Antique Arms & Militaria

A Superb, Medieval & Most Rare, 12th-13th Century Crusader Knights Iron Flanged Battle Mace & Scorpion Flail Mace Head

A rare example of mace, and, apparently, not many surviving examples of this type of flanged mace are still in existence.
An offensive battle mace that would be an amazingly effective piece against armour, helmet or shield. In almost spherical form with multi layered protruding flanges in hollow-cast iron that could be mounted on a haft, or with a chain and haft and used as a battle flail. They were also carried as a symbol of power and rank, as it is so now, for example such as the cosmetically huge parliamentary mace and the Queen's great mace of state being just two examples. In the Crusades era this was, on occasion, also an ecclesiastic weapon used by Bishops Popes, for an ecclesiastical warrior was not allowed to draw blood in combat a most novel distinction but far more usually used by mounted knights in noble combat. a flail mace for extra reach on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.

Controlling the flail is much more difficult than rigid weapons.On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace head is approximately the size of a slightly flattened tennis ball.  read more

Code: 22686

A Finely Detailed Original Ancient Egyptian Shabti a Representation of a Mummified Human Tomb Figure, The Afterlife Servant of the Mummy, in Faience Blue Glazed Late Period, Dynasty XXVI, 664-525 B. C. From the Tomb of the Female Owner Bastet-ir-dis

Around 2500 years old. One of two we acquired, excavated from a tomb, and part of a collection formed before the 1970's. A light blue and green composition shabti comprising the remaining upper body, head and shoulders with crossed arms holding crook and flail, wearing a tripartite wig and false beard, semi-naturalistic detailing to the faces. A shabti (also known as shawabti or ushabti) is a generally mummiform small figurine found in many ancient Egyptian tombs. They are commonly made of blue or green glazed Egyptian faience, but can also consist of stone, wood, clay, metal, and glass.

We had two previously from the same collector that bore an inscription {these latest pair are not inscribed, but came from the same tomb} that included the name of the female owner Bastet-ir-dis (which can be translated as 'it was Bastet who gave it' i.e. the lady was the gift of the goddess Bastet), highlights the popularity of this feline deity during the Late Period and Ptolemaic/Roman times. Bastet was a protector of the sun god Re as well as being associated with motherhood and fertility. Bastet-ir-dis's name is preceded by 'the Osiris', a common appellation in shabti inscriptions of this and earlier periods, which associates the deceased with the preeminent ancient Egyptian god of the Underworld. The name was followed by the epithet 'true of voice' or 'justified', an attestation of the deceased's good character as judged by a divine tribunal that decided whether a person could enter the eternal Hereafter. Then follows the phrase 'born to' which would have been accompanied by the name of Bastet-ir-dis's mother on the now missing portion of these figures.

We show two other shabti found in other tombs of the children of Bastet-ir-dis, plus amazingly the actual sarcophagus of Bastit-ir-dis sold at Christies over 20 years ago, in 2001, for $30,550. Original Egyptian Sarcophagus have increased in desirability in the past 20 odd years exponentially, with some fetching as high as $1,000,000 {likely due because it is now forbidden to remove all antiquities from Egypt}

National Museum of Liverpool Shabti of Psamtek born of Bastet-ir-dis
664 BC - 525 BC (Dynasty 26)

British Museum number
Shabti of Padipep
Named in inscription: Bastet-ir-dis (born of)

An Ancient Egyptian painted Wood Anthropoid Sarcophagus of Bastet-ir-dis
Late Period, Dynasty XXVI, 664-525 B. C.
Gessoed and painted depicting the deceased, the lady Bastet-irdis, wearing a striated vulture cap covered wig, and a falcon terminated broad collar, the entire surface of the lid with mythological vignettes, funerary deities and their accompanying inscriptions, the principle among which are a kneeling, winged Isis, and the deceased on a bier; the join of the lid to the box decorated with an undulating serpent, the box with two long funerary offering formulae for the benefit of Bastet-irdis, the back with a profile figure of the "Goddess of the West" Sold originally in the Antiquitie sale, Sotheby's London, 8 December 1994, lot 100

