A Superb, Deluxe Engraved, English, 1850's ‘Adams’ Transitional Revolver With Most of its Original Barrel Blue & Fine Engraving.

6 shot .36 cal. Probably by Robert Adams, though un-named. Some of the most ground breaking work in the early design and manufacture of revolvers was undertaken in England long before the world famous American revolver makers, such as Colt and Remington, became famous for their fine pistols. This most attractive piece is fully, and most finely engraved, on the frame and grip, with a highly detailed micro chequered walnut butt. Circa 1850. A classic example of one of the earliest English cylinder revolvers that was favoured by gentleman wishing to arm themselves with the latest technology and improvement ever designed by English master gunsmiths. They were most popular with officers that could afford them in the Crimean War and Indian Mutiny, as this one was used.

A picture in the gallery is of Robert Adams himself, loading his patent revolver for HRH Prince Albert, Queen Victoria's Consort. He was also manager for the London Armoury and he made many of the 19,000 pistols that were bought by the Confederate States for the Civil War. The US government also bought Adams revolvers from the London Armoury, at $18 each, which was $4.00 more than it was paying Colt for his, and $6.00 more than Remington.The action on this beautiful gun is perfect, very nice, and tight, but the trigger return spring is weak. In good blue finish with some original 'mirror' blue finish remaining. Revolving cylinder operates sporadically.

As with all our antique guns no license required and they are all unrestricted antique collectables

Every single item from The Lanes Armoury, Britain's famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.  read more

Code: 22431

A Cased Very Fine English Transitional Percussion Rifled Revolver. This Fine Cased Revolver Set is An Absolute Beauty To Behold.

Decorative engraving to the side plate, bar hammer and butt-cap. Finely chequered grips. Complete in it's original wooden carrying case containing a copper powder flask, steel bullet mold. Cap box and brass tipped wooden clearing rod. Overall length of the pistol inches. The blue baize lined case measures inches with a brass plaque to the lid. The action in very good working order and in excellent condition retaining some of it's original blued finish. A development from the pepper-box was the transitional revolver. This weapon uses the same action but with one barrel attached to the front of a pepper-box cylinder. James Ewell Brown “Jeb” Stuart (1833-1864) was a U.S. Army officer and later a Major General and cavalry commander for the Confederate States of America during the Civil War (1861-65). In 1857 he was shot in the chest at point blank range with a pepper-box by a Cheyenne warrior, Stuart survived probably due rumour has it, to a very weak powder charge. Guns of this type also saw use in the Mexican War as an alternative to the Colt revolver, most notably by General Winfield Scott. During the Mexican-American War (April 25, 1846 – February 3, 1848) U.S. forces under General Winfield Scott entered Mexico City and raise the American flag over the Hall of Montezuma, concluding a devastating advance that began with an amphibious landing at Vera Cruz six months earlier.

A most fine example of an English percussion transitional revolver in its original case retaining much of its original finish.

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.  read more

Code: 25205

A Very Good 5 Shot Revolver of The United States Civil War, By E.Whitney of New Haven Connecticut

A scarce American Civil War era 5 shot Percussion revolver made by E. Whitney. Circa 1860. The 6 inch barrel marked on top E. WHITNEY N. HAVEN. Two piece walnut grips and brass trigger guard. With nice overall aged patination, serial numbered under the grip 26941. Good tight spring action and rotation of the cylinder.

Eli Whitney Sr. established his Whitneyville Armory in 1798 and produced firearms (among other things) by contract for the United states government. Just prior to this in 1793, Whitney invented the mechanical cotton gin, which dramatically changed the economic landscape in the United States, namely in the South. His labour saving device made the processing of harvested cotton extremely efficient and requiring fewer labourer's. This machine caused the market for cotton to explode and more labourer's were needed to plant, grow and harvest the crop. This resulted in a corresponding boom in the Southern slave trade. Great fortunes were created, and the population of the South became such that one in three Southerners were slaves. All this provided the fuel that would become the American Civil War. Eli Whitney died in 1825, and his son, Eli Whitney Jr began running the family business in 1841. In 1847 Whitney Jr. began to manufacture 1,000 of Samuel Colt’s latest revolver the Colt Walker revolver. Production of this revolver helped both parties immensely as it kept Colt in business and it allowed Whitney Jr. to gain experience making revolvers. With the expiration of Colt’s patents in 1857, Whitney began production of percussion revolvers based on Colt’s patents, some of them very closely copied. The Whitney Revolver were produced at the Whitneyville Armory manufacturing centre in the Whitneyville section of New Haven, Connecticut from the late 1850's through to the early 1860's. Many of these were purchased by individual soldiers for use when they were going off to the American Civil War.

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.

Overall length 11 inches. In good overall condition, showing commensurate signs of use and wear. A super Civil War era percussion revolver.  read more

Code: 25256

A Fine French Consular Period Sabre of A Cavalry Officer, With 'Marengo' Hilt. A Sabre D'Officier De Cavalrie Legere, By Repute, Said To Be The Privilege of Officer's To Wear That Served At the Battle Of Marengo, Personally, With Napoleon

A very fine and rare example, in very fine condition for age, with a few usual scabbard combat bruises.

