Antique Arms & Militaria

A Wonderful, Very, Very Rare, European Medieval Knight’s Hauberk Chain Mail Armour Shirt

Originally recovered from the Keep of Burleigh Castle. And formerly of the Edred Gwilliam Collection.

European early mail is really rare and only ever seen in such a near complete state in the best museum or castle armoury collections, such as in the Tower of London, Nuremburg Castle or the British Museum. This mail would be ideal for the connoisseur of medieval European history or the collector of rare armour. It has a near unlimited abundance of the intellectual beauty of ancient history, and as a surviving example of the pageantry from the days of early, European, chivalric knighthood simply wonderful. This is a medieval Hauberk from the late Crusades era the late 1200's up to the 14th - 15th century, and at one time it was housed in the keep of Burleigh Castle.

The mail coat or hauberk formed a flexible metal mesh that was often worn over a padded tunic. The traditional image of the knight encased in a full suit of plate armour did not come about until the 1400s. It is relatively complete with some separated areas that could be reconnected with a little patience and skill. The word hauberk is derived from an old German word Halsberge, which originally described a small piece of mail that protects the throat and the neck (the 'Hals'). The Roman author Varro attributes the invention of mail to the Celts. The earliest extant example was found in Ciumesti in modern Romania and is dated to the 4th-5th centuries BC. Roman armies adopted similar technology after encountering it. Mail armour spread throughout the Mediterranean Basin with the expansion of the Romans. It was quickly adopted by virtually every iron-using culture in the world, with the exception of the Chinese. The Chinese used it rarely, despite being heavily exposed to it from other cultures.

The short-hemmed, short-sleeved hauberk may have originated from the medieval Islamic world. The Bayeux Tapestry illustrates Norman soldiers wearing a knee-length version of the hauberk, with three-quarter length sleeves and a split from hem to crotch. Such armour was quite expensive both in materials (iron wire) and time/skill required to manufacture it Only the wealthy, the nobles, could afford to purchase mail shirts, and so a hauberk became a symbol of rank for the warrior class of society. The first step involves the smelting of iron, and after that, one must make the wire. Making the wire requires the use of small, thin sheets of iron and then shearing thin strips off the sides of this sheet in order to form square wires, or using another method, one can repeatedly beat and shape small iron pieces into narrow rods in order to form the raw material needed for wire.

After making the rods, the armorer must reheat and draw the strips through conical holes in a metal block to form round wire, and if thinner wire is needed, he can repeat this step several times using narrower holes. Once the wire is reduced to the desired diameter, it is then wrapped around a metal rod to create long, spring-like coils. The armorer then cuts along the length of the coil, down one side with shears or hammer or cutting chisel, and this causes the coils to separate into individual rings. Each ring is then flattened with a tool called a die, or something similar, and while flattening, the die also punches holes in each end of the ring. The armorer then overlaps the ends of each ring and rivets them shut. This process of flattening, punching with a die, joining the rings together, and then riveting them might have to be repeated thousands of times in order to make a single shirt of mail.





The hauberk stored in the Prague Cathedral, dating from the 12th century, is one of the earliest surviving examples from Central Europe and was supposedly owned by Saint Wenceslaus. In Europe, use of mail hauberks continued up through the 14th century, when plate armour began to supplant it. The hauberk is typically a type of mail armour which is constructed of interlocking loops of metal woven into a tunic or shirt. The sleeves sometimes only went to the elbow, but often were full arm length, with some covering the hands with a supple glove leather face on the palm of the hand, or even full mail gloves. It was usually thigh or knee length, with a split in the front and back to the crotch so the wearer could ride a horse. It sometimes incorporated a hood, or coif. The iron links of the mail shirt provided a strong layer of protection and flexibility for the wearer. The overlapping rings allowed a slashing or cutting blow from a sword to glance off without penetrating into the skin; though a smashing blow from a club could still shatter or break or crush bones. For this reason to prevent the breakage of bones a knight would wear a layer of padded armour, or an aketon, underneath the mail. So the combined layers of padded tunic and mail gave the knight a suit of armour that was nearly impervious to cutting and slashing and also protective against the heavy, smashing blows often delivered on the medieval battlefield. 2 Illustrations in the gallery of the Bayeux tapestry embroidery show hauberk's being carried for battle, on long poles, by the squires, and a hauberk, in the second picture section, being taken from a fallen knight's body lower section under Harold Rex. Another picture in the gallery is from an old manuscript showing the tradecraft in the manufacture of mail armour.  read more

Code: 21436

A Wonderful, Highest Ranking British Officer's Sword, For the Navy or Army, A 1790's Admiral of the Fleet or Field Marshal's Sword

A near identical sword was carried by Admiral of the Fleet Sir Peter Parker (1721 – 21 December 1811).

