A Superb, Large, Soviet Russian Cold War Period Issue Propaganda Poster

Showing photos of famous figures and events in the Russian revolutionary communist party. Vintage or antique Russian posters, in fact all forms of posters, are now becoming extraordinarily collectable. Their original purpose of being entirely transitory and disposable means so few original examples now exist, and can now only be usually seen in museum archive displays. Another poster for the Battleship Potemkin Russian movie, designed by the Stenberg brothers in 1925, sold in November 2012 for 103,250 Pounds Sterling at Christies Auction in London. It arranged class elements into a powerful design of revolutionary upheaval. As with any art form the value of a poster is somewhat dependent on the artist who created it. For example, the Frenchman, Chenet’s work is very sought after, however other artists' work can be even more desirable. Henri deToulouse-Lautrec is well known for his images of the Parisian night-life. His posters are filled with images of showgirls, bright colours, and stylized fonts. The auction record for an art poster is held by his Moulin Rouge, which sold for an amazing $241,500.00 in 1999. Slight staining, creases and small tears mostly bottom left, mounting circular holes to the top section. 57 cm x 86cm.
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Code: 23849

An 18th Century English Small Sword Circa 1760

An English small sword often favoured by English naval officers, in blackened cut steel [as this type of finish inhibited rust], single knuckle bow and an ovoid neo classical pommel with a fine diamond cut pattern. Plain wooden grip oval guard with small pas dan. Hollow trefoil blade with central fuller. Original blackened finish. One pas dans and the quillon have been shortened. See the standard work "Swords and Blades of the American Revolution" by George C. Neumann Published 1973. Sword 216s. Page 136 for two very similar swords. A particular painting showing a very good example of this is in the National Maritime Museum and it is most similar. The painting is of British Naval Captain Hugh Palliser, who wears the same form of sword with a blackened hilt , but with a gold sword knot which gave it a sleek overall appearance. A full-length portrait of Sir Hugh Palliser, Admiral of the White, turning slightly to the right in captain's uniform (over three years seniority), 1767-1774. He stands cross-legged, leaning on the plinth of a column, holding his hat in his right hand. The background includes a ship at sea. From 1764 to 1766, when he was a Captain, Palliser was Governor of Newfoundland, where James Cook, who had served under him earlier, was employed charting the coast. He was subsequently Comptroller of the Navy and then second-in-command to Augustus Keppel at the Battle of Ushant in 1778. Good condition overall, Blade 27.5 inches long  read more

Code: 22553

Original WW2 Volunteer Recruitment Poster. 'Lend A Hand On The Land'

A very fine propaganda recruitment poster for the Land Army. Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables. In 1940 in particular, Winston Churchill made many calls for the British to fight on, and for British units to fight until they died rather than submit. His calls for fight to victory inspired a hardening of public opinion. Determination raised the numbers of the Home Guard and inspired a willingness to fight to the last ditch, in a manner rather similar to Japanese determination, and the slogan "You can always take one with you" was used in the grimmest times of the war. British victories were announced to the public for morale purposes, and broadcast to Germany for purposes of undermining morale.

Even during Dunkirk, an optimistic spin was put on how the soldiers were eager to return.

When the U-boat commander Gunther Prien vanished with his submarine U-47, Churchill personally informed the House of Commons, and radio broadcasts to Germany asked, "Where is Prien?" until Germany was forced to acknowledge his loss.
The turn of the war made BBC's war commentaries much more stirring.

We never normally comment of the investment potential of any collectable, but the potential for all underpriced WW1 and WW2 posters must be incredible, for example the more famed poster, 'Keep Calm and Carry On' can now sell for over £20,000. This poster is "14.75 x 19.5 inches  read more

Code: 20933

WW2 Advertising Poster for The National Gallery 'War Pictures'

Printed for H.M.Stationary Office by Hubners Ltd. On their way to the Myra Hess concerts in October 1939, visitors to the National Gallery couldn't help noticing the forlorn bare walls where the paintings had been before the war.

Art under fire

Before long, a series of temporary exhibitions was organised a rarity for museums and galleries at the time. There were also rolling displays of contemporary war art organised by the WAAC (War Artists Advisory Committee) that Kenneth Clark had helped set up at the outset of war. The temporary exhibitions spanned a large variety of subjects, ranging from Nineteenth Century French Paintings? and British Painting since Whistler to War Pictures By British Artists and Greater London: Towards a Master Plan.

These exhibitions were often disrupted by the damage inflicted by the nightly bombing raids during the Blitz. This didn't affect the large number of visitors attending. In fact there was much debate as to whether visitors should be asked to leave during the many air-raid warnings that occurred each day. By 1942 the bombing raids had lessened. It was now felt that one painting could be brought up to London from Manod every month. It was put on show in splendid isolation with some accompanying documentary material.

Every night the work was removed from display and stored in the underground strong room for safety. The arrival of each painting was a news event. The picture of the month scheme exists in the Gallery to this day.