The inscription includes the name of the female owner Bastet-ir-dis (which can be translated as 'it was Bastet who gave it' i.e. the lady was the gift of the goddess Bastet), highlights the popularity of this feline deity during the Late Period and Ptolemaic/Roman times. Bastet was a protector of the sun god Re as well as being associated with motherhood and fertility. Bastet-ir-dis's name is preceded by 'the Osiris', a common appellation in shabti inscriptions of this and earlier periods, which associates the deceased with the preeminent ancient Egyptian god of the Underworld. The name is followed by the epithet 'true of voice' or 'justified', an attestation of the deceased's good character as judged by a divine tribunal that decided whether a person could enter the eternal Hereafter. Then follows the phrase 'born to' which would have been accompanied by the name of Bastet-ir-dis's mother on the now missing portion of these figures.

The meaning of the Egyptian term is still debated, however one possible translation is ‘answerer’, as they were believed to answer their master’s call to work in the afterlife. Since the Fourth Dynasty (2613–2494 BC), for instance, the deceased were buried with servant statuettes like bakers and butchers, providing their owners with eternal sustenance. after the death of Cleopatra in around 37 b.c. and the close of the Ptolomeic Dynasty, no shabti were produced for service in Egyptian mummy's tombs. A spell was oft written on the shabti so that it would awaken as planned, this is the 'shabti spell' from chapter six of the Book of the Dead and reads as follows:

"O shawabti, if name of deceased is called upon,
If he is appointed to do any work which is done on the necropolis,
Even as the man is bounden, namely to cultivate the fields,
To flood the river-banks or to carry the sand of the East to the West,
And back again, then 'Here am I!' you shall say"1
2,000 to 2300 years old. From the Last pharoes of Egypt, that lasted for 275 years, up to the era of Julius Caeser, Cleopatra and Mark Anthony. With The last pharoah almost being the son of Julius Caeser, Caesarian but his mother famously committed suicide, and with the death of Cleopatra, thus the pharoic dynasties ended. Egyptian Blue Glazed Faience Ptolemaic dynasty sometimes referred to as the Lagid dynasty after Ptolemy I's father, who was a Macedonian Greek
The royal dynasty which ruled the Ptolemaic Kingdom in Ancient Egypt during the Hellenistic period. Their rule lasted for 275 years, from 305 to 30 BC. The Ptolemaic was the last dynasty of ancient Egypt.

Ptolemy, one of the seven somatophylakes (bodyguard companions), a general and possible half-brother of Alexander the Great was appointed satrap of Egypt after Alexander's death in 323 BC. In 305 BC, he declared himself Pharaoh Ptolemy I, later known as Sōter "Saviour". The Egyptians soon accepted the Ptolemies as the successors to the pharaohs of independent Egypt. Ptolemy's family ruled Egypt until the Roman conquest of 30 BC.

Like the earlier dynasties of ancient Egypt, the Ptolemaic dynasty practised inbreeding including sibling marriage, but this did not start in earnest until nearly a century into the dynasty's history. All the male rulers of the dynasty took the name Ptolemy, while queens regnant were all called Cleopatra, Arsinoe or Berenice. The most famous member of the line was the last queen, Cleopatra VII, known for her role in the Roman political battles between Julius Caesar and Pompey, and later between Octavian and Mark Antony. Her apparent suicide at the conquest by Rome marked the end of Ptolemaic rule in Egypt.


Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.
1.3/4"). Fair condition very old repair to mid section.  read more

Code: 25667

A Finally Detailed Original Ancient Egyptian Shabti a Representation of a Mummified Human Tomb Figure, The Afterlife Servant of the Mummy, in Faience Blue Glazed Late Period, Dynasty XXVI, 664-525 B. C. From the Tomb of the Female Owner Bastet-ir-dis