Modelled after Napoleon’s sabre, re-named by him the Marengo sabre, that he used from the battle of the Nile and at Marengo during his defeat of the Austrians. He presented it to his brother Jerome who was crowned King of Westphalia.
Napoleon ordered a sword to be commissioned based on his own sabre and presented it as a Sword of Honour to Captain Blou for his important and vital service at Marengo, and that sword is near identical to this sword that we offer. See photo 10 in the gallery. Napoleon’s Marengo sword was sold at auction in 2007 for $6.5 million dollars.

Sabre D'Officier De Cavalrie Legere, 1800 circa, with the 'Marengo' pattern hilt, and double fullered Montmorency pattern blade. A fabulous French Sabre from the French consular period.

An original Consular period, 'Marengo' style light cavalry officer's sabre, with very fine and bright Montmorency-style blade one-third beautifully engraved with an incised decoration of weapon trophies and foliage, gilt bronze hilt, mellon pattern pommel, single guard branch with a side engraved with a farandole of foliage, the front side has a V-shaped groove, the rear side has a concave gutter, basal half ear, quillon arched towards the front with button ending, cross hatched carved wooden grip, in its origina sheet brass scabbard, two large brass bands each carrying a supension ring,

These styles are said to have gained popularity following Consular Napoleon's victory over the Austrians in Jun 1800 at the Battle of Marengo. French sword cutlers purportedly drew their inspiration from the sabre carried by Napoleon during the campaign.

It has been claimed that only officers who had participated in the battle with Napoleon were permitted to carry this style of hilt, although there is no official recognition of this claim.

The Battle of Marengo was fought on 14 June 1800 between French forces under the First Consul Napoleon Bonaparte and Austrian forces near the city of Alessandria, in Piedmont, Italy. Near the end of the day, the French overcame General Michael von Melas' surprise attack, drove the Austrians out of Italy and consolidated Bonaparte's political position in Paris as First Consul of France in the wake of his coup d'état the previous November.

Bonaparte needed to depart for Paris urgently and the next morning sent Berthier on a surprise visit to Austrian headquarters. Within 24 hours of the battle, Melas entered into negotiations (the Convention of Alessandria) which led to the Austrians evacuating northwestern Italy west of the Ticino, and suspending military operations in Italy.

Bonaparte's position as First Consul was strengthened by the successful outcome of the battle and the preceding campaign. After this victory, Napoleon could breathe a sigh of relief. The generals who had been hostile to him could see that his luck had not abandoned him. Thus, he had surpassed Schérer, Joubert, Championnet, and even Moreau, none of whom having been able to inflict a decisive blow on the Coalition. Moreau's victory at Hohenlinden, which was the one that in reality had put an end to the war, was minimised by Bonaparte who, from then on, would pose as a saviour of the fatherland, and even of the Republic. He rejected offers from Louis XVIII, who had considered the Consulate to be a mere transition toward the restoration of the king. Thanks to the victory at Marengo, Napoleon could finally set about reforming France according to his own vision.

Napoleon ordered that several ships of the French Navy be named Marengo, including Sceptre (1780), Jean-Jacques Rousseau (1795), Ville de Paris (1851) and Marengo (1810). In 1802, the Marengo department was named in the honour of the battle. Furthermore, Napoleon's mount throughout the battle was named Marengo and further carried the Emperor in the Battle of Austerlitz, Battle of Jena-Auerstedt, Battle of Wagram, and Battle of Waterloo.  read more

Code: 25313

A Stunning Directoire Period French Blue and Gilt ‘Award’ & Imperial Garde Grade Sabre of a General or General Staff Officer, Probably By Boutet Director of Versailles. Napoleon's Personal Sword Maker

Gilt bronze mounting, engraved and chased. Round-backed ebony handle with fine chequering. Short-skirted lion's head pommel chased with feathers and scales. Single-branch hilt decorated with oak leaves and acorns, cruise with two chased auricles in a row around the edge, straight quillon ending in a lion's head. Curved, superbly engraved deluxe blue and gilt flat-backed blade, Infantry style scabbard with frog mount in copper gilt with leather in superb condition.

We show in the gallery a most similar sabre, by Boutet of the Versailles workshop, presented to General Lefebvre by the executive board of the French Directory before Napoleon declared himself emperor, another very similar sword was used by Marshal Davout {see his portrait}, The workmanship of the hilt is so fine and similar to Lefebvres Boutet presentation sabre that we presume this fabulous sabre was likely also made by Boutet at Versailles.

The Directory (also called Directorate, French: le Directoire) was the governing five-member committee in the French First Republic from 26 October 1795 (4 Brumaire an IV) until October 1799, when it was overthrown by Napoleon Bonaparte in the Coup of 18 Brumaire and replaced by the Consulate. Directoire is the name of the final four years of the French Revolution. Mainstream historiography1 also uses the term in reference to the period from the dissolution of the National Convention on 26 October 1795 to Napoleon's coup d'état.