Mercurial gilt fluted pattern hilt, with Adam urn pommel and solid silver triple wire binding, oval fluted hilt guard. Triple edged blade, with superb and elaborate engraving and traces of blue and gilt.

The sword used by the most senior of officers of the army and navy of Britain, field marshals and admirals of the fleet, and kings and princes of the royal family, since the 1780's until the 1820's.

Pictures in the gallery of Field Marshal the Duke of Wellington, Admiral of the Fleet Sir Peter Parker, and Field Marshal Prince Frederick, Duke of York and Albany.

This Anglo-Irish soldier, the Duke of Wellington, and statesman fought as Field Marshal of the British Army during the Napoleonic Wars. With the help from Prussian Marshal Gebhard Leberecht von Blücher, he defeated Napoleon at Waterloo on June 18, 1815 and became a hero in England.

The office of marshal was already well established in England by the 12th century, but the modern military title of field marshal was introduced into the British army in 1736 by King George II, who imported it from Germany. In Britain the rank came to be bestowed only upon a few senior army officers,

From the 1790's to the 1820's here are the Field Marshals of Britain

Henry Seymour Conway (1793)
HRH Prince William Henry, Duke of Gloucester and Edinburgh (1793)
Sir George Howard (1793)
HRH The Prince Frederick Augustus, 1st Duke of York and Albany (1795)
John Campbell, 5th Duke of Argyll (1796)
Jeffrey Amherst, 1st Baron Amherst of Montreal (1796)
John Griffin Griffin, 4th Baron Howard de Walden (1796)
Studholme Hodgson (1796)
George Townshend, 1st Marquess Townshend (1796)
Lord Frederick Cavendish (1796)
Charles Lennox, 3rd Duke of Richmond and Lennox (1796)
HRH The Prince Edward Augustus, 1st Duke of Kent and Strathearn (1805)
Arthur Wellesley, 1st Marquis of Wellington (1813)
HRH The Prince Ernest Augustus, 1st Duke of Cumberland and Teviotdale (1813)
HRH The Prince Adolphus Frederick, 1st Duke of Cambridge (1813)
HRH Prince William Frederick, Duke of Gloucester and Edinburgh (1816)
HRH Prince Leopold of Saxe-Coburg-Saalfeld (1816)
Charles Moore, 1st Marquess of Drogheda (1821)


The ranks of Admiral of the Fleet and Admiral of the Red were formally separated from 1805, with an announcement in the London Gazette that "His Majesty has been pleased to order the Rank of Admirals of the Red to be restored" in His Majesty's Navy..." as a separate role. The same Gazette promoted 22 men to that rank. From the nineteenth century onward there were also occasional variations to the previous requirement that only one Admiral of Fleet could serve at one time. In 1821 George IV appointed Sir John Jervis as a second admiral of the fleet, to balance the Duke of Wellington's promotion as a second Field Marshal in the British Army.

Admirals of the Fleet

12 March 1796 The Earl Howe
16 September 1799 Sir Peter Parker, Bt.
24 December 1811 King William IV at that time as The Duke of Clarence and St Andrews
19 July 1821 The Earl of St Vincent

Excellent condition overall , no scabbard.  read more

Code: 24953

A Beautiful Full Suit of 16th Century Tudor Style Knight’s Hall Plate Armour with Halbeard

We don't normally acquire or sell non original items but historismus pieces have always been desireable and most collectable in their own right. Historicism or also historism and historismus comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artisans. This is especially prevalent in architecture, such as revival architecture. Through a combination of different styles or implementation of new elements, historicism can create completely different aesthetics than former styles. Thus it offers a great variety of possible designs.

In the history of art, after Neoclassicism which in the Romantic era could itself be considered a historicist movement, the 19th century saw a new historicist phase marked by an interpretation not only of Greek and Roman classicism, but also of succeeding stylistic eras, which were increasingly considered equivalent. In particular in architecture and in the genre of history painting, in which historical subjects were treated of with great attention to accurate period detail, the global influence of historicism was especially strong from the 1850s onwards.

Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century.

In Europe, plate armour reached its peak in the late 15th and early 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the "medieval knight” is due to the specialised jousting armour which developed in the 16th century.

