Books

1st Edition, 1st Impression second issue jacket. Published by Jonathan Cape, 1966. Octopussy and The Living Daylights (sometimes published as Octopussy) is the fourteenth and final James Bond book written by Ian Fleming in the Bond series. The book is a collection of short stories published posthumously in the United Kingdom by Jonathan Cape on 23 June 1966.

The book originally contained just two stories, "Octopussy" and "The Living Daylights", with subsequent editions also carrying firstly "The Property of a Lady" and then "007 in New York". The stories were first published in different publications, with "Octopussy" first serialised in the Daily Express in October 1965. "The Living Daylights" had first appeared in The Sunday Times on 4 February 1962; "The Property of a Lady" was published in November 1963 in a Sotheby's publication, The Ivory Hammer, whilst "007 in New York" first appeared in the New York Herald Tribune in October 1963.

The two original stories, "Octopussy" and "The Living Daylights", were both adapted for publication in comic strip format in the Daily Express in 1966–1967. Elements from the stories have also been used in the Eon Productions Bond films. The first, Octopussy, starring Roger Moore as James Bond, was released in 1983 as the thirteenth film in the series and provided the back story for the film Octopussy's family, while "The Property of a Lady" was more closely adapted for an auction sequence in the film. The Living Daylights, released in 1987, was the fifteenth Bond film produced by Eon and starred Timothy Dalton in his first appearance as Bond.On the morning of 12 August 1964, Fleming died of a heart attack; eight months later, The Man with the Golden Gun was published.8 The rights to Fleming's works were held by Glidrose Productions (now Ian Fleming Publications) and it was decided by the company that two short stories, "Octopussy" and "The Living Daylights", would be published in 1966The story "Octopussy" was written in early 1962 at Fleming's Goldeneye estate in Jamaica. The story is told in the manner of "Quantum of Solace", with Bond as catalyst for story told in flashback, rather than as a main character for action. Fleming originally titled "The Living Daylights" as "Trigger Finger", although when it first appeared, in The Sunday Times colour supplement of 4 February 1962, it was under the title of "Berlin Escape". It was also published in the June 1962 issue of the American magazine Argosy under the same name
As with his previous novels, Fleming used events from his past as elements in his novel. Whilst at Kitzbühel in the 1930s, Fleming's car, a Standard Tourer, had been struck by a train at a level crossing and he had been dragged fifty yards down the track. From that time on he had associated trains with death, which led to their use as a plot device not just in The Man with the Golden Gun, but also in Diamonds Are Forever and From Russia, with Love. To show just how much all things original Bond are appreciated in the world of collectors the Walther pistol used by Connery in the poster of From Russia With Love, in 1963, and also drawn in the man With The Golden Gun poster as shown here an air pistol, .177 (4.5mm) Walther 'LP MOD.53' Air Pistol, Serial No. 054159, was sold by Christies in 2010 with an estimate of £15,000 to £20,000 for an incredible £277,000. We dropped out of the bidding at £22,000 Incredible in that it was never used in any film, was an air pistol not a real automatic, and only used in promotional posters. It was 'said' to have been used by accident in fact as they couldn't find a correct Walther.. A full set of 1st edition Ian Fleming's 14 James Bond novels published by Jonathan Cape between 1953-1966 could now cost in the region of £90,000. Comprising: Casino Royale, Live and Let Die, Moonraker, Diamonds are Forever, From Russia with Love, Dr No, Goldfinger, For Your Eyes Only, Thunderball, The Spy Who Loved Me, On Her Majesty's Secret Service, You Only Live Twice, The Man with the Golden Gun and Octopussy and the Living Daylights.  read more

Code: 25090

795.00 GBP

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A vellum manuscript leaf from a French Book of Hours, illuminated in gold leaf, blue and red ink; recto and verso each with 16 lines of Latin text in blackletter script.
A simply beautiful 15th century vellum leaf from a 'Book of Hours' written in Paris, with a block of text lines to each side in batarde script with use of gold leaf; coloured filler blocks with white detailing, gold leaf . Fine condition.