Around 2500 years old. One of two we acquired, for sale seperately, excavated from a tomb, and part of a collection formed before the 1970's. A light blue and green composition shabti comprising the remaining upper body, head and shoulders with crossed arms holding crook and flail, wearing wig and false beard, semi-naturalistic detailing to the faces.
We had two previously from the same collector that bore an inscription {these latest pair are not inscribed, but came from the same tomb} that included the name of the female owner Bastet-ir-dis (which can be translated as 'it was Bastet who gave it' i.e. the lady was the gift of the goddess Bastet), highlights the popularity of this feline deity during the Late Period and Ptolemaic/Roman times. Bastet was a protector of the sun god Re as well as being associated with motherhood and fertility. Bastet-ir-dis's name is preceded by 'the Osiris', a common appellation in shabti inscriptions of this and earlier periods, which associates the deceased with the preeminent ancient Egyptian god of the Underworld. The name was followed by the epithet 'true of voice' or 'justified', an attestation of the deceased's good character as judged by a divine tribunal that decided whether a person could enter the eternal Hereafter. Then follows the phrase 'born to' which would have been accompanied by the name of Bastet-ir-dis's mother on the now missing portion of these figures.

We show two other shabti found in other tombs of the children of Bastet-ir-dis, plus amazingly the actual sarcophagus of Bastit-ir-dis sold at Christies over 20 years ago, in 2001, for $30,550. Original Egyptian Sarcophagus have increased in desirability in the past 20 odd years exponentially, with some fetching as high as $1,000,000 {likely due because it is now forbidden to remove all antiquities from Egypt}

National Museum of Liverpool Shabti of Psamtek born of Bastet-ir-dis
664 BC - 525 BC (Dynasty 26)

British Museum number
Shabti of Padipep
Named in inscription: Bastet-ir-dis (born of)

An Ancient Egyptian painted Wood Anthropoid Sarcophagus of Bastet-ir-dis
Late Period, Dynasty XXVI, 664-525 B. C.
Gessoed and painted depicting the deceased, the lady Bastet-irdis, wearing a striated vulture cap covered wig, and a falcon terminated broad collar, the entire surface of the lid with mythological vignettes, funerary deities and their accompanying inscriptions, the principle among which are a kneeling, winged Isis, and the deceased on a bier; the join of the lid to the box decorated with an undulating serpent, the box with two long funerary offering formulae for the benefit of Bastet-irdis, the back with a profile figure of the "Goddess of the West" Sold originally in the Antiquitie sale, Sotheby's London, 8 December 1994, lot 100

The inscription includes the name of the female owner Bastet-ir-dis (which can be translated as 'it was Bastet who gave it' i.e. the lady was the gift of the goddess Bastet), highlights the popularity of this feline deity during the Late Period and Ptolemaic/Roman times. Bastet was a protector of the sun god Re as well as being associated with motherhood and fertility. Bastet-ir-dis's name is preceded by 'the Osiris', a common appellation in shabti inscriptions of this and earlier periods, which associates the deceased with the preeminent ancient Egyptian god of the Underworld. The name is followed by the epithet 'true of voice' or 'justified', an attestation of the deceased's good character as judged by a divine tribunal that decided whether a person could enter the eternal Hereafter. Then follows the phrase 'born to' which would have been accompanied by the name of Bastet-ir-dis's mother on the now missing portion of these figures.

A shabti (also known as shawabti or ushabti) is a generally mummiform small figurine found in many ancient Egyptian tombs. They are commonly made of blue or green glazed Egyptian faience, but can also consist of stone, wood, clay, metal, and glass. The meaning of the Egyptian term is still debated, however one possible translation is ‘answerer’, as they were believed to answer their master’s call to work in the afterlife. Since the Fourth Dynasty (2613–2494 BC), for instance, the deceased were buried with servant statuettes like bakers and butchers, providing their owners with eternal sustenance. after the death of Cleopatra in around 37 b.c. and the close of the Ptolomeic Dynasty, no shabti were produced for service in Egyptian mummy's tombs. A spell was oft written on the shabti so that it would awaken as planned, this is the 'shabti spell' from chapter six of the Book of the Dead and reads as follows:

"O shawabti, if name of deceased is called upon,
If he is appointed to do any work which is done on the necropolis,
Even as the man is bounden, namely to cultivate the fields,
To flood the river-banks or to carry the sand of the East to the West,
And back again, then 'Here am I!' you shall say"

