A Most Rare Imperial German State's 'Postal Protection Officer's' Sword

Nickel plated hilt, wire grip, plain single shell guard, single edged etched blade. This is a very scarce sword, we have only previously had the Prussian type [with Prussian Eagle Guard] see page 399 John R Angolia 'Swords of Germany 1900/1945'. This has the plain guard for another Imperial State's service, not the Prussian. Blade half etched with fancy scrolls and trumpets drums, stands of arms, cannon etc. Upon the Austro-Prussian War of 1866 and the break-up of the German Confederation in the Peace of Prague, the North German Confederation was established, instigated by the Prussian minister-president Otto von Bismarck. Originally a military alliance, it evolved to a federation with the issuing of a constitution with effect from 1 July 1867. In the course of the war, Prussian troops had occupied the Free City of Frankfurt and the King of Prussia (later to become Emperor of Germany) had purchased the remnants of the Thurn-und-Taxis Post organisation. According to article 48, the federal area of the Northern German states, de facto an enlarged Prussia, came under the united postal authority, led by director Heinrich von Stephan.

With the German unification upon the Franco-Prussian War of 1870?1871, the Deutsche Reichspost was established as a state monopoly and became the official national postal authority of the German Empire including the annexed province of Alsace-Lorraine. Its official name was Kaiserliche Post und Telegraphenverwaltung. The Southern German federated states of Baden (until 1872), W?rttemberg (until 1902) and Bavaria initially maintained separate state post authorities, that nevertheless were integrated into the nationwide administration. On 1 January 1876 a Reichspostamt under Postmaster General von Stephan was split-off from Bismarck's Reich Chancellery as a government agency in its own right. In the First World War, a Reichsabgabe tax was levied on the postal traffic from 1 August 1916 in order to finance the war expenses.


Deutsche Reichspost logo, 1925
With the establishment of the Weimar Republic upon the German Revolution of 1918?1919, the former Reichspostamt in Berlin became the Reichspostministerium. After the hyperinflation period, the Deutsche Reichspost (DRP) agency was again spun off in 1924 and operated as a state-owned enterprise. On 2 June 1932 Paul Freiherr von Eltz-R?benach was appointed Reichspost Minister by Chancellor Franz von Papen and he maintained his office upon the Machtergreifung of the Nazi Party in 1933, "assisted" by Nazi state secretary Wilhelm Ohnesorge. The postal area was significantly enlarged with the incorporation of the Saar territory in 1935, the Austrian Anschluss in 1938, and the annexation of the Sudetenland according to the Munich Agreement. It was during this time that the Reichspost installed the first public videophone.

In the Second World War the Reichspost authority spread out to the Polish areas annexed by Nazi Germany, such as the Reichsgau Wartheland, the Reichsgau Danzig-Westpreu?en, and the Polish General Government. In 1941 postal codes were introduced. The Feldpost military mail organisation of the Wehrmacht not only served Army, Luftwaffe and Kriegsmarine service members, but also SS-Verf?gungstruppen, Waffen-SS and Reichsarbeitsdienst members in the field, becoming the general postal authority of the occupied territories. No scabbard.  read more

Code: 21714

A Very Fine Early Japanese Armour Piercing Tanto Signed and Dated 1558. Just One Example of Our Amazing Selection of Hundreds of Original Samurai Swords To Be Viewed In Our Gallery. Said By Many To Be One of The Best In The World

Including, as quoted to us by Victor Harris, formerly curator of Japanese swords at the British Museum.

It was Victor who also personally confirmed for us the authenticity of our ‘Grass Cutter’ katana, as an historismus Japanese National Treasure sword, some few years ago.