Full suits of Gothic plate armour were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry, such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and the Landsknechts also took to wearing lighter suits of "three quarters" munition armour, leaving the lower legs unprotected.

The use of plate armour began to decline in the early 17th century, but it remained common both among the nobility and for the cuirassiers throughout the European wars of religion. After the mid-17th century, plate armour was mostly reduced to the simple breastplate or (cuirass), worn by cuirassiers. This was due to the development of the musket, which could penetrate armour at a considerable distance. For infantry, the breastplate gained renewed importance with the development of shrapnel in the late Napoleonic wars.

Plate armour gave the wearer very good protection against sword cuts, as well against spear thrusts, and provided decent defense against blunt weapons.

The evolution of plate armour also triggered developments in the design of offensive weapons. While this armour was effective against cuts or strikes, their weak points could be exploited by thrusting weapons, such as estocs, poleaxes, and halberds. The effect of arrows and bolts is still a point of contention with regard to plate armour. The evolution of the 14th-century plate armour also triggered the development of various polearms. They were designed to deliver a strong impact and concentrate energy on a small area and cause damage through the plate. Maces, war hammers, and pollaxes (poleaxes) were used to inflict blunt force trauma through armour. Strong blows to the head could result in concussion, even if the armour is not penetrated.

Fluted plate was not only decorative, but also reinforced the plate against bending under striking or blunt impact. This offsets against the tendency for flutes to catch piercing blows. In armoured techniques taught in the German school of swordsmanship, the attacker concentrates on these "weak spots", resulting in a fighting style very different from unarmoured sword-fighting. Because of this weakness, most warriors wore a mail shirt (haubergeon or hauberk) beneath their plate armour (or coat-of-plates). Later, full mail shirts were replaced with mail patches, called gussets, which were sewn onto a gambeson or arming jacket. Further protection for plate armour was the use of small round plates called besagews, that covered the armpit area and the addition of couters and poleyns with "wings" to protect the inside of the joint.

Over the past century many visitors will have seen the numerous full suits of plate armour we have had the pleasure of displaying. 15th, 16th and 17th century originals, plus, historismus hall armours. Our most impressive, if some of you may remember, in the 1960’s, was a full suite of equestrian mounted ‘knight on horseback’ armour. And we displayed it in our shop just round the corner, in Prince Albert St, as it had 20 foot high ceilings. It looked just like the example we show as the last photo in the gallery of one such similar in a museum in America. This fabulous set was passed on to our friend and neighbour, the late arms dealer Paul Grafton, who owned the former ‘House of Correction’ for many years, and it occupied his whole shop!, but exceptionally memorable it was.
It was eventually passed on to Holland and Holland, we believe for their bespoke gun shop in London, and thence later, we understand, to an American billionaire who kept it next to his swimming pool, whereupon it became very wet and thus rusty. After that it travelled to New Jersey or Park Avenue, New York possibly, but we sadly lost track of it then

This beautiful full suit of Tudor hall plate armour is very likely circa to post 1900  read more

Code: 24964

An Enfield 3 Band Rifle,1853 Pattern, Made in 1860 With Snider Centre-Fire Boxer Cartridge Conversion with Original 1853 Bayonet

Royal Small Arms Factory developed the Pattern 1853 Enfield in the 1850s. The 39 in (99 cm) barrel had three grooves, with a 1:78 rifling twist, and was fastened to the stock with three metal bands, so that the rifle was often called a "three band" model. The rifle's cartridges contained 2+1⁄2 drams, or 68 grains (4.4 g) of gunpowder, and the ball was typically a 530-grain (34 g) Boxer modification of the Pritchett & Metford or a Burton-Minié, which would be driven out at approximately 1,250 feet (380 m) per second.


The British .577 Snider–Enfield was a breech-loading rifle. The American inventor, Jacob Snider created this firearm action, and the Snider–Enfield was one of the most widely used of the Snider varieties. The British Army adopted it in 1866 as a conversion system for its ubiquitous Pattern 1853 Enfield muzzle-loading rifles, and used it until 1874 when the Martini–Henry rifle began to supersede it. The British Indian Army used the Snider–Enfield until the end of the nineteenth century.

In trials, the Snider Pattern 1853 conversions proved both more accurate than the original Pattern 1853s and much faster firing; a trained soldier could fire ten aimed rounds per minute with the breech-loader, compared with only three rounds per minute with the muzzle-loading weapon. From 1866 onwards, the Enfield rifles were converted in large numbers at the Royal Small Arms Factory (RSAF) Enfield beginning with the initial pattern, the Mark I. The converted rifles received a new breechblock/receiver assembly, but retained the original iron barrel, furniture, lock, and hammer.