This sword would have been used and carried in combat by one of those officer's on Napoleon's general staff. Napoleon was, and remains, famous for his battlefield victories, and historians have spent enormous attention in analysing them.

Napoleon had numerous general staff officer's. However, a general in the field would have a relatively smaller cadre of officers supporting them.. Whether they were on Napoleon's staff or the staff of a general, their function was the same, to gather reports from field officers, précis them and ensure Napoleon and the generals have the right information. Then take Napoleon's or the general’s high level orders and ensure they get to the correct field officers, which may mean encoding them by hand.
Manage all the logistics, ensure that all the units are supplied with food, equipment and munitions.

In 2008, Donald Sutherland wrote:

The ideal Napoleonic battle was to manipulate the enemy into an unfavourable position through manoeuvre and deception, force him to commit his main forces and reserve to the main battle and then undertake an enveloping attack with uncommitted or reserve troops on the flank or rear. Such a surprise attack would either produce a devastating effect on morale, or force him to weaken his main battle line. Either way, the enemy's own impulsiveness began the process by which even a smaller French army could defeat the enemy's forces one by one.

After 1807, Napoleon's creation of a highly mobile, well-armed artillery force gave artillery usage increased tactical importance. Napoleon, rather than relying on infantry to wear away the enemy's defences, could now use massed artillery as a spearhead to pound a break in the enemy's line. Once that was achieved he sent in infantry and cavalry. The Napoleonic Wars brought radical changes to Europe, but the reactionary forces returned to power and tried to reverse some of them by restoring the Bourbon house on the French throne. Napoleon had succeeded in bringing most of Western Europe under one rule. In most European countries, subjugation in the French Empire brought with it many liberal features of the French Revolution including democracy, due process in courts, abolition of serfdom, reduction of the power of the Catholic Church, and a demand for constitutional limits on monarchs. The increasing voice of the middle classes with rising commerce and industry meant that restored European monarchs found it difficult to restore pre-revolutionary absolutism and had to retain many of the reforms enacted during Napoleon's rule. Institutional legacies remain to this day in the form of civil law, with clearly defined codes of law an enduring legacy of the Napoleonic Code.

While Napoleon is best known as a master strategist and charismatic presence on the battlefield, he was also a tactical innovator. He combined classic formations and tactics that had been used for thousands of years with more recent ones, such as Frederick the Great's "Oblique Order" (best illustrated at the Battle of Leuthen) and the "mob tactics" of the early Levée en masse armies of the Revolution. Napoleonic tactics and formations were highly fluid and flexible. In contrast, many of the Grande Armée's opponents were still wedded to a rigid system of "Linear" (or Line) tactics and formations, in which masses of infantry would simply line up and exchange vollies of fire, in an attempt to either blow the enemy from the field or outflank them. Due to the vulnerabilities of the line formations to flanking attacks, it was considered the highest form of military manoeuvre to outflank one's adversary. Armies would often retreat or even surrender if this was accomplished. Consequently, commanders who adhered to this system would place a great emphasis on flank security, often at the expense of a strong centre or reserve. Napoleon would frequently take full advantage of this linear mentality by feigning flank attacks or offering the enemy his own flank as "bait" (best illustrated at the Battle of Austerlitz and also later at Lützen), then throw his main effort against their centre, split their lines, and roll up their flanks. He always kept a strong reserve as well, mainly in the form of his Imperial Guard, which could deliver a "knockout blow" if the battle was going well or turn the tide if it was not.

Overall the condition is stunning. Especially the original mercurial gilt on the hilt and the blue and gilt decor on the blade In the 20th century generals plotted campaigns and were not often in the thick of combat. In the Napoleonic wars era general staff officers fought, more often than not alongside their men in hand to hand combat, hence, Napoleon lost so many of his general staff officers.

The chequered ebony grip has narrow splits on both sides, but otherwise excellent. The outside quillon has two small holes, this would have been for a small silver cartouch mount of Napoleon's bust profile, used by the privilege of status, by very special grade officer's. It may have been removed in the restoration period of 1814, in order to show the officer removed his previous connection to Napoleon {in order to preserve his current service and thus his senior status in France post Napoleon, before the 100 Days of Napoleon's return from Elba}.  read more

Code: 25317

WW2 Luftwaffe Combat Bomber Clasp (Frontflugspange für Kampf- und Sturzkampfflieger in Gold)From One Of Ian Fleming’s Naval Intelligence Section’s So Called ‘Red Indians’ 30 Commando Special Engineering Unit. Collected During A Clandestine Recon Mission

(Frontflugspange für Kampf- und Sturzkampfflieger in Gold). Constructed of gilded zinc, for 110 missions, the obverse consisting of a central circular laurel leaf wreath, joined together at the bottom by a swastika, surrounding a central winged bomb executed in silvered tombak, flanked on each side by nine oak leaves, the reverse with a single visible rivet securing the bomb in position, with a crimped barrel hinge and tapering horizontal pinback meeting a flat wire catch emanating from a crimped base, maker marked with the maker mark and address of Richard Simm & Söhne, Gablonz,
The Front Flying Clasp was instituted on January 30, 1941, by Hermann Göring.
It was awarded to recognize the bravery and service of Luftwaffe aircrew, heavy, or medium fighters and dive bombers, during World War II.