Signed Bizen Osafune Kiyomitsu. With gilt and patinated handled kozuka. O-sukashi koto tsuba inlaid with silver boars eyes. A delightful tanto in all original fittings and an Edo brown stone lacquer finish. Nice and beautiful blade in good polish showing a fine sugaha hamon. A very thick bladed tanto specifically designed to penetrate using a powerful thrust, either samurai armour or even a helmet. Wide narrow straight sided blade, with a narrow suguha hamon typical of the Koto era. Mounted in a plain wooden shirasaya mount that bears some kanji text on both sides of the tsuka. We have not had this translated yet. The bottom of the saya bears a carved image of a stern face. The yoroi-doshi "armour piercer" or "mail piercer" were one of the traditionally made Japanese swords (nihonto) that were worn by the samurai class as a weapon in feudal Japan. The yoroi-doshi is an extra thick tanto, a long knife, which appeared in the Sengoku period (late Muromachi). The yoroi-doshi was made for piercing armour and for stabbing while grappling in close quarters. The weapon ranged in size from 20 cm to 24 cm, but some examples could be under 15 cm, with a "tapering mihaba, iori-mune, thick kasane at the bottom, and thin kasane at the top and occasionally moroha-zukuri construction". The motogasane (blade thickness) at the hamachi (the notch at the beginning of the cutting edge) can be up to a half-inch thick, which is characteristic of the yoroi-doshi. The extra thickness at the spine of the blade distinguishes the yoroi-doshi from a standard tanto blade.

Yoroi-doshi were worn inside the belt on the back or on the right side with the hilt toward the front and the edge upward. Due to being worn on the right, the blade would have been drawn using the left hand, giving rise to the alternate name of metezashi or "horse-hand (i.e. rein-hand, i.e. left-hand) blade".

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading.


Did you know? the most valuable sword in the world today is a samurai sword, it belongs to an investment fund and has appeared illustrated in the Forbes 400 magazine. It is valued by them at $100 million, it is a tachi from the late Koto period [16th century] and unsigned. Its blade is grey and now has no original defining polish remaining  read more

Code: 21094

A 1st Edition, Ist Impression Charles Dickens Bleak House Printed 1853 Leather Bound in Light Brown Calf and Black Title With Gilding & Marbled End Boards

Bradbury & Evans, first edition, with Ist impression imperfections and plates as called for ( pages with expected age foxing/staining), leather bound with marbled end boards.

A chance to own a rare first edition, and Ist Impression, of one of the great classics of English literature. Printed and first read before the Crimean War in Russia, and before the 'Charge of the Light Brigade' became infamous in British military history.
Original printing imperfections and flaws are detailed in Walter E. Smith and his wonderful work 'Charles Dickens in the Original Cloth'. Smith's comprehensive bibliography of each of Dickens's works enabled all to describe the flaws in the first impression.
The first edition of Bleak House is highly desirable. We have encountered a fair number of examples over the past 50 to around 100 years, in both the original cloth and bound in various bindings. Most of these bindings date from near the time of publication and most are before around 1880.

The edition points required for the first impression of the first edition are fairly definitive. The edition points are as follows to qualify as the 1st impression:

1) "elgble" misspelling for "eligible" on pp.19 line 6

2) "chair" misspelling for "hair" on pp.209 line 23

3) "counsinship" misspelling for "cousinship" on pp.275 line 22

There are also another issue present, in only a few of the first impression copies, namely pp.230 with the "2" in the page number complete. This copy has that scarce point