The Mark III rifles were newly made. They featured steel barrels which were so marked, flat nosed hammers, and a latch-locking breech block instead of the simple integral block lifting tang.

The Snider–Enfield used a new type of metal-cased cartridge called a Boxer cartridge after its designer. The breech block housed a diagonally downward sloping firing pin struck with a front-action lock mounted hammer. To operate the weapon, the rifleman cocked the hammer, flipped the block out of the receiver to the right by grasping the left mounted breech block lever, and then pulled the block back to extract the spent case. There was no ejector, so the firer turned the rifle to the right and upside-down to allow the case to drop out.

Frank Richards, who served on the Northwest Frontier between 1902 and 1908, records in Old Soldier Sahib that the British army still used Sniders during that period. Sentries on night duty in camps and cantonments would carry a Snider and buckshot cartridges. Should tribesmen try to get into the camp to steal rifles, the buckshot would give the sentries a better chance of hitting the thief, and unlike a .303 round, would be less likely to wound or kill a comrade should the sentry miss.

The Snider was notably powerful. Rudyard Kipling gave a graphic depiction of its effect in his poem, "The Grave of the Hundred Head":

A Snider squibbed in the jungle—
Somebody laughed and fled,
And the men of the First Shikaris
Picked up their Subaltern dead,
With a big blue mark in his forehead
And the back blown out of his head.  read more

Code: 24965

A Most Beautiful Early 18th Century Austrian Flintlock, A Royal Castle Gun, Originally Made in Vienna Possibly by Fowler & Riflemaker Casper Zelner. Latterly Used in the American Revolutionary War of the 1770's

Somewhat reminiscent of the beautiful guns produced by Caspar Zelner of Vienna, as his long guns utilized the rifle style trigger guard combined with stock cheekpiece despite being a fowler, Likely to make the gun more accurate than a regular fowler, but an expensive addition to the guns initial cost, but if it was indeed made as a royal castle gun for the hunts of the dukes and princes, this would be an inconsequential expense.

The brass trigger guard bow and front tang are have deep scroll carving. The brass buttplate tang is also nicely carved and engraved. The brass wrist escutcheon has a royal coat of arms in the center. The brass sideplate is very well executed. The carved half stock is fine. It has edge lines along the ramrod channel, carving and edge lines along the trigger guard, carving around the barrel tang, and decorative lines at the forward part of the comb. The action functions correctly. It's unusual to find an early fowler with its original full length barrel as most were shortened during their period of use. This could very well be a castle gun, originally used for royal hunts. Then possibly taken by an officer nobleman who fought in the American Revolutionary War with the Prussians for the British, or, for the American Continental Army

From the American Revolutionary War period. Banana shaped lock, good swan necked cock and walnut stock with finest brass mounts.

The great military arms collections in the US such as the Smithsonian and the Metropolitan have numerous guns of this very type, all once the property of officers serving in the American Continental Army during the War of Independence. This is a very nice example in very good order with a good sound action. The mounts are beautiful quality, in all brass, superbly deluxe engraved.

Ethnic Germans, and indeed Austrians, served on both sides of the American Revolutionary War. Large numbers of Germans had emigrated to Pennsylvania, New York, and other American colonies, and they were generally neutral. Some belonged to pacifist sects such as the Amish, but many were drawn into the Revolution and the war.
Germans in Europe lived in numerous separate states. Some of these states had been in alliance with Britain during the Seven Years' War, and were eager to assist Great Britain. Britain had used auxiliary forces in every one of its 18th century wars, their use in suppressing rebellion seemed consistent with previous policy. Their use against British subjects was controversial, however. Despite British Whig opposition to using German soldiers to subjugate the "sons of Englishmen," Parliament overwhelmingly approved the measure in order to quickly raise the forces need to suppress the rebellion.

The leasing of soldiers to a foreign power was also controversial to some Europeans, but the people of these continental states generally took great pride in their soldiers' service in the war. Prussia notably rejected the request to send soldiers. Germans living in America did not enlist in the auxiliary units but some enlisted in British units. The 60th (Royal American) Regiment recruited both from the Americas and from Germany.