The Bomber Clasp specifically recognized the achievements of pilots and crew flying bomber aircraft.
The Front Flight Clasp was awarded in bronze for 20 front-line flights, in silver for 60 front-line flights, and in gold for 110 front-line flights . Upon awarding a higher rank, the previously worn clasp had to be removed. The award was worn on the left breast pocket, directly above the medal bar .

A highly desirable original collectors item, uncleaned unpolished, kept just as is, untouched and unmolested for the past 80 years

Originally taken by a commando of 30 commando X troop while on clandestine missions as part of 30 Commando reconnaissance and sabotage.

The brain child of naval commander Ian Fleming & Lord Louis Mountbatten, 30 {30AU} Commando, this wartime unit was a secret well kept for over 50 years after the war by the Official Secrets Act, some remains classified, see Reading. At the time, officially, they didn’t exist. The members of this unit were forbidden to discuss or document their activities, a pledge that many of the men kept even many years after the war was over, or even for their entire lives!
Due to the fact these men operated in very small groups on ‘need-to-know’ basis it is very difficult to get clear picture of everything they were doing.
Fleming’s/NID30AU secretary Miss Margaret Priestley (a history professor from Leeds University) played a vital role in the running and administration of 30AU and became his inspiration for Miss Petty Pettaval - the original character name that became Miss Moneypenny.
As revealed here for the first time!(6) (see Beau Bête)
Miss Preistley transferred over to NID30AU during the winter of 1943-44 from DNR - (Department of Naval Research) where she worked as a civilian, although there were obvious links between DNR and NID30AU as intelligence on enemy targets was collected for Fleming’s ‘Black List’.

Also Known as:
Fleming himself referred to the men of the unit as behaving like 'Red Indians'. (A reference he also used when referring to his character, James Bond, four times in his first novel Casino Royale. Which effectively makes this unit the ‘literary James Bond’s wartime unit’.)
Formerly:- (NID30 Command Office at Admiralty),
Special Engineering Unit.
'RED' Marines.
Latterly:- 30 Assault Unit,
 30 Advanced Unit, 30AU
 and incorrectly as 30th Assault Unit.
The number '30' was used for no better reason than it was NID/Miss Priestley’s Office Door number at the Admiralty. (Fleming’s Office was No. 39) 'Assault Unit' was 'overt' cover for the fact that they were intelligence gathering.
Date Founded: 30 September 1942
Date Disbanded: 26 March 1946
Date Reformed: February 2010 - 30 Cdo IXG
Mission When Founded:
The collection of technical intelligence and personnel from enemy headquarters and installations. Ahead of allied advances and before enemy could destroy it, to ‘Attain by Surprise’.

30 Commando consisted of Royal Marine, Army and Royal Navy elements that were organised into three Sections: No. 33, No. 34 and No.36 respectively. Initially code-named the Special Engineering Unit, the unit reported to the Chief of Combined Operations, though the Admiralty retained ultimate control of No.36 Section. No.35 Section was left vacant for the RAF to utilise but they never raised a troop to participate in 30 Cdo. Although they did supply intelligence officers and specific targets to pursue after D-Day for ‘Operation Crossbow’.
Unit members were given general commando skills and weapons training, and were then trained in recognising enemy mines, booby traps, handling of explosives, demolitions, counter-demolitions, recognition of enemy uniforms and equipment. Parachute training, small boat handling, recognition of enemy documents, search techniques including lock picking and safecracking, prisoner handling, photography and escape techniques were also taught.
A significant number of the initial recruits were formerly policemen. Although at least one ‘expert’ was recruited straight from prison, thought by the police to be the best safe-breaker in England at the time.
30 Cdo’s operational tactic was to move ahead of advancing Allied forces, or to undertake covert missions into enemy territory by land, sea or air, to capture intelligence, in the form of equipment, documents, codes or enemy personnel. 30 Cdo often worked closely with the Intelligence Corps' Field Security sections. More often than not each team consisted of two special operations Jeeps (As used by the SAS and 30AU) manned by one Naval Commander in possession of a ‘Black Book’ which listed targets from Ian Fleming’s famous ‘Black List’. The Naval Commander was the only man in each team who knew where and what the targets actually were. This Naval Commander was usually accompanied by at least one weapons expert or scientist who he relied on to evaluate the information or equipment they encountered. There were also usually at least six Royal Marines and one RM Officer whose main job was to do any fighting required and to keep the Naval Commander and any experts alive and out of trouble. (For details Reading section.)
The individual Sections served in all the Mediterranean and NW European operational theatres, usually operating independently, gathering information from captured facilities. The unit served in North Africa, the Greek Islands, Norway, Pantelleria, Sicily, Italy, and Corsica, 1942-1943 as 30 Commando.
s the Allies broke through 30AU split into many ‘Field Teams’ and these were responsible for capturing many and varied targets throughout Germany.
Team 2 under Curtis captured Prof. Helmut Walter, designer of the Me163 Rocket Plane and Midget Submarines at Kiel. (Kept by the British!).
Team 5 under USN Lambie captured Prof. Herbert Wagner (10) (Handed to US Agents) designer of the guided flying bomb Hs293, already used to sink HMS Egret and to kill over 1000 troops on HMT Rohna. He went on to work for the US Navy. He did not surrender in Bavaria with Dornberger and the von Braun brothers as the Allied military would have us believe. (2) (see Reading section).
The capture of Prof. Magnus von Braun (Martin) V2 fuel chemist. (Handed to US Agents). He did not surrender in Bavaria as the Allied military want us to believe. (see Reading for details)
The capture of the designer of the Nazi V2 (who went on to the NASA Saturn V), Prof. von Braun and his brother. (Some men were convinced they were some of the scientists they caught!) Did they surrender in Bavaria as the Allied military want us to believe or was that staged afterwards? (see Beau Bête for details and FREE preview PDF, in Reading)
Team 55 under Glanville captured the entire Nazi Naval records collection at ‘Tambach Castle’. (1)
Team 4 under Job(e) captured the Bremen dockyards with type 21 & 25 submarines and destroyers. Then took the surrender of Bremerhaven and captured Naval HQ SS Europa and Z29 Destroyer. (1)(All handed over to US Agents).
Team 2 Postlethwaite captures the Torpedo testing facility at Ekenförde. (1)
Another team captured Admiral Dönitz (as Führer).
And many other things yet to be revealed by the government!