2500 years old, the 26th dynasty 664-525 B.C. fortified the culture, which saw a new phase of artistic expression in stone monuments and statuary. Later generations would remember this dynasty as representative of Egyptian history, and would in turn recapitulate Saite forms. From the era around 200 years before the last pharoes of Egypt, known as the Ptolomeic Dynasty that lasted for 275 years, up to the era of Julius Caeser, Cleopatra and Mark Anthony. With The last pharoah almost being the son of Julius Caeser, Caesarian but his mother famously committed suicide, and with the death of Cleopatra, thus the pharoic dynasties ended.

The Ptolemaic dynasty is sometimes referred to as the Lagid dynasty after Ptolemy I's father, who was a Macedonian Greek
The royal dynasty which ruled the Ptolemaic Kingdom in Ancient Egypt during the Hellenistic period. Their rule lasted for 275 years, from 305 to 30 BC. The Ptolemaic was the last dynasty of ancient Egypt.

Ptolemy, one of the seven somatophylakes (bodyguard companions), a general and possible half-brother of Alexander the Great was appointed satrap of Egypt after Alexander's death in 323 BC. In 305 BC, he declared himself Pharaoh Ptolemy I, later known as Sōter "Saviour". The Egyptians soon accepted the Ptolemies as the successors to the pharaohs of independent Egypt. Ptolemy's family ruled Egypt until the Roman conquest of 30 BC.

Like the earlier dynasties of ancient Egypt, the Ptolemaic dynasty practiced inbreeding including sibling marriage, but this did not start in earnest until nearly a century into the dynasty's history. All the male rulers of the dynasty took the name Ptolemy, while queens regnant were all called Cleopatra, Arsinoe or Berenice. The most famous member of the line was the last queen, Cleopatra VII, known for her role in the Roman political battles between Julius Caesar and Pompey, and later between Octavian and Mark Antony. Her apparent suicide at the conquest by Rome marked the end of Ptolemaic rule in Egypt.

Grand Tour souvenirs included a wide variety of sculpture, paintings, and antiquities, and led to Egyptian artefacts being found in the most unexpected places. Today’s visitors to historic houses, like those managed by the National Trust in Great Britain, may encounter an incongruous Egyptian item, like the top part of a small basalt figure, described as a nomarch, on a bedroom chimneypiece at Petworth House, Sussex, or the kneeling statue of Ramesses II on the staircase at The Vyne, Hampshire. Quite possibly, there will be no indication of the object’s age, origins, or purpose. If the visitor is lucky, they will find a display label, or an entry in a guidebook or online catalogue, but the history behind the object’s presence is more commonly unexplained.

Richard Lassels, an expatriate Roman Catholic priest, first used the phrase “Grand Tour” in his 1670 book Voyage to Italy, published posthumously in Paris in 1670. In its introduction, Lassels listed four areas in which travel furnished "an accomplished, consummate traveler" with opportunities to experience first hand the intellectual, the social, the ethical, and the political life of the Continent.

The English gentry of the 17th century believed that what a person knew came from the physical stimuli to which he or she has been exposed. Thus, being on-site and seeing famous works of art and history was an all important part of the Grand Tour. So most Grand Tourists spent the majority of their time visiting museums and historic sites.

Once young men began embarking on these journeys, additional guidebooks and tour guides began to appear to meet the needs of the 20-something male and female travelers and their tutors traveling a standard European itinerary. They carried letters of reference and introduction with them as they departed from southern England, enabling them to access money and invitations along the way.

With nearly unlimited funds, aristocratic connections and months or years to roam, these wealthy young tourists commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.

The wealthy believed the primary value of the Grand Tour lay in the exposure both to classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. The youthful Grand Tourists usually traveled in the company of a Cicerone, a knowledgeable guide or tutor.

The ‘Grand Tour’ era of classical acquisitions from history existed up to around the 1850’s, and extended around the whole of Europe, Egypt, the Ottoman Empire, and the Holy Land.