Colonial-era jurists drawing a distinction between auxiliaries and mercenaries, with auxiliaries serving their prince when sent to the aid of another prince, and mercenaries serving a foreign prince as individuals.13 By this distinction, the troops which served in the American Revolution were not mercenaries, but auxiliaries. Early Republican historians, however, defended the term "mercenaries" to distinguish the foreign, professional armies from the idealized citizen soldier who altruistically fought for independence.14 Mercy Otis Warren promoted the idea of German auxiliaries as barbarians, but also as victims of tyranny.15

Throughout the war, the United States attempted to entice the hired men to stop fighting. In April 1778, Congress issued a letter, addressed "To the officers and soldiers in the service of the king of Great Britain, not subjects of the said king", which offered land and livestock to defecting German units, in addition to increased rank.16 At the conclusion of the war, Congress offered incentives—especially free farmland—for these ethnic Germans to remain in the United States. Great Britain also offered land and tax incentives to its Loyalist soldiers willing to settle in Nova Scotia in present-day Canada.

41.5 inch barrel, 57 inches long overall  read more

Code: 24963

A Fabulous, Original, Wild West 1876 Winchester Repeating Rifle. With 22 inch Carbine Barrel, 2nd Model With Sliding Dust Cover

A much sought after Winchester Repeating Rifle of the Wild West Era, of 'man-stopper' bore, the huge 50 cal. One of the very few original Winchester repeating rifles that is allowed to be owned due to its rare obsolete calibre, as a collector's item, and non-deactivated and without licence.

The 'Big Brother' of the Winchester '73. A very scarce antique collector's piece. Probably the most famous Repeating Rifle in the world.The big Winchester was arguably President Theodore 'Teddy' Roosevelt's favourite gun. Two photos in the gallery show Buffalo Bill and Teddy Roosevelt both with their Winchesters. For information only not included.

The Winchester Model 1876, or Centennial Model, was a heavier-framed rifle than the Models 1866 and 1873, chambered for full-powered rifle cartridges suitable for big-game hunting, rather than the handgun-sized rimfire and centrefire rounds of its predecessors. While similar in design to the 1873, the 1876 was actually based on a prototype 1868 lever-action rifle that was never commercially produced by Winchester.

Introduced to celebrate the American Centennial Exposition, the Model 1876 earned a reputation as a durable and powerful hunting rifle. Four versions were produced: a 22-inch (56 cm) barrel Carbine, a 26-inch (66 cm) barrel Express Rifle with a half-length magazine, a 28-inch (71 cm) barrel Sporting Rifle, and a 32-inch (81 cm) barrel Musket. Standard rifles had a blued finish while deluxe models were casehardened. Collectors identify a first model with no dust cover, a second model with a dust cover rail fastened by a screw, and a third model with an integral dust cover. Total production was 63,871 including 54 One of One Thousand Model 1876s and only seven of the One of One Hundred grade.

Originally chambered for the new .45-75 Winchester Centennial cartridge (designed to replicate the .45-70 ballistics in a shorter case), the Model 1876 also had versions in .40-60 Winchester, .45-60 Winchester and .50-95 Express; the '76 in the latter chambering is the only repeater known to have been in widespread use by professional buffalo hunters.

The Canadian North-West Mounted Police used the '76 as a standard long arm for many years with 750 rifles purchased for the force in 1883; the Mountie-model '76 carbine was also issued to the Texas Rangers. Theodore Roosevelt used an engraved, pistol-gripped half-magazine '76 during his early hunting expeditions in the West and praised it. A '76 was also found in the possession of Apache warrior Geronimo after his surrender in 1886 Large .50 Calibre, no license required, and not deactivated, as this calibre is declared obsolete by HM Home Office .
Photo in the gallery of Alchesay (1853-1928), a very significant and historical figure in Apache history. Chief of the White Mountain Apache people; Scout under Army General George Crook; Advocate for his people; Peace Negotiator between the Army and his friend, Chiricahua Apache leader Geronimo.


Famous and infamous westerners known to have used the Model 1876 include President Teddy Roosevelt, Johnny Ringo (Tombstone), Charlie Bowdre (Lincoln County War), Major Frank Wolcott (Johnson County War), John "Liver Eating" Johnston upon whom the movie character "Jerimiah Johnson" was based, and Granville Stuart (Montana rancher and vigilante). Teddy Roosevelt was photographed with one of his 1876 rifles. He liked the 1876 better than English double rifles. In the movie “Tom Horn” Steve McQueen uses a Model 1876. As it takes a rare, obsolete, centre fire cartridge, this rifle is not required to be deactivated or indeed a license needed in order to own or collect it.