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.

Ref; https://www.30au.co.uk
An amazing historic collection of information, including. https://www.amazon.co.uk/Beau-B%C3%A9te-assigned-Flemings-intelligence/dp/B08R7XYHXW  read more

Code: 25833

Fit For A King. Late 16th Century Style Holbein Swiss Dagger, a Fabulous Masterpiece, With a Superbly Pierced Scabbard Depicting a Scene of Landsnicht Knights. Designed By Hans Holbein For King Henry VIIIth. Only The Second We Have Seen in 20 Years

Wonderful 16th century pattern dagger, designed by Hans Holbein one of the greatest Old Master artists in the reign of King Henry VIII, with brass fully three dimensionally piecerd scabbard displaying scenes of Landsnecht knights mounted on horseback. This is not only a wondrous and extravagant dagger, it is a fine example object d'art. The dagger that gained its name from its design, and patterns of dagger, by Hans Holbein, one of the worlds greatest portrait artists of the 16th century, whose most famous owner of a Holbein pattern dagger was King Henry VIIIth, as can be seen in his portrait see the gallery. Holbein travelled to England in 1526 in search of work, with a recommendation from the renown Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. He returned to Basel for four years, then resumed his career in England in 1532 under the patronage of Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to Henry VIII of England. In this role, he produced portraits and festive decorations, as well as designs for jewellery, plate, and other precious objects, including daggers. His portraits of the royal family and nobles are a record of the court in the years when Henry was asserting his supremacy over the Church of England.

Holbein's art was highly prized from early on in his career. French poet and reformer Nicholas Bourbon (the elder) dubbed him "the Apelles of our time," a typical highest accolade at the time. Holbein has also been described as a great "one-off" of art history, since he founded no school. Some of his work was lost after his death, but much was collected, and he was recognised among the great portrait masters by the 19th century. Recent exhibitions have also highlighted his versatility. He created designs ranging from intricate jewellery to monumental frescoes.

Holbein's art has sometimes been called realist, since he drew and painted with a rare precision. His portraits were renowned in their time for their likeness, and it is through his eyes that many famous figures of his day are pictured today, such as Erasmus and More. He was never content with outward appearance, however; he embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse, his portraiture "remains unsurpassed for sureness and economy of statement, penetration into character, and a combined richness and purity of style"

Double edged blade. This is a fabulous 19th-century representation of Holbein’s 16th century dagger, One of Holbien’s versions had a most similar pierced and chiselled decorative scabbard displaying scenes from the dance of death. In July 2000 Christie’s Auctioneers sold another 19th century representation of this Holbein dagger, it sold for £3,760, 25 years ago. The most famous example of a Holbein pattern dagger is depicted being worn by King Henry VIIIth in his portrait by Hans Holbein, we show this portrait in a gallery with Henry and his version of his personal most similar and beautiful Holbein Dagger. This Renaissance style dagger is based on original drawings from the work-books of Holbein the Younger, from whence the dagger gets its name. This is an accurate design that a nobleman of very high status could have chosen in around 1536, out of Holbein's work-books, and to have a personal dagger commissioned by a dagger maker.

See a plain wooden hilted version of Holbein’s original dagger in photo 8 in the gallery in the Wallace Collection in London.
This is a formidable and stunningly beautiful dagger of impressive proportions and most substantial heft.

