An Edo Period, 1603 - 1868, Samurai Horseman’s Ryo-Shinogi Yari Polearm

With original pole and iron foot mount ishizuki. Very nicely polished four sided double edged head. The mochi-yari, or "held spear", is a rather generic term for the shorter Japanese spear. It was especially useful to mounted Samurai. In mounted use, the spear was generally held with the right hand and the spear was pointed across the saddle to the soldiers left front corner. The warrior's saddle was often specially designed with a hinged spear rest (yari-hasami) to help steady and control the spear's motion. The mochi-yari could also easily be used on foot and is known to have been used in castle defense. The martial art of wielding the yari is called sojutsu. A yari on it's pole can range in length from one metre to upwards of six metres (3.3 to 20 feet). The longer hafted versions were called omi no yari while shorter ones were known as mochi yari or tae yari. The longest hafted versions were carried by foot troops (ashigaru), while samurai usually carried a shorter hafted yari. Yari are believed to have been derived from Chinese spears, and while they were present in early Japan's history they did not become popular until the thirteenth century.The original warfare of the bushi was not a thing for "commoners"; it was a ritualized combat usually between two warriors who may challenge each other via horseback archery and sword duels. However, the attempted Mongol invasions of Japan in 1274 and 1281 changed Japanese weaponry and warfare. The Mongol-employed Chinese and Korean footmen wielded long pikes, fought in tight formation, and moved in large units to stave off cavalry. Polearms (including naginata and yari) were of much greater military use than swords, due to their much greater range, their lesser weight per unit length (though overall a polearm would be fairly hefty), and their great piercing ability. Swords in a full battle situation were therefore relegated to emergency sidearm status from the Heian through the Muromachi periods. The pole has has the top lacquer section relacquered in the past 50 years or so.  read more

Code: 20518

A Very Fine Antique, Ancestral Chisa Katana Sword in Crew Gunto Mounts Signed Jumyo, Shinto. Swords By Jumyo Were Very Often Gifted to Noble Family Daimyo, As They Were Considered Very Auspicious

A beautiful antique Shinto ancestral blade, over 350 years old, bearing a suguha hamon in delightful polish, with two mekugi-ana and it is signed Jumyo, mounted for use in WW2, by a Japanese officer, likely of noble birth {due to him bearing a Jumyo blade in his sword}, in full military pattern officer sword mounts that are in superb untouched condition.

The Jumyo (寿命) school has its origins from Yamato (Nara prefecture) and moved to Mino province (Gifu prefecture) in the Kamakura period (1185-1333). The tradition continued for centuries, right up until the end of the Edo period in 1868. The main line separated in the 17th century into the Ishikiri and Kondo lineages. In addition, there were also the Owari-Jumyo. This line resulted from a migration of Mino smiths to Owari following Ieyasu Tokugawa’s defeat of the Imagawa clan. The Shodai of the Owari-Jumyo, Tango no kami Fujiwara Jumyo, was also the first in the Ishikiri lineage. The Owari-Jumyo lasted five generations (1579-1804).

The name Jumyo has been thought as very auspicious for longevity and used for gift and many swordsmiths used the same name for generations. It was believed that those who possessed a Jumyo blade were blessed with good fortune and longevity. Jumyo swords had a deserved reputation as wazamono blades with very good cutting ability. Interestingly, a superstition arose that a cut from a Jumyo sword would never heal. Presumably this was a comment on both the cutting ability of this school’s swords and their perceived auspicious nature.

Its super blade was made around 370 years ago, and thus this sword would have seen service by up to 20 samurai within it's service lifetime. Then, by its very last owner it was mounted and taken to war by likely the eldest son, a pilot, from a family with samurai ancestry. The Japanese fighter plane often had a metal container within the cockpit that would hold the pilots katana. Although the pilot was never expected to need his sword while on a mission, he was expected to die with it if his plane should crash or explode, and if his plane was to crash land, and he survived, he would have a sword to maintain his life in potential enemy territory.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