Basic premise: Jarndyce vs Jarndyce is a suit which has being going through the Court of Chancery for decades and decades and decades. Chancery is this old court to do with contested wills which has long since been reformed because it was impossibly incompetent and once you were in Chancery there was no getting out of Chancery and all costs are taken from the estates being contested, meaning that the Court benefited from drawing out proceedings. The young wards of Jarndyce are Richard Carstone and Ada Clare, young cousins. They are sent to live with their cousin Mr John Jarndyce and with them goes the orphan Esther Summerson, an orphan with a mysterious past. Mr Jarndyce advises them all to forget the suit, particularly as Richard and Ada fall in love, yet Richard struggles to settle to any profession with the suit still undecided. Simultaneous to this, the sinster lawyer Mr Tulkinghorn serves Sir Leicester Dedlock, Baronet and his wife Lady Dedlock, a woman desperately bored with her life. She also has a claim in the Jarndyce suit and faints dead away when Mr Tulkinghorn shows her a piece of legal writing written in a strangely familiar hand … cue much to-ing and fro-ing and the occasional untimely death. Nobody does tragic death scenes quite like Dickens, you end up really feeling the tragedy. Subtle he is not. Bleak House shows us a world where kindness is hard to find. Mr John Jarndyce tries to protect those he loves, but even he cannot prevent them being drawn in to the fogs of London. As usual, Dickens preaches against the workhouses and the ineffectiveness of charity, Mr Jarndyce is the sole positive charitable figure in the novel, his is a doctrine of love. It is the day to day cruelties that people inflict on each other that grind people down. The unrelenting legal profession, the way in which young men can be educated about poetry but not in how to work, that children can run wild on the streets and never really know that they are loved, this is a world where a man who has lost everything can die and barely be missed. Esther makes it clear that she feels herself to have been saved by the love of those around her – but Ada’s love could not save Richard, nor could Sir Leicester’s love save his Lady. All they can do is keep loving them still, no matter what the world may say. The bleakness of the title goes much deeper than the name of the house. 8.75 inches x 6 inches x 2 inches.  read more

Code: 25198

A Stunningly Bound Complete 25 Volume Set Of Sir Walter Scott’s Waverley Novels. Published in Edinburgh in 1871

These bound volumes would elegantly grace any bookcase, library or study. They are a truly truly beautiful collection.

Scott, Sir Walter - Waverley Novels; the Centenary
Edition, 25 vols. pictorial engraved titles, num. plates and some other illus.; contemp fine calf leather and marbled boards, gilt decorated panelled spines with green leather and tan leather Published in Edinburgh, 1871

The Waverley Novels are a long series of novels by Sir Walter Scott (1771–1832). For nearly a century, they were among the most popular and widely read novels in Europe.
Because Scott did not publicly acknowledge authorship until 1827, the series takes its name from Waverley, the first novel of the series, released in 1814. The later books bore the words "by the author of Waverley" on their title pages.
The Tales of my Landlord sub-series was not advertised as "by the author of Waverley" and thus is not always included as part of the Waverley Novels series.

Scott’s early Waverley books deal with several different phases of Scottish history and were noted for their characterizations of ordinary people and their use of regional Scottish dialect. These novels often concern the clash between heroic traditions of the past and practical visions of the future. Waverley, for example, treats the tensions between the Jacobites and the Hanoverians in the mid-18th century, while The Heart of Midlothian addresses the social conflict following the Porteous Riots of 1736 over the execution of a smuggler. Scott set his other novels in historical periods dating to the Middle Ages in locales such as England, France, Palestine, and the Orkney Islands.


Chronological order, by settingedit
1097: Count Robert of Paris
1187–94: The Betrothed, The Talisman, Ivanhoe (3)
1307: Castle Dangerous
1396: The Fair Maid of Perth
1468–77: Quentin Durward, Anne of Geierstein (2)
1547–75: The Monastery, The Siege of Malta, The Abbot, Kenilworth (4)
1616–18: The Fortunes of Nigel
1644–89: A Legend of Montrose, Woodstock, Peveril of the Peak, The Tale of Old Mortality, The Pirate (5)
1700–99: The Black Dwarf, The Bride of Lammermoor, Rob Roy, Heart of Midlothian, Waverley, Guy Mannering, Redgauntlet, The Antiquary (8)
19th century: St. Ronan's Well

They are beautiful bindings in super condition. We have only ever seen the Zaehnsdorf bindings as equal to or possibly better than these.  read more

Code: 25199

This Week Had The Privilege To Acquire The Entire Country House Library of a Late Author & Bibliophile. A Collection of Over 700 Volumes, Antique and Vintage, Accumulated Over 40 Years

We were more than delighted to acquire this most eclectic of libraries, lovingly selected over decades, mostly comprising of historical and contemporary novels of fiction, and also books on military based subjects, both ancient and modern

We were most happy to sell, on the first day of their arrival here, to one collector, a selection of over 350 of the former author’s book collection.