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.
.  read more

Code: 23326

WW2 German Luftwaffe Reconnaissance & Air/Sea Rescue,Clasp From One Of Ian Fleming’s Naval Intelligence Section’s So Called ‘Red Indians’ 30 Commando Special Engineering Unit. Collected During A Clandestine Recon Mission At An Airbase

Luftwaffe recon clasp in silver. Early war solid nickel silver clasp with nickel silver riveted eagle head. Top ‘Frontflugspange für Aufklärer in Silber’

Instituted January 30, 1941, the Clasp for Reconnaissance, Air/Sea Rescue, and Meteorological Squadrons in silver was awarded for specialized squadrons in the Luftwaffe and even Kriegsmarine upon the completion of sixty combat missions.

A highly desirable original collectors item, uncleaned unpolished, kept just as is, untouched and unmolested for the past 80 years

Originally taken by a commando of 30 commando X troop while on clandestine missions as part of 30 Commando reconnaissance and sabotage.

The brain child of naval commander Ian Fleming & Lord Louis Mountbatten, 30 {30AU} Commando, this wartime unit was a secret well kept for over 50 years after the war by the Official Secrets Act, some remains classified, see Reading. At the time, officially, they didn’t exist. The members of this unit were forbidden to discuss or document their activities, a pledge that many of the men kept even many years after the war was over, or even for their entire lives!
Due to the fact these men operated in very small groups on ‘need-to-know’ basis it is very difficult to get clear picture of everything they were doing.
Fleming’s/NID30AU secretary Miss Margaret Priestley (a history professor from Leeds University) played a vital role in the running and administration of 30AU and became his inspiration for Miss Petty Pettaval - the original character name that became Miss Moneypenny.
As revealed here for the first time!(6) (see Beau Bête)
Miss Preistley transferred over to NID30AU during the winter of 1943-44 from DNR - (Department of Naval Research) where she worked as a civilian, although there were obvious links between DNR and NID30AU as intelligence on enemy targets was collected for Fleming’s ‘Black List’.

Also Known as:
Fleming himself referred to the men of the unit as behaving like 'Red Indians'. (A reference he also used when referring to his character, James Bond, four times in his first novel Casino Royale. Which effectively makes this unit the ‘literary James Bond’s wartime unit’.)
Formerly:- (NID30 Command Office at Admiralty),
Special Engineering Unit.
'RED' Marines.
Latterly:- 30 Assault Unit,
 30 Advanced Unit, 30AU
 and incorrectly as 30th Assault Unit.
The number '30' was used for no better reason than it was NID/Miss Priestley’s Office Door number at the Admiralty. (Fleming’s Office was No. 39) 'Assault Unit' was 'overt' cover for the fact that they were intelligence gathering.
Date Founded: 30 September 1942
Date Disbanded: 26 March 1946
Date Reformed: February 2010 - 30 Cdo IXG
Mission When Founded:
The collection of technical intelligence and personnel from enemy headquarters and installations. Ahead of allied advances and before enemy could destroy it, to ‘Attain by Surprise’.

30 Commando consisted of Royal Marine, Army and Royal Navy elements that were organised into three Sections: No. 33, No. 34 and No.36 respectively. Initially code-named the Special Engineering Unit, the unit reported to the Chief of Combined Operations, though the Admiralty retained ultimate control of No.36 Section. No.35 Section was left vacant for the RAF to utilise but they never raised a troop to participate in 30 Cdo. Although they did supply intelligence officers and specific targets to pursue after D-Day for ‘Operation Crossbow’.
Unit members were given general commando skills and weapons training, and were then trained in recognising enemy mines, booby traps, handling of explosives, demolitions, counter-demolitions, recognition of enemy uniforms and equipment. Parachute training, small boat handling, recognition of enemy documents, search techniques including lock picking and safecracking, prisoner handling, photography and escape techniques were also taught.
A significant number of the initial recruits were formerly policemen. Although at least one ‘expert’ was recruited straight from prison, thought by the police to be the best safe-breaker in England at the time.
30 Cdo’s operational tactic was to move ahead of advancing Allied forces, or to undertake covert missions into enemy territory by land, sea or air, to capture intelligence, in the form of equipment, documents, codes or enemy personnel. 30 Cdo often worked closely with the Intelligence Corps' Field Security sections. More often than not each team consisted of two special operations Jeeps (As used by the SAS and 30AU) manned by one Naval Commander in possession of a ‘Black Book’ which listed targets from Ian Fleming’s famous ‘Black List’. The Naval Commander was the only man in each team who knew where and what the targets actually were. This Naval Commander was usually accompanied by at least one weapons expert or scientist who he relied on to evaluate the information or equipment they encountered. There were also usually at least six Royal Marines and one RM Officer whose main job was to do any fighting required and to keep the Naval Commander and any experts alive and out of trouble. (For details Reading section.)
The individual Sections served in all the Mediterranean and NW European operational theatres, usually operating independently, gathering information from captured facilities. The unit served in North Africa, the Greek Islands, Norway, Pantelleria, Sicily, Italy, and Corsica, 1942-1943 as 30 Commando.
s the Allies broke through 30AU split into many ‘Field Teams’ and these were responsible for capturing many and varied targets throughout Germany.
Team 2 under Curtis captured Prof. Helmut Walter, designer of the Me163 Rocket Plane and Midget Submarines at Kiel. (Kept by the British!).
Team 5 under USN Lambie captured Prof. Herbert Wagner (10) (Handed to US Agents) designer of the guided flying bomb Hs293, already used to sink HMS Egret and to kill over 1000 troops on HMT Rohna. He went on to work for the US Navy. He did not surrender in Bavaria with Dornberger and the von Braun brothers as the Allied military would have us believe. (2) (see Reading section).
The capture of Prof. Magnus von Braun (Martin) V2 fuel chemist. (Handed to US Agents). He did not surrender in Bavaria as the Allied military want us to believe. (see Reading for details)
The capture of the designer of the Nazi V2 (who went on to the NASA Saturn V), Prof. von Braun and his brother. (Some men were convinced they were some of the scientists they caught!) Did they surrender in Bavaria as the Allied military want us to believe or was that staged afterwards? (see Beau Bête for details and FREE preview PDF, in Reading)
Team 55 under Glanville captured the entire Nazi Naval records collection at ‘Tambach Castle’. (1)
Team 4 under Job(e) captured the Bremen dockyards with type 21 & 25 submarines and destroyers. Then took the surrender of Bremerhaven and captured Naval HQ SS Europa and Z29 Destroyer. (1)(All handed over to US Agents).
Team 2 Postlethwaite captures the Torpedo testing facility at Ekenförde. (1)
Another team captured Admiral Dönitz (as Führer).
And many other things yet to be revealed by the government!