Blade 21.5 inches tsuba to tip.
Overall 37.5 inches long in saya  read more

Code: 25331

A Wonderful Shinto 'Shishi' Katana With All Original Edo Period Koshirae of Exemplary Museum Grade Fittings based on The Mythical Protectors of The Shinto Shrines, the Shishi Lion-Dogs

A typical example of a very fine katana of a seieibushi (elite samurai) traditionally the Highest rank of elite samurai. Circa 1670, with a most fine hon-zukuri blade form with suguha hamon, mumei; and a wonderful iron sumiiri kakugata tsuba with shishiaibori decoration of a shishi lion dog below a waterfall, with complimentary matching mino-goto fuchi, fabulous large shishi lion-dog menuki in shakudo with pure gold inlay highlights; set within its original beautiful Edo period saya of a combination of ribbed and lobster-scale urishi lacquer. The fuchi is Goto school of deep takebori of gold and shakudo catydids and insects, with a carved polished buffalo horn kashira. Tradition black tsuka Ito wrapped over the fabulous menuki on the samegawa {giant rayskin}

Shishi (or Jishi) is translated as "lion” but it can also refer to a deer or dog with magical properties and the power to repel evil spirits. A pair of shishi traditionally stand guard outside the gates of Japanese Shinto shrines and Buddhist temples, although temples are more often guarded by two Nio Protectors. The Shishi (like the Nio) are traditionally depicted in pairs, one with mouth open and one with mouth shut. The opened/closed mouth relates to Ah (open mouth) and Un (closed mouth). “Ah" is the first sound in the Japanese alphabet, while "N" (pronounced "un") is the last. These two sounds symbolize beginning and end, birth and death, and all possible outcomes (from alpha to omega) in the cosmic dance of existence. The first letter in Sanskrit is "Ah" as well, but the last is "Ha." Nonetheless, the first and last sounds produced by the mouth are "Ah" and "M." The Sanskrit "m" and the Japanese "n" sound exactly the same when hummed with mouth closed. The spiritual Sanskrit terms AHAM and AUM thus encapsulate the first letter-sound (mouth open) and the final sound (mouth closed). Others say the open mouth is to scare off demons, and the closed mouth to shelter and keep in the good spirits. The circular object often shown beneath their feet is the Tama 玉, or sacred Buddhist jewel, a symbol of Buddhist wisdom that brings light to darkness and holds the power to grant wishes.
The Incredible Story of Japanese Lacquer on Samurai Swords Scabbards, called Saya

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.
The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!
Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.
Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labor-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household

Blade 28.5 inches long from tsuba to tip. Overall 40.5 inches long in saya.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25304

A Superb and Exemplary Original Service Issue Victorian Helmet of the 3rd {Prince of Wales} Regiment of Dragoon Guards

A Beautiful helmet of brass and white metal, with garter badge of the 3DG, overall in superb condition with chinscales. One of the best surviving examples one can see in our out of a museum

The 3rd (Prince of Wales's) Dragoon Guards was a cavalry regiment in the British Army, first raised in 1685 as the Earl of Plymouth's Regiment of Horse. It was renamed as the 3rd Regiment of Dragoon Guards in 1751 and the 3rd (Prince of Wales's) Dragoon Guards in 1765.
From 1809 to the end of the Napoleonic Wars (1803-15), it was in the Peninsula, serving at Talavera (1809), Busaco (1810), Torres Vedras (1810), Albuera (1811), Badajoz (1811), Ciudad Rodrigo (1812), Salamanca (1812), Burgos (1812) and Vitoria (1813).
The regiment then spent most of the 19th century on home service. It charged rioters in Bristol in 1831 and was kept in Ireland on garrison duties during the Crimean War (1854-56).

However, it did deploy to India from 1857 to 1868, and from 1884 to 1895. In 1868, it was also the only British cavalry unit to participate in the Abysinnia Expedition (1867-68).

The regiment was deployed to the Boer War (1899-1902) from 1901 to 1902, taking part in the anti-guerrilla operations in the Transvaal and Orange Free State. It then spent time in Ireland, England and Egypt on garrison duties.

The 3rd Dragoon Guards arrived on the Western Front in October 1914. It remained there for the entire First World War (1914-18), taking part in many engagements including the first and second battles of Ypres (1914 and 1915), Loos (1915), Arras (1917), Cambrai (1917), St Quentin (1918) and Amiens (1918).