1 1/2" inches high. Fair condition.  read more

Code: 25668

An Original Ancient Medieval 13th Century, Knight's, Iron Battle Mace & Scorpion Flail MaceHead

A pineapple shaped iron head, with large centre mounting hole, for a leaded chain or a haft. The wooden haft as usual has rotted away, but could be replaced one day for display purposes. This is the type of War Mace that were also used as a Flail Mace, with the centre mount being filled with lead and a foot to a foot and a half long chain mounted within in, and then it was attached to a wooden haft, so it could be flailed around the head. Flattened pyramidical protuberances, most possibly English. Made for a mounted Knight to use as an Armour and Helmet Crusher in mortal combat. It would have been continually used up to the 15th to even 16th century. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon at the Battle of Crecy, for as he was blind, and the act of 'Flailing the Mace' meant that his lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. It was his personal banner of the triple feathers that was adopted following this battle by the Prince of Wales as his standard, and still used by Prince William the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.  read more

Code: 22991

A Rare Pair of 14th- 15th Century Medeavil Bronze Winged Polygonal 'Raven's Head' Mace Heads Likely Twin Headed Flail Mace, Mongol Invasion Period to Vlad 'The Impaler' Dracul’s Knight’s Order of The Dragon Period

Cast bronze and each mace head had four ravens heads that can be viewed from both above and upside down, below, creating eight ravens per mace. The remaining surfaces are decorated in the circular ‘all seeing eye’, or ‘evil eye’ pattern, that has been used since the time of the ancient Greeks as a feature to ward off evil spirits. When used by the Knight hussars they were called a kisten, and the double headed flail mace were adopted by the hussar knights from those used by Mongols, Turks and Tartars in their invasions into Eastern Europe in the 14th century.

The eyes design creates a zoomorphic design of several back to back ravens heads. We have read of the notorious 'Raven's Head' maces for many years, and more often they appear today in fantasy role play games, but this may be the very first, original, 14th century examples we have ever had the privelege to see and own.

Together, the wolf and raven embody the Mongol or Turkic warrior as he saw himself: a ferocious, predatory being who hunts his enemies, raiding is inherently a predatory action, after all. In addition, the connection of these animals to warfare in the Mongol mindset is also reinforced since both the wolf and raven appear in the aftermath of battle to feed on the dead.

Vlad Dracul of Transylvania inspired the tales of the vampire of legend, named "Dracula". That evolution of Dracul, recalls only the character from the 1897 novel by Bram Stoker, dramatically and memorably realised by Bella Lugosi, in the eponymous 1931 Hollywood horror film, and then followed by all too numerous actors since, including one of the very best, Gary Oldman. However, behind the popular myth lies the genuine historic ruler Vlad III Dracula "the Impaler" (1431-76), Prince of Wallachia in what is now Romania, a vassal of the Hungarian kings. Voivode is the medieval Romanian term for a regional commander, which position Vlad held intermittently in addition to his princedom (1448, 1456-62 and 1476), and the name "Dracula" is a diminutive derived from the Imperial Order of the Dragon, the order of knights to which Vlad and his father, Vlad II (1390-1447) commanded. He ruled his military kingdom of Wallachia southern Romania with a heavy and blood-soaked fist. To not only the Turks but also to many of his own countrymen he was Vlad The Impaler, Vlad Die Tepes (pronounced Tee-pish). Determined not to be overtaken by the intrigue of an intriguing political underhandedness, in a world in which princes fell daily to smiling, hypocritical "allies," paranoia among the aristocracy was, and probably needed to be, utmost in a sovereign's disposition. Dracula built a defence around him that dared not open kindness nor trust to anyone. During his tenure, he killed by the droves, impaling on a forest of spikes around his castle thousands of subjects who he saw as either traitors, would-be traitors or enemies to the security of Romania and the Roman Catholic Church. Sometimes, he slew merely to show other possible insurgents and criminals just what their fate would be if they became troublesome.