Books of hours were the most popular books for laypeople in the late Middle Ages and Renaissance. They contained sets of prayers to be performed throughout the hours of the day and night. These books were often designed to be visually appealing, and wealthy patrons commissioned leading artists to work on them. The manuscript also contained illustrations of hell which acted as reminders that behaviour on Earth would determine the destination of their soul. Scenes within some manuscripts of this type may show people being captured, tortured and eaten by monsters and demons. Many were illuminated with miniatures, decorated initials and floral borders. Paper was rare and most Books of Hours were composed of sheets of parchment made from skins of animals, usually sheep or goats the finest were called vellum. By the 14th century, the cloisters of monks writing in the scriptorium had almost fully given way to urban scriptoria, especially in Paris, Rome and the Netherlands. While the process of creating an illuminated manuscript did not change, the move from monasteries to alternative settings was a radical step. Demand for manuscripts grew to an extent that Monastic libraries began to employ secular scribes and illuminators. These individuals often lived close to the monastery and, in instances, dressed as monks whenever they entered the monastery, but were allowed to leave at the end of the day. In reality, illuminators were often well known and acclaimed and many of their identities have survived.

First, the manuscript was "sent to the rubricator, who added (in red or other colours) the titles, headlines, the initials of chapters and sections, the notes and so on; and then – if the book was to be illustrated – it was sent to the illuminator". In the case of some manuscripts the writing would "undoubtedly have been discussed initially between the patron and the scribe but by the time that the written gathering were sent off to the illuminator there was no longer any scope for innovation"
FOOTNOTES:
c.1460 A.D. by a French scribe.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24524

2450.00 GBP

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One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.

A very handsome pair of beautiful, antique, fully calf leather bound 1st edition leather volumes, in nice condition for age, with natural colour aging to pages, some foxing, from one of the of the most highly rated family of English authors, the Trollope's of Kepple Street, London. Frances, Thomas and Anthony

A Summer in Western France, 1st edition, 2 vols, Thomas Adolphus Trollope, with 5 etched plates by A. Hervieu, 2 hand-coloured lithograph frontis., and etched title-page vignettes, gilt tooled red morocco, spines Henry Colburn, London, 1841,

Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards} in 1844 upon his graduation from Eton, by John Marjoribanks

This is Thomas Trollope's account of his experiences during a Summer spent in Western France with detailed topographical & historical recordings as well as the interesting diversions into the folklore & mythology of this region of France. It has been edited by Frances Trollope, celebrated author of 'Domestic Manners of the Americans.'

Trollope was born in Bloomsbury, London on 29 April 1810, the eldest son of Thomas Anthony and Frances Milton Trollope. (A younger brother was Anthony Trollope, the novelist.) He was educated at Harrow School and Winchester College. He first started writing before he went to Oxford University after a trip to New York with his father. He matriculated at St Alban Hall, Oxford, in 1829, aged 19, and graduated B.A. from Magdalen Hall, Oxford, in 1835. He taught briefly at Birmingham's King Edward's Grammar School, before he gave in to his mother's idea of forming a writing partnership. They travelled to Italy, which gave rise to some of the material for the 60 volumes of travel writing, history and fiction that he wrote that decade. This was in addition to a large amount of periodical and journalistic work.

Trollope married twice: his first wife was the writer Theodosia Garrow who was staying with his mother, Fanny Trollope, in Florence. The newly married couple had one daughter, Beatrice. Their home was visited by travelling British intelligentsia as well as by leading Italian nationalist figures. They lived at the Villino Trollope on the square that was then called the Piazza Maria Antonio, now the Piazza dell'Indipendenza, in Florence. Their house was decorated with carved furniture, inlaid walls, majolica ceramics, marble floors and pillars, suits of armour and a 5,000-book library.