British Dragoon Guards Regiments
1st King's Dragoon Guards (1746, from The King's Own Regiment of Horse); amalgamated to form 1st The Queen's Dragoon Guards (1959)
2nd Queen's Dragoon Guards (1746, from The Princess of Wales's Own Regiment of Horse); redesignated 2nd Dragoon Guards (Queen's Bays) (1872); redesignated The Queen's Bays (2nd Dragoon Guards) (1921); amalgamated to form 1st The Queen's Dragoon Guards (1959)
3rd Dragoon Guards (1747, from 4th Regiment of Horse); redesignated 3rd (Prince of Wales's) Dragoon Guards (1765); amalgamated to form 3rd/6th Dragoon Guards (1922); redesignated 3rd Carabiniers (Prince of Wales's Dragoon Guards) (1928); amalgamated with Royal Scots Greys (2nd Dragoons) to form Royal Scots Dragoon Guards (Carabiniers and Greys) (1971)
4th (Royal Irish) Dragoon Guards (1788, from 1st Irish Horse); redesignated 4th Royal Irish Dragoon Guards (1921); amalgamated to form 4th/7th Dragoon Guards (1922); redesignated 4th/7th Royal Dragoon Guards (1936); amalgamated to form Royal Dragoon Guards (1992)
5th Dragoon Guards (1788, from 2nd Irish Horse); redesignated 5th (Princess Charlotte of Wales's) Dragoon Guards (1804); redesignated 5th Dragoon Guards (Princess Charlotte of Wales's) (1920); amalgamated with The Inniskillings (6th Dragoons) to form 5th/6th Dragoons (1922); redesignated 5th Inniskilling Dragoon Guards (1927); redesignated 5th Royal Inniskilling Dragoon Guards (1935); amalgamated to form Royal Dragoon Guards (1992)
6th Dragoon Guards (The Carabiniers) (1788, from 3rd Irish Horse); redesignated The Carabiniers (6th Dragoon Guards) (1920); amalgamated to form 3rd/6th Dragoon Guards (1922)
7th (The Princess Royal's) Dragoon Guards (1788, from 4th Irish Horse); redesignated 7th Dragoon Guards (Princess Royal's) (1921); amalgamated to form 4th/7th Dragoon Guards (1922)
The Dragoon Guards regiments were converted to armoured cars and tanks during the 1930s. There are still three Dragoon Guards regiments in the British Army:

No liner, the regular plume would be black and red. Army practice it’s likely that different coloured plumes, other than their regular colours, relate to Trumpeters and Farriers (as still practised in the Household Cavalry). A very light and small amount of denting to the skull.  read more

Code: 25326

A Very Fine Indeed Samurai Shinto Wakizashi with Original Edo Goto School Dragon Fittings of Shakudo and Gold & An Edo Tettsu Krishitan {Christian} Tsuba

With Goto school pure gold and shakudo fushi kashira decorated with dragons, on a hand punched nanako ground. A most interesting and beautiful quality o-sukashi Krishitan tsuba of a squared-off mokko form cross, decorated with flowing river water and inlaid gold dots representing stars. The Stars and The River as Christian Symbols, are images or symbolic representation with sacred significance. The meanings, origins and ancient traditions surrounding Christian symbols date back to early times when the majority of ordinary people were not able to read or write and printing was unknown. Many were 'borrowed' or drawn from early pre-Christian traditions. It may be that the design of the tsuba confronted the believer to the ambiguity born of a prolonged time of painful secrecy. Surrounded by the threat of violence, even a weapon could bear a hidden symbol of Christianity—the cross.