A flail mace avails the user extra reach used on horseback. Unlike a sword or haft mounted mace, it doesn't transfer vibrations from the impact to the wielder. This is a great advantage to a horseman, who can use his horse's speed to add momentum to and underarmed swing of the ball, but runs less of a risk of being unbalanced from his saddle.
It is difficult to block with a shield or parry with a weapon because it can curve over and round impediments and still strike the target. It also provides defense whilst in motion. However the rigid haft does have the advantage as the flail needs space to swing and can easily endanger the wielder's comrades.

Controlling the flail is much more difficult than rigid weapons. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.
King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights, both friends and companions, to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used. Pictures in the gallery, some medieval, showing them used in combat. The mace heads are approximately the size of a walnut.


Detail from Battle of Orsha painting, 1520–1534 photo 6 in the gallery. With Lithuanian hussar in yellow tunic with 'kisten' the flail mace in his belt.

Another variety of multi headed flail mace is the Iberian flail or mangual. See picture 7 in the gallery. This can be seen below at the feet of the figure on the frontispiece of the Handbook of the True Skill of Arms in Thirty-Eight Assertions by Miguel Perez de Mendoza y Quixada, published in 1675. This weapon was a specialized armament meant primarily to oppose rapiers and perhaps two handed swords like montante in combat, the figure standing amongst an armoury of weapons including a zweihander great sword, a maine gauche, numerous swept hilt and cup hilt rapiers, and at his feet, a multi chained mace battle-whip or mangual. Picture in the gallery is another a capture taken from a Renaissance painting  read more

Code: 24822

A Fantastic Looking Knight's Mounted Weapon, Medieval 15th Century Form 'Scorpion Tail' Chained Mace, or Battle Whip Head

A superb knight's 'scorpion tail' or 'battle whip' iron mounted knight's chained mace with screw pin to imbed into a wooden haft, composed of a carinated and facetted head with trapezoidal suspension loop, chain with figure-of-eight links with coiled wire collars, screw with tapering twisted shank and suspension loop with a facetted collar. This chained battle mace had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon as well as his sword, but as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.
According to the Cronica ecclesiae Pragensis Benesii Krabice de Weitmile, when told by his aides that the battle against the English at Crécy was lost and he better should flee to save his own life, John the Blind replied: "Absit, ut rex Boemie fugeret, sed illuc me ducite, ubi maior strepitus certaminis vigeret, Dominus sit nobiscum, nil timeamus, tantum filium meum diligenter custodite. --Far be it that the King of Bohemia should run away. Instead, take me to the place where the noise of the battle is the loudest. The Lord will be with us. Nothing to fear. Just take good care of my son-.

It is difficult to block with a shield or parry with a weapon such as this on a chain because it can curve over and round impediments and still strike the target.

It has a faceted orb mace head connected by a chain, and bar for holding in the hand or affixing to a wooden haft. . Modern works variously refer to this particular weapon as a "mace-and-chain" or "chain mace," and sometimes erroneously label them as simply a "mace" or morning star, terms which technically apply only to rigid weapons. Some historians refer to this weapon as a kettenmorgenstern ("chain morning star") to distinguish it from the rigid weapon. Despite being depicted in medieval manuscripts they were very likely most rare bespoke weapons in their day, and infrequently encountered, as rigid maces, iron or bronze weighted heads, affixed to a wooden hafts, were far simpler to make and thus much less expensive to create.
After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French

Sir Walter Scott describes the flail in the hands of an unhinged Crusader in his 19th-century novel The Talisman:

“I am Theodorick of Engaddi,” he said,—“I am the walker of the desert—I am friend of the cross, and flail of all infidels, heretics and devil-worshippers.” … So saying, he pulled from under his shaggy garment a sort of flail or jointed club, bound with iron, which he brandished round his head with singular dexterity.

“Thou seest thy saint,” said the Saracen, laughing, for the first time, at the unmitigated astonishment with which Sir Kenneth looked on the wild gestures and heard the wayward muttering of Theodorick, who, after swinging his flail in every direction, apparently quite reckless whether it encountered the head of either of his companions, finally showed his own strength and the soundness of the weapon, by striking into fragments a large stone which lay near him.

“This is a madman,” said Sir Kenneth.