Their new villa was bought in part with Theodosia's inheritance. Their house was considered the centre of the expatriate society in Florence. Theodosia was known for her poetry, her translations and her articles on household matters, and she also contributed letters to the Athenaeum advocating freedom for Italy.

The Trollopes' daughter played with Pen, the son of Robert and Elizabeth Browning, when they too became part of the Anglophone society in 1847. Comparisons of the two households showed the Browning household as more intense, with the Trollopes more carefree. All of her guests were in danger of appearing, in some disguised way, in his mother's novels.

His second wife was the novelist Frances Eleanor Ternan, whom he married on 29 October 1866: they then lived at the Villa Ricorboli. From 1873 the new couple again created a house known for its hospitality, but this time in Rome. Trollope lived in Italy for most of his adult life, but retired to Devon, England, in 1890. He died at Clifton, near Bristol, on 11 November 1892. His memoirs, What I Remember, were published in three volumes between 1887 (vols. 1 & 2) and 1889 (vol. 3).  read more

Code: 25973

345.00 GBP

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One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.

A very handsome pair of antique, fully bound 1st edition leather volumes, in super condition for age, from one of the of the most highly rated families of English authors, the Trollope's of Kepple Street, London. Frances, Thomas and Anthony

Trollope, Thomas Adolphus - A Summer in Brittany, edited by Frances Trollope, 1st edition, 2 vols., with 10 etched plates by A. Hervieu, 2 hand-coloured lithograph frontis., etched title-page vignettes, gilt-decorated calf, Henry Colburn, London,1840,

Presented to Colonel Lord Brownlow Thomas Montagu Cecil {Colonel of the Scots Guards} in 1844 upon his graduation from Eton, by Philip Crawley.

This is Thomas Adolphus Trollope's account of his experiences during a Summer spent in Brittany with detailed topographical & historical recordings as well as the interesting diversions into the folklore & mythology of this fiercely independent region of France. It has been edited by Frances Trollope, celebrated author of 'Domestic Manners of the Americans.'

Trollope was born in Bloomsbury, London on 29 April 1810, the eldest son of Thomas Anthony and Frances Milton Trollope. (A younger brother was Anthony Trollope, the novelist.) He was educated at Harrow School and Winchester College. He first started writing before he went to Oxford University after a trip to New York with his father. He matriculated at St Alban Hall, Oxford, in 1829, aged 19, and graduated B.A. from Magdalen Hall, Oxford, in 1835. He taught briefly at Birmingham's King Edward's Grammar School, before he gave in to his mother's idea of forming a writing partnership. They travelled to Italy, which gave rise to some of the material for the 60 volumes of travel writing, history and fiction that he wrote that decade. This was in addition to a large amount of periodical and journalistic work.

Trollope married twice: his first wife was the writer Theodosia Garrow who was staying with his mother, Fanny Trollope, in Florence. The newly married couple had one daughter, Beatrice. Their home was visited by travelling British intelligentsia as well as by leading Italian nationalist figures. They lived at the Villino Trollope on the square that was then called the Piazza Maria Antonio, now the Piazza dell'Indipendenza, in Florence. Their house was decorated with carved furniture, inlaid walls, majolica ceramics, marble floors and pillars, suits of armour and a 5,000-book library.

Their new villa was bought in part with Theodosia's inheritance. Their house was considered the centre of the expatriate society in Florence. Theodosia was known for her poetry, her translations and her articles on household matters, and she also contributed letters to the Athenaeum advocating freedom for Italy.

The Trollopes' daughter played with Pen, the son of Robert and Elizabeth Browning, when they too became part of the Anglophone society in 1847. Comparisons of the two households showed the Browning household as more intense, with the Trollopes more carefree. All of her guests were in danger of appearing, in some disguised way, in his mother's novels.