The Hidden Christians quieted their public expressions and practices of faith in the hope of survival from the great purge. They also suffered unspeakably if captured and failed to renounce their Christian belief.
It also has its optional kodzuka, the hilt decorated with a dragon, and the blade that is signed and with a hamon. Superb original Edo period lacquered saya with a stripe and counter stripe pattern design. Three hole nakago and superb polished Edo blade of a gently undulating notare hamon displaying super grain in the hada. Wakizashi have been in use as far back as the 15th or 16th century. The wakizashi was used as a backup or auxiliary sword; it was also used for close quarters fighting, and also to behead a defeated opponent and sometimes to commit ritual suicide. The wakizashi was one of several short swords available for use by samurai including the yoroi toshi, the chisa-katana and the tanto. The term wakizashi did not originally specify swords of any official blade length and was an abbreviation of "wakizashi no katana" ("sword thrust at one's side"); the term was applied to companion swords of all sizes. It was not until the Edo period in 1638 when the rulers of Japan tried to regulate the types of swords and the social groups which were allowed to wear them that the lengths of katana and wakizashi were officially set.

Kanzan Sato, in his book titled "The Japanese Sword", notes that the wakizashi may have become more popular than the tanto due to the wakizashi being more suited for indoor fighting. He mentions the custom of leaving the katana at the door of a castle or palace when entering while continuing to wear the wakizashi inside. Wakizashi were worn on the left side, secured to the obi waist sash. Although they appear to be likely a relative expensive luxury compared to other antique swords from other nations, they are in fact incredible value for money, for example a newly made bespoke samurai style sword blade from Japan will cost, today, in excess of £11,000, take up to two years to complete, will come with no fittings at all, and will be modern naturally with no historical context or connection to the ancient samurai past in any way at all. Our fabulous original swords can be many, many, hundreds of years old, stunningly mounted as fabulous quality works of art, and may have been owned and used by up to 30 samurai in their working lifetime. Plus, due to their status in Japanese society, look almost as good today as the did possibly up to 400 years ago, or even more. Every katana, tachi, or wakazashi buyer will receive A complimentary sword stand, plus a silk bag, white handling gloves and a white cleaning cloth. .  read more

Code: 23913

A Wonderful, Original, Antique Victorian Helmet of the 2nd Dragoon Guards {The Queen's Bays}

Superb condition with gilt finish skull and decor, all original lining present and chin chain. One of the best surviving examples one can see in our out of a museum

Following a long period of policing and garrison duties at home, the unit next deployed to India after the outbreak of mutiny there in 1857. It went on to help capture Lucknow in 1858.

It then spent most of the remainder of the 19th century garrisoning India or on home service. It also deployed to the Boer War (1899-1902) in 1901, taking part in the anti-guerrilla operations there, and sustaining heavy losses at Leeuwkop in 1902.

The outbreak of the First World War (1914-18) saw it deploy to the Western Front with the 1st Cavalry Division. It fought in both a mounted and infantry role in many engagements, including the Retreat from Mons, (1914), Le Cateau (1914), the Marne (1914), Ypres (1914), the Somme (1916), Arras (1917), Cambrai (1917) and the Scarpe (1918).

How Major George Harold Absell Ing, Of The 2nd Dragoon Guards (Queen's Bays), Won The D.S.O. At The Second Battle Of Ypres

On the evening of Wednesday, May 12th 1915, the 28th Division which held that part of our line from a point northeast of Verlorenhoek to the Bellewaarde Lake, and which had been fighting continuously since April 22nd, went into reserve, its place being taken by the 1st and 3rd Cavalry Divisions, under general de Lisle. It was a difficult line to defend, since there were no natural advantages and our trenches were to a large extent recently improvised. This cavalry were very speedily to discover to their cost, for early on the following morning a terrific bombardment began against their front, shells of every description raining down in a continuous stream. The brunt of the bombardment fell on the 3rd Division, and the 3rd Dragoon Guards, I the 6th brigade, were almost buried alive beneath the debris of their parapet. But farther north, where the 2nd Dragoon Guards were posted, close to the Ypres-Zonnebeke road, the shelling was also very heavy, and about 8 a.m. part of the regiment on their right began to retire, their trenches having been rendered untenable. The retirement might easily have become a general one, had not a brave officer of the Queen?s Bays, Major Ing, at great personal risk, saved the situation. Leaving his own trench, he ran out into the open road, standing there, with shells every moment bursting around him, stopped the retirement of some forty men and directed them to take shelter, some in shell holes and others in ditch beside the road on their flank. By this prompt and gallant action, for which he was subsequently awarded the Distinguished Service Order, Major Ing rendered a most invaluable service. Major Ing entered the 2nd Dragoon Guards in September 1900, and served in the South African War, in which he was slightly wounded, and for which he received the Queen?s Medal with five clasps. He was promoted captain in February 1914, and attained his present rank in August 1911. He is thirty-five years of age, and his home is at Crockham Hill, Kent. Extracted from 'Deeds That Thrill The Empire'