The gallery contains photos of original medieval paintings of chained maces used in knightly combat, and another of a Renaissance tapestry of another chained mace, and an original 17th century engraving. Another final variety the Iberian flail or mangual. This can be seen below at the feet of the figure on the frontispiece of the Handbook of the True Skill of Arms in Thirty-Eight Assertions by Miguel Perez de Mendoza y Quixada, published in 1675. This weapon was a specialized armament meant primarily to oppose rapiers and perhaps two handed swords like montante in combat, the figure standing amongst an armoury of weapons including a zweihander great sword, a maine gauche, numerous swept hilt and cup hilt rapiers, and at his feet, a multi chained mace battle-whip or mangual. Picture 10 in the gallery is another a capture taken from a Renaissance painting

Very good, surface russetted condition, 22 inches long approx., and with great heft.  read more

Code: 24107

A Very Good & Fine Original Medieval 'Crusader' Knight's Bronze Battle Mace & Scorpion Flail Mace Head Circa 12th Century. Around 900 Years Old, In Superb Condition and With Excellent Natural Age Patination

Made of Bronze Copper Alloy. A weapon made at the time at great cost, and only for the most affluent knight, a battle mace for the crushing and smashing of armour. The mace head is approx. the width of a pool or billiard ball. This fabulous mace could be mounted upon a haft {pretty much none of the original hafts from that period are now still in existence, being organic they decay very quickly once buried} or the aperture filled with lead and a large hand wrought iron staple, that would then be chained, and further mounted upon a short wooden haft to use as a flail mace.
Although no original early mace heads, in reality, were that large, they were heavy and powerful enough, combined with the impetus of a powerful swing, to be incredibly and dramatically effective at smashing through armour, and even iron plate helmets.

This bronze mace was made and used in the era of the first, through to all the knightly crusades to the Holy Land to reclaim Jerusalem.

The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Christian Latin Church in the medieval period. The best known of these military expeditions are those to the Holy Land in the period between 1095 and 1291 that had the objective of reconquering Jerusalem and its surrounding area from Muslim rule after the region had been conquered by the Rashidun Caliphate centuries earlier. Beginning with the First Crusade, which resulted in the conquest of Jerusalem in 1099, dozens of military campaigns were organised, providing a focal point of European history for centuries. Crusading declined rapidly after the 15th century.

In 1095, after a Byzantine request for aid, Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for Byzantine emperor Alexios I Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in Western Europe, there was an enthusiastic response. Participants came from all over Europe and had a variety of motivations. These included religious salvation, satisfying feudal obligations, opportunities for renown, and economic or political advantage. Later expeditions were conducted by generally more organised armies, sometimes led by a king. All were granted papal indulgences. Initial successes established four Crusader states: the County of Edessa; the Principality of Antioch; the Kingdom of Jerusalem; and the County of Tripoli. A European presence remained in the region in some form until the fall of Acre in 1291. After this, no further large military campaigns were organised.  read more

Code: 25454

16th Century Militia Man’s “Morgernstern” or "Holy Water Sprinkler"Mace Flail Possibly From Germany. Also A Weapon of The City Guard and Watchmen of Germany or Switzerland

Long wooden haft with large protruding blacksmith nail spikes. An extraordinary intimidating weapon, crude, yet incredibly effective. A rare German PoleArm known as a Morgenstern ‘morning star’ or ‘Holy Water Sprinkler’. The holy water sprinkler (from its resemblance to the aspergillum used in the Catholic Mass), was a morning star used by the English army in the sixteenth century and made in series by professional smiths. One such weapon can be found in the Royal Armouries and has an all-steel head with six flanges forming three spikes each, reminiscent of a mace but with a short thick spike of square cross section extending from the top. The wooden shaft is reinforced with four langets and the overall length of the weapon is 74.5 inches (189 cm). This kind of war flail originated as a peasant weapon and was particularly popular in Germany and central Europe, also used by city guards and watchmen in Germany and Switzerland. Typically a long wooden shaft, with cylindrical head and arrangements of iron spikes. These weapons were frequently found in German armouries, and large fortified houses, and used by local standing militias and guards. A fine example believed to have been made for Henry VIII combining a gun mechanism with the spiked head is in the Royal Armouries collection in Leeds. This example is an iconic example, the head bears a long spike and further rows below of shorter spikes, very strong and four-sided. In good stable condition, old woodworm to surface not active. Length approximately cms. Dating to the 16th century.