His second wife was the novelist Frances Eleanor Ternan, whom he married on 29 October 1866: they then lived at the Villa Ricorboli. From 1873 the new couple again created a house known for its hospitality, but this time in Rome. Trollope lived in Italy for most of his adult life, but retired to Devon, England, in 1890. He died at Clifton, near Bristol, on 11 November 1892. His memoirs, What I Remember, were published in three volumes between 1887 (vols. 1 & 2) and 1889 (vol. 3).  read more

Code: 25972

395.00 GBP

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FORESTER, C.S. The African Queen

Heinemann, 1935.

First edition. Original brown cloth with gilt titles to the spine. A nice original copy with wear to the spine ends.

One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.
The African Queen is a 1935 novel written by English author C. S. Forester. It was adapted into the 1951 film of the same name.

As World War I reaches the heart of the African jungle, Charlie Allnutt and Rose Sayer, a dishevelled trader, and an English spinster missionary, find themselves thrown together by circumstance in German Central Africa. Fighting time, heat, malaria, and bullets, they make their escape on the rickety steamboat The African Queen... and hatch their own outrageous military plan. Originally published in 1935, The African Queen is a tale replete with vintage Forester drama - unrelenting suspense, reckless heroism, impromptu military manoeuvres, near-death experiences - and a good old-fashioned love story to boot.


Cecil Louis Troughton Smith (27 August 1899 – 2 April 1966), known by his pen name Cecil Scott "C. S." Forester, was an English novelist known for writing tales of naval warfare. He is most remembered for his 12-book Horatio Hornblower series, depicting a Royal Navy officer during the Napoleonic wars; indeed, Hornblower has become embedded in the consciousness of generations growing up in the earlier part of the 20th century.

One of the author's most sought books, as a consequence of the classic John Huston film of 1951 starring Humphrey Bogart and Katherine Hepburn. Photo in the gallery of the early The African Queen movie poster {for information only}  read more

Code: 25971

375.00 GBP

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Hand Coloured Plates By Leech & H.K.Browne {aka Phiz}.
Dickens novel 'The Pickwick Papers', was originally intended as mere supporting matter for a series of sporting illustrations to rival Surtees iconic hunting character, Mr Jorrocks.

A fabulous set of six wonderful Victorian comedic and satirical volumes of the ever popular and iconic, British, Sporting & Country life pursuits. Absolutely perfect for those that enjoy such passions as much today as was prevalent in the 19th century.

One of our most popular purchases from The Lanes Armoury, for gifting at Christmas, will always be our finest novels, by iconic authors. An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy of considerable beauty.

A simply fabulous and beautiful, finely, full leather bound set of 6, with stunning gilt embellishments, panelled spines, and each volume brimming with fabulous engravings by Leech or 'Phiz', and wonderfully hand coloured

Surtees,R.S - Sporting Novels, subscriber's edition, full leather deluxe binding in red calf, 6 vols. hand coloured title vignettes and num. hand coloured plates (by John Leech & H.K. Browne, aka. Phiz); contemp. gilt pictorial, decorated and ruled red calf, panelled spine.

Ask Mama {or the Richest Commoner in England.},
Plain or Ringlets,
Mr. Facey Romford's Hounds,
Hawbuck Grange,
Mr. Sponge's Sporting Tour,
Handley Cross {or Mr Jorrock's Hunt}.

Printed during the reign of Queen Victoria for Subscribers from the plates of the Original Edition issued by Bradbury, Agnew & Co. Bouverie St. London.

His work lacked the self-conscious idealism, sentimentality and moralism of the Victorian era; the historian Norman Gash asserted that "His leading male characters were coarse or shady; his leading ladies dashing and far from virtuous; his outlook on society satiric to the point of cynicism."

Robert Smith Surtees (17 May 1805 – 16 March 1864) was an English editor, novelist and sporting writer, widely known as R. S. Surtees. He was the second son of Anthony Surtees of Hamsterley Hall, a member of an old County Durham family. He is remembered for his invented character of Jorrocks, a vulgar but good-natured sporting cockney grocer.


Surtees attended a school at Ovingham and then Durham School, before being articled in 1822 to Robert Purvis, a solicitor in Newcastle upon Tyne.