The regiment was renamed the Queen's Bays (2nd Dragoon Guards) in 1921 and spent the inter-war period in Egypt, India and England, where it mechanised with light tanks in 1937. Two years later, it joined the Royal Armoured Corps.

It fought in northern France in May and June 1940, before evacuating from Brest. By November 1941, it had recovered and re-equipped, deploying to North Africa and fighting at Gazala and the First and Second Battles of Alamein in 1942. At one point in the campaign, it remained in action continuously for a record 19 days - longer than any other armoured regiment in that theatre.

After taking part in the Tunisian campaign in 1943, it moved to Italy in May 1944, fighting in several engagements including the Battle of Argenta Gap (1945).  read more

Code: 25327

A Most Beautiful, Original, Victorian, Merryweather British Fire Service Helmet, In Brass With Gilt Dragon Comb

An original British Victorian fire service helmet, with signs of service use, naturally, and with denting on the crest and skull as usual, but it is simply part of its character, to demonstrate this is not a piece that never saw service but was used as it should, but cared for, and beautifully preserved for posterity.

The traditional two-piece skull has the embossed raised dragon comb, rose bosses, crossed axe and hoses helmet plate, and original leather liner around 75% complete. Overall in every way average condition for age.

The desirable standard pattern of Fire Service helmet used by all British county and city Fire Services in the Victorian era and just past WW1.

The earliest fire brigade was Roman and that is the first fire brigade of which we have any substantial history was created by Marcus Licinius Crassus. Marcus Licinius Crassus was born into a wealthy Roman family around the year 115 BC, and acquired an enormous fortune through (in the words of Plutarch) "fire and rapine." One of his most lucrative schemes took advantage of the fact that Rome had no fire department. Crassus filled this void by creating his own brigade?500 men strong?which rushed to burning buildings at the first cry of alarm. Upon arriving at the scene, however, the fire fighters did nothing while their employer bargained over the price of their services with the distressed property owner. If Crassus could not negotiate a satisfactory price, his men simply let the structure burn to the ground, after which he offered to purchase it for a fraction of its value. Emperor Nero took the basic idea from Crassus and then built on it to form the Vigiles in AD 60 to combat fires using bucket brigades and pumps, as well as poles, hooks and even ballistae to tear down buildings in advance of the flames. The Vigiles patrolled the streets of Rome to watch for fires and served as a police force. The later brigades consisted of hundreds of men, all ready for action. When there was a fire, the men would line up to the nearest water source and pass buckets hand in hand to the fire.

Rome suffered a number of serious fires, most notably the fire on 19 July AD 64 and eventually destroyed two thirds of Rome.
In the UK, the Great Fire of London in 1666 set in motion changes which laid the foundations for organised firefighting in the future. In the wake of the Great Fire, the City Council established the first fire insurance company, "The Fire Office", in 1667, which employed small teams of Thames watermen as firefighters and provided them with uniforms and arm badges showing the company to which they belonged.
However, the first organised municipal fire brigade in the world was established in Edinburgh, Scotland, when the Edinburgh Fire Engine Establishment was formed in 1824, led by James Braidwood. London followed in 1832 with the London Fire Engine Establishment. No chinscale, some small split perishing on the skull above top right of the badge, see photo two in the gallery.  read more