A Winchester “One of One Thousand” Deluxe Model 1876 was one of the world's most valuable rifles which was placed in auction, sale price: $891,250.

Good lever action, fully functioning and operational, & light throw. Overall in good condition with average age and wear commensurate for its age and use in the Wild West.  read more

Code: 24962

A Superb and Beautiful Over and Under English Percussion Belt Pistol

Early Victorian double barrelled pistol, made circa 1840. With a large calibre pair of barrels and a very nicely engraved frame, with micro chequered walnut grip inset with a lozenge shaped silver escutcheon, a hinged butt trap percussion cap box, and good left side belt hook. A very tight and crisp twin trigger twin action. Nice blue patination overall. Made by Dawson of Lincolnshire. Captive swivel ramrod. The percussion cap, introduced circa 1820, is a type of single-use ignition device used on muzzleloader firearms that enabled them to fire reliably in any weather condition. This crucial invention gave rise to the caplock or percussion lock system. This early system coined "Percussion Lock" operated in a near identical fashion to flintlock firearms and used fulminating primer made of fulminate of mercury, chlorate of potash, sulphur and charcoal, ignited by concussion. It was an invention born of necessity; Rev. Forsyth had noticed that sitting birds would startle when smoke puffed from the powder pan of his flintlock shotgun, giving them sufficient warning to escape the shot. His invention of a fulminate-primed firing mechanism deprived the birds of their early warning, by avoiding the initial puff of smoke from the flintlock powder pan and shortening the interval between the trigger pull and the shot leaving the muzzle.

Fulminate-primed guns were also less likely to misfire than flintlocks; it was not until after Forsyth's patents expired that the conventional percussion cap system was developed. The percussion cap helped lead to the self-contained cartridge, where the bullet is held in by the casing, the casing is filled with gunpowder and a primer is at the end.

Before this development, firearms used flintlock ignition systems that produced flint-on-steel sparks to ignite a pan of priming powder and thereby fire the gun's main powder charge (the flintlock mechanism replaced older ignition systems such as the matchlock and wheellock). Flintlocks were prone to misfire in wet weather, and many flintlock firearms were later converted to the more reliable percussion system. As with all our antique guns, no license is required as they are all unrestricted antique collectables  read more

Code: 22845

A Very Good 19thC. Ship Captain's Spring-Bayonet Side Lock Pistol of Penzance

Steel octagonal barrel and mounts, beautifully engraved with lots of original blue and colour. Cross hatched carved walnut grip, with side mounted folding bayonet, locked into position with a sliding catch. Excellent tight action and a very strong spring to retain the bayonet for its spring loaded action. Maker marked by Norton of Penzance Often referred to as Ships Captain's pistols, as they have been used since the 18th century, and were much favoured by ships captains, as they has a double function both offensive and defensive. With a sword in one hand and this pistol in another the captain would have been holding in both hands a formidable arsenal against enemy boarding parties. A single large bore pistol shot, then eject the bayonet to turn it into a dagger. Maker marked by Norton of Penzance, a well-known centre for British pirates and smugglers over the centuries. Penzance's history stretches back centuries and features all the storybook greats: pirates, smugglers, invaders and adventuring heroes. In just one day, in 1640, three ships raided the town and over 60 residents of Penzance were captured by Corsair pirates and sold into slavery in North Africa. It is estimated anything up to half a million English were captured and sold into slavery by North African Corsair and Barbary pirates during the 17th century and into the 19th century, from, mainly, the South coast.

In Chapel Street you'll find the spot where the news of Lord Nelson's death was first announced, salt-sprayed from the fishing boat it sailed in on. Beneath the modern-day roads, a network of secret tunnels and escape hatches hint at the old days of evading the excise men. During the 18th and 19th centuries, smuggling was rife as the Cornish fought back against hefty taxes. A large network of smuggler's tunnels runs beneath Penzance, spanning out from the harbour to the Abbey Warehouse, the Turks Head and Admiral Benbow pubs on Chapel Street, and to Causewayhead and Market Jew Street. The Admiral Benbow even had its own in-house smuggling ring, known as the Benbow Brandy Men. Also famous were the Carters of Prussia Cove. John Carter, their most notorious member, was widely thought of as west Cornwall?s very own Robin Hood. When his goods were seized and placed in Penzance Customs House, Carter broke in to retrieve them. According to legend, officers immediately knew who was responsible because 'honest' John had only stolen back what was his.