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.

Ref; https://www.30au.co.uk
An amazing historic collection of information, including. https://www.amazon.co.uk/Beau-B%C3%A9te-assigned-Flemings-intelligence/dp/B08R7XYHXW read more  read more

Code: 25831

A Near Mint And Truly Magnificent, Early Victorian, 1847 Albert Pattern, British North Somerset Regimental Officer's Cavalry Helmet. Possibly The Best Original Example Outside Of The Royal Collection. Original, Crimean War Period

High polished nickle silver skull, stunningly and ornately decorated with applied mercurial gilt floral trim around the full body, visor, and down the rear of the helmet, and especially around the front badge. The badge is a diamond brilliant cut steel eight-pointed silver star on the front which was almost wholly covered by an oval device in gilt, in the centre of which is the Royal Cypher (VR) on a frosted gilt ground with the oval garter surround bearing the regimental title 'North Somerset'. Large rosettes affix the red morocco leather-backed gilt chin scales. Its mercurial flaming torch plume holder, with white horse hair plume, topped by a frosted gilt rose mount, completes the helmet magnificently. The liner is full, and intact.
Formerly from the late collection of one of England's most esteemed military antique collectors and Antiques Roadshow travelling consultant expert for around 30 years, Roy Butler

When in combat or on 'the charge' the plume could be removed. See pictures {painting and original photos} in the gallery of the helmet worn in the Crimea with and without plume.

After Britain was drawn into the French Revolutionary Wars, the government of Prime Minister William Pitt the Younger proposed on 14 March 1794 that the counties should form Corps of Yeomanry Cavalry that could be called on by the King to defend the country against invasion or by the Lord Lieutenant to subdue any civil disorder within the county. A meeting of householders at Frome in Somerset on 2 May 1798 resolved to form a military association to defend the town and country. Its services were accepted on 2 June, and the Frome Troop of Cavalry was formed. Other troops were formed at about the same time at Road, Wolverton, Mells, Beckington and Bath.

These independent troops all served until the Treaty of Amiens in 1802 when they were disbanded. The peace was short-lived and Britain declared war on France again in May 1803, beginning the Napoleonic Wars. The Frome Volunteers offered their services again in July and were accepted on 17 August as the Frome Selwood Troop of Volunteer Cavalry. The volunteers formed two troops, becoming a squadron in June 1804 when they united with the East Mendip Cavalry to become the Frome and East Mendip Regiment of Volunteer Cavalry. The regiment became the North Somerset Yeomanry in 1814 with six troops.

From 1820 to 1840 the regimental headquarters was at Mells Park, home of Thomas Strangways Horner, commanding officer (CO) from 1804 to 1839, when he was succeeded by his son. Another long-serving CO was Richard Boyle, 9th Earl of Cork and Orrery, Lt-Col Commandant

For some years the Keynsham Troop was without any officers, and although its members were keen and turned out promptly when required, their appearance and discipline had deteriorated to the point where they were known locally as 'The Cossacks'. It was disbanded in May 1842, but many of its members transferred to other troops of the regiment or joined the Gloucestershire Yeomanry Cavalry. In 1854 on the outbreak of the Crimean War, 342 out of 398 officers and men in the North Somerset regiment volunteered to serve their country.