Surtees left for London in 1825, intending to practise law in the capital, but had difficulty making his way and began contributing to the Sporting Magazine. He launched out on his own with the New Sporting Magazine in 1831, contributing the comic papers which appeared as Jorrocks' Jaunts and Jollities in 1838. Jorrocks, the sporting cockney grocer, with his vulgarity and good-natured artfulness, was a great success with the public, and Surtees produced more Jorrocks novels in the same vein, notably Handley Cross and Hillingdon Hall, where the description of the house is very reminiscent of Hamsterley. Another hero, Soapey Sponge, appears in Mr Sponge's Sporting Tour, possibly Surtees's best work. All Surtees's novels were composed at Hamsterley Hall, where he wrote standing up at a desk, like Victor Hugo.

In 1835, Surtees abandoned his legal practice and, after inheriting Hamsterley Hall in 1838, devoted himself to hunting and shooting, meanwhile writing anonymously for his own pleasure. He was a friend and admirer of the great hunting man Ralph Lambton, who had his headquarters at Sedgefield, County Durham, the "Melton of the North". Surtees became Lord High Sheriff of Durham in 1856. He died in Brighton in 1864, and was buried in Ebchester church.

Though Surtees did not set his novels in any readily identifiable locality, he uses North East place-names like Sheepwash, Howell (How) Burn, and Winford Rig. His memorable Geordie James Pigg, in Handley Cross, is based on Joe Kirk, a Slaley huntsman. The famous incident, illustrated by Leech, when Pigg jumps into the melon frame was inspired by a similar episode involving Kirk in Corbridge.

As a creator of comic personalities, Surtees is still readable today. William Makepeace Thackeray envied him his powers of observation, while William Morris considered him "a master of life" and ranked him with Charles Dickens. The novels are engaging and vigorous, and abound with sharp social observation, with a keener eye than Dickens for the natural world. Perhaps Surtees most resembles the Dickens of The Pickwick Papers, which was originally intended as mere supporting matter for a series of sporting illustrations to rival Jorrocks.

Most of Surtees's later novels, were illustrated by John Leech. They included Mr Sponge's Sporting Tour (1853), Ask Mamma (1858), Plain or Ringlets? (1860) and Mr Facey Romford's Hounds (1865). The last of these novels appeared posthumously.

His sharp, authentic descriptions of the hunting field have retained their popularity among fox-hunters.... Among a wider public his mordant observations on men, women, and manners; his entertaining array of eccentrics, rakes, and rogues; his skill in the construction of lively dialogue (a matter over which he took great pains); his happy genius for unforgettable and quotable phrases; and above all, his supreme comic masterpiece, Jorrocks, have won him successive generations of devoted followers. Although his proper place among Victorian novelists is not easy to determine, his power as a creative artist was recognized, among professional writers, by Thackeray, Kipling, Arnold Bennett, and Siegfried Sassoon, and earned the tributes of laymen as distinguished and diverse as William Morris, Lord Rosebery, and Theodore Roosevelt.

In 1841, Surtees married Elizabeth Jane Fenwick (1818–1879), daughter of Addison Fenwick of Bishopwearmouth, by whom he had one son Anthony (1847–1871) and two daughters. His younger daughter Eleanor married John Vereker, afterwards 5th Viscount Gort. Their son was Field Marshal Lord Gort, commander of the BEF in France in 1940.  read more

Code: 25970

1995.00 GBP

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Our most popular book purchases from The Lanes Armoury, for gifting at Christmas, will always be a fine Charles Dickens 1st edition! An heirloom for generations to come, that combines to be a fabulous read as well as an antiquarian joy.

London: Bradbury and Evans, 1848 Frontispiece, vignette title, and 38 plates by Hablot Knight Browne (Phiz); plate 35 being the first published example of a "dark plate" Normal staining and foxing to the frontispiece,with foxing as usual, to the plates, browned and stained. A very good copy. The one dark plate in Dombey and Son is "On the Dark Road," p. 547. The smooth blending of light and shadow on this illustration vividly contrasts it with the other illustrations in the novel and is a fine example of the dark plate process"

There's no writing against such power as this - one has no chance' William Makepeace Thackeray.