We have also selected around 100 to add to our own reference library of over 1000 volumes we have accumulated over the past century  read more

Code: 25200

A Rare & Beautiful French, Napoleonic Wars Era Silver Mounted Sword a 'Sabre d'Officier Superieur a Monture a L'Orientale, With French Napoleonic Blade Inscription, Circa 1801

A sword of the French Napoleonic era, a 'Sabre d'Officier Superieur a Monture a L'Orientale'. A delightful Napoleonic wars sword, from the early 19th century, with rare all silver mounts, designed from the work on swords from the Mamelukes, that fought against, and then latterly for, Napoleon at the Battle of The Nile in the late 1790’s.
When Napoleon returned from the his Egypt campaign the Ancient Egyptian style became all the rage in Paris, and indeed London. Influencing everything from furniture, to object d’art. And the Mameluke’s style of weaponry made a major influence of sword design for both England and France. So much so, the British General Officer’s Mameluke style sabre is still the current service use sword for generals today, modelled on the swords brought back to London by Nelson after his Egypt campaign. This sword and it distinctive hilt is a French version of Nimcha North African sword style. A style of sword that the Revolutionary French adopted for the official sword of a Representative of the People, from the Le Directoire Period, just before Napoleon's Coup of 18 Brumaire {in November 1799.} after his return from the Battle of The Nile in 1798.

The blade is inscribed Manufacture Nationale, Coulax, this date marking for Coulax was from 1801 to around 1806. It is difficult to interpret the latter part inscription, as it is now partly too worn. It is in the more straight form of an officer of the heavy cavalry rather than an officer the more usual curved light cavalry. Twin parallel fullered blade, with one very narrow, the other wide.

After Napoleon's Egypt Campaign, that ended in 1801, many Napoleonic officer's adopted the so-called oriental mounted swords captured from the Egyptian Marmalukes that eventually became part of Napoleons Imperial Garde. These swords, in their turn, were captured by the British and similarly adopted as a form of highly favoured officers sword. In fact the mamaluke sabre became the British General's pattern sword that is still in use today. Several of these specific swords were part of a Sotheby's Napoleonic Wars auction in Monaco in 1990, titled "Belles Armes Anciennes Casques et Objects Militaires". In 1803, the Mamluks were organized into a company attached to the Chasseurs a Cheval of the Imperial Guard.

Mamluks fought well at Battle of Austerlitz on December 2, 1805 and the regiment was granted a standard.
With the First Restoration, the company of the Mamluks of the Imperial Guard was incorporated into the Corps Royal des Chasseurs de France. The Mamluks of the Young Guard were incorporated in the 7th Chasseurs a Cheval. The Napoleonic period was an extremely complicated time. Moral right and wrong are hard to distinguish: Napoleon was a dictator, but not a particularly evil one. He encouraged many developments we today consider quite positive. The Napoleonic Wars were instigated by France, but each nation fought to protect and expand its own national interest. The wars were punctuated by constantly shifting alliances. Sometimes Prussia fought France, and sometimes it was neutral. Austria, led by the crafty Metternich, tried to improve relations with France towards the end the Napoleonic era. Russia initially opposed Napoleon, then sided with him, and then turned against him again. The only constant through the fifteen years of Napoleon's rule was the continued enmity between England and France. Napoleon was intensely jealous of our successful trade with all Europe and thus instigated a complete scheme to deny trade with Britain throughout Europe.ironically however the two most famous dictators of modern Europe, Napoleon and Hitler, are famously known to have met with the dramatic reversal of their fortunes entirely through invading Russia.

Yet, in both cases, the wealth, resources and stubborn determination of the British played a major role in their eventual downfall. Despite Britain's comparatively small population and territorial base, it alone among European countries was able to fight Napoleon nonstop {except for the short Peace of Amiens from 1802-1803,} Britain was at war with France from 1793-1815, while other states alternated between war, peace, and various alliances with France. As it was with Britain and its Commonwealth, being alone at war with Hitler for the entire war period of 1939 t0 1945. With America and Russia only joining the fight years later, once Hitler declared war on them first.