The number of boats sailing in and around Penzance meant important information could sometimes be passed on before it reached the newspapers. In 1805, the town became the first in Britain to hear of Lord Nelson's death and his forces victory at the Battle of Trafalgar. Local fishermen met the HMS Pickle as she sailed to Falmouth with official dispatches, bringing the news in to be announced from the Minstrels Gallery of the Union Hotel on Chapel Street. The pistol was made circa 1830 and the barrel has a few combat impact marks in the mid section. 12.5 inches long overall  read more

Code: 22525

A Magnificent 18th Century Silver Hilted Small Sword with Colichmarde Blade. A Near Pair to General George Washington's Sword

A combination of the finest 18th century artisan's skill of both a silversmith and bespoke swordsmith. Circa 1759 possibly by William Kinman of London. no silver hallmark was required due to The 'Act of 1738' the Plate Offences Act 1738, & the 1738 exemptions, which exempted the requirement of an assay mark for gold and silver mounts of swords, daggers, pistols and guns

General George Washington, later the first President of the United States, had a near identical sword that he used during his service as commander of the new American Army in the American War of Independance from 1776 onwards

Ideal in its day for duelling or close quarter combat, as well as being a simply fabulous, finest quality sword of immense beauty. Fine cast and chased silver hilt in the elegant rococo style with double shell guard single knucklebow and pas dans. The grip has silver banding interspersed with herringbone pattern twisted silver wire. The guard has enchanting workmanship with a scrolling, pierced, rococo Arabesque pattern. Colishmarde blade with part bright steel finish. The highly distinctive colishmarde blades appeared in 1680 and were popular during the next 40 years at the royal European courts. The colichemarde bladed swords had a special popularity with the officers of the French and Indian War period. Even George Washington had a very fine one just as this example.

The colichemarde descended from the so-called "transition rapier", which appeared because of a need for a lighter sword, better suited to parrying. It was not so heavy at its point; it was shorter and allowed a limited range of double time moves.The colichemarde in turn appeared as a thrusting blade too and also with a good parrying level, hence the strange, yet successful shape of the blade.

This sword appeared at about the same time as the foil. However the foil was created for practising fencing at court, while the colichemarde was created for dueling. With the appearance of pocket pistols as a self-defense weapon, the colichemardes found an even more extensive use in dueling.
This was achieved thanks to a wide forte (often with several fullers), which then stepped down in width after the fullers ended.The result of this strange shape was a higher maneuverability of the sword: with the weight of the blade concentrated in one's hand it became possible to maneuver the blade at a greater speed and with a higher degree of control, allowing the fencer to place a precise thrust at his/her adversary. This sword is a true work of art, in it's beauty form, quality and balance. One photo in the gallery is of General Burgoyne surrendering his similar gilt sword after the Battle of Saratoga in October 1777. Another portrait of George Washington with his very similar solid silver sword sword. The 1767 Silver-Hilted Smallsword
One of Washington's most beautiful swords, this sword appears in many famous Washington paintings.  read more

Code: 24960

A Most Unusual, Original Zulu War of 1879 Souvenir, Of A High Ranked Zulu Impi Warrior's Knopkerrie War Club, With Telegraph Wire Geometric Wirework Knob

The Zulus would frequently cut down the British military telegraph wires, strip them, and create wirework decorative patterns on their spear and knopkerrie hafts. That is a desireable feature on the spears and clubs, when found, but we can't recall ever seeing the entire clubhead bound in the wirework before such as this one.

The wirework has had some unravelling but most is still beautifully intact.

During the period of this knopkerries use, two of most famous pair of engagements in the British army's history, during the last quarter of the 19th century, happened over two consecutive days. Curiously, it is fair to say that these two engagements, by the 24th Foot, against the mighty Zulu Impi, are iconic examples of how successful or unsuccessful leadership can result, in either the very best conclusion, or the very worst. And amazingly, within only one day of each other. The 1879 Zulu War, for the 24th Foot, will, for many, only mean two significant events, Isandlhwana and Rorke's Drift. This is the brief story of the 24th Foot in South Africa; In 1875 the 1st Battalion arrived in Southern Africa and subsequently saw service, along with the 2nd Battalion, in the 9th Xhosa War in 1878. In 1879 both battalions took part in the Zulu War, begun after a British invasion of Zululand, ruled by Cetshwayo. The 24th Foot took part in the crossing of the Buffalo River on 11 January, entering Zululand. The first engagement (and the most disastrous for the British) came at Isandhlwana. The British had pitched camp at Isandhlwana and not established any fortifications due to the sheer size of the force, the hard ground and a shortage of entrenching tools. The 24th Foot provided most of the British force and when the overall commander, Lord Chelmsford, split his forces on 22 January to search for the Zulus, the 1st Battalion (5 companies) and a company of the 2nd Battalion were left behind to guard the camp, under the command of Lieutenant-Colonel Henry Pulleine (CO of the 1/24th Foot).