Posters are a true form of art with a purpose as they were designed to deliver a particular message through striking designs. These original vintage posters were created to grab the attention of passers-by, presenting artists with the challenge of condensing the message or a concept into a precise, short visual and written form in a single artwork. They are important items of social history that capture the essence of the time they were printed. Original vintage posters are recognised as a sound art investment that can be enjoyed every day. 25 x 18.5 inches  read more

Code: 20770

An Original WW2 British Special Constabulary Recruitment Poster

Published for HMG by Fosh and Cross Ltd London. A propaganda information and recruitment poster. The size as were used in the underground trains advertising panels, or the back of black cabs. Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables. In 1940 in particular, Winston Churchill made many calls for the British to fight on, and for British units to fight until they died rather than submit. His calls for fight to victory inspired a hardening of public opinion. Determination raised the numbers of the Home Guard and inspired a willingness to fight to the last ditch, in a manner rather similar to Japanese determination, and the slogan "You can always take one with you" was used in the grimmest times of the war. British victories were announced to the public for morale purposes, and broadcast to Germany for purposes of undermining morale.

Even during Dunkirk, an optimistic spin was put on how the soldiers were eager to return.

When the U-boat commander Gunther Prien vanished with his submarine U-47, Churchill personally informed the House of Commons, and radio broadcasts to Germany asked, "Where is Prien?" until Germany was forced to acknowledge his loss.

The turn of the war made BBC's war commentaries much more stirring.

We never normally comment on the investment potential of any collectable, but the potential for all underpriced WW1 and WW2 posters must be incredible, for example the more famed poster, 'Keep Calm and Carry On' can now sell for over £20,000.

Good condition 14.5 inches x 9.5 inches  read more

Code: 20872

A Rare Karl Goetz Silver Zeppelin World Circumnavigation Medal of 1929

A Rare Karl Goetz Zeppelin Medal. Silver medal of 1929, for circumnavigation of the world, in the airship LZ 127. Half-length portrait of the air pioneer and airship leader Hugo Eckener. Aircraft and flying eagle in front of globe, around the globe a band with star signs. With a punch: BAYER. MAIN COIN OFFICE ? FINE SILVER. 59.98 mm; 54.37 g. Matt finish, very pretty patina, small edge error, almost uncirculated  read more

Code: 22347

A Very Rare Long Distance Flight Medal, Major von Parseval 1909

Designed by world renown medalist Karl Goetz [1875 - 1950]
Very Rare silver medal, for the flight of 12th to 19th October, 1909. Long-distance voyages of the Parseval airships. Half-length portrait of the airship designer A. Parseval to the left / eagle stands with outstretched wings on the bow of the airship, below water surface, above right inscription. Hallmark: feinsilber BAYER. MAIN MINT OFFICE. it was awarded in two grades silver and bronze, this, the silver is an incredibly rare antique aviation medal from the earliest days of airships. August von Parseval (5 February 1861, in Frankenthal (Pfalz) – 22 February 1942, in Berlin) was a German airship designer.

As a boy, Von Parseval attended the Royal Bavarian Pagenkorps in Munich from 1873 to 1878, where he took the Fähnrichexamen (cadet exams). He then joined the Royal Bavarian 3rd Infantry Regiment Prinz Carl von Bayern. An autodidact, he busied himself with the problems of aeronautics. In the garrison town of Augsburg he came into contact with August Riedinger and also came to know his later partner Rudolf Hans Bartsch von Sigsfeld, with whom he developed Drachenballons: balloons used by the military for observation.

In 1901 Parseval and Sigsfeld began building a dirigible airship. After Sigsfeld's death during a free balloon landing in 1902, the work was interrupted until 1905.

By 1905, thanks to improvements in motor design, an appropriate engine was now available. His designs were licensed to the British Vickers company. Up to the end of the First World War, 22 Parseval airships (both non-rigid (blimps) and semi-rigid (with keels)) were built. In the late twenties and early thirties, four more semi-rigid airships were built in accordance with the "Parseval-Naatz principle".  read more

Code: 23836

A Large 19th century European, Imperial, Crowned, Twin Headed Royal Eagle Crest Mount

In hard metal, probably solid nickel. A most attractive piece that could beautifully embellish either a fine box, door, cabinet, case, or maybe a bespoke wooden plaque. 225 grams, 3.5 inches x 4.5 inches  read more

Code: 23826

A Unique 'Sealed Pattern' Cap Badge of the Fusilier Brigade 16.9 1966

Inspectorate of Stores and Clothing . Since the early XVIII Century, it was common practice for all European armies to approve items of clothing and accoutrements for each regiment in a formal session of the appropriate War Office `Dress Committee`.
At these sessions, an example of each item would be deposited with the Committee, signed, sealed and certified as being the `Sealed Pattern`, against which all items worn in future would be compared. At future inspections of each regiment, any item showing variations from the norm would be amended or scrapped. since the start of the eighteenth century a band of officers of the British Army (or other responsible persons) has approved the quality and finish of all items of military clothing, it was then sealed with the wax of the Board of Ordnance or other Government seal to be recognised as the standard to be kept by the manufacturers. There is valuable evidence to be seen on these patterns because they also carry the date of approval and obsolescence of each item. Unfortunately, that system has not proved to be infallible. In 1841, all sealed patterns accumulated since the beginning of the eighteenth century, were destroyed in a fire at the Tower of London. No secondary store existed and thus all patterns encompassing Marlborough?s campaigns, the Seven Years War, the American War of Independence and the Napoleonic Wars were lost.  read more

Code: 21683

Iron Round Chisa Katana or Wakazashi Tsuba With Amidayasuri and Wave Rim

Koto period circa 1550 with very finely chisseled designs. Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down. This is known as tsubazeriai pushing tsuba against each other.  read more

Code: 19820