First edition, this novel is "now recognized as one of the greatest of all his works... It is also the first one to have an explicitly contemporary setting"

Following issue in parts from September 1846 to March 1848, Bradbury and Evans issued the novel in book form in the present cloth. In the 19th number of the part issue, a slip advertised the novel, ready for delivery on 12 April, at £1 1s. in cloth, or £1 4s. 6d in half morocco. The slip goes on to note "Subscribers desirous of having their copies bound in a similar style can have them done by Messrs. Chapman & Hall, 186, Strand, or through their Booksellers, at the following prices:– Whole bound, morocco gilt edges 6s. 6d. Half bound, marble leaves, 4s. 6d. In cloth, lettered 1s. 6d".

For Dickens's novels, the publisher kept a stock of first edition sheets, and bound up copies and issued them over time as demand required. So too, owners of the parts could make use of the binding services long after publication.


A compelling depiction of a man imprisoned by his own pride, Dombey and Son explores the devastating effects of emotional deprivation on a dysfunctional family. Paul Dombey runs his household as he runs his business: coldly, calculatingly and commercially. The only person he cares for is his little son, while his motherless daughter Florence is merely a 'base coin that couldn't be invested'. As Dombey's callousness extends to others, including his defiant second wife Edith, he sows the seeds of his own destruction.
Robert Napier, (1791-1876, second son of James Napier of Dumbarton and Jean Ewing of Rosneath was born at Dumbarton on 18th June 1791. Like his cousin David, he was educated at Dumbarton Public School. One of his teachers, a Mr Traill, recognised his aptitude for mechanical and architectural drawing and encouraged him in developing this skill. Being the eldest son (his brother having died in infancy) and in accordance with Scottish custom, the intention had been that he should enter the Church. However, he felt more forcefully drawn towards following the blacksmith’s trade and at the age of fourteen began working for his father. In 1812 he went to Edinburgh, obtaining a post at Robert Stevenson's works. He returned to Glasgow in 1815 and opened a small blacksmith’s business in Greyfriar’s Wynd. His success there led him to lease the Camlachie works from his cousin David, when David moved his own business to Lancefield. At Camlachie his main business was ironfounding and engineering, constructing marine engines for steamships.

In 1827 he moved his business to larger premises at the Vulcan Foundry in Washington Street, which was nearer the harbour, and in 1835 he took over the foundry at Lancefield when his cousin David moved to London. Combining this with the Camlachie and Vulcan works, Robert Napier thus pioneered an integrated engineering and shipbuilding firm. At Lancefield between 1836 and 1840 he supplied engines for a number of vessels, including those of the East India Company and vessels which would run between England and New York. In 1840 he first became involved in supplying engines to Samuel Cunard, for vessels carrying mail to North America. At his recommendation Cunard was persuaded to increase the size of these vessels, and to enter into partnership with others, a move which proved to be the origin of the Cunard Company. Robert Napier supplied engines for all the paddle-wheel ships operated by Cunard over the next fifteen years. Napier's business was concerned mainly with supplying engines until 1841, when he opened a shipbuilding yard at Govan, building his first ship, the Vanguard, in 1843 for the Glasgow Dublin route. In 1818 he married his cousin Isabella, daughter of John Napier and sister of David. His sons James Robert and John were taken into partnership in 1853. He owned a country estate at West Shandon, and was a prolific collector of works of art and of pottery, his collection becoming known as the Shandon Collection. He died at West Shandon, Glasgow on 23 June 1876.

A very good and beautiful copy with one small corner tear on a later plate.
One picture in the gallery is from an original newspaper showing his play Dombey and Son being advertised {for information only}  read more

Code: 25955

975.00 GBP

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