The North Somerset Yeomanry raised the 48th (North Somerset) Company for the IY, which arrived in South Africa on 23 March 1900 and served in 7th Battalion, IY.The company served until 1901, earning the regiment its first Battle honour: South Africa 1900–01 The regiment's CO, Viscount Dungarvan was already serving in South Africa in February 1900 and was seconded to the IY as second-in-command of the 22nd Battalion in 1901–02

1/1st North Somerset Yeomanry
The 1st Line regiment mobilised at Bath in August 1914 as part of the 1st South Western Mounted Brigade. In October 1914 it moved to Sussex with the brigade, but left it shortly afterwards. It landed in France on 3 November and joined the 6th Cavalry Brigade, 3rd Cavalry Division, on 13 November, replacing the 10th Hussars who moved to the newly formed 8th Cavalry Brigade As such, it was one of only six yeomanry regiments to be posted to a regular cavalry division in the war

The regiments Battle Honours were
South Africa 1900–01
First World War
Ypres 1914 '15, Frezenberg, Loos, Arras 1917, Scarpe 1917, Amiens, Hindenburg Line, Beaurevoir, Cambrai 1918, Pursuit to Mons, France and Flanders 1914–18

Overall in simply superb condition, the original horsehair plume has very good long hair {with commensurate wear for age}. It has a storage mounting screw thread bolt for the helmets display, but its too long for wearing in mounted service with the plume affixed.

THE LANES ARMOURY, THE PREMIER HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES, MILITARY ARMOURY ANTIQUES & COLLECTABLES IN BRITAIN

Every single item from The Lanes Armoury, Britain's most famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.  read more

Code: 25819

A Remarkably Beautiful & Elegant Proto Celtic Bronze Age Bracelet Circa 2600 Years Old. That Continued Use Into Era Of The Great Iceni Celtic Queen Boudica. And, The Bracelet That Inspired Gustav Klimt One Of The Greatest Art Nouveau Artists In The World

This is an original Celtic 2600 year old bronze serpentine ringed cuff bracelet, 'object vertu' that was directly copied by one of the greatest Art Nouveau artists in the world, Austrian, Gustav Klimt leader of his Art Nouveau Jugendstil Vienna Secession Movement. Gustav Klimt's painting "Dame Mit Fächer" (Lady with a Fan) sold at Sotheby's in London, in 2023 for $108.4 million. See photo in the gallery of the {circa 1895} Jugendstil Vienna Secession bracelet, an obvious direct copy.

This is one of two fabulous examples we acquired from the same former collection. Very similar designs but obviously recovered from areas of differing geological conditions that it was conserved within, for the past 2400 years, that it was buried. One has a course encrusted patination, this one has a more naturally polished aged surface.

From the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic speaking populations.

By the 6th century BC, it had expanded to include wide territories, falling into two zones, east and west, between them covering much of western and central Europe down to the Alps, and extending into northern Italy. Parts of Britain and Iberia are included in the ultimate expansion of the Celtic culture. Where the snake serpentine designs of jewellery and adornments continued into Ancient Britannia, and the realm in Norfolk of the greatest and most famous Iceni Queen, Boudica, scourge and destroyer of the 70,000 to 80,000 Britannia based 9th Legion of Rome and their pro Roman supporters, in 61 A.D. In the Roman towns of Camulodunum, Verulamium, and Londinium.

This bracelet was the direct inspiration, but actually it is clearly an identical copy, for Gustav Klimt's
Art Nouveau Jugendstil Vienna Secession, brass cuff bracelet

See the gallery the stunning Gustav Klimt Jugendstil Vienna Secession brass cuff bracelet, circa 1895, currently offered by exclusive jewellery and object vertu dealers DFS in New York
Sale price $5,500.00.

The history of the evolution of the Celts from their Austrian origins

In German historiography, these seats of power are called fürstensitz. These were large, fortified hill forts situated on easily defendable locations. There were at least 16 such seats of power, while there were probably more just waiting to be discovered. The most important ones were at Hochdorf, Wurzburg, Heuneburg, Hohenasberg, Breisach, Mont Lassois, Vix, and Camp de Chassey, amongst others. These fortified settlements were protected by a complex system of ditches and earthen ramparts.

Most modern scholars and historians associate the culture with the Celts. It is commonly understood that this intriguing culture was the foundation from which emerged the wondrous Celtic world that we all know so well. In many aspects, this was is clearly the earliest, Proto-Celtic stage in Bronze and Iron age Europe.

2,25 inches across, 1 inch high.

Photo 10 in the gallery is a same period Celtic Diadem in the Metropolitan Museum in the USA. One can clearly see the distinct design in this piece reflected in the bracelet. Possibly both forms of these adornments were worn together and simultaneously by the Celtic hi-born {tribal leaders, princes princesses and the like} A diadem is a type of crown, specifically an ornamental headband, often jeweled, worn by monarchs and others to signify royalty or high status. It can also refer to a jeweled ornament in the shape of a half crown worn by women. In a broader sense, "diadem" can be used to describe any emblem of regal power or dignity.

For reference see; Stead, I. M. (1997). Celtic Art. Harvard University Press

https://www.metmuseum.org/

2 inches x 1 inch high.
Originally, 2600 years ago, it could be expanded by hand wider for wear

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading  read more

Code: 25825