Morning Stars were first popularized in Germany during the fourteenth century. The name (originally Morgenstern) seems to reference the shape of the head like a star – although this is not confirmed.

The Morning Star resembles a mace, which was developed somewhat independently. As the mace transitioned to being constructed of metal, the morning star kept its wooden shaft.

There are two very impressive examples of morning stars housed in the museums of Vienna. The first measures 2.35 meters in length (7 ft 9 in) and has a separate wooden head slipped over the top of the shaft and reinforced with steel straps. The spikes are arranged asymmetrically. The second has a head entirely made of steel and four V-shaped spiked mounted o a long shaft. There are also 183 specimens in Graz, made in series in the 1600s.

Morning stars have been depicted in medieval art, carried by armoured knights. In a 1486 poem, one is mentioned and described as “a rather simple morning star with spiked mounted in an asymmetrical pattern”.

The morning star was used by both infantry and cavalry. There were three types of weapon differing in quality.

The first was a well-crafted military type used by professional soldiers and made in series by expert weapon smiths in town arsenals.

The second, this example, was used by militia men and crafted from wood fitted with nails and spikes by a local blacksmith. For this type, the shaft and head were usually made of one piece which was sometimes reinforced with an iron band.

The third type was mostly decorative, made of metal and with a shorter shaft.

Overall 83 inches 6 ft 11 inches, {211 cm}

UK mainland delivery only, by our own company courier, {due to size} allow up to 14 days for delivery. Too long to ship overseas.  read more

Code: 25245

A 13th Century Iron Head, Crusader Knight's Battle Mace, 800 Years Old, Mounted Upon A Later Museum's Display Haft

Pineapple shaped lobes on circular head with large mounting hole through which the haft slots. it was fitted to a plain wood haft for a museum display, as its original rotted away centuries ago as usual, in order to show how it looked and was used 800 years ago.
This type of mace head were also used as a Flail Mace, by filling out the hollow iron head with lead and a chain mounted hook placed within it, a chain would then be added to the end of a similar but shorter wooden haft. This subsequent mace head weapon could thus then became a flail, often called a scorpion at the time.

This very fine and rare iron mace head has flattened pyramidal protuberances, and is possibly English. Made for a mounted Knight to use as an armour and helmet crusher in hand to hand mortal combat upon his war horse, or then for use dismounted.

It would have been used for several hundred years, up to the 15th to 16th century.
Used as a flail it had the sobriquet of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'.

King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. In fact so noble were his actions regarded, it is said his banner of three erect and standing feathers became the symbol of the then Prince of Wales, Edward, the Black Prince, and as such, is still used by the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.

Despite relatively plentiful primary sources, scholarship until recently has been limited, due at least in part to the lack of major military engagements. Although Gregory IX went further than any other pope to create an ideal of Christian unity in the process of organizing the crusade, in practice the crusade's divided leadership did not reveal a unified Christian action or identity in response to taking a cross. Approx. 2.5 inch wide lobed iron head.

Painting in the gallery by Julian Russel Story of the Black Prince at the battle of Crecy. At his feet lies the body of the dead King John of Bohemia painted in 1888.  read more

Code: 21534

An Original Ancient 13th Century, Crusader Knight's Iron Battle Mace & Scorpion Head

Pineapple shaped head with large mounting hole. The type as were also used as a Flail Mace, with the centre mount being filled with lead and a chain mounted hook, when it was not mounted on a haft, as this mace is. Flattened pyramidical protuberances, possibly English or East European. Made for a mounted Knight in the era of the Crusades, to use as an Armour and Helmet Crusher in mortal combat. Although made in the 1200's it would have been continually used up to the 15th to 16th century. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant that his lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights [both friends and companions] to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.  read more

Code: 17235