Code: 25332

A Stunning Japanese 0-Tanto Signed Echizen Kuni ju nin Kanenori Circa 1615

A very large Japanese samurai dagger around 400 years old possibly Keicho era. Beautifully mounted in its all original Edo period fittings of very fine quality. The takebori tsuba is decorated with a most finely executed dragon with pure gold highlights, and bears a large cursive signature by its maker. The fushigashira are iron inlaid with pure silver wire decoration of tendrils and flowers. The menuki are absolutely delightful of pure gold decorated twin pairs of cockerals in differing poses. The wide and long blade is most imposing, with a very unusual carved hi groove configuration. The original Edo urushi ishime lacquer saya has a fine kozuka utility knife fitted in its pocket that has a gold spiny lobster in takebori on very finely defined nanako ground see below for the detail on the nanako work, the rear of the kozuka handle is raindrop engraved with gold overlay

This beautiful large samurai dagger was made in and around the time of the famous clan conflict at Osaka Castle. In 1614, the Toyotomi clan rebuilt Osaka Castle. At the same time, the head of the clan sponsored the rebuilding of Hoko-ji in Kyoto. These temple renovations included the casting of a great bronze bell, with inscriptions that read "May the state be peaceful and prosperous" (kokka anko), and "May noble lord and servants be rich and cheerful" (kunshin horaku). The shogunate interpreted "kokka anko" as shattering Ieyasu's the Shogun name to curse him, and also interpreted "kunshin horaku" to mean "Toyotomi's force will rise again," which meant treachery against the new Tokugawa shogunate. Tensions began to grow between the Tokugawa and the Toyotomi clans, and only increased when Toyotomi began to gather a force of ronin mercenary samurai who had lost their lord and enemies of the shogunate in Osaka. Ieyasu, despite having passed the title of Shogun to his son in 1605, nevertheless maintained significant influence.

Despite Katagiri Katsumoto's attempts to mediate the situation, Ieyasu found the ideal pretext to take a belligerent attitude against Yodo-dono and Hideyori. The situation worsened for September of that year, when the news reached Edo that in Osaka they were grouping a large quantity of ronin-you are missing without a lord-at the invitation of Hideyori.

Katsumoto proposed to Yodo-dono be sent to Edo as a hostage with the desire to avoid hostilities, to which she flatly refused. Suspect of trying to betray the Toyotomi clan, Yodo-dono finally banished Katsumoto and several other servants accused of treason from Osaka castle, and go to the service of the Tokugawa clan, consequently any possibility of reaching an agreement with the shogunate was dissolved.

This last movement of Yodo-dono, who acted as the guardian of Hideyori, led to the beginning of the siege of Osaka. The siege of Osaka ( Osaka no Eki, or, more commonly, Osaka no Jin) was a series of battles undertaken by the Tokugawa shogunate against the Toyotomi clan, towards the end of the Keicho era, and ending in that clan's destruction. Divided into two stages (winter campaign and summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. The end of the conflict is sometimes called the Genna Armistice ( Genna Enbu), because the era name was changed from Keicho to Genna immediately following the siege.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself. The articles of sword ornamentation made by the Goto artists were practically all on shakudo grounds with nanako finish; after the emergence of the machibori artisans in the mid-Edo period and the popularity of the newly inspired kozuka, shakudo grounds with nanako finish "became the rage". Nanako finish is probably an evolution and refinement of a very old style finish (which it vaguely resembles); "millet finish", 'awa ishime', which is found on some old armorer tsuba. However, awa ishime consisted of small, round dimples punched into the surface of the ground; on the other hand, nanako is formed by striking the ground with a cup-shaped punch to raise, and project upward from the surface, small semi-hemispheric nipples. Since we find nanako finish on old yamagane grounds, it was in use as early as the Kamakura period. It is note-worthy that a nanako finish on a shakudo ground has been used since the time of the first Goto 1440 - 151 in the mitokoromono, "set of three", for use on formal or ceremonial occasions. Later, shakudo nanako became the regular finish for use by the metal artisans. (deleted repeated sentences) In applying nanako, meticulous and scrupulous care must be used in positioning and striking the "cupping tool" in order to achieve fine, regular, carefully and closely spaced, identical results, row after row. Careless, imprecise and even coarse workmanship can be detected in the nanako of some older works and on "ready made" products, but work of later years, executed with infinite and scrupulous care, are beautiful beyond belief. However, even the finest of execution of nanako finish applied to brass (shinchu) or shibuichi fails to carry the distinct air of refinement and elegance of similar work on shakudo. The very elegance of nanako workmanship reflects not only the extraordinary skills of the Japanese in the execution of minute, detailed work, but also their tremendous patience and artistic inspiration. It is said that blindness of nanako workers at thirty years of age was usual because of the microscopic and meticulous work so carefully and patiently executed. On many old tsuba, pre-dating the period of the Goto, one encounters nanako laid in horizontal or vertical rows; on subsequent work nanako was applied along curved lines conforming to the shape of the tsuba.