The sword overall has the usual signs of period age wear and contemporary close combat use, the blade is still partially covered in old storage grease that should remove nicely. Quillon finial lacking to one side.  read more

Code: 20165

An Absolutely Stunning & Beautiful Carved Sea Ivory Royal Hilted Keris From Palembang, Sumatra 18th Century, Meteorite Blade. A Near Pair To An Example In The Royal Collection Presented To King George IVth in 1817, When He Was The Prince Regent

Masterpiece 18th-19th c. Palembang, Sumatra, Indonesia.
A Kris (keris) dagger with a hilt in very finely carved sea ivory. This is a wonderful example of a type embraced throughout Indonesia and Malaysia known for its distinct shape that blends sharp edges, planes sometimes covered with magnificent floral motifs and scrollwork as we see in this example and at the same time dramatic curves. This example also boasts some shiny sections that are characteristic of the type in Palembang, once the capital of the Srivijaya Empire, a Hindu-Buddhist kingdom that flourished from the 7th to the 12th century and stretched from Sumatra to the Kra Isthmus in southern Thailand.

Ivory handle depicts a stylised, squatting human figure known as Cipaduik with one arm folded across the chest, diamond-shaped eyes and a jutting nose that dominates the mouthless face. Cipaduik features in many Minangkabau stories as a man who likes to play tricks on people.

See in the gallery a near pair to ours in the British Royal Collection, presented in 1817 to the Prince Regent.
A traditional dagger (kris) and sheath; of the highest royal rank, the straight two-edged blade of watered steel with a gold ('Mendok') attaching it to the sea ivory hilt heavily carved in as a humanoid 'Jawa demam' figure; the gold 'ganja' at blade shoulder; with a gilt wood scabbard with a wooden upper end.
Provenance
Presented to George IV when Prince Regent by Stamford Raffles, 10 May 1817. Recorded in the North Corridor Inventory of Windsor Castle with the note 'A Malayan kris - the manufacture of Sumatra'. Raffles served as Lieutenant-Governor of Java from 1811-1816 and presented the Prince Regent with several kris on his return to England.  read more

Code: 24725

A Superb Ancient Greek Dagger Blade 13th to 11th Century B.C. From the Trojan War Era, Acquired With. Full Length Bronze Sword Blade From The Same Era

2nd millennium BC. A bronze dagger with tapering triangular blade and median thickening, curved shoulders, flat, sub-rectangular tang with two tang hilt mount piercings. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.

The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both the war and the city were widely seen as non-historical. In 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hisarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars.

Whether there is any historical reality behind the Trojan War remains an open question. Many scholars believe that there is a historical core to the tale, though this may simply mean that the Homeric stories are a fusion of various tales of sieges and expeditions by Mycenaean Greeks during the Bronze Age. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th century BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly correspond to archaeological evidence of a catastrophic burning of Troy VII, and the Late Bronze Age collapse. Legend has it that the war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris of Troy, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus of Sparta, fall in love with Paris, who quit Sparta with her and returned to Troy. Menelaus's brother Agamemnon, king of Mycenae, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, Aphrodite's son and one of the Trojans, who was said to have led the surviving Trojans to modern-day Italy113 grams, 26cm (10 1/4"). From a Japanese collection, 1990s.  read more

Code: 23417

A Yemeni Jambiya A Stunning WW1 Yemeni 'Lawrence of Arabia's' Favoured Pattern of Jambiya

