A Late 1600’s to 1700’s Very Fine Museum Grade, Black Coral Handled Sinhalese King’s or Noble’s Knife. A Royal Piha-Kaetta (Pihiya) With Finest Chisseled Silver And Gold. From The King of Kandy’s Workshop

The knife is being artisan conservator cleaned and conserved in the workshop, it is photographed here pre-conservation at present

A Fine Sinhalese Knife Piha-Kaetta (Pihiya) from Sri Lanka, Late 17th early 18th Century.

From our latest incredible collection of early 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Kandy of Sri Lanka. Each one a masterpiece of the early craftsman’s art

From the sixteenth century, the Kandyan kingdom was drawn into the Wars of Kotte Succession after the Kingdom of Kotte was divided among three brothers. It was also at this time that the Portuguese Empire intruded into the internal affairs of Sri Lanka, establishing control over the maritime regions of the island and seeking to control its lucrative external trade. During this civil war the Kandyan kingdom almost lost its independence the Kingdom of Sitawaka who occupied it for a decade. The Crisis culminated in the collapse of the Kotte kingdom in 1597 and all of its successor states, including the Sitawaka kingdom. Kandy was the only independent Sinhalese kingdom to survive thus beginning the Kandyan period (1592–1815). Kandyan rulers, in an effort to protect their independence, alternated between resistance and diplomacy when dealing with the Europeans.
In the seventeenth century, the kingdom formed an alliance with the Dutch East India Company to expel the Portuguese from the island. Although the Portuguese were eventually removed, the Dutch double-crossed the Kandyans and retained control of the coastal regions and relations between Kandy and the Dutch became strained. The Kandyans and the Dutch would engage in two wars with the later resulting in loss of all of Kandy's remaining coastal territory, making it a landlocked country.

This Pihiya is a very well known form of early Ceylonese royal knife, with a straight-backed blade and a curved cutting edge.
The Pihiya Handle and part of the blade are beautifully and finely engraved and decorated with delicate tendrils, the powerful hilt is made out of different combinations of materials such as Gold, Silver, Brass, Copper, Rock Crystal, Ivory, Horn, Black Coral Steel and Wood. Sometimes the Gold or Silver mounts extend down halfway the blade.
Handles were made in a certain and very distinctive form, occasionally they were made in the form of serpentines or a mythical creature’s head, most similar to this stunning piece.
The Kaetta means a beak or billhook, it is a similar but larger knife to the Pihiya, it has a blade with a carved back and a straight cutting edge that curves only towards the tip.
The finest examples were made at the four workshop (Pattal-Hatara), where a selected group of craftsmen worked exclusively for the King and his court, and were bestowed to nobles and officials together with the kasthan? and a cane as a sign of rank and / or office. Others were presented as diplomatic gifts. Many of the best knives were doubtless made in the Four Workshops, such as is this example, the blades being supplied to the silversmith by the blacksmiths.
"The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu Golden Arms, the Abarana Regalia, the Sinhasana Lion Throne, and the Otunu Crown these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months. The Kottal-badda men in each district were under a foreman (mul-acariya) belonging to the Pattal-hatara. Four other foremen, one from each pattala, were in constant attendance at the palace. Prince Vijaya was a legendary king of Sri Lanka, mentioned in the Pali chronicles, including Mahavamsa. He is the first recorded King of Sri Lanka. His reign is traditionally dated to 543 -505 bc. According to the legends, he and several hundred of his followers came to Lanka after being expelled from an Indian kingdom. In Lanka, they displaced the island's original inhabitants (Yakkhas), established a kingdom and became ancestors of the modern Sinhalese people.
A related but less ornate example but without a scabbard currently is on display in London’s Victoria & Albert Museum. Another example is in the Clive Collection (see Archer, 1987, p. 45 for an illustration.). The Clive example was first mentioned in inventories in 1775.
References
Caravana, J. et al, Rites of Power: Oriental Weapons: Collection of Jorge Caravana, Caleidoscopio, 2010.
Hales, R.,
Islamic and Oriental Arms and Armour: A Lifetime’s Passion, Robert Hale CI Ltd, 2013.

De Silva, P.H.D.H & S. Wickramasinghe,
Ancient Swords, Daggers & Knives in Sri Lankan Museums, Sri Lanka National Museums, 2006.

Weereratne, N.,
Visions of an Island: Rare works from Sri Lanka in the Christopher Ondaatje Collection, Harper Collins, 1999.

https://collections.vam.ac.uk/item/O452562/knife-and-sheath/

Occasionally, as we are Great Britain’s leading gallery of our kind, we had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.


13 inches long overall

Code: 22534