22.5 inches long overall, 14 inches long blade tsuba to tip.  read more

Code: 22736

Archaic Zhou Dynasty Bronze Halberd or ‘Ge’ Circa 5th Century BC the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Another from our collection of stunning ancient Chinese swords and weaponry that we recently acquired, including halbeard axe called a 'Ge'.

This is the very type of original ancient ceremonial halberd, defined by the ancient Chinese as a dagger axe 'Ge' and exactly the type as used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.

In excavated condition, cast in one piece, slightly curved terminal blade of flattened-diamond section, pierced along a basal flange with three slots, and a hole with fabulous areas of crystallized malachite, blue/green patina.

We also show in the gallery a painting of how this 'Ge' halbard would have been used once mounted 2500 odd years ago on its long haft, and used by a Zhou warrior, there is also one depicted being carried in a painting that we show in the gallery being used in an infantry charge in the Zhou dynasty.

This is a superb original ancient piece from one of the great eras of Chinese history, it is unsigned but near identical to another that was signed and inscribed with details that have now been fully translated, deciphered and a few years ago shown at Sothebys New York estimated to a sale value of $300,000. Its research details are fully listed below, and it is photographed within our gallery for the viewers comparison. Naturally, our un-inscribed, but still, very rare original version, from the same era and place, is a much more affordable fraction of this price

The signed and named Sotheby's of New York example that we show in the gallery, was formerly made for its original warrior owner, Qu Shutuo of Chu, it is from the same period and in similar condition as ours. We reference it's description below, and it is photographed within the gallery, it is finely cast with the elongated yuan divided by a raised ridge in the middle of each side and extending downward to form the hu, inscribed to one side with eight characters reading Chu Qu Shutuo, Qu X zhisun, all bordered by sharply finished edges, the end pierced with three vertically arranged chuan (apertures), the nei with a further rectangular chuan and decorated with hook motifs, inscribed to one side with seven characters reading Chuwang zhi yuanyou, wang zhong, and the other side with five characters reading yu fou zhi X sheng, the surface patinated to a dark silver tone with light malachite encrustation
An Exhibition of Ancient Chinese Ritual Bronzes. Loaned by C.T. Loo & Co., The Detroit Institute of Arts, Detroit, 1940, pl. XXXIII.
New Orleans Museum of Art, New Orleans, March - June 1948.

This inscribed bronze halberd blade, although typical in form, is uniquely important as its inscription serves as a critical primary source that reveals the name of its original owner: Qu Shutuo of Chu. The only known close counterpart to this blade is a damaged bronze halberd blade, missing the yuan, and inscribed on the hu with seven characters, which can be generally translated to ‘for the auspicious use of Qu Shutuo of Chu’. That halberd is now in the collection of the Hunan Provincial Museum, Hunan, and published in Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng Compendium of inscriptions and images of bronzes from Shang and Zhou dynasties, vol. 32, Shanghai, 2012, no. 17048

The remaining thirteen inscriptions can be translated as: 'Qu Shutuo of Chu, Qu X's grandson, yuanyou of the King of Chu'. Based on the inscription, the owner of this blade can be identified as such.