Just returned from over 30 hours of specialist hand conservation to clean and conserve the whole dagger, and a remarkable result has been achieved, but it was simply a labour of love, as it's stored condition was most sad indeed. Likely this intriguing piece was acquired from a souk in Arabia sometime after the war.
Very similar to Lawrence of Arabia's jambiya when he was serving in WW1 in the Turkish Campaign in Arabia. The word jambiya actually means “something worn at one’s right side” (from the triliteral root j-n-b). Lawrence of Arabia had several very similar ones presented to him, they were his favourite dagger, and he was frequently photographed wearing them. One picture is a portrait of Lawrence with his Jambiya, most similar to this example. photo for historical context information only and not included It is made from silver metal, but usually, more often than not, coin silver, certainly not English hallmarked silver. The jambia, a curved Islamic dagger, is the main customary accessory to the clothing worn by Arabian men. For centuries the people of South Arabia have inherited the their jambiahs from generation to generation. There are several theories about the origin of the Jambia. There are historical facts, concerning the existence of the Jambia revealing that it used to be worn at Sheban times, in the Himiarite kingdom. They take the statue of the Sheban king (Madi Karb 500 bc ) as proof. This statue, which was discovered by an American mission in Marib in the 1950s, was found to be wearing a Jambia.

Reference; a Lanes Armoury *Special Conservation* Item, restored and conserved in our workshop, see info page for details on our conservation principles.  read more

Code: 24682

Seeking A Dagger Designed For a King? Then Look No Further. 16th Century Style Holbein Swiss Dagger, a Fabulous Masterpiece, With a Superbly Pierced Scabbard Depicting a Scene of Landsnicht Knights. Designed By Hans Holbein For King Henry VIIIth

Wonderful 16th century pattern dagger, designed by Hans Holbein one of the greatest Old Master artists in the reign of King Henry VIII, with brass fully three dimensionally piecerd scabbard displaying scenes of Landsnecht knights mounted on horseback. This is not only a wondrous and extravagant dagger, it is a fine example object d'art. The dagger that gained its name from its design, and patterns of dagger, by Hans Holbein, one of the worlds greatest portrait artists of the 16th century, whose most famous owner of a Holbein pattern dagger was King Henry VIIIth, as can be seen in his portrait [see the gallery]. Holbein travelled to England in 1526 in search of work, with a recommendation from the renown Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. He returned to Basel for four years, then resumed his career in England in 1532 under the patronage of Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to Henry VIII of England. In this role, he produced portraits and festive decorations, as well as designs for jewellery, plate, and other precious objects, including daggers. His portraits of the royal family and nobles are a record of the court in the years when Henry was asserting his supremacy over the Church of England.

Holbein's art was highly prized from early on in his career. French poet and reformer Nicholas Bourbon (the elder) dubbed him "the Apelles of our time," a typical highest accolade at the time. Holbein has also been described as a great "one-off" of art history, since he founded no school. Some of his work was lost after his death, but much was collected, and he was recognised among the great portrait masters by the 19th century. Recent exhibitions have also highlighted his versatility. He created designs ranging from intricate jewellery to monumental frescoes.

Holbein's art has sometimes been called realist, since he drew and painted with a rare precision. His portraits were renowned in their time for their likeness, and it is through his eyes that many famous figures of his day are pictured today, such as Erasmus and More. He was never content with outward appearance, however; he embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse, his portraiture "remains unsurpassed for sureness and economy of statement, penetration into character, and a combined richness and purity of style"

Double edged blade. This is a fabulous 19th-century representation of Holbein’s 16th century dagger, One of Holbien’s versions had a most similar pierced and chiselled decorative scabbard displaying scenes from the dance of death. In July 2000 Christie’s Auctioneers sold another 19th century representation of this Holbein dagger, it sold for £3,760, 21 years ago. The most famous example of a Holbein pattern dagger is depicted being worn by King Henry VIIIth in his portrait by Hans Holbein, we show this portrait in a gallery with Henry and his version of his personal most similar and beautiful Holbein Dagger. This Renaissance style dagger is based on original drawings from the work-books of Holbein the Younger, from whence the dagger gets its name. This is an accurate design that a nobleman of very high status could have chosen in around 1536, out of Holbein's work-books, and to have a personal dagger commissioned by a dagger maker.

See a plain wooden hilted version of Holbein’s original dagger in photo 8 in the gallery in the Wallace Collection in London.
This is a formidable dagger of impressive proportions and most substantial weight.
.  read more

Code: 23326