The Zulus, 22,000 strong, attacked the camp and their sheer numbers overwhelmed the British. As the officers paced their men far too far apart to face the coming onslaught. During the battle Lieutenant-Colonel Pulleine ordered Lieutenants Coghill and Melvill to save the Queen's Colour—the Regimental Colour was located at Helpmakaar with G Company. The two Lieutenants attempted to escape by crossing the Buffalo River where the Colour fell and was lost downstream, later being recovered. Both officers were killed. At this time the Victoria Cross (VC) was not awarded posthumously. This changed in the early 1900s when both Lieutenants were awarded posthumous Victoria Crosses for their bravery. The 2nd Battalion lost both its Colours at Isandhlwana though parts of the Colours—the crown, the pike and a colour case—were retrieved and trooped when the battalion was presented with new Colours in 1880.

The 24th had performed with distinction during the battle. The last survivors made their way to the foot of a mountain where they fought until they expended all their ammunition and were killed. The 24th Foot suffered 540 dead, including the 1st Battalion's commanding officer.

After the battle, some 4,000 to 5,000 Zulus headed for Rorke's Drift, a small missionary post garrisoned by a company of the 2/24th Foot, native levies and others under the command of Lieutenant Chard, Royal Engineers, the most senior officer of the 24th present being Lieutenant Gonville Bromhead. Two Boer cavalry officers, Lieutenants Adendorff and Vane, arrived to inform the garrison of the defeat at Isandhlwana. The Acting Assistant Commissary James Langley Dalton persuaded Bromhead and Chard to stay and the small garrison frantically prepared rudimentary fortifications.

The Zulus first attacked at 4:30 pm. Throughout the day the garrison was attacked from all sides, including rifle fire from the heights above the garrison, and bitter hand-to-hand fighting often ensued. At one point the Zulus entered the hospital, which was stoutly defended by the wounded inside until it was set alight and eventually burnt down. The battle raged on into the early hours of 23 January but by dawn the Zulu Army had withdrawn. Lord Chelmsford and a column of British troops arrived soon afterwards. The garrison had suffered 15 killed during the battle (two died later) and 11 defenders were awarded the Victoria Cross for their distinguished defense of the post, 7 going to soldiers of the 24th Foot.

Each Impi was made up of several ibutho, each approximately 1,000 warriors strong plus the young boys acting as servants and scouts for the army. Each had its own shield colours, and other emblems such as head dresses. The amount of black and white on a shield allowed the Zulu commanders to know exactly what regiment was where on the battlefield, much like the colours of the regiments did for the European armies. Shaka needed a fast mobile army, as early in his campaigns he was outnumbered and needed to manoeuvre quickly, so to ensure this the warriors were made to run bare foot so the loss of a sandal wouldn’t disable them and their feet were hardened, by frequent runs over the hot stony ground and by stamping thorns into the ground so that scar tissue would form.

In battle the troops were lightly equipped apart from a shield - any armour would have been impractical and useless anyway when facing European armies with guns. The elaborate dress seen in many films is a misconception and mainly ceremonial. Standard weapons were a short broad bladed stabbing spear and a heavy club, Shaka introduced the short stabbing spear and warriors did not carry spares so did not throw them in battle. Some regiments re-introduced throwing spears when facing the European and Boer armies but by this time they were also using looted firearms and primitive muskets traded to them by Arab traders. Although lacking the fire power of the modern armies European armies they later faced the Zulus were well disciplined and brave and once they closed with the enemy their greater training in close combat and the advantage of having a shield made them lethal. They were also know for the ritual of “washing of the spears” - a tradition of cutting open fallen enemies’ bellies so that their ghost/ spirit would be free and not haunt the person who killed him. This was seized upon by the media to help portray the Zulus as blood thirsty savages. Discipline was harsh but not exceptionally so if compared to contemporary European armies, cowards were shamed and normally executed and the brave honoured, basic battlefield medicine was practised but the Zulus had surprisingly good causality recovery rates.  read more

Code: 24957