passed away in Genroku 6, (1693), was 80 years old.
His legitimate child 3rd generation succeeded to the initial name of Tadayoshiu when he enjoyed the Mutsu daijo title in Manji 3 (1660), was 24 years old.
The subject artisan Tadahiro 2nd generation established and developed the superior high standard quality of sword making for the major Hizen Tadayoshi school and had laid the foundations for the later generations until 9th by the end of Edo period.
This beautiful wakizashi we believe as his work in his early thirties of 1644-47. Most superior forging method using top quality fine steel known as "Tamahagane" generates precisely fine Ko-Itame with sparkling Ji-nie glittering that generates superior Chikei darkish Nie lines activity. The forging scene looks like "Nashi-ji". We would appraise it as "Above Superior Made" and "Above Supreme Sharp". 26.5 inches long overall in saya,, blade tsuba to tip 18.65 inches.  read more

Code: 22873

4950.00 GBP