See for reference; The Junkunc Collection: Arts of Ancient China / Sotheby's New York
Lot 111

We also show in the gallery a photo of another similar halberd from a museum exhibition, of a Chinese ancient king bodyguard’s halberd gilt pole mounts for his personal charioteer

This is one of a stunning collection of original archaic bronze age weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. Approx 9.75 inches across.  read more

Code: 24390

A Most Rare 1800's French 1st Empire Napoleonic Sabre, Bearing the Napoleonic Imperial Eagle Hilt With Exotic Carved Grip

Napoleonic period swords with Napoleon's Imperial Eagle twin langets are very scarce indeed, but with a hand carved and chequered ivory hilt is beyond rare. Although frequently seen on British high ranking officer's swords of the period, it is simply never seen on the domestically made French swords of the same period, in fact in 50 years we cannot ever recall ever seeing one before, possibly not even in Les Invalides Musee D'Armee in Paris, and probably because France had little or no trade access to ivory from Africa and India. This sword must have been made for a most senior general officer or possibly even made to be a presented sword awarded by Napoleon. The sabre has almost all its original mercurial gilt present and remaining on the hilt, with wolf's head quillon, and a lion's head to the knuckle bow top at the pommel. The sword's copper gilt hilt pommel has been field repaired during its service life. Good blade with fine engraving of stands of arms, and florid scrolls etc. It has a maker's name engraved beneath the langet, of Ve. AK & F

The ideal Napoleonic battle was to manipulate the enemy into an unfavourable position through manoeuvre and deception, force him to commit his main forces and reserve to the main battle and then undertake an enveloping attack with uncommitted or reserve troops on the flank or rear. Such a surprise attack would either produce a devastating effect on morale, or force him to weaken his main battle line. Either way, the enemy's own impulsiveness began the process by which even a smaller French army could defeat the enemy's forces one by one.

After 1807, Napoleon's creation of a highly mobile, well-armed artillery force gave artillery usage increased tactical importance. Napoleon, rather than relying on infantry to wear away the enemy's defences, could now use massed artillery as a spearhead to pound a break in the enemy's line. Once that was achieved he sent in infantry and cavalry. The Napoleonic Wars brought radical changes to Europe, but the reactionary forces returned to power and tried to reverse some of them by restoring the Bourbon house on the French throne. Napoleon had succeeded in bringing most of Western Europe under one rule. In most European countries, subjugation in the French Empire brought with it many liberal features of the French Revolution including democracy, due process in courts, abolition of serfdom, reduction of the power of the Catholic Church, and a demand for constitutional limits on monarchs. The increasing voice of the middle classes with rising commerce and industry meant that restored European monarchs found it difficult to restore pre-revolutionary absolutism and had to retain many of the reforms enacted during Napoleon's rule. Institutional legacies remain to this day in the form of civil law, with clearly defined codes of law an enduring legacy of the Napoleonic Code.

While Napoleon is best known as a master strategist and charismatic presence on the battlefield, he was also a tactical innovator. He combined classic formations and tactics that had been used for thousands of years with more recent ones, such as Frederick the Great's "Oblique Order" (best illustrated at the Battle of Leuthen) and the "mob tactics" of the early Levée en masse armies of the Revolution. Napoleonic tactics and formations were highly fluid and flexible. In contrast, many of the Grande Armée's opponents were still wedded to a rigid system of "Linear" (or Line) tactics and formations, in which masses of infantry would simply line up and exchange vollies of fire, in an attempt to either blow the enemy from the field or outflank them. Due to the vulnerabilities of the line formations to flanking attacks, it was considered the highest form of military manoeuvre to outflank one's adversary. Armies would often retreat or even surrender if this was accomplished. Consequently, commanders who adhered to this system would place a great emphasis on flank security, often at the expense of a strong centre or reserve. Napoleon would frequently take full advantage of this linear mentality by feigning flank attacks or offering the enemy his own flank as "bait" (best illustrated at the Battle of Austerlitz and also later at Lützen), then throw his main effort against their centre, split their lines, and roll up their flanks. He always kept a strong reserve as well, mainly in the form of his Imperial Guard, which could deliver a "knockout blow" if the battle was going well or turn the tide if it was not. If we knew the name of the general officer to whom it was presented to or belonged, and with it's scabbard, it could likely be valued at ten times our asking price. Antique ivory, 'worked' declaration submission, and we can only sell this sword within the UK, it is not allowed for export. Ivory, however old cannot be imported into the USA.

No scabbard.  read more

Code: 25322